genre latin
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Puerto Rican superstar Rauw Alejandro announced on Monday (April 14) that he’s taking his 2025 Cosa Nuestra world tour to Latin America, revealing that his visit will make stops in Argentina, Brazil, Colombia and Mexico. The Latin American tour — produced by Live Nation — will kick off on Oct. 14, in Chile and will travel […]
The first weekend of Coachella unfolded with a variety of Latin artists spanning genres as diverse as regional Mexican music, “trippy pop,” indie pop, EDM, and even classical music… with a twist. The lineup kicked off on Friday (April 11) with the eccentric Argentine duo Ca7riel & Paco Amoroso, the Peruvian Amazonian cumbia band Los […]
Shakira’s Las Mujeres Ya No Lloran World Tour has been making waves across the globe, selling out stadiums, smashing records, and solidifying the Colombian superstar’s legacy as one of the most powerful voices in music and culture. But behind the eye-popping performances, emotional highs and dazzling fashion, French photographer Nicolas Gerardin has been translating the energy, intimacy and humanity of it all into images that speak louder than words.Known for his work with celebrities across industries — including Lisa of BLACKPINK, Nick Jonas, Jeff Bezos, Leo Messi, and Cristiano Ronaldo — the fashion and celebrity photographer brings a unique mix of precision and emotional storytelling to his photography. His collaboration with Shakira began two years ago, right around the time of her groundbreaking Bizarrap release that marked a new milestone in her career. Since then, Gerardin has become an integral part of her creative team, joining her on her current world tour, which kicked off in Rio de Janeiro, Brazil, on Feb. 11.
“When photographing Shakira, I focus on capturing what makes her a legend — her presence, energy, and the essence that has made her an icon for decades,” Gerardin tells Billboard Español, who also shot her on recent magazine covers for GQ, Elle, and Marie Claire. “It’s about telling her story in every shot. I always aim to showcase her true essence, her artistry, and the depth of her impact.”
“She’s aware of everything, from production to lighting. She knows everything about cameras. She knows what’s best for her,” he explains, noting how her hands-on approach ensures every moving piece of her tour aligns with her meticulously curated vision.
Despite her global fame, Gerardin credits her sensitivity and emotional connection with her art as the driving force behind her appeal. “She’s very involved emotionally in everything. She always wants the best for her fans. She’s a woman full of emotion, very sensitive. She’s caring for everyone… She wants to give the best for the fans,” he shares.
His dedication to capturing Shakira’s tour goes beyond the stage or performance photography. Gerardin’s work often focuses on backstage moments, the quieter fragments of her life away from the spotlight that tell their own story. “My vision is to create an iconic image that’s going to stay forever,” he says. “It can be her putting her makeup on or her after finishing the last song exhausted.” These fragments come together to create a portrait of a woman in motion — a legend embracing transformation in real-time.
Among his favorite images he took is a high-concept promotional shoot for her latest album, Las Mujeres Ya No Lloran. In one particularly striking shot, Shakira is captured arm wrestling a man. “It was an exciting challenge because I wanted to capture both her strength and the bold energy of the album while keeping the visual storytelling dynamic and impactful,” recalls the photographer.
For this shoot, Shakira granted him full creative freedom, an example of the trust and respect their working relationship has cultivated.
Despite touring with Shakira, Gerardin emphasizes that he does not define himself as a concert photographer. His background in fashion photography shapes the unique angle he brings to his work — whether backstage or during live shows. “Most global artists that work in the music industry, when they take me on tour, they don’t expect me to shoot the live show. I’m here to capture the fashion side of the tour,” he explains. With Shakira, he adds, “We just want to create history at this point.”
Check out the gallery below for an exclusive look at Gerardin’s stunning photography.
Luis R. Conriquez, one of the most popular singers of corridos bélicos — songs often associated with glorifying drug cartels and violence — is making changes to his music after a chaotic concert in Mexico.
On Friday (April 11), Conriquez performed at the Feria del Caballo in Texcoco, State of Mexico, but things didn’t go as planned. Due to new government rules banning songs that promote violence in certain areas, Conriquez decided to leave narcocorridos out of his setlist. The result? Angry fans, booing, fights, and even destroyed property at the venue.
In a statement shared on his social media accounts the next day, Conriquez expressed regret over what happened and announced that he’ll be making significant changes to his lyrics moving forward.
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“My fans are the most important thing to me — I owe them everything. But as an artist, I must follow the new rules the government has set regarding corridos,” he said.
He also asked his audience to understand his decision, saying he’ll continue focusing on his passion for music despite these challenges.
Conriquez’s show took a turn for the worse during his performance at the palenque — a smaller, intimate venue typically seen at fairs. When Conriquez told the crowd there wouldn’t be any narcocorridos that night, people started booing and shouting. Videos posted on social media show fans growing more upset as he tried to explain the decision. Eventually, Conriquez decided to leave the stage, which led to chairs and objects being thrown in frustration.
The ban on songs that glorify violence was introduced on April 9 in Texcoco and two other municipalities in the State of Mexico — Metepec and Tejupilco. The new rule applies to fairs and mass events, with penalties of up to six months in jail for violations. The State of Mexico’s Security Department doubled down on this policy in a statement released Saturday, urging local authorities to enforce the prohibition of such songs at public events.
This crackdown on narcocorridos isn’t limited to the State of Mexico. Other parts of the country are implementing similar measures, especially after a major controversy in March when the University of Guadalajara hosted a concert where images of a well-known drug lord were projected on stage. That incident led to the U.S. revoking the visas of the band involved, Los Alegres del Barranco. On April 11, the government of Jalisco proposed a new law allowing municipalities to regulate or ban songs that glorify violence at public or private events.
Meanwhile, Mexican President Claudia Sheinbaum has been pushing for a cultural shift in music. This week, the government’s Culture Department announced a binational contest called “México Canta,” which aims to encourage young artists — especially those making corridos tumbados, a trendy subgenre — to create songs without promoting violence or drug-related themes. The initiative comes as Mexico grapples with rising violence in certain areas.
For Conriquez, this new reality means adapting his music to comply with these rules, even if it upsets some of his fans. As he put it in his statement: “The unfortunate events last night put at risk not only the safety and lives of the audience, but also the integrity of my team and myself.” Despite the backlash, he says he’s determined to keep making music — just with a different approach.
A concert by popular Mexican corrido singer Luis R. Conriquez ended in chaos on Friday night (April 11) when the musician announced that his performance at the Feria del Caballo in the State of Mexico would not include narcocorridos due to a ban on expressions that glorify violence implemented in several municipalities in the central region of the country.
The singer was performing at a “palenque” (a more intimate format at popular fairs) in the municipality of Texcoco, featuring covers of other artists and his own songs, when the audience booed him because the setlist did not include some of his most famous corridos — several of which have been criticized for allegedly glorifying drug trafficking. Upset attendees began jeering, throwing punches, and causing damage at the venue.
“There are no corridos. What do we do? Should I just go home instead?” Conriquez is heard saying to the audience in videos of the moment before the chaos erupted, which are circulating on social media.
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Hours before the show, the musician had already warned his followers that narcocorridos would be removed from his setlist at the Texcoco Fair. “We’re entering a new phase, without corridos and all that. It feels bad not being able to sing what people want to hear, but we’re joining the cause of zero corridos and moving forward,” the singer said in an Instagram Story.
Although Conriquez tried to explain to the audience the reason for the absence of narcocorridos in the night’s repertoire, the angry crowd expressed their displeasure with boos and shouts and began throwing empty and drink-filled cups toward the stage, as can be seen in videos circulating on social media. In response to this reaction, Conriquez left the venue, which provoked a barrage of chairs and other objects.
“There are many people who don’t understand. They think we’re the ones setting the rules, but the truth is there won’t be any corridos at events from now on, for any artist, my people. Cheer up. I love you all. The people who truly support us will continue doing so, even if we’re playing bachata,” the Sonoran musician expressed in another Instagram Story hours before the show.
In Texcoco, along with two other municipalities in the State of Mexico (Metepec and Tejupilco), which neighbor the Mexican capital, expressions that glorify violence have been prohibited since April 9 following the implementation of a law targeting popular fairs and mass events, with sanctions of up to six months in prison, according to reports from newspaper Milenio.
So far, neither Texcoco authorities nor organizers of the Feria del Caballo have commented on the incident. Billboard Español has sent a requested for comment to Luis R Conriquez’s team but has not yet received a response.
The ban on narcocorridos in municipalities in the State of Mexico adds to similar measures in other regions of the country, following controversy sparked by the projection of images of a famous cartel leader at an auditorium of the University of Guadalajara in Jalisco on March 29 during a concert by the group Los Alegres del Barranco. This incident led to the U.S. revoking the work and tourist visas of the group’s members.
On Friday (April 11), the Jalisco government introduced a bill to reform the law against the glorification of crime in public or private performances. This initiative “empowers municipalities to regulate, and if necessary, prohibit and sanction musical groups that engage in any type of glorification of violence,” according to a post on X.
Mexican president Claudia Sheinbaum, through the Secretary of Culture of the Mexican Government, announced this week the binational contest México Canta (Mexico Sings), which seeks to encourage young artists — especially those in the trending genre of corridos tumbados — to create songs that don’t glorify violence or drugs.
Four people hospitalized after being rescued from the rubble of a roof collapse at a popular nightclub in the Dominican Republic died overnight, raising the death toll to 225, health officials said Saturday (April 12). Officials said 189 people were rescued alive from the rubble of the popular venue in the capital Santo Domingo. More […]
From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.
Eslabon Armado Inspires Students in NYC
Mexican music superstars Eslabon Armado made a special visit to Baruch College in New York City to participate in Eres Arte: A Panel con Eslabon Armado. The event, moderated by Billboard Español’s Isabela Raygoza, was inspired by a creative student-made video imagining the band visiting their college to perform and speak as a playful alternative if unable to attend their concert.
With about 150 students, the panel offered a rare opportunity for the young fans to engage directly with the Mexican-American group where they shared their journey, from their origins as a family group to their rise to fame. The discussion touched on their leap into independence with their own label, Armado Records, and their excitement about their upcoming tour in Mexico, where they’ll play live in the country of their ancestry for the very first time. “We want to tell our story to people that are our age, that are maybe inspired by us, that just want to make a change in their lives or want to superarse,” frontman Pedro Tovar shared during the discussion. Following the 30-minute panel, Eslabon Armado treated the crowd to an intimate live performance, playing new releases “Esa Noche,” “Eres Arte
Guest artists, surprises and lots of fun. That’s how Rawayana‘s debut at the Coachella Valley Music and Arts Festival is shaping up. The band will perform this and next Saturday (April 12 and 19) on the Gobi stage. According to lead vocalist Beto Montenegro, it will be a true tribute to their home country, where their last tour was canceled late last year amid political turmoil.
“Honestly, we’re scratching the itch after not being able to play in Venezuela,” Montenegro told Billboard Español on Friday (April 11) in an exclusive interview. “Our idea is to bring the Venezuelan Caribbean to Coachella. That’s the concept of the show. And to dedicate this to all the people who couldn’t see us in December.”
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Both performances will be streamed live on Coachella’s YouTube channel.
Rawayana will bring a total of ten special guests for their two shows, Montenegro shared. While he preferred to keep their identities a surprise, he revealed that this weekend’s performance will feature three Venezuelan and two Puerto Rican artists, and next week’s will include three more Venezuelans, a Colombian, and a Puerto Rican. “Our guests are the best of Venezuela,” he added enthusiastically. “They’re all from different worlds, but very important in our career and in Venezuelan music.”
And Rawayana won’t just be performing at the prominent festival in Indio, California. They’ll also premiere a music video during Coachella’s livestream: the clip for their viral hit “Veneka,” with Venezuelan rapper Akapellah, which was released last October. Filmed in November during the Caracas-Magallanes baseball game at loanDepot Park in Miami with the participation of many Venezuelan female figures from pop culture, the video will have its world premiere tonight (April 11) at 11:05 p.m. ET (8:05 p.m. PT) on the Main Stage YouTube channel, one week before its official release.
The festival announced it earlier today with a fun video on social media featuring another famous Venezuelan: Hollywood actor Edgar Ramírez.
“I mean, honestly, this Coachella is completely dedicated to Venezuela, and that makes us very happy,” Montenegro said, explaining that the song and the concept for the “Veneka” video were inspired by the baseball games they used to watch in their home country. “We used to go to the stadiums, and this type of music, raptor house [a dance electronic music genre originating in Caracas], would play. When the game ended, [the cameras] would always look for women in the crowd, and ‘Caracas de Noche’ would play. It was very iconic.”
Montenegro expressed his pride in performing at Coachella, the same festival where decades ago their fellow Venezuelans Los Amigos Invisibles — whom he said they were “ultra mega fans” of — played, and where this year they share the lineup with Gustavo Dudamel, “one of those little geniuses Venezuela has produced in recent times,” and Arca, “who is also a genius.”
“We feel amazing. It’s a privilege.”
On Monday, April 8th, the roof of the Jet Set nightclub in the Dominican Republic collapsed, resulting in numerous injuries and fatalities, including the death of iconic singer Rubby Pérez. Cardi B, Natti Natasha and others have spoken out about the tragic event. Keep watching for the full details. Tetris Kelly: Tragedy struck in the […]
Arthur Hanlon presents his new EP, 2 Manos, 1 Mundo (“two hands, one world”), out Friday (April 11) via Sony Music Latin.
On the seven-track production, which follows his highly praised Piano y Mujer series, the Detroit-born pianist teamed up with nine of his friends — Ana Bárbara, Ángela Aguilar, Carlos Vives, Darell, Goyo, Manuel Medrano, Nia Skyfer, Tiago Ior and Yotuel — for an “ethereal and dreamy” production (as he describes it) that fuses worldly beats such as Brazil’s bossanova, Cuba’s cha-cha-cha and Colombia’s vallenato with his distinctive piano melodies.
“It was a good moment to go back and write,” Hanlon tells Billboard, whose last two albums featured cover songs interpreted by artists such as Ivy Queen, Ha*Ash, Kany García, Natalia Jimenez, Evaluna Montaner and more. “This is a musical manifestation of the friends that I’ve made from different parts of the world.”
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Crafted in his Miami-based home with the royal blue piano in his living room, Hanlon says his creative process always begins at home with friends, because he’s the type of artist who “likes to cook.” “This project is so personal,” he emphasizes. “It’s me connecting with the artists. If there’s no chemistry, no connection, it’s hard for me to collaborate.”
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Below, Hanlon breaks down some of the tracks on 2 Manos, 1 Mundo, which also includes a solo piano cover of Santana’s smooth hit “Europa.”
On “Bala Perdida” featuring Ángela Aguilar: “We wrote the song and got together with Ángela. I’m always looking for magic. And I knew that with this song and with Angela, by placing the piano in the desert, we would create a contrast between the music and the natural environment. That’s how this song was born.”
Hanlon and Aguilar premiered “Bala Perdida” at the 2025 Premio Lo Nuestro awards.
On “Repetimos” featuring Yotuel & Darell: “‘Repetimos’ was the first song I did for the album. Yotuel asked for a cha-cha-cha but to make it funky. I thought, how can we make it a Cuban-meets-Detroit sound? We needed that crunch on the song, so we called Darell.”
“Repetimos” peaked at No. 9 on the Billboard Tropical Airplay chart last October.
On “Goodbye” with Carlos Vives & Goyo: “Carlos went to my house, we were drinking gin and tonic, and thinking of how interesting it would be if the Magdalena Rivera and Mississippi River connected. That’s how this song was born. We filmed the video in the streets of Bogota. We walked two nights around the streets to get the good vibes from the nightlife and that bluesy feel.”
Editor’s Note: Hanlon is married to Billboard’s Chief Content Officer, Latin/Espãnol, Leila Cobo.