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Lil Wayne made a surprise appearance at the SNL50: The Anniversary Special celebrations on Sunday night (Feb. 16) where he performed a greatest hits medley from his decorated Tha Carter series. From “Mrs. Officer” to the Billboard Hot 100 No. 1 hit “Lollipop” and closing out with “A Milli,” Weezy jumped around his discography with […]
Kendrick Lamar’s “Not Like Us” resurges to No. 1, from No. 20, on the Billboard Global 200 chart (dated Feb. 22), fueled by his performance of the song during the Super Bowl LIX halftime show Feb. 9. He also boasts five of the chart’s top 10.
Meanwhile, Lady Gaga and Bruno Mars’ “Die With a Smile” rebounds for a ninth week atop the Billboard Global Excl. U.S. chart.
The Billboard Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“Not Like Us” drew 113.2 million streams (up 176%) and sold 39,000 (up 424%) worldwide Feb. 7-13. The seething diss track – which on Feb. 2 won the Grammy Awards for record and song of the year, among its five victories – adds a third week atop the Global 200. It debuted at No. 1 on the May 18, 2024, chart and became a pop-culture fixture, spending the next eight weeks in the top 15. It was further boosted by Lamar’s Juneteenth The Pop Out: Ken & Friends concert – in which he performed the song five times. It rebounded for a second week at No. 1 on the July 20 chart, following the July 4 premiere of its official video. The song’s 30-week break between No. 1 from July to this week marks the longest excluding holiday fare in the chart’s history.
Lamar also soars back to the Global 200’s top 10 with “Luther,” with SZA (12-4, as it returns to its best rank); “TV Off,” featuring Lefty Gunplay (27-8, after hitting No. 5); and 2018’s “All the Stars,” with SZA (74-10 for its first week in the tier, becoming Lamar’s 12th top 10 and SZA’s eighth). All four songs were also part of his halftime performance.
Lady Gaga and Bruno Mars’ “Die With a Smile” dips to No. 2 after nine weeks at No. 1 on the Global 200 starting last September and ROSÉ and Mars’ “APT.” backtracks 2-3 following 12 weeks on top beginning in October.
Plus, Gaga’s “Abracadabra,” unveiled (through a MasterCard commercial) during the Grammy Awards Feb. 2, bounds 10-5 in its second week on the Global 200 led by 78.4 million streams worldwide in its first full tracking week (Feb. 7-13); it drew 47.7 million from its release through Feb. 6.
“Die With a Smile” rebounds 2-1 for its ninth week atop Global Excl. U.S., with 107.7 million streams (up 3%) and 5,000 sold (down 8%) outside the U.S. Feb. 7-13.
“APT.” descends to No. 2 after a record 15 weeks at No. 1 on Global Excl. U.S. beginning in November.
“Not Like Us” leaps 27-3 on Global Excl. U.S., surpassing its prior No. 5 best; “Abracadabra” vanishes from No. 9 and reappears at No. 4 in its second week on the chart; and Billie Eilish’s “Birds of a Feather” falls 4-5, after three weeks on top last August. Plus, “Luther” leaps 19-7, after reaching No. 6.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Feb. 22, 2025) will update on Billboard.com tomorrow, Feb. 19, a day later than usual due to the Presidents’ Day holiday in the United States Feb. 17. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Drake and PartyNextDoor finally dropped their much hyped collab, $ome $exy $ongs 4 U, on Valentine’s Day, and to celebrate they decided to give fans a freebie. On Monday (Feb. 17), the Toronto rapper posted an unreleased track on his finsta account @plottttwistttttt featuring New Orleans bounce rapper OnlyHeaven and blamed sample clearance issues for […]
The first round of grants targeting wildfire relief efforts in Los Angeles following last month’s all-star FireAid benefit concerts were announced on Tuesday (Feb. 18). The $50 million-worth of phase one gifting — representing half of the estimated $100 million raised by the shows — will prioritize “community-based organizations that are on the front lines of wildfire relief.”
The groups, which organizers said have the infrastructure, experience, and in-place relationships to “efficiently and equitably” deliver assistance to fire-impacted individuals, are each for $100,000 or more and targeted toward immediate relief; phase two will be more focused on rebuilding efforts following the series of fires that killed 29 Angelenos and destroyed more than 16,0000 homes and structures.
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The organizations are split into several buckets, including emergency aid to children and families, school recovery funding, targeted support for vulnerable youth and foster youth and funds to help with educational continuity via a grant to A Sense of Home.
The community hubs and conveners grant will send funds to Abundant Harvest LIFT, a community crisis center that distributes information, financial assistance and connects individuals with critical resources for survivors of the Eaton Canyon fire. Other groups covered by this grant include: Chabad Jewish Community Center of Pacific Palisades, Clery Community Coalition, Inc., Deliverance Tabernacle Church, First AME Pasadena, Flintridge Center, Friends Indeed, Harambee Ministries – Pasadena, Jewish Federation of Los Angeles, Kehillat Israel Synagogue, LA Voice Benevolence Fund, Masjid al Taqwa, NAACP of Pasadena, Pasadena Church, Pasadena City College Foundation, Pasadena Jewish Temple & Center, Pasadena Seventh Day Adventist, St. Vincent de Paul Society’s St. Elizabeth Conference of Altadena, the Santa Monica College Foundation, Victory Bible Church Pasadena and YMCA Metro.
Disaster relief will distribute direct cash aid for Angeleno’s most critical needs, as well as coordinated efforts to clear hazardous waste, test water quality and restore safe living conditions. The grantees for those efforts include: Alliance for a Better Community, Black LA Relief & Recovery Fund, Brotherhood Crusade, CA Conservation Corps, CA Native Vote Project, Change Reaction, CORE, Heal the Bay, Jewish Free Loan Association, LA Conservation Corps, LA County Household Relief Fund, LA Works, Inc., Latino Community Foundation, My Tribe Rise, Pasadena Community Foundation Eaton Canyon Fire Relief Fund and Team Rubicon.
Grants covering food access and security needs for those displaced residents who are in shelters without cooking facilities and who face challenges sourcing nutritious meals will go to: Buddhist Tzu Chi Foundation, Hollywood Food Coalition, Hunger Action Los Angeles, Los Angeles Food Policy Council, Las Angeles Regional Food Bank, Meals on Wheels, Saint Vincent, Meals on Wheels, West, Office of Food Equity, Our Big Kitchen Los Angeles, Project Angel Food and Westside Food Bank.
Aid for frontline, displaced workers and small businesses to assist first frontline workers possibly facing displacement, financial strain and mental health challenges, as well as workers who commuted to affected areas for jobs and small businesses needing relief to rebuild will go to: CA Firefighters Benevolent Fund, IDEPSCA, Inclusive Action For the City, LA Region Worker Relief Fund, Labor Community Services Program of Los Angeles, Los Angeles Black Worker Center, Philipino Workers Center and Restaurants Care Project.
Health and housing assistance for wildfire survivors facing physical and mental health challenges due to exposure to smoke and poor air quality, as well as stress and trauma, include: Dena Heals, Didi Hirsch, Door of Hope, Foothill Family Service, Greenline Housing Foundation, LA Coalition of Community Clinics, LA Family Housing Corporation, LIFT-Los Angeles, NAMI Westside LA, Neighborhood Housing Services of Los Angeles County, Pacific Clinics, St. Joseph Center, The People Concern, Union Station Homeless Corporation, United American Indian Involvement and Vision y Compromiso.
Los Angeles’ vast musical community will also get some assistance after many musicians and artists lost their homes, equipment, studios and income in the fires. The funds will provide direct aid to affected artists, as well as mental health services, employment in community programs and support for small arts organizations to ensure their survival. The grantees include: Armory Center for the Arts, LA Arts Community Fire Relief Fund, LA Commons, LA County Arts & Creative Recovery Fund, MusiCares Foundation, Music Health Alliance – Music Industry Mental Health Fund and Sweet Relief Musicians Fund.
Organizations helping Angelenos facing displacement, trauma and having trouble navigating survivor services who will receive funds include: 211LA, Bet Tzedek, Dena Care Collective, Imagine Los Angeles, Inc., Legal Aid of LA, Neighborhood Legal Services of Los Angeles County – BAILA and Public Counsel.
Schools around the L.A. region have had classes severely disrupted due to the fires while some have faced closure as displaced students — especially those from low-income households in college — struggle with housing, financial aid stability and campus resources. Aid for those groups will go to: California Charter School Association, Communities in Schools of Los Angeles, LA Community College Foundation, LAUSD Foundation, Pasadena Educational Foundation, Palisades Charter HS and Project Camp.
Supportive services for vulnerable populations including seniors and people with disabilities who may confront issues accessing aid, healthcare and stable housing will get a boost with grants to: Disability Community Resource Center, Jewish Family Services of Los Angeles, Malibu Senior Center, Pasadena Senior Center and Special Needs Network Inc.
Click here to see the full list.
Organizers says the first phase of funds will be distributed by the end of February. The second phase will focus on sustaining long-term recovery, remediation and rebuilding, as well as addressing environmental issues. Fundraising for the fund is still open.
January’s two shows at L.A.’s Intuit Dome and Kia Forum were seen by more than 50 million viewers across 28 streaming platforms, who tuned in to performances by more than 30 artists including Green Day with Billie Eilish, Jelly Roll, Katy Perry, Lady Gaga, Olivia Rodrigo, Peso Pluma, Stevie Wonder, Lil Baby, Tate McRae, Sting, Alanis Morissette, Anderson .Paak with Dr. Dre and Sheila E, Dawes, John Mayer, a Nirvana reunion, Joni Mitchell, a reunited No Doubt, P!nk and the Red Hot Chili Peppers, among many others.
As evidenced throughout her career, Serena Williams likes to go big — and she doesn’t do anything for small reasons. That includes her recent appearance during Kendrick Lamar‘s 2025 Super Bowl Halftime Show, about which the superstar athlete is now shutting down rumors regarding the so-called “petty” reasons she decided to take part in the performance.
Replying to a post on X about the cultural significance of the cameo she made as Lamar performed Billboard Hot 100-topper “Not Like Us” at the big game — shared by her husband, Reddit founder Alexis Ohanian — Williams wrote Monday (Feb. 17), “… def not dancing to be petty lol.”
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“I think I proved 23 times over (not counting 4 gold medals) that I simply don’t have time for petty,” she continued.
The tennis champion’s post comes a full week after Ohanian — with whom Williams shares two daughters — posted his initial tweet, in which he reminded followers how much backlash his wife received when she famously crip walked at Wimbledon in 2012. Thirteen years later, Williams reclaimed the narrative by crip walking again, this time for more than 130 million viewers on the Super Bowl stage with Dot in New Orleans.
“Some of y’all have no idea how criticized Serena was for this same dance,” the entrepreneur wrote, sharing a screenshot of an old article calling Williams’ dance at Wimbledon “the height of disrespect.” “This is bigger than the music.”
“That there my baby daddy and husband,” the Olympian added in her reply. “Always got my back. I Love you.”
Williams’ seconds-long appearance during halftime Feb. 9 was certainly one of the most talked-about moments from Lamar’s 13-minute showcase — not only because of its callback to Wimbledon, but also due to the athlete’s rumored romantic past with Drake, whom the Compton rapper taunted multiple times during the show. In addition to cheekily referencing Drizzy’s defamation lawsuit against Universal Music Group over “Not Like Us,” Lamar also led the crowd at Caesars Superdome in an ear-splitting “Tryna strike a chord, and it’s probably A-minor” chant seconds after looking straight into the camera and jeering, “Say, Drake, I hear you like them young …”
Because of Lamar’s feud with Drake, many fans assumed that the “Squabble Up” artist was adding insult to injury by inviting his foe’s rumored ex to join him on stage. But according to Williams, she only had pure intentions before getting on the field.
She added in her post, “All love and respect always nothing negative here.”
G-Eazy is a sponge for culture. Young Gerald traded the sunshine of California for the gridlock of the Big Apple in 2023 to avoid stagnation. He delivered his Freak Show album last year and quickly turned the page to a new era in 2025.
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The Bay Area native stopped by the Billboard offices in January ahead of his European tour run, where he opened up about rediscovering himself as the new music he’s been cooking up rejuvenated him creatively.
“The process of making this record almost felt like I had rediscovered myself. Everything was about having fun again and getting back to the essence,” he says. “When you lock in and you get in a good space and you have fun and you understand the mission and you feel motivated, then it should flow like water.”
G-Eazy continued: “This was almost a return to the sound of what’s the essence of Gerald? And what does he want to do? Ultimately, man, this new music, I feel incredible about and I’m really excited.”
Gerald dropped off his intoxicating “Kiss the Sky” single to kick off February, and has a project on the way.
He also touched on some of the high-profile collaborations in his catalog, such as teaming with Britney Spears in 2016 for “Make Me…,” which he looks back on with a new sense of gratitude. The track peaked at No. 17 on the Billboard Hot 100.
“These opportunities I always try to stay in a space of gratitude,” he adds. “Imagine your 12-year-old self was told one day you’re gonna grow up and see this person on TV and you’re gonna get to do that. Never take none of this for granted.”
Demi Lovato and G-Eazy united in 2021 for the vulnerable “Breakdown,” which found the pair candidly confronting their personal battles while turning their intimate conversations into a powerful song. Gerald calls Lovato a “kindred spirit” and a “powerful force of a human being.”
“It’s not a linear path it’s a difficult one those ups and downs those challenges — that’s real life. As friends, we’ve talked about that extensively,” he says of their collab. “It’s one thing to talk about that, it’s another thing to find a way to frame it in a song.”
Before any of the fame, Gerald first’s concert was seeing Ye (formerly Kanye West) perform The College Dropout in the mid-2000s, where he remembered the rapper being presented with a gold plaque on stage. “I was, like, a freshman in high school and went with some friends,” G recalls. “I still remember his stage presence. That struck me as much as anything.”
G-Eazy will hit the road once again in April for 26 dates across North America. Marc E. Bassy will serve as the trek’s opener. “I’m really grateful for all of it,” The Bay Area native concludes.
Watch the entire interview above.
At the SNL50 anniversary festivities over the weekend, a lot of beloved Saturday Night Live characters returned to the show for the first time in years — including Will Ferrell and Ana Gasteyer’s Marty and Bobbi Mohan-Culp, who performed a memorable rendition of Kendrick Lamar‘s “Not Like Us” during the concert special Friday (Feb. 14).
But in an interview with People published Monday (Feb. 17), the actress revealed that she and her duet partner weren’t initially certain whether they should incorporate the Billboard Hot 100-topping Drake diss track into the skit. “We went back and forth,” Gasteyer told the publication.
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“We were like … it’s song of the year, obviously,” she continued, referring to Dot’s recent song and record of the year wins for “Not Like Us” at the 2025 Grammys. “The thing about the Culps is they’re just trying to stay current and they want to reach their students where they are. So, song of the year.”
The fictional married couple indeed got the crowd laughing as Ferrell performed Lamar’s famous rap nearly word for word while Gasteyer sang its repeating four-note string hook opera-style. During the sketch, the Culps also put their own spins on songs by Doechii, Britney Spears, Megan Thee Stallion, Chappell Roan and more.
After finishing “Not Like Us,” the Elf star asked the crowd in character, “Are Kenny Lamar and Drake Graham in the house, by the way? Maybe you two can hug it out tonight in the name of love and fellowship.”
“We always kind of start with the premise, which is Valentine’s Day and love, and then naturally, because of the feuding, it was sort of like, you have to have the contrast,” Gasteyer added of the cover. “So, it was just fun to write, and ridiculous.”
The concert kicked off a weekend full of 50th-anniversary celebrations for Saturday Night Live, with the musical show also featuring performances from Lady Gaga, Miley Cyrus, Ms. Lauryn Hill with Wyclef Jean, the Backstreet Boys and more. Two days later, SNL hosted a red carpet and live special, which saw Tina Fey, Amy Poehler, Bill Murray, Rachel Dratch, Tom Hanks, Adam Sandler and more all-stars return to the 30 Rock stage for skits and music, and included appearances from musicians such as Bad Bunny and Sabrina Carpenter.
Of sliding right back into her iconic character alongside Ferrell, Gasteyer told People, “It is just the most comfortable, familiar — I wish I had better words to describe it.”
Drake is performing in Australia as part of his Anita Max Wynn Tour, and during the Monday (Feb. 17) Sydney show, a fan launched a DeMar DeRozan basketball jersey on stage, which Drake threw down in disgust.
A clip from the show went viral, which saw Drizzy performing Her Loss standout “Rich Flex.” The OVO rapper unravels the camouflage Raptors No. 10 jersey and immediately spikes the DeRozan jersey like a football after realizing whose name was on the back before getting back to the show.
DeRozan was drafted by the Toronto Raptors in 2009 and spent the first nine years of his career north of the border. The Compton-bred baller and Drake were tight throughout his tenure in the 6, and even appeared on the cover of Slam Magazine together in 2016.
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“No matter what, when it comes to him, he’ll forever have a friend in me and loyalty out of me because he cared,” DeRozan said of Drake in 2021 after leaving the Raptors. “He was there for me when everything was kind of going crazy.”
The relationship appeared to go sour when DeRozan made a cameo in Kendrick Lamar’s “Not Like Us” video after K. Dot shouted out the hooper on the track. DeRozan also made an appearance at Lamar’s Pop Out concert on Juneteenth, where Kendrick performed “Not Like Us” for the first time live.
Even after the “NLU” cameo, DeRozan attempted to show love to Drake and play it down the middle.
“We love Drake, we always can play him,” he said during an interview last summer. “Kendrick been a friend of mine, family. Damn near family, for a long time, for a while. We’re from the same city, we grew up damn near in the same neighborhood … It’s always been there. It hasn’t always been publicized, but, you know, that’s basically family.”
Drake wasn’t going for it and blasted DeRozan along with the idea of the franchise ever retiring his No. 10 during a Toronto Raptors broadcast in November. “Unfortunately we’re playing this goof tonight,” he said at the time. “If you ever put up a DeRozan banner, I’ll go up there and pull it down myself.”
The Sacramento Kings star brushed Drake’s comments off during a postgame presser. “He’s going to have a long way to climb,” DeRozan quipped. “Tell him good luck.”
G-Eazy is entering a new chapter and finds himself rediscovering who he is with new music on the way. He talks about finding a kindred spirit with Demi Lovato, working with Britney Spears, his upcoming tour and more!
Are you excited for G-Eazy’s return? Let us know in the comments!
Michael Saponara:You guys ready to play a little Beat the Buzzer? So in this game, jeez, he’s gonna have 60 seconds and to answer as many questions as he can in rapid fire style. I think he’s ready for it.
G-Eazy:Let’s go.
Oakland or New York City?
Man, it’s always gonna be Oakland, but I do love living in New York.
Blonde or brunette? Both.
Kanye or Jay-Z?
Both. Watch the Throne.
LiAngelo or Lonzo Ball?
Oh, man, LiAngelo, man. He got that song going. That song is really good. I’ll say … I would say him, yeah. I mean, if Lonzo played more, yeah, but like, you know, it’s tough.
You’re going with Gelo.
The best ability is availability.
Right. Jalen Brunson or Steph Curry?
Steph all day. Come on, man.
Airbnb or hotels?
Hotels. I’m banned from Airbnb.
Recording at home or in the studio?
I’ll often like, record at home, get an idea done, and then like, like, cut it through in the studio.
Bacon, egg and cheese or chop cheese?
Sausage, egg and cheese.
‘90s or 2000s?
Oh, man, 2000s.
All right, vanilla or chocolate?
I’m a vanilla baby.
Shout-out, missionary Jack. I had a few questions. I had about “Freak Show” I wanted to get into. You talked about being raised by ‘Pac, Amy, Bob Dylan, Jay-Z and Wayne. I know you have a record with Wayne already, but out of the other ones, if you could choose to collaborate with any of those, who would you have gone with?
Keep watching for more!
Kendrick Lamar takes over the top 10 of the Hot 100, but will he hit No. 1 again? Tetris Kelly: The Grammys followed by the Super Bowl see some influence on the charts. This is the Billboard Hot 100 top 10 for the week dated Feb. 22. SZA and Kendrick are up to 10, “Pink Pony […]