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Daddy Yankee hits a new milestone as the music video for his hit “Con Calma,” featuring Canadian rapper Snow, coolly crosses the three-billion-view mark on YouTube. The animated visual, packed with electrifying dance moves and reggaetón flow, marks the Puerto Rican superstar’s second video to hit that milestone, following the 2017 chart-topping smash “Despacito.” Explore […]

Los Alegres del Barranco was supposed to perform at Chicago’s Michelada Fest this summer — but after the U.S. government cancelled the group’s visas when they displayed images of a cartel leader at a show in Guadalajara, Fernando Nieto and his team quickly pivoted to replace the Mexican band with Gabito Ballesteros.
A month later, on May 6, event organizers announced that the two-day festival — set to be headlined by Grupo Firme, Anitta and Luis R Conriquez — was cancelled over artist visa “uncertainty” under the Trump administration, and a “rapidly changing political climate,” they said in a statement.

Nieto, co-founder of Michelada Fest (Big Indie produces the festival alongside Zamora Live and Viva tu Música), tells Billboard that the visa situation for regional Mexican artists happened “abruptly,” to the point that they had to cancel the entire event.

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“It seemed at first that Los Alegres was an isolated event but we’ve seen enough over the last few weeks for us to have to make this difficult decision,” he explains. “I can’t comment on a specific artist or whether it’s a pending or revoked visa, but as a small business we needed to make the responsible decision not only for our company but also our consumers. We didn’t feel confident we could give them a complete event between now and July.”

Michelada Fest is perhaps the biggest event to date to cancel over visa issues and uncertainty under the Trump administration, which launched an aggressive crackdown on immigration on day one of the president’s second term in office. The Cinco de Mayo festival in Chicago’s La Villita neighborhood was cancelled over fear of ICE raids. Billboard previously reported how Trump’s immigration policies could impact Latin music, with promoters seeing certain markets being impacted with low attendance.

Now, in a plot twist of sorts and adding to the uncertainty of it all, regional Mexican artists who sing or have sung narcocorridos are under the spotlight, with Mexican states cracking down on banning the style of music, and the U.S. government not only taking notice, but acting on it too. It’s a major blow to the genre, which has only grown significantly in popularity and exposure over the past few years.

“We had been taking everything day by day, a lot of our vendors were also asking what would happen if ICE showed up — that’s what we were focused on,” Nieto says. “Never did we think that it would go from our people being targeted to now our culture also being targeted. I did not see it going this way at all.”

Just last year, Miche Fest — which was launched by locals as a street festival — held its biggest edition to date, taking place for the first time in Chicago’s Oakwood Beach, with superstar headliners Kali Uchis, Junior Hand Los Ángeles Azules. 

Below, Nieto reflects to Billboard about the team’s decision to cancel this year’s Michelada Fest, and discusses what comes next.

What was your thought process throughout all of this, which ultimately led to cancelling Michelada Fest?

First and foremost, we want to treat consumers with respect. We’ve been doing this for eight years now, we started as a street festival and our fans have been there since day one. The last thing we want to do is put their money at risk. We felt the best thing we could do was to be transparent about what’s going on. Our consumer [base] works extremely hard for their dollars, and especially right now, we’re living in a time where everything is more expensive — not just on the events side, but the daily cost of living… That’s why we’re doing a 100% refund instead of saying your ticket will be good for next year.

What does not having a Michelada Fest this summer mean for Chicago’s Latin festival scene?

We’re leaving a major gaping hole in the Chicago summer season. We feature a bunch of small businesses, merch vendors, local food vendors, and we were about to announce a stage to highlight local Chicago artists — and that’s not taking into account the impact that we have financially when it comes to stimulating the economy through small businesses.

For a lot of our vendors — and I’m talking about the generator company, security company — we’re their biggest contract of the year. We have a $9 million dollar operating budget for our event. And unfortunately I had to make really difficult calls over the past few days to tell them the news, and now they’re trying to find another big [gig] for the year. There’re so many layers to the impact this festival has, from artists to small businesses and a cultural impact. It’s a tough pill to swallow, but it was the responsible thing to do.

Michelada Fest is the biggest event to cancel because of the political climate …

We were the first major event to really make a statement — and I hope no one else has to deal with this, but a lot of visas are pending, tours are getting pushed back. There’s so much uncertainty.

What’s next for Michelada Fest?

We’re going to take the next few months to regroup and strategize, maintain the trust [with our base] and have a major comeback next year. Chicagoans know we’re a grassroots organization that started as a street festival by a bunch of South Siders. At the end of the day, they deserve this transparency. It only sets us up for a bigger year next year.

From Medellín to the biggest stadiums in the world, Karol G shares the story of her life in the new documentary Tomorrow Was Beautiful, premiering on Netflix Thursday (May 8).

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Directed by Cristina Costantini and produced by This Machine, Interscope Films and Bichota Films, the documentary offers an intimate look at Karol G’s rise to global stardom, along with a behind-the-scenes glimpse of her record-breaking Mañana Será Bonito World Tour and the challenges she faced along the way. Known for her sincerity and unbreakable connection with her fans, Karol G aims to show her most human side in this project. The tearjerking film brings together key moments from her life and career while highlighting her deep bond with her family, who have always provided her unwavering support.

Over two years of production, Tomorrow Was Beautiful captures moments such as a terrifying flight during which Karol G thought she was going to die, and painful memories including an experience when she was nearly abused by someone in the industry at age 16. The documentary also highlights her heartfelt tribute to Selena in Texas, with a cameo by Suzette Quintanilla, as well as her recognition as Billboard Women in Music’s Woman of the Year in 2024.

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“This is a very special piece for my fans. It’s an opportunity to show people who Carolina is, beyond just Karol G,” the singer told Billboard Español on the red carpet ahead of the documentary’s premiere on Tuesday (May 6) in New York City.

“Watching the documentary gave me the chance to reflect on the incredible journey I’ve had as a person— in the way I think, and even changes physically,” La Bichota shared. “I feel like it all started when I had blue hair, and then came the whole process with red hair, blonde hair and finally pink hair. I can see how my mindset evolved, how my sense of responsibility and commitment to my fans grew, and even how I view myself physically. I also feel that the beautiful kind of self-love you start to develop begins to blossom and becomes more noticeable.”

To capture this more intimate side of Karol G, Costantini took a vulnerable and up-close approach, aiming to showcase both the singer’s triumphs and challenges. “Most of her fans know a lot about her public image, but not so much about the personal side. Our goal was to document the intimate moments, above all,” explained the director to Billboard Español.

Karol G y Cristina Costantini hablan en el escenario durante la premiere en Nueva York del nuevo documental de Netflix Mañana Fue Muy Bonito, el 6 de mayo de 2025 en The Whitby Hotel.

Theo Wargo/Getty Images for Netflix

“In our first meeting, she told me she wanted to show the real side of touring. [She said,] ‘I don’t want to just show the glamour, what social media portrays. I want to show the realness,’” Costantini shared. “That really surprised me as a filmmaker. It’s a dream for us as documentary filmmakers.”

At the screening, Karol G was surrounded by her closest circle, including her family and members of her team — dancers, musicians and songwriters who have supported her throughout her career. Key guests included Edgar Barrera, Keityn, DFZM, Elena Rose, Myriam Hernández and Feid.

For more red carpet interviews from the premiere, check out Billboard Latin’s social media accounts.

The Latin Alternative Music Conference will honor a group of 20 women in the 2025 LAMC Wonder Women of Latin Music program. The list features a wide-ranging group, including journalists, publicists and executives from multiple areas of the music business that will be recognized in partnership with Amazon Music. Now in its sixth edition, the […]

Host Drew Afualo gives Becky G flowers, and she shares how Selena Quintanilla has helped inspire her music, her love for her fans and more at Billboard Women in Music 2025.

Drew Afualo:

Y’all, we’re here with the talented, iconic, hilarious and stunningly gorgeous Becky G, period. How are you feeling being here at Billboard Women in Music?

Becky G:

We’re not just at Billboard Women in Music. We’re in Inglewood, my hometown, so I’m very happy to be home. It’s very nice. And also, we’re celebrating so many bada– women.

So I love that, and I do want to start off by giving you your flowers. First, hold on. Here you go. That’s for you. So I’d like to ask you: Who do you give flowers to for getting you where you are now? 

Ooh, um, my mom. I quite literally would not be here without her.

I love that, that’s beautiful. And who do you give flowers to for inspiring your music? 

Selena Quintanilla, easy answer.

What a grand answer. “Si Una Vez” is my favorite song of hers. Yours?

All of them, of course, all of them — “Bidi Bidi Bom Bom,” “Tú Sólo Tú,” “Si Una Vez”  

We love that. 

I can go on and on. 

Don’t get me started on Selena. 

It’s fine.

OK? And last, kind of serious one, what do you give flowers to your fans for? 

Oh, you know, I think any artist who’s been doing it for a long time, one thing we can thank our fans for is rocking with us throughout every phase. Yeah, I grew up doing this longer than I’ve ever not been doing it, and they have seen my life is basically chronological on the Internet, like a bubble. 

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Gloria Estefan’s “Raíces” lands atop Billboard’s Latin Airplay, Tropical Airplay and Latin Pop Airplay charts (dated May 10).
Having first led Latin Airplay with “Abriendo Puertas” in October 1995, Estefan boasts the longest span of reigning at No. 1: 29 years, six months and three weeks. She also becomes the seventh act to have topped the chart in the 1990s, 2000s, ‘10s and ‘20s.

“To see ‘Raíces’ reach No. 1 across the Latin Airplay, Tropical Airplay and Latin Pop Airplay charts is both humbling and incredibly emotional for me,” Estefan tells Billboard. “It’s been over a decade since I’ve had a song connect on this level, and I’m beyond grateful.”

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Estefan last reached the summit on Latin Airplay in 2012, when “Hotel Nacional” ruled for one week. Prior to that, she topped the list with “No Llores” for two weeks in 2007, marking her fifth No. 1 of the 2000s. She earned her first five leaders in the ‘90s (dating to the chart’s 1994 start).

“Personally, this song is a tribute to where I come from — to my heritage, my culture and the rhythms that shaped me,” Estefan adds of “Raíces” (which translates in English to “roots”). “Professionally, it’s a reminder that music truly has no expiration date when it comes from the heart, and to see Latin music elevated and crossing charts globally really is a dream come true and a testament to the growth of our culture and sound.”

“Raíces” makes its No. 1 breakthrough on Latin Airplay as the song soars 11-1 with the Greatest Gainer honors, awarded weekly to the song with the largest increase in audience among the chart’s 50 titles. It earned 13 million impressions, up 123%, in the week ending May 1, according to Luminate. “Raíces,” released on March 20 under Crescent Moon/Sony Music Latin, received substantial support from Spanish Broadcasting System radio stations during the latest tracking week, led by WZNT, WODA. WRXD and WMEG in Puerto Rico, as well as Miami’s WCMQ, Orlando’s WPYO and Tampa’s WSUN in Florida.

As Estefan achieves her 12th ruler on Latin Airplay, she secures her place among an elite group of artists who have logged at least one Latin Airplay chart-topper in four distinct decades. She becomes the third woman artist to achieve the feat, joining Shakira and Jennifer Lopez. The other such acts overall: Enrique Iglesias (who holds a record 32 No. 1 hits, spanning 1995-2024), Ricky Martin, Marc Anthony and Alejandro Fernández.

With “Raíces” also claiming the top spot on the Tropical Airplay and Latin Pop Airplay charts, it dons a rare triple crown, becoming the first title to top the three tallies since Carlos Vives and Camilo’s “Baloncito Viejo” held command across the June 18, 2022-dated rankings.

On Tropical Airplay, Estefan scores her first No. 1 since “Hotel Nacional” in 2012. On Latin Pop Airplay, she had last led with “No Me Dejes de Querer” in 2000.

Thanks almost entirely to its radio haul, “Raíces” makes its way to the Hot Latin Songs chart, where it debuts at No. 37. It’s her 31st entry, a total that includes 15 No. 1s among 23 top 10s.

“Thank you to the fans, radio and everyone who’s embraced ‘Raíces’,” Estefan says. “You’ve made this journey back to my musical roots so meaningful and unforgettable.”

Michelada Fest, set to take place in Chicago July 19-20, has been cancelled, organizers announced on Tuesday (May 6).
“Due to the uncertainty surrounding artist visas and the rapidly changing political climate, we’re no longer able to guarantee the full experience we had dreamed up for you with all your favorite artists,” the statement issued on Tuesday reads. “Although we tried to push through, it became clear that we wouldn’t be able to deliver the full lineup as planned.”

Set to be headlined by Grupo Firme, Luis R Conriquez, Anitta and Danny Ocean, Michelada Fest — co-produced by Big Indie, Zamora Live and Viva Tu Musica — cancels amid an ongoing conversation about how the Trump administration’s immigration policies could continue to impact the live music industry, particularly in Latin music spaces. Meanwhile, Mexican artists who sing narcocorridos have been under the spotlight recently with Mexican states cracking down on banning the style of music. The U.S. government has taken a stance on the situation as well, to the point of cancelling visas for Los Alegres del Barranco.

“This was not an easy decision for us to make,” the statement continues. “For seven years, we’ve poured everything into this festival to create something truly special for our community. Last year was our most incredible celebration yet, and we were ready to make this year even bigger, with more energy, creativity, and corazón. But as independent organizers, we can’t afford to take on a big risk with so much uncertainty ahead.

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“We’re heartbroken by the greater impact this will have on our involved community, with ripple effects reaching our neighborhoods, local economy and the culture we’ve built together. But despite this setback, we remain committed to our values. Michelada Fest will always be a safe place where our community comes together, united by pride and love of our culture and music. That won’t ever change. We’ll keep showing up, giving back, and uplifting our people in every way we can.”

Michelada Fest most recently held its inaugural edition in El Paso, Texas, where artists like Netón Vega, Snow Tha Product and Tito Torbellino Jr., among others, performed.

Eslabon Armado will perform for the first time in Mexico this month, and Pedro Tovar, the group’s leader and main vocalist, couldn’t be happier.
“The last time I went to Mexico, I was six years old,” he tells Billboard Español. “When we started our first tour in 2020, my dream was always to go, but it hadn’t been possible, so I’m very excited.”

Making its debut in the country as part of the Vibras de Noche II Tour, the Californian band behind the smash hit song “Ella Baila Sola” (with Peso Pluma) will arrive at the Banamex Auditorium in Monterrey on May 16 for the first of three confirmed dates. The other two will be four months later, when the band returns to perform on Sept. 12 in Mexico City at the Pepsi Center WTC, and on Sept. 13 at the Telmex Auditorium in Guadalajara.

There’s also the possibility of adding more dates, in cities like Guanajuato and Tijuana. “I look at the stats on streaming platforms, and I realize that most of our fans are from Mexico,” Tovar says. “In the comments, they constantly ask us to perform in all the cities, so we’re going to make it happen for them.”

For its shows in Mexico, Eslabon Armado has prepared a special setlist, along with a lights design and visuals. They will also feature a guest performer, at least in the capital city: Macario Martínez, the young janitor who went viral on TikTok for a video promoting his song “Sueña Lindo.” The emerging Mexican folk singer has already collaborated with Eslabon on “Esa Noche,” included in the group’s latest album, Vibras de Noche II, which debuted in the top 10 of the Billboard Top Latin Albums and Regional Mexican Albums charts in March.

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“I saw his story on TikTok, sent him a message on Instagram, and he replied,” Tovar recounts. “We had a video call and chatted for about an hour. I suggested a collaboration, and he immediately said yes, so I sent him the song ‘Esa Noche.’ He did his part, and it turned out to be a really good track.”

With new drums and electric guitars sounds complementing their regional Mexican style, Vibras de Noche II —a sequel to their No. 1 2020 album Vibras de Noche— is the first production the group has released independently under their own label, Eslabon Records, distributed by Interscope. Previously, they were signed to Del Records, which they joined in 2020 and with which they released No. 1 albums including Tu Veneno Mortal (2020) and Desvelado (2023), among others.

The band’s current tour, named after its latest album, began on March 7 and will keep them on the road through 2025.

Cazzu has a lot to celebrate this week with the arrival of her debut studio album, Latinaje, on the Billboard charts. The album comes in at Nos. 4 and 48 on the Top Latin Pop Albums and Top Latin Albums rankings, respectively (charts dated May 10).

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“I’m a bit ignorant about managing badges or when one earns medals, it’s a strange feeling,” Cazzu tells Billboard. “But being on the charts makes me very happy because I think that basically determines that people are liking the album, so it fills me with great satisfaction.”

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Latinaje was released April 24 on Dale Play/Rimas and marks her first entry on any album chart after multiple visits across other songs charts. The 14-track set launches with 3,000 equivalent album units earned in the U.S. in the week ending May 1, according to Luminate. Most of the LPs opening sum stems from streaming activity, which translates to 4.5 million official on-demand streams of the set’s songs.

“The album is full of moments like with [the album’s first single] ‘La Cueva’ which I didn’t want to release,” says Cazzu. “It took a lot of work from my friends and my team to convince me it was a beautiful song. It was decided at the last minute. We shot a video, I didn’t like it, we shot another one in three days, we made a super-quick announcement, and the next day it came out. And well, I was amazed at how well the song did.”

In addition to giving her a No. 27 high on the multi-metric Hot Latin Songs chart, which blends streams, radio airplay and digital sales into its formula, “La Cueva” debuted and peaked at No. 2 on Latin Digital Song Sales in January.

“The recording process was so long,” Cazzu remembers. “It was supposed to be an album of collabs, but we changed our minds. It told one story, but it ended up telling another. ‘Con Otra,’ for example, was supposed to be a merengue, and we ended up making a cumbia.”

“Con Otra” is the latest hit on the songs charts for Cazzu, as the tune rallies 45-29 on the overall Latin Airplay chart, after launching at No. 36 on the April 6-dated ranking. The song marks Cazzu’s second visit there, following “Tú y Tú,” with Los Ángeles Azules and Santa Fe Klan, which landed at No. 5, her first top 10. That collaboration was a major achievement for Cazzu, earnin a No. 1 hit on the Regional Mexican Airplay chart, where it ruled for one week in 2023.

Elsewhere, Latinaje opens at No. 48 on the all-genre Top Latin Abums, for the Argentinian’s first appearance there.

About the song she relates with the most: “I love ‘Odiarme,’ it has a lot of Cazzu, of that romantic darkness that I love, but ‘Engreído’ has strong trap lyrics, and the music is a bolero, it is a very beautiful collaboration.” The song is her first pair-up with Venezuelan Elena Rose.

Rosalía knows she’s good at music, but acting? She’s working on it. During a red carpet interview at Monday night’s 2025 Met Gala, the “Bizcochito” singer said she’s doing her best on the set of Euphoria. According to The Hollywood Reporter, Rosalía said she’s excited about her upcoming acting debut in the HBO series about teen […]