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Gracie Abrams is showing her fans love amid a tough time.
The “That’s So True” singer performed at the 3Arena in Dublin, Ireland, on Monday night (March 10), where she spotted a fan’s sign in the front row. As seen in a TikTok video posted by the fan herself, the sign was in honor of her late friend, Lolly, who was supposed to attend the show before she died just six months ago.

“That’s my best friend,” she’s heard telling Abrams. “She had tickets tonight.”

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Abrams, visibly moved, crouches to the front of the stage and holds the sign, telling the fan, “She’s so beautiful. She’s the most beautiful person I’ve ever seen. Thank you so much for bringing her with you tonight. I’m so sorry for your loss. This is so gorgeous.”

She then placed the sign, featuring a photo of Lolly, in front of the stage facing the crowd. “I love you guys so much. Thank you for being here,” she told the fans. “I just can’t imagine how you must be feeling right now. I’m here for you, and I love you so much.”

Trending on Billboard

Abrams concluded, “She’s gorgeous, and she’s with us. She’s with us.”

See the sweet moment on TikTok here.

Abrams is currently midway through the European leg of her The Secret of Us Tour, which supports her Billboard 200 No. 2 album of the same name. She first kicked off the trek in North America in 2024 and will eventually make her way through Asia and Australia before circling back through the U.S., Mexico and Canada this summer. 

Later this month, she’ll accept Songwriter of the Year at the 2025 Billboard Women in Music Awards, where she’ll also perform alongside fellow honorees Doechii, aespa, GloRilla, Tyla and more. 

Miley Cyrus has garnered quite the bouquet of views on her “Flowers” music video, which recently surpassed a billion plays on YouTube. The visual becomes the pop star’s fourth to reach the milestone, following 2013’s “Wrecking Ball,” 2009’s “Party In the U.S.A.” and 2013’s “23” with Mike WiLL Made-It, Wiz Khalifa and Juicy J. The […]

Director Dan Reed is planning a third chapter in his ongoing Leaving Neverland series about allegations of sexual abuse against late pop icon Michael Jackson by dancer/choreographer Wade Robson and James Safechuck.
According to Variety, the second sequel will focus on the upcoming trial pitting Robson and Safechuck against Jackson’s companies over their allegations that the organizations neglected to protect them from the alleged abuse detailed in the bombshell 2019 two-part doc. In the original film, the men described in graphic detail how the late King of Pop allegedly molested them at his Neverland Ranch in California when they were both minors; Jackson’s estate has continuously and emphatically denied the allegations.

The reported third film will serve as the follow-up to the upcoming Leaving Neverland 2: Surviving Michael Jackson, which will premiere on Channel 4 in the U.K. on March 18 and on YouTube in the United States. The 50-minute movie will primarily focus on Robson and Safechuck fighting to have their lawsuit against Jackson’s estate go forward; the case is slated to go to trial next year.

“It’s taken an awful long time just to get to a trial date that looks as though it could actually happen,” Reed told Variety about his plan to have cameras in the courtroom, despite his belief that the Jackson estate will “find a way to try and sideswipe this whole thing and make sure it never goes to court… But who knows. Maybe justice will prevail and there’ll be a trial. And if there is a trial, I want to be there.”

While we will have to wait to see what will happen when the men have their day in court, Reed is aware that it’s possible that the judge in the case might not let cameras in their courtroom. “It’s really the judge’s discretion,” he said. Reed was allowed to film inside the Santa Monica Courthouse for several hearings depicted in Leaving Neverland 2, which mainly focuses on the legal back-and-forth leading up to Robson and Safechuck being granted a trial.

“It’s a bridge film in between what was a pretty high-profile start and what I hope will be a very dramatic ending,” Reed said. “We could have kept it to include all this material and the trial. But I think the trial will be so dramatic, and you won’t have time for all the stuff in between.”

The original Leaving Neverland won an Emmy for outstanding documentary or nonfiction special, even as it drew fire from Jackson’s family and estate and, in 2019, resulted in a $100 million lawsuit by the estate against HBO over claims that the documentary violated a 27-year-old non-disparagement clause the network signed to air a 1992 concert film for Jackson’s Dangerous World Tour; the case was sent to private arbitration that year and is still pending.

Jackson’s estate has consistently denied a series of allegations of sexual abuse against the singer who died in 2009, often noting that Jackson was acquitted in a 2005 criminal trial and has never been convicted or held liable for any such claims. The estate has also claimed that accusers are looking for a payday from an artist who cannot defend himself because defamation laws do not cover dead people.

As for why he’s planning the third chapter, Reed said that he hopes to keep telling Robson and Safechuck’s story because he thinks it will help viewers “realize that these are real people, with a real story, with real families who are doing this… They’re not just a couple of people who popped up because they saw a pot of gold. These are people who have really dedicated a decade, at least, of their lives to getting justice.”

Drake has always been one to keep his eye on the pulse of music, and now, he’s showing love to an emerging pop star. The 6 God shouted out Gracie Abrams on his Instagram Story on Tuesday (March 11), which had social media buzzing.
Drizzy spotlighted Abrams’ “I Knew It, I Know You” from the singer’s sophomore album, The Secret of Us, and more specifically, the beat switch that he was feeling.

“[GOAT]’d beat switch on this,” he wrote. “Second half is [sad emoji, brain exploding emoji, blue heart emoji].”

Fans had plenty to say about the idea of Drake and Gracie aligning after seeing him praise the guitar-driven 2024 tune produced by Aaron Dessner.

“Well, at least he has good taste in music,” one person wrote to X. Another chimed in, “We live in the timeline where DRAKE posts about GRACIE ABRAMS!”

The OVO faithful have also found their way to the “I Knew It, I Know You” music video and flooded the comments section.

Drake has been showing love to the pop stars in recent weeks, as he shouted out fellow Canadian Tate McRae as well as Charli XCX on $ome $exy $ongs 4 U track “Small Town Fame.”

“B—h, I feel like Tate McRae/ Puttin’ Charli up her nose, X on her tongue, she been geekin’ hard/ She done had a Brat summer,” he raps.

Abrams released her The Secret of Us album last June. The 25-year-old’s sophomore LP peaked at No. 2 on the Billboard 200 and was Billboard‘s No. 16 album on our 50 Best Albums of 2024 list.

See Drake’s Instagram Story below.

https://twitter.com/chriscznn/status/1899614961288016211

Little Monsters everywhere are loving Lady Gaga‘s latest album Mayhem, but in a new interview, Mother Monster revealed that one of the most talked-about songs on the record almost didn’t make it into the final product.
Appearing on Las Culturistas With Matt Rogers and Bowen Yang, Gaga revealed to the pair that she almost removed late-album standout “How Bad Do U Want Me” from the Mayhem tracklist. “Oh my god, I almost didn’t put that on the album,” she told the hosts. “I was not sure that I should put that on the record, and Michael [Polansky, her fiancé] was like, ‘You have to — your fans are going to love that song.’”

When both Rogers and Yang expressed their dismay at the thought of “How Bad” being cut, Gaga revealed that it’s not the only beloved pop song of hers to nearly get the axe. “Sometimes, when things are really super pop, I just get a weird reaction [to them],” she said. “I felt this way about [The Fame‘s] ‘Just Dance,’ so thank God I didn’t listen to myself then.”

In explaining “How Bad,” Gaga broke down how she’s always felt pigeonholed as “the bad girl” throughout her life, and how she wanted to break that cycle in her current relationship. “I’ve always been at war with this feeling that, if I am interested in someone, they’re actually longing for a ‘good girl,’ but they’re stuck with me,” she said. “There is no actual other good girl, the good girl is in their head, and they’re kind of comparing me the whole time.”

Elsewhere in the wide-ranging interview, Gaga, Rogers and Yang talked about the importance of Saturday Night Live as an institution for both up-and-coming artists and pop stars. In fact, Gaga revealed that before her hilarious performance of “D–k in a Box” with Andy Samberg at the SNL50 concert, she felt a lot of pressure to get it right.

“It’s so funny, at the SNL50 concert the other night, I was nervous to do ‘D–k in a Box,’” she said. “I feel like, if you’re a comedian, being asked to do ‘Who’s on First?’ is probably really [nerve-wracking], and to me, ‘D–k in a Box’ is a classic. So I was like, ‘Oh my god, why did I do this?’ But as I was walking through [Radio City Music Hall], I remembered the last time I had been there was with Tony [Bennett]. And Tony would have said, ‘If you are nervous, it’s because you care.’”

Check out Gaga’s full episode of Las Culturistas below:

Earlier this week, Ariana Grande announced a deluxe version of her Eternal Sunshine album — but it turns out she had more tricks up her sleeve. On Wednesday (March 12), the pop star revealed that she also has a short film coming the same day as the expanded LP titled Brighter Days Ahead. Sharing the […]

Sabrina Carpenter paid homage to a song that her parents probably rocked out to when she was not even a figment of their imaginations during her show at London’s O2 Arena on Sunday night in London. The 25-year-old singer busted out a sprightly, bouncy cover of English new wave band Dexy Midnight Runners’ 1983 Billboard […]

Another day, another single from Lil Nas X. At this rate we could have the whole album by next week. After surprise dropping the songs “Big Dummy” and “Dreamboy” earlier this week, LNX was at it again on Wednesday morning (March 12) when he served up the latest taste of his upcoming Dreamboy album. This […]

Lady Gaga has long been known for pulling inspiration from an eclectic mix of artists, and with seventh studio album Mayhem, she’s cited Nine Inch Nails as a major influence.

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During a new interview on The Howard Stern Show on March 12, the pop icon opened up about her admiration for Trent Reznor and his groundbreaking work with the industrial rock outfit.

When Stern played Nine Inch Nails’ “Closer” and asked why she loves the track so much, Gaga didn’t hesitate. “Because it’s so good!” she replied. The 1994 hit, known for its pulsating synths and provocative lyrics, is one of Nine Inch Nails’ most recognizable songs, charting in the top 50 on the Billboard Hot 100 and leaving an impact on rock and electronic music.

Gaga revealed that she’s actually met Reznor but struggled to recall their first meeting. “I forget the first time. I think I black out every time I’m in his presence,” she admitted, adding, “He’s an amazing musician.” When asked if she ever felt intimidated by him, she clarified, “Not intimidated—just really excited, stoked, quiet.”

Earlier this month, Gaga shared that Mayhem, her first full-length studio album since 2020’s Chromatica, is heavily influenced by the sounds of the ‘90s and 2000s. She listed Nine Inch Nails and Radiohead among the artists who helped shape the record’s sonic direction, describing it as a fusion of “’90s grunge influence, 2000s pop influence, funk influence, ‘80s influence.”

She specifically credited “Closer” as a major inspiration for Mayhem’s lead single, “Disease,” which has already sparked discussions among fans about its darker, industrial-tinged sound.

As Gaga gears up for the release of Mayhem, Nine Inch Nails are also making waves with their own plans. The band announced their Peel It Back tour earlier this year, marking their first live performances since 2022. The run will see them hitting stages across the U.K., Europe, and North America this summer, with support from Boys Noize.

Reznor also confirmed at the end of 2024 that new Nine Inch Nails music is in the works, saying, “We’re ready to be back in the driver’s seat.”

Album single “Abracadabra” arrived at No. 29 in its first abbreviated week on the Feb. 15-dated Billboard Hot 100 and debuted at No. 1 on the Hot Dance/Pop Songs tally with “Abracadabra,” becoming the second chart-topper in the survey’s five-week history. 

Despite its shortened week, “Abracadabra” boasted the highest sales and streaming totals in the chart’s brief history.

Following the chart’s current reigning champ, the Bruno Mars-assisted “Die with A Smile”, and “Disease” (No. 27), Mayhem already boasted three top 40 hits on the all-genre ranking prior to its March 7 release, marking her first album to do so since 2013’s Artpop. Overall, it’s her 39th entry on the chart dating back to “Just Dance,” featuring Colby O’Donis, which spent three weeks at No. 1

Fresh off the release of a joint single last month, Thom Yorke and Mark Pritchard have announced their debut collaborative album.
Pritchard, who has 30 years’ experience as an electronic musician and producer, first teamed up with the Radiohead and the Smile frontman in 2016, with Yorke providing guest vocals on “Beautiful People” for Pritchard’s Under the Sun record. 

The pair had first met when Radiohead last toured Australia in 2012, where English-born Pritchard is based, though their association extended back slightly further (at least in name only). In 2011, Radiohead’s TKOL RMX 1234567 album featured two remixes of “Bloom” reimagined by Pritchard, with one made available under his Harmonic 313 alias.

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Yorke’s 2024 Australian tour brought with it the live debut of the new song “Back in the Game,” which was officially released in February, and is set to also appear on their forthcoming album, Tall Tales. The LP will be out on May 9 via Warp Records.

The record’s announcement also coincides with the release of a new song from the pair, with “This Conversation Is Missing Your Voice” once again being accompanied by a Jonathan Zawada-directed music video. The clip, along with the visual for “Back in the Game,” is part of a feature length film made by Zawada which had been developed in tandem with the creation of the music. A one-off screening of the film will also be announced in the near future.

“Mark sent me a large file of MP3s of ideas during lockdown,” Yorke explained. “There were so many great ones, I knew straight away that I had to drop what I was doing. It felt very much that I had not been anywhere like this before — both as soon as I put my headphones on and started trying to find the vocals, words and sounds, but also, as it progressed, watching Jonathan respond so freely and spontaneously with all his video and artwork ideas. 

“It was mental, and I feel lucky to have been involved. I am looking forward to this finally coming out. Tall Tales is very important to me. I hope people get it, and get to hear it!”

The release of Tall Tales comes following a surprisingly prolific year for Yorke. In January 2024, The Smile released their second album Wall of Eyes, with a third album, Cutouts, arriving in October. The records peaked at No. 42 and No. 52 on the Billboard 200, respectively. In April, Yorke also issued the soundtrack to Daniele Luchetti’s drama film Confidenza.