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Trending on Billboard It’s another “Golden” week for KPop Demon Hunters as the breakout song reaches a whopping 10th week at No. 1 on the U.K. Official Singles Chart dated Nov. 7. The song, taken from the Netflix smash film, is credited to the animated group HUNTR/X and sung by EJAE, Audrey Nuna and Rei […]

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SEVENTEEN sub-group CxM dropped a remix of their single “5, 4, 3 (Pretty Woman)” on Friday (Nov. 7) featuring rapper Flo Milli. The song, which first appeared on HYPE VIBES, the debut mini album from SEVENTEEN members S.COUPS and MINGYU, gets an injection of even more energy from the “Never Lose Me” MC, who weighs in on being pretty and powerful.

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“You gotta be tall, dark and handsome I’ll be your sexy little dancer/ Make this your pretty woman anthem he said I’m so hard to handle/ I step up in the room all eyes on me/ Don’t wanna look away ’cause the body so tea/ I told you pretty girls rock, pretty girls on top,” Milli raps over the song’s effervescent, bouncy arrangement, which features an interpolation of the chorus and hook of late rock icon Roy Orbison’s 1964 Billboard Hot 100 No. 1 hit “Oh, Pretty Woman.”

The original version of the song featured Philly rapper/singer Lay Bankz and appeared on CxM’s six-track debut, which dropped in late September. In addition to “5, 4,3 (Pretty Woman),” it featured the moody mid-tempo pop dance tunes “Worth It” and “For You,” as well flute-forward hip-hop banger “Fiesta” and the ballads “Young Again” and “Earth.”

HYPE VIBES debuted at No. 71 on the Billboard 200 album chart, marking the highest-ever ranking by a K-pop unit album on the U.S. tally; the EP also topped the Billboard Emerging Artists chart for three weeks. Both members of the 13-man South Korean boy band also had a hand in songwriting and composition all six tracks on the EP.

The whole group — which also features members JEONGHAN, JOSHUA, JUN, HOSHI, WONWOO, WOOZI, THE 8, DK, SEUNGKWAN, VERNON and DINO — will continue playing shows on their New World tour later this month when they kick off a three-night stand in Nagoya, Japan on Nov. 27, followed by three nights in Osaka (Dec. 4, 6, 7) before winding down the year with a pair of shows (Dec. 11-12) in Tokyo and two more in Fukuoka, Japan (Dec. 20-21).

Listen to “5, 4, 3 (Pretty Woman)” with Flo Milli below.

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BTS‘ Jimin and Jung Kook are hitting the road again next month. No, the K-pop group has not (yet) announced the dates for what fans are hoping will be their 2026 comeback tour. But the bandmates will be packing their bags for the upcoming second season of their hit reality travel series Are You Sure?!, which will premiere exclusively on Disney+ on Dec. 3.

According to a release, the second go-round of the show was filmed after the duo completed their mandatory South Korean military service and it “captures Jimin and BTS lead vocalist Jung Kook embarking on an unforgettable 12-day journey that spans from the majestic mountains of Switzerland to the vibrant shores of Vietnam. Traveling light with only their luggage, a modest budget, and a trusty guidebook, the pair dive into a mix of thrilling adventures, serene getaways, and spontaneous, fun-filled moments.”

The show will cover their 12-day adventure across eight episodes, with two new ones releasing every Wednesday from the premiere date through Dec. 24. “Viewers can look forward to plenty of heartwarming camaraderie, breathtaking scenery, and the unfiltered humor and chemistry that made the first season a fan favorite,” according to the release.

In the first season, fans watched the pair explore New York state, as well as Jeju Island in their native South Korea and Sapporo, Japan.

The show will be the table-setter for the main course, which will find the pair reuniting with Jin, Suga, RM, J-Hope and V next year now that all the group’s members have completed their military training. Their comeback will come a full five years after the release of their last proper studio album, Be, which debuted at No. 1 on the Billboard 200 in Nov. 2020. Since then, fans have had their thirst for BTS content slaked thanks to a series of solo albums, singles and tours.

Now, the countdown is ticking on what promises to be a big year for the crew, with an album and world tour on tap.

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Kehlani makes her top 10 debut with “Folded,” while Justin Bieber’s “Daisies” and Olivia Dean’s “Man I Need” continue to rise. Billboard‘s chart experts break down the new contender and whether Mariah Carey will come flying in to No. 1 anytime soon. We also took to the streets of L.A. and asked fans what they thought about the top 10 for this week.

Tetris Kelly: The battle between “Golden” and Taylor Swift stays tight as a new contender enters the top 10. It’s time, well, according to Mariah Carey and KATSEYE, but maybe not quite yet on the charts. More on that moment a little bit later. But for now, let’s jump into the top 10. This is the Billboard Hot 100 top 10 for the week dated Nov. 8. Still at 10 is Leon Thomas with “Mutt.”

Guest 1: So, “Mutt,” man, I feel like it’s so, like, relatable to our culture. I love it. It’s got, like, a lot of flavor in it. And the women, I love the women. So it gets you, you know, it gets you in there.

Tetris Kelly: Morgan also stays at No. 9.

Guest 2: I mean, I live in Texas, so everyone’s obsessed with Morgan Wallen. I kind of stay away from what everyone’s obsessed with. 

Guest 3: I don’t listen to him. I’ve never been a country girl, but I know he’s big. I don’t actually think I’ve ever listened to a single song by him.

Guest 4: I never even heard of him. You wilding because I don’t know Morgan.

Tetris Kelly: “Elizabeth Taylor” falls to eight.

Guest 4: Music swiftly goes right by me. Oh, hey, she cute. Though, I bet if I heard it, I probably would like it, though. 

Tetris Kelly: So not a lot of movement in the bottom of the chart, but I am happy to see Leon Thomas still hanging in there. How we feeling about the chart this week, guys? 

Delisa Shannon: I mean, y’all know this, I love me some Leon Thomas, so to see him holding on, I mean, it’s just truly a testament to really pushing a song. I think that’s what we’ve seen time and time again on these charts, where we see a song that not only that the artist is really strong behind, but their fandom is really strong behind. 

Keep watching for more!

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HUNTR/X remains triumphant as “Golden,” from Netflix’s record-breaking animated movie KPop Demon Hunters, leads the Billboard Global 200 and Billboard Global Excl. U.S. charts for a 14th week each. In July, the song became the first No. 1 on each survey for the act, whose music is voiced by EJAE, Audrey Nuna and REI AMI.

Plus, LE SSERAFIM and j-hope, of BTS, serve up a top 10 debut on both charts with “Spaghetti.”

The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

“Golden” leads the Global 200 with 120.8 million streams (down 2% week-over-week) and 13,000 sold (down 8%) worldwide in the week ending Oct. 30.

The entire Global 200’s top five holds in place: Taylor Swift’s “The Fate of Ophelia” at No. 2, after two weeks at No. 1 in October; her “Opalite” at No. 3, after hitting No. 2; Alex Warren’s “Ordinary” at No. 4, following 10 weeks on top beginning in May; and Olivia Dean’s “Man I Need” at No. 5, after reaching No. 4.

LE SSERAFIM and j-hope’s “Spaghetti” makes a piping hot start at No. 6 on the Global 200 with 48.4 million streams and 14,000 sold worldwide following its Oct. 24 release. LE SSERAFIM earns its first top 10 on the chart, while j-hope adds his second as a soloist; here’s an updated count of BTS members’ top 10 totals on the chart as soloists: Jung Kook (five); Jimin, JIN (three each); j-hope, V (two each); and Suga (one). BTS boasts 11 top 10s as a group.

“Golden” commands Global Excl. U.S. with 93.3 million streams (down 2%) and 7,000 sold (down 10%) beyond the U.S.

“The Fate of Ophelia” holds at No. 2 on Global Excl. U.S. after two weeks at the summit in October.

“Spaghetti” debuts at No. 3 on Global Excl. U.S. with 42.7 million streams and 9,000 sold. LE SSERAFIM previously hit the top 10 with “Easy” (No. 6 peak) and “Perfect Night” (No. 8), both in 2024. “Spaghetti” is also j-hope’s third top 10 on the chart solo; here’s an updated rundown of BTS members’ top 10 totals on the survey as soloists: Jung Kook (seven); Jimin (five); JIN, V (four each); j-hope (three); and Suga (one). BTS has notched 11 top 10s as a group.

“Ordinary” ascends 5-4 on Global Excl. U.S., after eight weeks at No. 1 starting in May, and “Opalite” drops to No. 5 from its No. 3 high.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Nov. 8, 2025) will update on Billboard.com tomorrow, Nov. 4. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Trending on Billboard Kehlani’s “Folded” makes its way into the top 10 of the Hot 100, while “Daisies” and Olivia Dean’s “Man I Need” continue to climb. Meanwhile, HUNTR/X’s “Golden” and Taylor Swift’s “The Fate of Ophelia” continue to battle for the No. 1 spot. Tetris Kelly: The battle between “Golden” and Taylor Swift stays […]

Trending on Billboard “Golden” from KPop Demon Hunters is back on top of the U.K. Singles Chart on Friday (Oct. 31), and brings Taylor Swift’s No. 1 run with “The Fate of Ophelia” to a close after three weeks. Explore See latest videos, charts and news The song, taken from the Netflix smash film, is […]

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Count pop radio as the latest realm that Gwi-Ma can’t conquer.

The KPop Demon Hunters underworld villain proves no match for the approximately 150 radio stations that have lifted HUNTR/X to No. 1 on Billboard’s Pop Airplay chart, where the protagonist trio of Netflix’s record-breaking animated film reigns with its anthem “Golden.”

The song, on Visva/Republic, rises two spots to No. 1 on the Pop Airplay chart dated Nov. 8, up 9% in plays week-over-week Oct. 24-30. (Stations are monitored by Mediabase, with data provided to Billboard by Luminate.)

“‘Golden’ has truly become a defining pop moment, an instant lean-in, turn-it-up track,” says Alex Tear, vp of music programming for SiriusXM and Pandora. SiriusXM’s Hits 1, which reports to the Pop Airplay tally, has played the song more than 1,100 times since June.

Thanks to the movie’s wide reach, “There’s that immediate familiarity and big emotion that just hits,” Tear says of “Golden.” “It’s become part of our channel’s DNA — vibrant, global and built for pop radio.”

Mark Adams, vp of pop programming for iHeartMedia and program director of the chain’s flagship WHTZ (Z100) New York, became a fan of KPop Demon Hunters a day after its June 20 release. “My algorithm knows me well,” he says. “I watched it that Saturday morning and just kind of immediately got it. I thought the animation was terrific. I thought the music was extraordinarily catchy.”

Adams says that he didn’t hesitate when considering the pop radio appeal of “Golden,” whose lyrics cite certain plot points, which could either confuse listeners not versed in the film or draw them in further if they’re superfans (or, on Oct. 31, KPop candy hunters). “When I’m listening to tunes,” Adams muses, “I’m just listening — is there a hook? Is it a pop cultural moment?”

Adams shares that he was so taken by the film after watching it “that Monday I shared with the national team: ‘Hey guys, you may not have heard about this yet, but there’s this movie on Netflix and the songs are amazing.’ That first week on Z100, we spiked ‘Golden’ in. It wasn’t in heavy rotation, but a few times, as well as [HUNTR/X’s] ‘How It’s Done.’ ”

With Pop Airplay panelist WHTZ now more than 600 plays into “Golden,” KPop Demon Hunters songs “are strong on their own merit,” Adams says. “It wasn’t a really difficult push to convince programmers to realize that this is a real thing.”

Despite the movie’s immediate and enduring success, Adams notes that radio still serves a key role in helping ingrain hits in the pop consciousness. “I think it’s a little complicated,” he says. “Even as big a platform as Netflix is, you’re still dealing with that audience, and that isn’t everyone. That helps lay the groundwork for music discovery, but it still takes weeks and months of committed, consistent airplay to really break things to the masses.”

Plus, says Adams, “people crave human connection, having somebody say, ‘Hey, this is a song you should be paying attention to.’ People feel like they’re part of a community and they want to be part of that shared pop cultural moment. I think that’s what we excel at.”

Meanwhile, Hits 1 has played other KPop Demon Hunters songs, including Saja Boys’ “Soda Pop” and “Your Idol” (fine, Gwi-Ma gets that), furthering the connection between the film and pop radio. “Golden” spent eight weeks at No. 1 on the multimetric Billboard Hot 100 from mid-August through mid-October, while “Soda Pop” and “Your Idol” each hit the chart’s top five.

“We’ve been intentional about giving space to songs that cross borders and connect with our audience,” Tear says. “These tracks feel natural next to Taylor Swift, Alex Warren or Olivia Dean. We’re always looking for that global pop conversation. Listeners don’t hear boundaries, they just hear great songs.”

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After a Korean judge ruled this week against NewJeans‘ efforts to break free from its label ADOR following the firing of its mentor, Kesha is showing love to the embattled K-pop girl group.

“My heart is with you NewJeans,” Kesha posted late Wednesday on X alongside a single red-heart emoji.

While Kesha has no public connection to NewJeans, she’s no stranger to a high-profile legal battle that puts artistic freedom in limbo. For nearly a decade, the “TiK ToK” singer was embroiled in competing lawsuits with her longtime music producer Dr. Luke. It started in 2014 when Kesha sued Dr. Luke, accusing him of sexual assault and abuse starting when she was a teenager, followed by the producer countersuing Kesha for defamation. The pop star sought to be released from her Kemosabe Records contract, but a judge ruled that she was obligated to continue making music under the Sony Music label.

Following a #FreeKesha social media movement that included vocal support from Kelly Clarkson (another frequent Dr. Luke collaborator) and Lady Gaga, Kesha and Luke came to a joint resolution in 2023 ahead of the defamation trial.

It appears Kesha is paying it forward to the K-pop group, whose members include Minji, Hanni, Danielle, Haerin and Hyein. As the CEO of ADOR, Min Hee-Jin introduced NewJeans as the label’s first girl group in July 2022, and the quintet soared to international success, landing five songs on the Billboard Hot 100 and accepting the group of the year award at Billboard Women in Music in March 2024. Just months later, in August 2024, Hee-Jin was dismissed as CEO and later exited ADOR altogether.

The members of NewJeans announced their intention in November of last year to terminate the group’s contract with ADOR, which was followed by the label’s lawsuit. This week, a judge in Seoul ruled that Min’s firing as CEO was not sufficient grounds for NewJeans to void its seven-year exclusive contract with ADOR.

In a statement through their lawyers, shared by the Korea Times, NewJeans had this to say about the new ruling: “NewJeans members respect the court’s judgment, but it is impossible to return to this company and continue normal entertainment activities in the current situation where the trust relationship with ADOR is completely shattered.”

Earlier this year, NewJeans attempted to rebrand as NJZ, debuting the new song “Pit Stop” at ComplexCon Hong Kong in March and announcing a hiatus, before ADOR challenged the group’s use of the new name while the legal battle moved forward.

In a podcast interview with Monica Lewinsky in July, Kesha opened up about what it was like to have to continue working with someone with whom you’re also in a legal battle.

“The recordings of my voice did not legally belong to me in the universe in perpetuity,” Kesha explained. “To then be delivering music to someone that you’re in litigation with … they’re in control of the promotion, of the budgets, all of it, the release, everything. For years. For 10 years. That was the only way I’d get out of the deal [with Kemosabe] was if I delivered the music.

“In my mind, it just felt like the biggest head-f— of all time,” the musician continued. “It still perplexes me, because it kind of makes no sense how the legal system could just watch this be happening and be like, ‘Yeah, that’s fine.’ It felt inhumane.”

Kesha made her independent debut over the summer with her latest album Period, which appropriately arrived on July 4, aka Independence Day.

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A Korean court has rejected NewJeans’ attempt to break away from its label ADOR, dealing a major victory to the HYBE subsidiary in its closely-watched legal battle with the chart-topping K-pop group.

The five members of NewJeans — Minji, Hanni, Danielle, Haerin and Hyein — have been fighting since last November to leave ADOR and make music independently under the moniker NJZ. The women claim ADOR broke their trust with the controversial dismissal of their mentor, former CEO Min Hee-jin.

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However, ADOR has argued that NewJeans’ 2022 exclusive contract bars any independent activities until 2029. A legal battle ensued and, after months of back and forth, a Korean court sided with ADOR on Thursday (Oct. 30).

According to Korean news reports, a judge in the Seoul Central District Court ruled that Min’s termination was not sufficient grounds for NewJeans to void its seven-year contract with ADOR.

“Nowhere in the exclusive contract is it stated that ADOR must entrust the management duties for NewJeans to Min Hee-jin,” wrote Presiding Judge Jeong Hoe-il, according to the Chosun Daily. “Merely the fact that NewJeans personally places high trust in Min Hee-jin does not make guaranteeing her the position of ADOR’s CEO a significant obligation under the exclusive contract.”

In an official statement on Thursday, ADOR expressed “deep gratitude for the court’s decision.”

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“We sincerely hope that today’s judgment, which comes after long-term verification of various claims and facts and reaffirms prior rulings, will serve as an opportunity for the artists to calmly reflect on this matter,” said the label. “ADOR is committed to re-emphasizing its role and responsibilities as NewJeans’ management agency. As we stated during the trial, we have completed preparations for the artist’s activities, including the release of a studio album, and are waiting. We will do our utmost to return to the fans through discussions with the artist.”

The NewJeans members, meanwhile, put out a statement through their lawyers saying they plan to appeal the decision.

“NewJeans members respect the court’s judgment, but it is impossible to return to this company and continue normal entertainment activities in the current situation where the trust relationship with ADOR is completely shattered,” said the law firm Shin & Kim, as reported by the Korea Times.

NewJeans’ legal battle with ADOR has captivated the K-pop world, where companies like HYBE hold immense power and artists rarely speak out against their labels.

The group found global success in 2023 with the EP Get Up, which debuted at No. 1 on the Billboard 200 and spent 26 weeks on the chart. The album’s lead single, “Super Shy,” peaked at No. 2 on the Billboard Global 200.