genre hiphop
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Bebe Rexha is tired of people commenting on her body. The pop singer/songwriter clapped back on social media after Azealia Banks was trying to play Joan Rivers as she watched the 2025 Met Gala. “Sis gives me – hormonal birth control implant or something,” Banks tweeted on Monday night. “It’s giving Implanon/NuvaRing she needs removed […]
David Oyelowo says he lost points with his children after not knowing who Doechii was. Sitting down for a chat on The Jennifer Hudson Show on Monday (May 5), Oyelowo spoke about his family, which includes his musician wife and his artistic children. However, while the British actor is very close with his family, but […]
Jury selection began at Diddy’s sex trafficking and racketeering trial on Monday (May 4), and some celebrities like Kid Cudi and actor Michael B. Jordan were mentioned during the selection process. Explore See latest videos, charts and news See latest videos, charts and news According to CNN, the Sinners actor won’t be called to testify […]
Loyle Carner shared two new songs on Tuesday (May 6) from his upcoming album hopefully !, due for release on June 20 (Island EMI). “about time” and “lyin” are the third and fourth songs to be released as singles from the record following “all i need” and “in my mind,” which were released in April.
Both tracks were inspired by his role as a father, with “about time” – the LP’s closing track – featuring a snippet of Carner speaking with his young son, and “lyin” being informed by the changes in his life since having children.
The recent Billboard U.K. cover star recently announced a world tour that kicks off in October and runs through the U.K. and Europe, Australia and North America into 2026; his four shows at London’s historic O2 Brixton Academy in London sold out instantly. On June 27, he will headline Glastonbury’s Other Stage alongside Charli XCX and The Prodigy; headliners on the Pyramid Stage are The 1975, Neil Young and Olivia Rodrigo.
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Speaking to Billboard U.K., Carner discussed the new indie influences on the record such as Fontaines D.C., Mkgee and Big Thief, as well as forming his own band for the recording sessions. “I loved the anonymity of being in a band,” he shared. “I wanted to be around when the magic is happening and to not just be sent a beat after all the fun parts had already happened. I wanted to move away from the words being all that I can contribute.”
He added, “As a rapper, the insecurity is that I don’t have any musical talent or whatever, so I’m like, ‘F–k, I better fill every gap so people know that I was there, too.’ But now I don’t mind people hearing a song and I’m barely on it, because I’m so across from everything else [in the creative process].”
Carner’s new album, hopefully !, will be his fourth and his first since 2022. Carner’s debut Yesterday’s Gone (2017) was nominated for the Mercury Prize; Not Waving But Drowning (2019) landed at No. 3 on the U.K.’s Official Albums Chart; hugo (2022) landed a second Mercury Prize nomination and saw the Londoner headline the 35,000-capacity All Points East Festival in the capital.
Listen to his two new songs below:
Loyle Carner ‘hopefully !’ World Tour Dates
Oct. 7 – Stockholm, Sweden @ Annexet
Oct. 8 – Oslo, Norway @ Sentrum Scene
Oct. 10 – Amsterdam, Netherlands @ AFS Live
Oct. 11 – Amsterdam, Netherlands @ AFAS Live
Oct. 13 – Copenhagen, Denmark @ KB Hallen
Oct. 15 – Berlin, Germany @ UFO im Velrodrom
Oct. 16 – Hamburg, Germany @ Sporthalle
Oct. 18 – Munich, Germany @ Zenith
Oct. 19 – Zurich, Switzerland @ Halle 622
Oct. 21 – Frankfurt, Germany @ Jahrhunderthalle
Oct. 22 – Cologne, Germany @ Palladium
Oct. 24 – Paris, France @ Zenith
Oct. 25 – Brussels, Belgium @ Forest National
Nov. 2 – London, England @ O2 Academy Brixton
Nov. 3 – London, England @ O2 Academy Brixton
Nov. 4 – London, England @ O2 Academy Brixton
Nov. 5 – London, England @ O2 Academy Brixton
Nov. 7 – Cardiff, Wales @ Utilita Arena
Nov. 9 – Dublin, Ireland @ 3Arena
Nov. 12 – Glasgow, Scotland @ O2 Academy
Nov. 13 – Glasgow, Scotland @ O2 Academy
Nov. 14 – Glasgow, Scotland @ O2 Academy
Nov. 18 – Newcastle, England @ O2 City Hall
Nov. 19 – Newcastle, England @ O2 City Hall
Nov. 20 – Birmingham, England @ O2 Academy
Nov. 21 – Birmingham, England @ O2 Academy
Nov. 23 – Manchester, England @ O2 Victoria Warehouse
Nov. 24 – Manchester, England @ O2 Victoria Warehouse
Nov. 25 – Manchester, England @ O2 Victoria Warehouse
Dec. 2 – Brisbane, Australia @ Fortitude Music Hall
Dec. 4 – Sydney, Australia @ Sydney Opera House Forecourt
Dec. 6 – Melbourne, Australia @ Sidney Myer Music Bowl
Dec. 9 – Perth, Australia @ Metro City
Feb. 19, 2026 – Chicago, IL @ Thalia Hall
Feb. 21, 2026 – Toronto, ON @ History
Feb. 22, 2026 – Montreal, QC @ Beanfield Theatre
Feb. 24, 2026 – Boston, MA @ Royale
Feb. 26, 2026 – Washington, DC @ The Fillmore
Feb. 27, 2026 – Brooklyn, NY @ Brooklyn Paramount
March 3, 2026 – San Francisco, CA @ The Regency Ballroom
May 3, 2026 – Los Angeles, CA @ The Novo
Jay-Z has filed an unusual new allegation in his legal war with attorney Tony Buzbee, accusing the lawyer of ordering employees at his law firm to edit Wikipedia pages in an effort to damage the rapper’s reputation.
The new claim is the latest salvo in a bitter fight that started when Buzbee filed a shocking lawsuit accusing Jay-Z of raping an unnamed girl decades ago. Jay-Z vehemently denied the allegation, which has since been voluntarily dropped, and has blasted Buzbee for allegedly trying to extort him.
In an updated version of an earlier case against Buzbee and his client filed Monday (May 5), Jay-Z is adding an eyebrow-raising new claim: That the lawyer made sneaky edits to Wikipedia as part of his alleged plot to harm the rapper.
“In violation of Wikipedia’s rules, Buzbee directed his employees to edit Wikipedia pages to enhance Buzbee’s image and damage Mr. Carter’s and Roc Nation’s reputations,” Jay-Z’s attorneys write in the amended complaint. “Users with an IP address directly linked to the Buzbee Firm made over 100 positive edits to Buzbee’s Wikipedia page.”
The lawsuit does not elaborate on what exact edits were allegedly made to Wikipedia. Reps for Jay-Z did not immediately return a request for comment.
In a statement to Billboard on Tuesday, Buzbee strongly denied the new allegation and the rest of Jay-Z’s claims: “Most of the pleading is nonsensical. All of it is meritless.”
The case against Jay-Z, filed in December, claimed that he and Sean “Diddy” Combs drugged and raped a 13-year-old girl at an after-party following the 2000 MTV Video Music Awards. Jay-Z forcefully denied the allegations, calling them a “blackmail attempt.” After just two months of heated litigation, Doe dropped her case without a settlement payment.
Weeks after the case was dropped, Jay-Z sued both Doe and Buzbee, accusing her of defamation and accusing both of malicious prosecution and other wrongdoing. The lawsuit called it an “evil conspiracy” against the rapper: “The extortion and abuse of Mr. Carter by Doe and her lawyers must stop.”
Buzbee and his client have denied the lawsuit’s allegations and moved to dismiss the case — arguing, among other things, that she cannot be sued for defamation over allegations made as part of a lawsuit.
Beyond the Wikipedia claims, Monday’s new complaint makes several other notable changes to the earlier lawsuit.
The new version of the case now also targets Antigone Curis, a New York attorney who served as co-counsel in the original rape lawsuit against Jay-Z. Naming Curis as a co-defendant, Jay-Z alleges that Buzbee “used Curis” because he himself was not admitted to practice law in Manhattan federal court — an issue that has since come to light in several of Buzbee’s cases against Combs in New York.
“It is clear that Curis joined the conspiracy to extort Mr. Carter, which was hatched in Alabama, and quickly became an integral part of the scheme by using her admission to the [Southern District of New York], weaponizing the civil justice system,” Jay-Z’s attorneys write in the new case.
The lawsuit also includes new claims about the alleged harm caused to Jay-Z by the rape accusation. It says Roc Nation lost contracts in the sports and entertainment space that would have generated at least $20 million; that Jay was personally denied a $55 million personal credit line; and that a company he’s associated with was denied a $115 million loan.
“At trial, plaintiff will present evidence demonstrating how the extortionate scheme, and the false complaint filed in New York, resulted in the loss of business opportunities to Mr. Carter [and] have served to preclude him from new business opportunities,” his attorneys write, before later adding: “Buzbee, Doe, and their co-conspirators must answer for all of this.”
Rockstar Games unleashed the second trailer for the long-awaited Grand Theft Auto VI on Tuesday (May 6), and fans are headed back to Vice City. GTA has a penchant for perfectly curating the soundtrack to match the game’s vibe, and they did it again with The Pointer Sisters‘ 1986 hit “Hot Together” playing throughout the […]
A$AP Rocky has opened up about his gun assault trial for the first time, calling the experience “gut-wrenching and nerve-wracking.” In a new interview with Variety published on Tuesday (May 6), Rocky talked about what it was like sitting in the courtroom for his gun assault trial in February — he was accused by former […]
As the sex trafficking trial against Sean “Diddy” Combs kicks off with jury selection in New York this week, radio DJs have all but dropped the Bad Boy Records founder’s catalog from their airwaves, Luminate data reviewed by Billboard shows.
Songs by Puff Daddy, P. Diddy and Diddy accrued just 1,671 airplay spins year to date, an 86% decline from the same time frame last year when the artists’ catalog racked up 11,870 airplay spins, according to Luminate. For a comparison, Diddy collaborator and Bad Boy artist Notorious B.I.G.’s catalog accrued 63,390 spins since the start of the year, Luminate data shows.
The decline in commercial radio play doesn’t just reflect a public turn away from the artist who is accused of running a large-scale criminal operation for his own “sexual gratification.” It also means the artist’s catalog could generate less than the $3 million in revenue that Billboard estimates it generated annually from master recording and publishing revenue from streams, sales and radio airplay between 2021 and 2023.
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Representatives for Diddy did not respond to requests for comment.
Revenue from music streaming subscriptions is still the most significant source of income for music companies, artists and other owners’ music rights. However, commercial radio play remains a significant source of income for the publishing side, sources said.
“For a mature catalogue, such as Sean ‘Diddy’ Combs … that portion of income impacted by a sharp decline in radio airplay is limited to 6 percent to 9 percent of total publishing royalties,” says Barry Massarsky, a partner at Citrin Cooperman and head of the firm’s music and entertainment valuation practice. Massarsky cautioned that only the catalog’s publishing revenue can be analyzed because there is no entitled performance right for sound recordings played on U.S. commercial radio.
In the United States, the performance rights organizations ASCAP and BMI pay a base rate of roughly 50 cents to publishing companies per radio spin. As radio airplay can influence stream counts, there is a residual paid out on the master recording royalties that brings the total payment per airplay stream to roughly $1. Popular songs can earn additional bonus money.
While the Diddy catalog’s airplay spins did not put him within reach of any bonus money — bonuses are typically paid out for songs that top 135,000 spins in a quarter — Billboard estimates his catalog’s publishing revenue was $10,200 less for the first 16 weeks this year compared to last year. If Diddy’s songs continue to generate the same average per-week-radio airplay spins they did at the start of the year — an average of 117 per week — it would mean a year over year decline of $34,300 compared to last year.
As of June 2024, Diddy owned his master recording catalog and publishing, which Billboard estimated earned about $2.4 million in master recording revenue and $600,000 in publishing revenue annually for the years from 2021 to 2023. Diddy’s share was $2.625 million in each of those years, Billboard estimated. Those estimates do not include credits and royalties for music assets beyond his own artist catalog.
It is unclear to what extent the accusations and lawsuits against Diddy may have contributed to the decline in airplay because airplay spins for his catalog rose for roughly the first four months of both 2023 and 2024, when several allegations that would later lead to lawsuits were already public.
Last year, Diddy’s catalog had the best start of the year in terms of airplay spins that it has had for any similar 16-week period since 2020, when the catalog accrued about 7,700 airplay spins. The second best 16-week period for Diddy’s catalog in terms of airplay spins was the start of 2023, when the catalog racked up nearly 11,000 spins.
Despite the decline in airplay, Diddy’s catalog remains popular on streaming platforms, though streaming activity during this period was almost half of what it was last year and was the lowest for this period than during any of the past five years.
In the first 16 weeks of this year through April 24, Diddy’s catalog accumulated roughly 29 million U.S. on-demand streams compared to nearly 52.7 million U.S. on-demand streams for the same period in 2024. The only other start-of-the-year stretch over the last five years when Diddy’s catalog had such a low stream count was in 2020, when it racked up 29.7 million on-demand streams from Jan. 1, 2020, to April 23, 2020.
106 & Park is back, at least for one night. On Tuesday (May 6), BET announced that 106 & Park is celebrating its 25th anniversary with a host reunion and a night of special performances at the 2025 BET Awards.
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A.J. Calloway, Free, Julissa Bermudez, Keshia Chanté, Rocsi Diaz and Terrence J will be packing on the nostalgia with a reunion after raising a generation of millennial rap and R&B fans.
“106 & Park was more than just a music countdown show — it was the heartbeat of Black youth culture and one of the highest rated BET programs for over a decade,” BET president Scott Mills said in a statement. “From Freestyle Friday to unforgettable live performances, it launched careers, influenced fashion,and became a platform where voices, style and sound converged. 106 & Park both celebrated and fueled many of the most important musical and culture evolutions that occurred during its two-and-a-half-decade tenure.”
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On the performance side, Mr. 106 & Park himself, Bow Wow, will hit the stage with B2K, Mya, Amerie, Jim Jones and T.I. on June 9. The BET Awards will kick off at the family of BET Networks at 8 p.m. ET.
“106 & Park served as a cultural touchstone, embodying the energy, creativity and authenticity of a generation,” stated Connie Orlando, who serves as the EVP of Specials, Music Programming & Music Strategy at BET. “It provided artists a direct connection to their fans, transforming everyday moments into lasting memories. The show’s legacy continues to influence how we engage with music, connect with talent and celebrate Black creativity. We are thrilled to commemorate 25 years of this iconic series at this year’s BET Awards.”
There will be plenty of activations for fans to get in on the festivities in Los Angeles for culture’s biggest week. The BET Fan Fest (BETX) will be set up at the L.A. Convention Center with the 106 & Park stage throughout the weekend on June 7 and June 8, leading into the BET Awards.
Launched on Sept. 11, 2000, 106 & Park enjoyed a fruitful run filled with appearances from music’s biggest stars, and went off the air after a 14-year run in 2014.
The family and friends of Queens rapper Chinx, who died in 2015, are setting up a foundation in his name on the 10th anniversary of his passing.
The Lionel D. Pickens Foundation will focus on youth mentorship and development by connecting young people with mentors to help guide them academically, professionally and emotionally; scholarships for ambitious students regardless of circumstance; small business grants that provide local entrepreneurs with funding and resources’ and community initiatives such as coat drives, Thanksgiving turkey giveaways and toys drives for families in need across the five boroughs of New York City.
“Lionel was more than an artist — he was a dreamer, a provider, and a beacon of hope to so many,” said Veronica Clinton, co-founder and Chinx’s mother, via press release. “Through this foundation, we are continuing what he started: helping others rise up, chase their goals and never give up, no matter where they come from.”
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The foundation’s official launch will be commemorated with his annual community candle lighting on May 17 on Queens Blvd, where supporters, family and friends will gather to remember Lionel “Chinx” Pickens and celebrate the foundation’s mission.
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“This foundation is our way of turning pain into power,” said Janelli Caceres, co-founder and Lionel’s widow, via press release. “It’s about honoring Lionel by investing in the futures of others — especially those who’ve been forgotten, underestimated or underserved.”
Douglas Ellison, one of the foundation’s board members and Chinx’s former manager, added, “Lionel had the heart of a leader, he lifted people up, he inspired them to dream bigger. This foundation continues that work, so his voice, his values and his love for this community never fade.”
Chinx killed in a 2015 drive-by shooting while sitting in his car at a red light. Last year, Quincy Homere was sentenced to 23 years for his hand in the killing, while Chinx Hill’s case is still pending because he’s already incarcerated for an unrelated charge.
Chinx made a name for himself during the mid-2000s when he started making music with the late Stack Bundles and later, French Montana.
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