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Yeri Mua, the Mexican influencer who became TikTok’s No. 1 most-viewed musical artist globally in 2024, officially releases her debut album under Sony Music México, De Chava, tonight (May 15).
“It’s an album that totally captures my essence, who I am as a person,” the 23-year-old artist tells Billboard Español. “I’m not that grown-up, I’m young, but I’m at that stage in life where you start to understand many things — even though I never stop having fun, enjoying myself and falling in love. Literally, it’s about chava (girl) things.”
The 15-track set — which includes previously released singles like “Traka,” “Croketita” with La Lokera, “Avión Privado” with El Malilla, “Él No Es Tuyo” with Bellakath and Uzielito Mix, and “Modo Antidepresivo” alongside Snow The Product — arrives with the focus track “Morrita (Tinker Bell),” a song featuring Chilean artist Lewis Somes, in which she sings to an ex that he’s already lost her, and that he doesn’t have a brain.
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Produced (among others) by SAAK, Uzielito Mix and Jocsan La Loquera, it also includes collabs with La Joaqui (“Salida de Chicas”), Chris Tales (“Viña Mari”), and Marcianeke (“Combi”) — all with very colloquial and explicit language.
Yeri Mua signed with Sony Music México in mid-2024, when she was already amassing more than 600 million streams of her solo music and collaborations, according to a statement issued by the label at the time. From giving beauty tips and undergoing a remarkable physical transformation to becoming one of the top “reggaetón Mexa” performers, she is now entering a new phase in her rising career as a singer.
“I feel very proud of what I’ve achieved so far, much more confident than ever — and above all, deeply in love with what I’ve created with Sony Music — so, I’m ready for whatever comes next,” she says in her signature carefree style.
After a series of performances in the U.S. and Costa Rica, Yeri Mua is preparing for an important milestone in her career: her first solo concert in Mexico City, scheduled for May 30 at the Pepsi Center. She will then take her Traka Tour to other Latin American countries, including Argentina, Colombia, Chile and Guatemala.
But today, as De Chava is being released, she reflects on her beginnings, opens up about her fears, and looks forward to the future.
As an influencer, you were used to everything happening quickly. The process of building a career as a singer is different. How have you handled that?
I’m not going to lie, it’s been a very long process — because, obviously, things happen along the way. I even questioned myself about whether I really wanted this, and I lost a bit of motivation. But ultimately, here I am, happy.
How do you feel after transitioning from influencer to singer?
It was difficult, because now I have to earn people’s respect as an artist. Sometimes I even felt embarrassed to say I was a singer — but I am, and I’ve learned to believe in myself and trust in my ability to make this work. If I didn’t, I wouldn’t be here facing this head-on. I haven’t stopped being who I was — in fact, the album talks a lot about beauty, wanting to look spectacular, the things I enjoy doing, and what I love. I think many people can relate to my songs, regardless of their age.
I’m aware of my privilege, and I think there’s nothing wrong with that. Obviously, an influencer lives much more comfortably than most ordinary people who earn a minimum wage and work long hours. Yes, it’s a privilege to dedicate yourself to social media, but it’s not easy — it’s taken me a lot of effort to get to where I am; I’ve worked hard for this. I worked other jobs before becoming an influencer. Being an influencer was like a period of preparation for what God had planned for me.
Now as a singer, what’s your opinion about this profession?
My dreams have materialized, and it’s largely thanks to my team. An artist can’t achieve something like this alone, so I’m grateful and happy to have them.
There have been restrictions in many Mexican states on narcocorrido singers because of the lyrics. Are you prepared if this happens with reggaetón?
I think it was somewhat logical that this would happen with regional Mexican music because of words connected to drug trafficking. As for reggaetón, I don’t think explicit words will be censored. They might make some people uncomfortable, but they don’t offend or harm anyone.
Your upcoming Latin American tour is another big step forward in your music career.
I did very well on the tour I did in the United States, as well as in Costa Rica. Now it’s time to visit my fans in several countries, and I want to thank them for their support — so I’m going to give it my all.
Gerardo Coronel ‘El Jerry’ celebrates a new milestone on the Billboard charts with his first No. 1 on the overall Latin Airplay ranking, as “No Se Dice” lands at No. 1 on the May 17-dated list. The corridos singer-songwriter also adds his fifth champ on the Regional Mexican Airplay chart.
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“No Se Dice” surges 12-1 on Latin Airplay after a 31% gain in audience impressions, to 7 million, earned in the U.S. during the May 2-8 tracking week, according to Luminate. The song takes the Greatest Gainer honor of the week, an award recognizing the track with the largest audience growth within the 50-position chart. The track has gained significant support from three Univision stations: KSCA (Los Angeles), WOJO (Chicago), and KLNO (Dallas).
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“No Se Dice” marks Coronel’s first No. 1 on the Latin Airplay chart, following a No. 2 high through “Tutorial Para Olvidar” in late 2024. In sum, he’s placed five career top 10s, dating to “Que Onda Perdida” in 2023.
Elsewhere, “No Se Dice” climbs 3-1 on Regional Mexican Airplay, becoming Coronel’s fifth ruler overall and second in 2025. Here’s the recap of his collections of No. 1s on Regional Mexican Airplay since the chart launched in 1994:
Peak, Title, Artist, Weeks at No. 1July 1, 2023, “Que Onda Perdida,” with Grupo Firme, threeDec. 2, 2023, “Se Buscan Borrachos,” twoAugust 24, 2024, “Tutorial Para Olvidar,” oneFeb. 15, 2025, “Chsm El Hígado,” oneMay 17, 2025, “No Se Dice,” one
“No Se Dice,” released on January 17 through Union Music, marks also a major milestone for the indie label as it celebrates its first No. 1 on the overall Latin Airplay chart.
During the premiere of Tomorrow Was Beautiful — in which Karol G highlights the impact of Selena Quintanilla on her own career — the Colombian artist was surprised with top-secret news from Netflix. The cat is now out of the bag, as it has been officially announced that a new Selena documentary is coming to […]
Shakira fans commuting from the TriState Area to her concerts at MetLife Stadium on Thursday and Friday (May 15-16) may need to rethink their travel plans. NJ Transit announced on Monday (May 12) it will be halting rail and bus service to the stadium for both shows. “Due to the potential rail service stoppage, NJ […]
The “She Wolf” is on the prowl again. Global superstar Shakira performed to a sold-out crowd at the Bank of America Stadium in Charlotte, N.C., on Tuesday (May 13), kicking off the U.S. leg of her successful Las Mujeres Ya No Lloran World Tour. As the tour slogan suggests, “women don’t cry,” they dominate stadiums! […]
Mexican music powerhouse Fonovisa-Disa is rebranding as Fono, it was announced on Wednesday (May 14).
The new name for the regional Mexican label, which is part of Universal Music Group, comes more than 40 years after its launch. It went on to become a pioneering company at a time when música mexicana didn’t have the global spotlight it has today.
“This isn’t the end of an era, at least we don’t feel like it is,” Antonio Silva, Fono’s U.S.-Mexico MD and a towering figure at the company, tells Billboard. “This is an evolution of Fonovisa, of our team, our artists, and it is an evolution designed to expand our genre and culture. This rebranding does not make Fonovisa’s legacy disappear, we intend to make [the genre] more relevant and take it beyond where our artists have already taken it.”
Fono is home to genre giants Alejandro Fernández, Los Tigres del Norte and Banda El Recodo, to name a few of the veterans on its roster, as well as emerging acts such as Camila Fernández, Danny Felix and Majo Aguilar — a reflection of the genre’s multigenerational audience. The label’s rebranding comes at a time when regional Mexican music has grown significantly in popularity and exposure over the past few years. Still, there’s much more opportunity for growth, says Alfredo Delgadillo, president/CEO of Universal Music México.
“Mexican music is in a good place right now, but we want to see it go further,” says Delgadillo, who notes the rebranding has been in the works for over a year. “It’s important to note that while corridos are getting all the attention at this moment, the rest of the subgenres like banda, norteño, mariachi, cumbia, continue to have enormous relevance, and we don’t want that to get lost. We see a very strong opportunity. The focus on the corrido, which is very important and, coming from what Fonovisa is and what it has built, we don’t want it to end or stay there. For us, the cultural richness of the entire genre goes beyond a special moment for just one of the subgenres.”
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Fono will continue building on the legacy that Fonovisa-Disa built. Previously an indie label, Fonovisa was acquired by Universal in 2008 and became an institution in the regional Mexican music space. “We saw this as [an opportunity] to grow, to take Mexican music and all its genres to other regions and territories,” says Ana Martínez, who was appointed Fono’s U.S. GM last year. “Our vision is focused on the opportunity to take our culture to other audiences, above all in a sustainable way, helping develop something that lasts more than the isolated impact that sometimes happens.”
Adds Silva, “After so many years of working in the music industry and practically all dedicated to regional Mexican, I’ve experienced the phenomenon of Bronco, Rigo Tovar and so many more that have been a part of our history. Now, to reach this moment where the company has this vision of expanding our culture and all that we are, I’m thankful to Fono and Universal for giving us a new road to navigate the world.”
El Alfa is hitting the road this year for the last time in his two-decade career. On Tuesday (May 13), the Dominican artist announced his farewell tour, El Último Baile, with 34 confirmed dates. The “King of Dembow,” known for hits such as “La Mamá de la Mamá,” “La Romana” and “Singapur,” will kick off […]
Noreh has stamped some of his most personal experiences on A Film By La Vida Real, his sophomore studio album and debut set under 5020 Records after signing with the label last September.
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Home to 15 tracks, including the previously-released singles “Trailer,” “Dieta,” and “Rey” in collaboration with LAGOS, the Venezuelan singer-songwriter delivers primarily ballads (some laced with tropical music, others with electronic) that are both heartfelt and heart-wrenching—all best representing everything he’s lived in his 27 years.
“There are many varied experiences on this album, from good and bad things that have happened to me,” he tells Billboard exclusively. “I always believe that a piece of material should have that contrast and be honest enough to resonate with the people who listen to it. I had this concept of taking it through movies and TV shows because I felt it was necessary for each song to tell a story.”
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A Film By La Vida Real also includes collaborations with Corina Smith, Jay Wheeler, and Sin Bandera on the focus track “Porsi.” It also marked the first time that the 2025 Billboard Latin Artist to Watch teamed up with different composers for a project (he always wrote the songs himself).
“They made the creative process truly valuable,” he explains about his collaborators. “It was very enjoyable, very relaxed, we had a good time, and we ended up releasing these songs. Working with talented people allows everyone to contribute — they contributed with their essence, their voice, and their creativity.”
But beyond unleashing an album that is reflective, emotional, sensual, and mesmerizing, Noreh owes his potent lyricism to his identity.
“Everything starts from there,” he elaborates. “We always talk about the organic. How cool would it be to experience virality with some of the album’s songs, but we also know there’s something organic going on. I don’t downplay the value of an artist who generates virality or makes urban music. I love urban, underground, and explicit music, but I feel that everyone, based on their identity, needs to choose their niche and contribute to that. There are many people who dedicate themselves to making art.”
Below, Noreh breaks down three ultra-personal tracks on A Film By La Vida Real:
“Chao Cheo”: “It’s a love story, but the most curious thing is where it comes from and why. Basically, many years ago, I didn’t know about the person who killed my father, his life, or why he did what he did. The story is based on him and his wife. My way of expressing myself was this, and interpreting the fact that many families suffered because of this.”
“Niño”: “It’s very personal and speaks to that little child we all have inside, giving us strength and advice. I was interested in [creating a song with] this topic from the very beginning, and I had never explored it before until now.”
“Porsi” with Sin Bandera: “It’s a song that doesn’t talk about perfect love, but about a love that can fail at any moment. Just in case, this song is for you today, at 27 years old. Many songs talk about eternal and perfect love, but sometimes they don’t talk about the difficult things, and that’s precisely what I’m singing about.”
Luis Alvarado, spokesperson for Los Alegres del Barranco, is defending the Mexican band’s right to perform narcocorridos freely, without being punished by authorities.
“Everyone who tells stories, whether with a pencil or an accordion, has the right to tell them,” Alvarado tells Billboard Español.
In an interview on Monday night, the group’s spokesperson rejected the actions taken against the quartet by the Fiscalía de Jalisco (Jalisco State Prosecutor’s Office), which accuses them of allegedly supporting drug trafficking. The band projected images of Nemesio Oseguera Cervantes, also known as “El Mencho,” leader of the Jalisco Cartel – New Generation, while performing the song “El Del Palenque” on March 29 at the Telmex Auditorium in the municipality of Zapopan.
Jalisco is one of 10 out of 32 states in Mexico that have put bans on narcocorridos or any kind of expression that glorifies crime, even though it’s not a federal law. Los Alegres del Barranco is the first group officially accused of allegedly promoting drug culture, along with their manager and the promoter of their concerts.
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At a hearing held on Monday at a court in Jalisco, the judge ordered precautionary measures like showing up at the court every week, paying a bond of 1.8 million pesos (around $92,000), and staying in Jalisco, except for three previously scheduled shows outside the state, at least for the next three months. The judge did not order pretrial detention, so they’ll be able to continue their defense while remaining free.
For Alvarado, this historic criminal case is about more than just the potential legal consequences. In his opinion, it “violates freedom of expression” and goes against a tradition that dates back to the time of the Mexican Revolution (1910–1917), serving as an alternative narrative to the official history, according to experts interviewed by Billboard Español.
Alvarado talked about the steps Los Alegres del Barranco will take to face justice in Jalisco, where they have four open investigations for performances in different municipalities where they allegedly glorified criminal activity.
How is the group feeling after Monday’s hearing and the start of an unprecedented criminal case for alleged glorification of crime?
At the moment, our legal team has advised us not to share details about the judicial process, but we did want to express how the members of the group are feeling. I must say that, although this challenge has been very difficult for them, they remain strong and understand the heavy burden they carry — not only because of the possibility of being punished, but because they are defending an entire musical genre at this moment. As musicians, and alongside journalists, they are standing up for freedom of expression in democratic societies. The line between what is legal and what isn’t is still very blurred. Different government officials have varying opinions, and that’s how democracy works. That’s why they are facing this challenge with focus and determination, but always holding their heads high.
Is there trust in Mexican authorities?
This is where we are right now. They understand that this isn’t a sprint; it’s a marathon. Since the judicial process isn’t immediate, it will take time, as it should, because every issue being reviewed by the judicial system and the government needs time for all voices to be heard. All the group asks is that the members of the judicial system reviewing their case remain independent. The group has faith in the process, and we have a strong legal team supporting us all the way. They will remain strong, but most importantly, they will stay positive.
In addition to Los Alegres del Barranco, other artists like Natanael Cano and Junior H have been called out in other states, although no criminal proceedings have been initiated. How do you see the outlook for corrido performers?
Los Alegres del Barranco are asking for support from all musical groups in the genre — not just those who perform corridos, but also norteño musicians and all artists working in this profession in Mexico. They are calling for unity and for all artists to have the right to freedom of expression.
Would you agree to regulation of narcocorridos without outright prohibition?
I insist, it’s still a very unclear landscape, but like any law that affects so many people, there should be a process to make things clearer and reduce confusion and problems for groups in the future. If that means there should be regulation, we’ll be able to decide what the band will support or not after we finish this proceeding.
The group won an injunction in Michoacán to temporarily perform narcocorridos. Will they attend the hearing scheduled for Thursday (May 15) in that state?
Michoacán is a perfect example of how people can have different opinions about the same issue. The process of figuring out how an artist can practice their profession can vary from state to state, and that’s where we’re working to understand the unique challenges the band faces in each state, while making sure we follow the law and still keep the audience entertained.
We will attend any hearing the government requires us to, and we do everything under the guidance of our legal team. I can’t say this with absolute certainty, but as far as I know, yes, they will travel to Michoacán for the hearing.
What will happen with the tourist and work visas that were revoked by the U.S. government for the group?
We understand from the statement made by the U.S. Deputy Secretary of State, Christopher Landau, that they have been canceled. I can’t confirm it personally since the group hasn’t traveled yet, but I trust Deputy Secretary Landau’s word, and we’re treating it as a fact.
What’s next?
We are navigating this with all the necessary attention to detail to avoid any mishap that could not only impact the group but the entire music industry. Los Alegres del Barranco have never faced a challenge like the one they are confronting today.
Bad Bunny continues to build on the success of the chart-topping album Debí Tirar Más Fotos, as its single “DTMF” climbs 4-1 on the Latin Rhythm Airplay chart, marking his 28th ruler.
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“DTMF” hits No. 1 in its 15th week on the chart, despite a 2% dip in audience impressions, earning 6.2 million in the U.S. in the tracking week ending May 8, according to Luminate. Meanwhile, its parent album, his sixth studio set, returns to No. 1 on the all-genre Billboard 200 for a fourth nonconsecutive week, thanks to its vinyl release, while it adds an 18th week at No. 1 on Top Latin Albums.
“DTMF” is the second song from Debí Tirar Más Fotos to reach the Latin Rhythm Airplay chart’s apex, after “El Clúb” crowned the chart for three weeks in February. Plus, it awards Benito his 28th No. 1, all within a period of seven years. Overall, he trails only J Balvin (37 champs), Daddy Yankee (35), and Ozuna (32), for the most No. 1s in the chart’s history.
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“DTMF” arrives at the summit on Latin Rhythm Airplay, as it adds a 17th week atop the Hot Latin Songs chart, of its 18 total weeks on the list (which blends streams, airplay and sales). It holds strong at No. 1 despite a 2% dip in streams, to 7.8 million, but enough to yield a concurrent 17th week atop Latin Streaming Songs.
The song remains the longest-leading track on the multi-metric tally since Eslabon Armado and Peso Pluma’s “Ella Baila Sola” concluded its 19th week No. 1 run in August 2019. Hot Latin Songs combines streaming activity, radio airplay and digital sales into its formula.
“DTMF” also gains momentum on the overall Latin Airplay chart, rising 9-5 for its new peak.
Thanks to the double vinyl release of Debí Tirar Más Fotos, the album returns to No. 1 on the all-genre Billboard 200 chart. It also extends its reign on the Top Latin Albums chart, reaching an 18th week at No. 1, encompassing its entire chart run.