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Leila Cobo sat down with Nicky Jam where he opens up about meeting Donald Trump and how he reacted to the “She’s Hot” comment, his sobriety, stories about Enrique Iglesias, Fher of Mana, his relationship with his wife, getting bariatric surgery and more!
Keep watching for this in-depth and vulnerable conversation with Nicky Jam.
What was your favorite part of the interview? Let us know in the comments below!
Nicky Jam:
I would love to tell you that Trump story.
Leila Cobo:
Tell me the story.
Well I haven’t told anyone.
Tell me!
I’m going to take advantage and tell you about it.
Nicky, you came to La Industria hungry.
If they come to La Industria, you have to try these cheese arepas and cream.
And how involved are you in preparing the dishes on the menu?
In almost everything. I mean, my DNA is all over the menu.
Ok, then wait, because I have the menu here.
Oh, no wait.
You just touched it and it moved a little.
The man-
Here comes the most handsome man in the world. So here is the most handsome man in the world. And how are you? Oh, what a delight. Thank you!
Server:
With pleasure.
So, these are the famous arepas with “queso de mano.” “Queso de mano” is the one that is shredded inside?
No.
The reverse?
Yes, the soft one over there, try it! Take a little bite, it’s fine. You’re going to stick a fork in an arepa?
Yeah…
D*amn! You know that I’m a real thug.
Let’s see, but is this a Colombian or Venezuelan arepa?
But you are a lady. This is a Venezuelan arepa.
You clearly know that it is not Colombian.
Keep watching for more!
On the 10th anniversary of his hit song, “El Perdón,” and as he readies to release new music, reggaetón superstar Nicky Jam spoke with Billboard about quite literally everything.
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We chatted with the Puerto Rican star for over an hour, about his new marriage and his love for his new wife; about the story behind “El Perdón;” quitting alcohol; regrouping mentally and preparing new music — due out at the end of the month — that is rooted in happiness.
He also spoke about the infamous, yet hilarious, Donald Trump introduction at a rally in Las Vegas last September, when the President invited Nicky Jam, who at the time announced he was endorsing Trump, to the stage saying, “Do you know Nicky? She’s hot!”
“You want to know why he said, ‘She’s hot?’” Nicky Jam asked over a brunch of arepas at his restaurant, La Industria, in Miami. “I’ll tell you. I haven’t told this story to anyone.”
Before turning to Trump-Gate, Nicky Jam spoke at length about the history of “El Perdón,” the breakout hit he recorded with Enrique Iglesias, which when released in 2015, spent 30 weeks at No. 1 on Billboard’s Hot Latin Songs chart.
“Don’t give that song to anyone. That song is mine!” Nicky Jam recalls Iglesias telling him about the romantic track, which was also released in a bilingual version.
Nicky Jam also spoke about his new record deal with Virgin. And yes, he did get into the details of the Trump faux pas.
Turns out when Nicky Jam went to meet the now-President for the first time at the rally, he allowed his wife to go inside first. “Obviously, I let my wife go first, and when he saw her he said, ‘Wow, she’s beautiful!’” recalls Nicky Jam. “It’s flattering to have the president tell my wife that she’s hot. But when I met him, in his mind she was Nicky Jam.”
“So that’s when he said, ‘Latin superstar Nicky Jam, she’s hot.’ I’m sure when I went onstage he thought, ‘Oh my God.’ Because, what does he know about Nicky Jam? He doesn’t listen to reggaetón.”
Of course, the faulty intro was the tip of the iceberg. Nicky Jam was criticized for endorsing Trump, and just a few days, he rescinded his endorsement after a comedian referred to Puerto Rico as a floating island of garbage at another Trump rally.
“I can’t support your campaign because I have to support my country,” said Nicky Jam. “I learned my lesson.” However, he admits, the onslaught of negativity online was jarring. “Had this happened when I was in my twenties, I’d have gone crazy!” he says.
The one good thing?
“Trump called and apologized” for the “hot” comment. “He said, I never call nobody, but you’re a standup guy.”
Chilean icon Myriam Hernández headlines Day 2 of the 2025 Viña del Mar International Song Festival, performing Monday night (Feb. 24) at the Quinta Vergara amphitheater in the coastal city of Viña del Mar in Chile.
The Chilean singer has charted 13 singles on Hot Latin Songs and six times on Latin Pop Albums. In 2024, she was recognized as a Fundamental figure of Chilean music by the Sociedad Chilena de Autores e Intérpretes Musicales.
The singer, known for a roster of love standards that spans over three decades, will perform in her first full-length show at the celebrated festival in over a decade. In 2023, headliner Karol G invited Hernández to sing “El Hombre Que Yo Amo,” a Hernández hit Karol G had long professed to love. Hernández also hosted the festival for five consecutive years, from 2001 to 2006, but hadn’t performed a full set since 2001.
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Hernández is slated to perform at approximately 7:30 p.m. ET, followed by Ha*Ash, the duo made up of sisters Hanna Nicole and Ashley Grace, born in Louisiana but raised in Mexico. The duo, known for their dramatic pop fare with a dollop of country, are slated to perform at at approximately 11:15 p.m. ET, closing out the show.
Both performances are part of the six-day lineup of the 64th annual Viña del Mar broadcast, which year after year is Chile’s highest-rated television show. Each night features a headliner, a supporting artist, a comedian and an international song festival in folk and pop categories, where contestants compete every night for a winner in each.
Viña will continue Tuesday (Feb. 25) with Colombian’s Morat headlining and Sebastian Yatra closing; Wednesday (Feb. 26) with Carlos Vives headlining and Carín León closing; Thursday (Feb. 27) with Incubus, Juan Carlos López and The Cult; and Friday (Feb. 28), urban night, with headliner Duki, Eladio Carrión and Kid Voodoo.
All nights will be livestreamed in the United States on Billboard.com and Billboard Español. Performances can be viewed on the player in this story beginning at 7:15 p.m. ET, or throughout billboard.com and billboardespañol.com.
Chino Moreno is ready to embark on a new arenas tour with his alternative metal band Deftones, starting Tuesday (Feb. 25) at the Moda Center in Portland, Oregon. It’s the California band’s first tour since 2022, and it will share the stage with The Mars Volta and Fleshwater during some spring dates in the U.S.
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At the same time, the Sacramento-based band plans to release new music this year, Moreno tells Billboard Español in Mexico City. “So the plan is, obviously, to have a record sometime around that time [during the tour.] It’s getting very close to being ready, so yeah, we’re excited,” he says of what would be the successor to Ohms (2020).
Almost eight years have passed since Deftones last visited Mexico, where — as in the rest of Latin America — it has a solid fan base. But with his other project, Crosses, Moreno was in Mexico City last December. Here, he and his bandmate, guitarist and producer Shaun Lopez, closed the tour of their album Goodnight, God Bless, I Love U, Delete (2023) at the Pabellón Oeste of the Palacio de los Deportes, after being on the road between 2023 and 2024.
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“We made it happen! We were gonna do a full Latin America tour, but it was just gonna be too much time and it was close to the holidays, so we decided we at least have to go to Mexico City,” Moreno says.
It was Crosses’ first show in the capital and it was an incredible experience for him and Lopez, who had never been here before. Lopez, a former member of the now-defunct group Far, created an unexpected close bond with Mexico when he served as a producer of Mexican trio The Warning‘s album Keep Me Fed (2024) — it was thanks to the Villarreal Vélez sisters that the musician obtained his first Latin Grammy nomination last year, for best rock song, as co-author of their song “Qué Más Quieres.”
“When we wrote it, it wasn’t in Spanish,” Lopez tells Billboard Español. “Sometimes when you do songwriting sessions like that, you don’t hear anything for like a year. And usually when you don’t hear anything, you think ‘Oh, they didn’t like it, they didn’t like me’ or whatever, you know? And then the manager hit me up a year later and he said: ‘Can you send me a session for that song?’ He’s like, ‘The good news is the girls are going to convert it to Spanish, which is going to be actually really cool because it’ll be the only song on the album that’s Spanish.’”
In 2025, Moreno will spend much of the year touring with Deftones, so Crosses will have to take a break before returning to the recording studio. “I don’t know how soon it’ll be, but we definitely want to work on more music,” Lopez says. “We enjoy making it and yeah, I just would like to thank everybody for showing interest in our project.”
As Deftones is soon expected to announce tour dates in Mexico, Moreno confirms that the band is considering the possibility of bringing the festival they have been organizing annually since 2020 in San Diego, California — Día de los Deftones, whose name is a clear reference to the popular Mexican tradition Día de Muertos celebrated on Nov. 1-2 — to Mexico.
“We talked about it a lot recently, so it’s definitely in discussions to do so. We would love to do!” Moreno says. “I mean, I can’t promise, but, you know, it’s been growing really great.”
Calibre 50 adds a record-extending 27th No. 1 on Billboard’s Regional Mexican Airplay chart with “El Sueño Americano.” The Sinaloans achieve the feat on the March 1-dated tally, as the song advances 2-1 for its first week on top. Explore Explore See latest videos, charts and news See latest videos, charts and news “El Sueño […]
Ariel Camacho’s career was brief, but his legacy has touched and influenced every aspect of regional Mexican music today. In 2013, the Sinaloa-born artist rose to fame as one of the most promising Mexican music acts of his generation. At only 20 years old, Camacho redefined and globalized sierreño, a style popular in the Northern parts of Mexico. A gifted requinto player, Camacho delivered anthems like “Te Metiste,” “El Karma” and “Hablemos.”
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On Feb. 25, 2015, at 22 and on the brink of stardom, Camacho died in a car accident. The young singer not only became a legend, but he inspired acts like Natanael Cano, Jesús Ortiz Paz (Fuerza Regida), Nodal and Peso Pluma, who credit him for forging a path for a new generation of música mexicana artists.
His manager, Jaime González (Christian Nodal’s father), worked closely with Camacho for nearly three years. Below, González speaks with Billboard about Camacho’s humble beginnings, how Camacho dreamed of going global, and why the late artist continues to fuel the regional Mexican movement.
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It is an honor for me to talk about Ariel Camacho. Era mi bebé.
A friend told me about Ariel. He said there was this guy who sang at parties. He passed me his contact info, I called him and told him I was going to be in Los Mochis [Sinaloa] one day to produce an album. He came to see me and said, ‘I want you to listen to me to see if we can do something together.’ This was like in 2012.
Well, I heard it and it gave me chills, that’s when the whole story began. He was a person from the rancho, very simple, super humble. I remember that he arrived in those Sinaloa style guaraches, with his Levi’s pants, T-shirt, a baseball cap and his requinto (six-string guitar). He was with two other guys, and they sang for me a corrido and a [romantic] song and that was enough for me. I had never had anything like that happen to me before, there was something very special there. He trusted me and I trusted him.
I signed him and I was his manager from beginning to end. I told him that música sierreña and campirana is sung with a tejana and cowboy boots. But he wanted to wear those Ferragamo shoes that were in style and a little blazer. We almost had to force him to wear the tejana, and then he didn’t want to take it off.
Ariel Camacho and Jaime Gonzáelz
Courtesy of Jaime Gonzáelz
Ariel learned to play the guitar because his dad is a musician. His dad plays guitar and sings. He had a group in Sinaloa and he took Ariel with him from a very young age to the concerts. He sang with the church choir, and those were his early beginnings. He was an excellent performer, and had a lot of freshness. Ariel loved the guitar. He would get up with his guitar in his hand, and he had a repertoire of songs that would drive you crazy.
With Ariel, we innovated sierreño music by adding the tuba. In fact, we fought because he wanted to add bass and I wanted to add tuba to the sound. “No, I don’t like the tuba,” Ariel told me. I replied, “Give me a chance to let you hear the recording with tuba. And then we’ll take it out if you don’t like it.” I had a specific tuba player that I envisioned for the Ariel Camacho y Los Plebes del Rancho project. This tuba player, his name is Israel Meza, he was the producer of all of Julio Preciado’s albums, he worked with Joan Sebastian, he is a savage on the tuba. So, I hired him to help us record.
Ariel was worried about what people would say and if they were going to criticize him for incorporating tuba in sierreño. We recorded all the songs on the album with guitars, bass and vocals. And in another version, we added the tuba.
In the end, the one who decided whether it was tuba or bass was a guy who was selling tamales… We went out to the garage to discuss whether it was going to be with tuba or bass, and at that moment, a tamalero was passing by on a bicycle selling tamales and champurrado and listening to music on his little stereo. I remember that very well. I said to Ariel, “You know what? Neither you nor I are going to decide this. We’re going to buy tamales from the tamalero and ask him if he knows about music. If he knows about music, then he’s not going to decide either.” We shook hands. So we bought tamales, and we asked him if he knew about music. “What do you mean?,” the tamalero asked me. “I mean, do you know about notes, do, re, mi, fa, sol,”‘ I answered. “I don’t know anything about that, but I like music, and I know which song is good and which song is not good.”
Ah, perfect!
Ariel was like, “First play him the bass version.” And Ariel was selling the story like, “Doesn’t it sound so cool?” And then we played the version with tuba. When the two versions finished we asked him which one he liked better. “he second one, it’s better with the tuba,” he answered. We agreed, it’s with tuba. Special shout out to the tamalero, and I would like to thank him for that wise decision he made.
We started looking for his musicians to put the band together, and then we started recording songs. “El Rey de Corazones” was one of his first songs and it was a hit. That is to say, it was a very fast, fleeting career. He had a brutal talent and he was very young. He was one of those artists that came into the world and won you over. Whatever song we released, it was a hit. I had never worked with an artist as much as with Ariel Camacho — there was so much demand. I met him and after three months, we started working at an exaggerated pace in Mexico. It took him time to assimilate what was happening because he didn’t believe it. I remember that he dreamed a lot about earning money to build a house for his mother, a nice house, or to buy his first Cheyenne.
We lived through a lot of good and bad anecdotes — from not filling a venue to selling out out a venue. There are many videos of him crying at his concerts in Tijuana, Nogales, Hermosillo, Los Angeles, many places. When he finished, he would get off the stage and give me a hug of relief, of emotion. He thanked me and I thanked him for the opportunity.
Jaime Gonzáelz and Ariel Camacho
Courtesy of Jaime Gonzáelz
Even when he started earning money and so on, he was the same, he never changed. He was a family person, very cheerful, loving, loved to joke around. He was a kid who came out of the rancho, with a guitar on his back to look for his dream and he found it. I think that connects with this new generation, especially being very young like them. He has definitely been a reference for artists like Peso Pluma, Natanael Cano, Fuerza Regida. Besides the innovation, the idea of adding the tuba to sierreño — that had never happened. That’s what encouraged everyone to make their fusions. They’re adding trombone, charchetas, etc. It motivated young people to dare to start something new. And everything we are listening to now with guitars, includes a reference to Ariel Camacho.
Ariel was a very special person. He was like another son — because he slept at my house, he ate at my house, I was his producer, his manager, his psychologist. And I was his friend.
We talked about many things that were left unfinished, that we could not achieve obviously because of his death. I have not healed. It is still very hard for me to process what happened — I have many mixed feelings.
But I am grateful for the opportunity he gave me, and it was a beautiful experience. I am sure that if he were alive, we would be at another level right now, we would be global, we would have done a thousand things, because there were many plans. He wanted to sing with mariachi, to conquer all the countries, and it makes me angry that he died before his time — but, well, God is in charge.
Every year on his death anniversary, we do an event at his grave. We always put up a stage, we make carne asada, birria, bring seafood and beer. Almost always a lot of people get together, and all the artists who want to come, come. Natanael has been there to sing for him, many artists have been there, and obviously Los Plebes del Rancho, who continue his legacy.
Ariel Camacho may be physically dead, but he is alive, his music and his legacy live on.
Carín León, Becky G, Edición Especial and DannyLux are slated to grace the stage at Brookside at The Rose Bowl for its inaugural Latin music event on May 24, Billboard Español can exclusively announce on Monday (Feb. 24).
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The Pasadena, Calif., venue, managed by Goldenvoice — the creators of Coachella — has hosted annual festivals such as Cruel World, focusing on new wave and alt-rock, and Just Like Heaven, themed around early ’00s alt-rock. This year, the one-day event will embrace Spanish-language music for the first time since the space began hosting multi-stage festivals in 2017.
“It’s a dream to bring the best of música mexicana to an iconic place like Brookside,” a Goldenvoice representative tells Billboard Español. “We’ve been fortunate to be a part of each of these artists’ journeys and it’s a great feeling to have it all come together for this event. We hope to continue more events like this in the future.”
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Headliner Carín León — this year’s Grammy honoree for best música mexicana album (including tejano) for Boca Chueca, Vol. 1 (2024), which debuted at No. 5 on Billboard’s Regional Mexican Albums chart and No. 8 on Top Latin Albums — has quickly emerged as a key figure in Latin music. His distinctive fusion of traditional Mexican music with country elements has marked a significant evolution in the genre.
“I feel very proud to be a pioneer in bringing regional Mexican music to this iconic place,” said León in a press release. “Everything that has happened with our genre is incredible and the presence that México has today in global music. This is just an example of what our country has prepared for the future, and we are moving forward with firm steps! I’m excited to see how Mexican music is being recognized, and for me, it’s an honor to represent it with respect, always going all out.”
Becky G, whose albums Esquemas (2022) and Esquinas (2023) reached the top 10 on Billboard‘s Top Latin Albums chart at No. 5 and No. 7, respectively, continues to highlight her Mexican-American roots with her latest release, Encuentros (2024), which debuted at No. 15 on the same chart last October.
“As a proud Chicana born and raised in Inglewood, I’m beyond excited to be part of this historic moment where música mexicana is included for the first time,” said Becky G in a press release. “Bringing my music and culture with me everywhere I go means everything, but there’s something incredibly special about performing música mexicana in L.A. I can’t wait to go out there and celebrate with my people.”
Also joining the lineup are Edición Especial from Culiacán, Sinaloa, fresh off the group’s successful Segunda Edición tour; and rapidly rising star DannyLux, who fuses romantic sierreño music with a poetic flair.
Presale tickets will be available on Wednesday (Feb. 26) via Carin Leon’s website. General ticket sales start on Friday (Feb. 28) at 12 p.m. PT on the AXS website.
Marc Anthony officially kicked off the 2025 Viña del Mar International Song Festival on Sunday (Feb. 23) at the Quinta Vergara Amphitheater in the coastal city in Chile.
His set, more than an hour long, began at 7:55 p.m. ET, with the Puerto Rican salsa act performing “Pa’alla Voy.” He then continued with his early 2000s hits, “Valío La Pena,” “Y Hubo Alguien” and “Volando Entre Tus Brazos.” “How cool!” Anthony murmured in the mic as the packed venue of 15,000 fans sang along.
“Thank you so much. Thank you so much, for real,” the salsa artist said to the crowd, which included the presence of his wife, model Nadia Ferreira, in the front row. “What a wonderful time to be able to share with you all after so many years. How wonderful to see you. This next song is one of my favorites. If you know it, sing it with me.”
This is the fourth time the festival has hosted Anthony, following performances in 2009, 2012 and 2019.
He then continued with four back-to-back timeless covers that he’s made popular: Polo Montañez’s “Flor Pálida,” Juan Gabriel’s “Abrazame Muy Fuerte,” José José’s “Almohada” and José Luis Perales’ “¿Y Cómo es El?”
“How exciting, but do you want salsa? Let’s go!” Marc said after the romantic set, continuing with “Que Precio Tiene el Cielo.”
Shortly after, the event’s co-hosts, Karen Doggenweiler and Rafael Araneda, joined the artist on stage. “This quinta [venue] sings, dances and enjoys your music!” Araneda told Anthony as the audience signaled the popular flying seagull hand gesture to give him a trophy.
As tradition holds, the week-long event features local and international artists who compete for either a silver torch or golden torch. On this year’s opening night on Sunday, Marc received the two coveted gaviota trophies before wrapping up with salsa bangers “Mala,” “Te Conozco Bien,” “Tu Amor Me Hace Bien” and “Vivir Mi Vida.”
“It’s incredible,” Anthony said to the hosts. “I was telling Nadia that there is no country like Chile. Stepping on this land is felt immediately. What an honor to be in Chile!”
Each night, Viña del Mar, which has become Chile’s highest-rated television show, features a headliner, a supporting artist, a comedian and an international song festival in folk and pop categories, with contestants competing to win in each.
Karol G’s Con Cora Foundation hosted its inaugural Con Cora Land benefit charity gala on Saturday (Feb. 22) at the Vizcaya Museum & Gardens in Miami.
The evening, which started promptly at 7 p.m. local time, welcomed industry leaders and artists alike, including Elena Rose, Manuel Medrano, Mau y Ricky and Ela Taubert, among others. The fundraising event was in support of the Colombian singer’s Con Cora Foundation and its Casa Con Cora initiative to empower “thousands of women” to pursue their dreams.
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“This project comes from the heart of the home, the nest of the family,” Karol G said at the event. “When we were little, my parents always had an ideology of life and it was that the blessing had to circulate. The need for the foundation comes from the number of projects that come knocking on our doors that we would love to attend to. With you helping us, we can do it. Our mission is to give the blessing to other women because precisely from our position we realized how difficult it has been. Thank you for being here, for accompanying us. I want you to go home proud because you are making a project possible to support women, entire families, children, girls, and generations.”
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In a previous press release, the artist noted that the foundation’s goal “was to empower women and girls to transform their dreams into reality, regardless of their background. Con Cora Land will be a special space where we can recognize our accomplishments, raise awareness of the impact we’ve made and look ahead to the incredible journey ahead.”
Below, check out some highlights from the gala:
Live Auction
The gala was hosted by Puerto Rican actress and presenter Giselle Blondet, who first invite all the guests to take a seat and enjoy their dinner around 8 p.m. A live auction then took place with five special items. The first, a gold necklace designed by Colombian jeweler Johanna Ortiz that was auctioned for $4,500, followed by tickets to the Miami U.S. Open (auctioned at $7,000), a dinner experience for 16 at the Casadonna Restaurant (auctioned at $7,000), a six-day trip for two to Africa (auctioned at $17,000), and an art piece signed by Karol G and created by a fan in Spain that auctioned for more than $70,000. Many donations were also made, including more than $5,000 for a girl’s soccer training and other educational funds and resources.
An online auction, featuring concert tickets to Bad Bunny’s shows in Puerto Rico and limited-edition merch from Feid, will run until March 12, here.
Special Performers
Following the live auction, the host of the night invited all the guests to make their way to the stage for a one-hour concert. First, guests were surprised by Nelly Furtado, who delivered an intimate acoustic set of “Say It Right,” “Maneater,” and “I’m Like a Bird.” One of the night’s highlights is when Furtado scouted through the crowd to sing her Juanes-assisted “Fotografía” with Karol G. According to the Canadian singer-songwriter, the lattermost is one of Karol’s favorite songs.
Then, to everyone’s surprise too, Ricardo Montaner took center stage with a live band to sing some of his greatest hits: “La Cima del Cielo,” “Me Va a Extrañar” and “Bésame,” to name a few. He told guests that this was the first time in over a year that he performs live, and that the reason he was doing it was because he fully supports Karol’s initiatives with her foundation. “Ay Dios mio, Karol, the things you make me do,” he joked. In the crowd were his sons Mau y Ricky singing along to every song.
Con Cora Land
In true Karol G fashion, the artist made an experience out of her benefit gala event. Among some of the activations held in the gardens of Vizcaya was a market village featuring items made by Latina entrepreneurs: jewelry, crochet, ceramics, and more were sold at the market. Meanwhile, each guest received a Con Cora Land tote filled with goodies, including a JBL portable speaker and a themed bracelet by Amorfa Gemz — a jewelry brand by Karol’s sister and manager, Jessica Giraldo.
Marc Anthony will kick of the 2025 Viña del Mar International Song Festival, performing Sunday (Feb. 23) at the Quinta Vergara amphitheater in the coastal city of Viña del Mar in Chile.
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The salsa superstar will perform with his whole band as part of his Historias tour, in what will be his fourth appearance at the festival. Viña del Mar, which is celebrating its 64th edition, previously hosted Anthony in 2009, 2012 and 2019.
Anthony headlines the first of six nights of stacked performances that will be streamed in the U.S. exclusively on Billboard.com and Billboardespanol.com. He is slated to perform approximately at 7:45 p.m. ET, followed by pop/tropical duo Bacilos at approximately 11:15 p.m. ET.
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Both performances are part of the nightly Viña del Mar broadcast, which year after year is Chile’s highest-rated television show. Each night features a headliner, a supporting artist, a comedian and an international song festival in folk and pop categories, where contestants compete every night for a winner in each.
Sunday’s performance will kick off with Anthony, and will be followed by a set from Venezuelan comedian George Harris, the song competition, and Bacilos as the grand finale.
Led by Jorge Villamizar and André Lopes, Bacilos gained fame in the early 2000s with a series of hits including “Tabaco y Chanel,” and “Caraluna.” With a discography that includes six studio albums, two compilations and two EPs, the Miami-based band has earned a Grammy and five Latin Grammys. Last year, they released their newest album, Pequeños Romances.
Viña will continue Monday (Feb. 24) with performances by headliner Myriam Hernández and sibling duo Ha*Ash; Feb. 25 with Colombian’s Morat headlining and Sebastian Yatra; Feb. 26 with Carlos Vives headlining and Carín León; Feb. 27 with Incubus, Juan Carlos López and The Cult; and Feb. 28, urban night, with headliner Duki, Eladio Carrión and Kid Voodoo.
All nights will be livestreamed in the U.S. on Billboard.com and Billboardespanol.com. Performances can be viewed on the player in this story beginning at 7:15 p.m. ET, or throughout billboard.com and billboardespañol.com.