genre pop
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Poppy has put her own spin on “Taste,” Sabrina Carpenter’s sultry viral hit, delivering a stripped-down yet edgy reinterpretation for Like A Version, the long-running cover series from Australian radio station triple j.
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The performance, which was recorded during her recent Australian tour with Bad Omens, also featured an unexpected nod to The Divinyls’ “I Touch Myself,” seamlessly woven into the chorus. “I love her voice, and I think she’s very pretty,” Poppy said of Carpenter, explaining her song choice. “And the song is really fun to sing, so here we are.”
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Dressed in a sleek all-black outfit, Poppy’s performance brought a darker, moodier edge to “Taste,” stripping back its glossy pop production in favor of a more industrial-tinged arrangement.
Adding to the intrigue was the masked presence of Jordan Fish, formerly of Bring Me The Horizon, handling production duties. The unexpected interpolation of “I Touch Myself”—an Australian classic originally released in 1990.
“The first time I heard [‘Taste’], I thought it sounded like ‘I Touch Myself’, which is also my favourite karaoke song, so combining it made sense,” Poppy said of her choice to add the twist to Carpenter’s track.
The cover arrives as both Poppy and Carpenter celebrate major career milestones. Poppy was nominated for Best Metal Performance at the 2025 Grammys for “Suffocate,” her collaboration with Knocked Loose that reached number 50 on Billboard’s Hot Rock & Alternative Songs. Meanwhile, Carpenter took home her first two Grammy Awards for Best Pop Solo Performance and Best Pop Vocal Album.
“Taste” has been a breakout moment for Carpenter, peaking at No. 2 on the Billboard Hot 100. The song, featured on her album Short n’ Sweet, which held No. 1 for four weeks on the Billboard 200.
Poppy, meanwhile, continues to push genre boundaries, evolving from her early YouTube days into an avant-garde force within the metal and alternative scenes.
Poppy’s Like A Version session adds to a long history of memorable covers on the program, which has hosted artists like Billie Eilish, Arctic Monkeys, and Childish Gambino reworking unexpected tracks. Whether this signals a future collaboration between Poppy and Carpenter remains to be seen, but for now, the metal provocateur has put her own mark on one of the year’s biggest pop hits.
Watch Poppy’s Like A Version cover of “Taste” below.
Netflix will no longer release a nine-hour documentary series about Prince after reaching a deal with his estate, according to multiple reports. Instead, a separate documentary is now in development that will include exclusive content from the late star’s archive. “The Prince Estate and Netflix have come to a mutual agreement that will allow the […]
LISA is continuing her Alter Ego roll-out by calling on some of her fellow female pop stars. The 27-year-old BLACKPINK star teamed up with Doja Cat and Raye for a sultry new single, “Born Again,” released on Friday (Feb. 7). Explore See latest videos, charts and news See latest videos, charts and news The glamorous […]
Clairo is kicking off 2025 with a bang, unveiling a brand new music video for her breezy track “Terrapin” on Thursday (Feb. 6), starring none other than “Weird Al” Yankovic. Explore See latest videos, charts and news See latest videos, charts and news The four-minute theatrical visual finds Yankovic emerging from a teal green home […]
The devil works hard, but drag superstar Jan Sport and musician/producer Andrew Barret Cox both work harder. In a viral clip posted Tuesday, Sport and Cox shared a video of their live performance of Lady Gaga‘s new single “Abracadabra.” Re-creating the video — which Gaga premiered Sunday during the 2025 Grammy Awards — at New […]
A recent column published by The Hollywood Reporter criticized Chappell Roan‘s best new artist acceptance speech at the 2025 Grammys, and Halsey is coming to her fellow pop star’s defense.
In a post to Instagram Stories, Halsey called out The Hollywood Reporter for publishing a guest column headlined “Chappell Groan: The Misguided Rhetoric of an Instant Industry Insider,” in which former music industry executive Jeff Rabhan said Roan’s speech calling out music labels was “a hackneyed and plagiarized script.”
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“I hope you’re embarrassed of the absolute personal attack that you’ve ran and disguised as critical journalism,” Halsey wrote to her Instagram Stories. “This is so far beneath the standard you should uphold as a publication.”
In his column, Rabhan — who worked as an A&R executive at Atlantic and Elektra Records, and currently serves as the CEO & co-founder of edutainment platform Bored-of-Ed — claimed that Roan’s call for labels to give artists improved healthcare benefits and a living wage was coming from “an artist basking in industry love while broadcasting naïveté and taking aim at the very machine that got her there.”
He continued, adding that “if labels are responsible for artists’ wages, health care and overall well-being, where does it end and personal responsibility begin? Should Chris Blackwell put a mint on her pillow and tuck her in at night, too? There is no moral or ethical obligation by any standard that hold labels responsible for the allocation of additional funds beyond advances and royalties.”
The “Ego” singer ripped into Rabhan’s “ranting, seething tantrum,” as they called it, claiming the former executive’s argument was “loaded with assumptions and accusations that generalize the experience of every artist to that of the most successful.” She pointed out that advances offered by labels only cover “affording survival” considering that making an album for a label “precludes [artists] from working a day job.”
“It’s a game of investment but the investment is towards producing the materials, the person *the ORGANIC MATERIAL* that is producing that product needs access to things like health care. Shocking, I know,” she wrote. “If you want to profit off of someone else’s art; that artist should have the basic living means to feel safe enough to create that art.”
In concluding the post, Halsey also pointed out that Roan is not an “instant industry insider,” as Rabhan claimed, but instead someone who has been working for over a decade to get to the position she currently occupies. “To compare the payoff of her actions to those of an industry titan with the power and financial leverage of Taylor Swift, when Chappell hasn’t even spun the block enough times to see the residuals of her long earned but sudden success, is irresponsible for someone with your experience in this industry,” she wrote. “Shame on you. Boot licking behavior.”
The speech in question saw Roan call out major labels for not providing adequate benefits to their signed artists, citing her own experience after being dropped from Atlantic in 2020. “It was so devastating to feel so committed to my art and to feel so betrayed by the system and to be so dehumanized to not have healthcare. If my label would have prioritized artists’ health, I could have been provided care by a company I was giving everything to,” she said.
Billboard and The Hollywood Reporter are both owned by PMC.
Seven-time Grammy winner and Academy Award-winning artist Jon Batiste has signed with UTA for representation in all areas, the agency announced Thursday (Feb. 5) Batiste is also a composer and performer who has built a career spanning multiple genres and disciplines.
This Sunday (Feb. 9), Batiste is set to perform the national anthem at the 2025 Super Bowl in his hometown of New Orleans.
Batiste’s latest studio album Beethoven Blues, released in November via Verve Records/Interscope, blends Beethoven’s compositions with Batiste’s own approach to the piano. The album debuted at No. 1 on Billboard’s Classical Albums chart and held the top spot for five weeks. It also reached the top of the Classical Crossover Albums chart where it sat at the peak for 10 weeks.
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Batiste has earned seven top 10s on the Jazz Albums chart, including a No. 1 with 2014’s Social Music and 2018’s Hollywood Africans, which peaked at No. 2 and spent over six months on the chart. He’s also had three top 10s on the Adult Alternative Airplay chart, with 2021’s “I Need You” reaching No. 2. His song catalog (for tracks on which he is the lead performer) has registered 284.5 million official on-demand U.S. streams, according to Luminate.
Batiste received 11 Grammy nominations in 2022, eight for his album We Are and three for his music to the Pixar movie Soul. He is one of only five artists in Grammy history to receive 11 or more nominations in one year. His nominations were spread across six genre fields in addition to the General Field.
Batiste was the subject of Matthew Heineman’s 2023 documentary American Symphony, released on Netflix in partnership with production company Higher Ground. Batiste and Grammy winner Dan Wilson penned the emotional song “It Never Went Away” for the film, which earned an Oscar nomination for best original song in 2024. American Symphony also won best music film at this year’s Grammys, while a track featured in the film, “It Never Went Away,” won best song written for visual media.
A Juilliard graduate, Batiste served as the bandleader and musical director of The Late Show with Stephen Colbert from 2015 to 2022. His early Grammy recognition included a nomination for best American roots performance in 2018 for his rendition of “Saint James Infirmary Blues” and two nominations in 2020 for Chronology of a Dream: Live at the Village Vanguard and Meditations (with Cory Wong). In 2021, he won the Academy Award for best original score for Disney/Pixar’s Soul alongside Trent Reznor and Atticus Ross. In 2024, he also composed the score for Jason Reitman’s film Saturday Night live on-set during filming.
Batiste additionally runs his own company with an executive team led by Jonathan Azu, Dan Shulman, Ryan Lynn and ID PR.
Timothée Chalamet makes his Billboard album chart debut as the soundtrack to the Bob Dylan biopic, A Complete Unknown, in which Chalamet stars as Dylan, arrives across four charts (dated Feb. 8). The set launches on Soundtracks (No. 17), Indie Store Album Sales (No. 23), Top Current Album Sales (No. 29) and Top Album Sales […]
Saturday Night Live is celebrating 50 years of its cultural impact, and Lorne Michaels’ iconic sketch comedy program is hosting a live, three-hour telecast from Studio 8H in Rockefeller Center.
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A slew of star-studded talent is set to make appearances during the show, including Sabrina Carpenter, Paul McCartney, Adam Driver, Ayo Edebiri, Bad Bunny, Dave Chappelle, John Mulaney, Kim Kardashian, Martin Short, Miley Cyrus, Paul Simon, Pedro Pascal, Peyton Manning, Quinta Brunson, Robert De Niro, Scarlett Johansson, Steve Martin, Tom Hanks and Woody Harrelson, with additional names to be announced.
The special will air on Sunday (Feb. 16) at 8 p.m. ET/5 p.m. PT on NBC and simulcast on Peacock.
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The SNL50: The Anniversary Special telecast will broadcast two days after the Jimmy Fallon-hosted live homecoming concert at New York City’s Radio City Music Hall, featuring performances by Bad Bunny, Lady Gaga, Miley Cyrus, Post Malone, Jelly Roll, the Backstreet Boys, Arcade Fire, Bonnie Raitt, Brandi Carlile, Brittany Howard, Chris Martin, David Byrne, DEVO, Eddie Vedder, Jack White, Mumford & Sons, Preservation Hall Jazz Band, Robyn, The B-52s and The Roots.
The show will take place at 8 p.m. ET on Feb. 14, as well as stream live on Peacock with fan screening events scheduled for several Regal Cinemas theaters.
Ahead of the 50th anniversary celebrations this week, check out the 15-second teaser for the SNL50: The Anniversary Special below.
Charli XCX might have taken over 2024 with her Brat era, but something new might be on the horizon for the pop star as she works on her new album. The breakthrough album’s co-writer and co-producer Finn Keane told Grammy.com that the 32-year-old star has “a desire” to “do the complete opposite thing again, which […]
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