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Ester Dean is responding after Keri Hilson expressed regret over her Dean-co-written “Turnin Me On (Remix)” aimed at Beyoncé.
The songwriter hopped on Instagram Thursday to clear the air after Hilson said during an interview with The Breakfast Club that the decision to shade Queen Bey on “Turnin’ Me On” negatively impacted her career. “It’s a regret,” Hilson said at the time, denying that she wrote the song and pointing to Dean’s pen instead.
Dean noted that her post is an “open letter” to Hilson and other creatives. “Back in July 2008, I started working with [producer] Polow Da Don in Atlanta,” she began. “Later, I moved to Los Angeles to write for Polow’s artist over at Interscope. I wasn’t famous. I wasn’t chasing clout. I was in the studio – day and night – writing 3 to 4 songs a day. No friends. No family. Just work.”
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She went on to rewrite some of the lyrics off the “Turnin’ Me On (Remix)”: “Your vision cloudy if you think that you’re the best/ You can dance, she can sing/ But she need to move it to the …,” which many believed to be in reference to Beyoncé’s 2006 hit “Irreplaceable.”
Those lyrics, Dean admitted in her open letter, were “tacky,” but not forced. “No. That was me. I wasn’t in the room with Keri writing this together,” she continued. “I didn’t know her personally. She was already a star. I was just a writer trying to earn my place. I did my job and left. Keri came in another time and wrote her own verse – her pen, her voice.”
Dean went on to clarify, “I didn’t work with Beyoncé until years later when I signed to Roc Nation as a writer. There was no ‘plot’ no ‘beef squad’. No secret industry mission. Just writers writing.”
She added: “Keri was already massive. She didn’t need saving. She was out here making history. Why Speak Now? Keri was speaking on big platforms I didn’t have access to – and it was her story to tell, not mine. I stayed writing. No hate. No shade. Just truth.”
Dean concluded her letter by noting that what Hilson went through was unfortunate. “She’s a great artist, a beautiful spirit, and she deserves grace,” the songwriter wrote. “She took her lessons. I’ll take mine.”
In Hilson’s aforementioned interview with The Breakfast Club, she said part of the blame belonged to Polow.
“I tried to fight him on it and I began writing my own,” the singer said. “The mistake that I made was not continuing to fight. But I was in tears, I was crying, I was adamant that I did not want to do that.”
Dean had previously come forward and issued her own apology on Wednesday (April 9) after Hilson’s interview, claiming the verse was “childish.” She wrote in what appears to be a now-deleted post: “I see how it hurt people, especially women, and I take full accountability.”
Check out Dean’s full response shared April 10 below.
On Thursday night (April 10), Mary J. Blige, Mario and Ne-Yo reigned over New York City’s Madison Square Garden with three decades’ worth of R&B classics, heartbreak anthems and street hits.
Launched in support of her 2024 Gratitude album, Mary J. Blige’s For My Fans tour was a career-spanning dedication to her ride-or-die fanbase — an especially pertinent theme, given Thursday night marked Mary’s very first headlining show in her hometown’s most iconic venue. Before the nine-time Grammy winner and two-time Oscar nominee graced the stage, DJ Funk Flex primed the packed crowd — many of whom sported their sexiest boots and finest furs and fittest in honor of Mary’s iconic Misa Hylton-helmed style — with a set of New York ’90s and ’00s classics, including the obligatory phone-flashlight tributes to Biggie and DMX. Flex appeared throughout the night to soundtrack the transition between the artists’ sets, and kill time for production delays.
Mario, the night’s first opener, charmed The Garden with a brief set that included high-energy renditions of “Here I Go Again,” “Just A Friend 2002” and his Billboard Hot 100-topper “Let Me Love You.” Deftly working the stage and wooing the crowd, Mario helped the crowd begin their celebratory walk down memory lane — even though he’s fresh off the release of a new album, 2024’s Glad You Came, which houses “Keep Going (Aaaaahhhhh),” his first Adult R&B Airplay top 10 hit in 20 years. Later this month (April 24), Mario will head to the U.K. and Europe for his Glad You Came Tour, with special guest Eric Bellinger. The duo will hit intimate venues in key cities like London, Paris and Dublin, before concluding in Stockholm, Sweden, on May 17.
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After a brief Funk Flex interlude, three-time Grammy winner Ne-Yo hit the stage for a swanky set that felt like a winning audition for a more full-bodied follow-up to his 2024 Las Vegas mini-residency. Opening with 2006’s “Stay,” Ne-Yo ripped through a well-oiled set that featured beloved cuts like “Closer,” “Sexy Love,” “Because of You,” “Miss Independent” and the 2006 Hot 100-topper “So Sick.” Flanked by hard-working backup dancers and assisted by a rotating collection of different hats, Ne-Yo put on a show that sat right in the lineage of sparkly-suited song-and-dance men.
Once Ne-Yo left the stage, Flex returned for a few more minutes of partying before Mary kicked off the second half of Thursday night’s four-hour R&B extravaganza. Sporting an oversized pink fur and platinum blonde inches, Mary opened her set with a poignant rendition of “Take Me As I Am” on the B-stage, eventually using 1997’s “A Dream” to get in a lift that transported her over the crowd and onto the mainstage, in time for “Love No Limit” and “Mary Jane (All Night Long).”
For the first part of her set, Mary prioritized her “day one” fans, clearly happy to be at home in New York with her people. At one point she did a bit of 1999’s “Your Child” a cappella, quizzing the crowd (who passed with flying colors) on the song’s lyrics. Mary spent most of her time on the main stage, which featured a massive structure of kintsugi hands clutching a crown, in front of video backdrops that frequently showcased Mary’s biggest career moments — from her dual 2018 Oscar nominations to her 2022 Super Bowl halftime show appearance.
The Queen of Hip-Hop Soul sauntered across the stage freestyling and hitting choreography with her backup dancers in a seemingly endless collection of gorgeous leotard-centric costumes — most of which came complete with a matching fitted and pair of boots. With 2005’s monster hit “Be Without You” placed in the center of the setlist, Mary smartly spread her biggest hits throughout the setlist, ensuring the show’s energy wasn’t centralized in one section. 2021’s Grammy-nominated “Good Morning Gorgeous” proved one of her set’s early highlights, accented by a passionate, gospel-evoking testimonial that previewed similar moments during “No More Drama” later in the night. Mary’s repeated message of gratitude for her relationship with her fans and their special bond of constant healing and maturation proved the night’s most emotional moments. With the current state of ticket pricing, it’s not often an artist’s crowd so accurately reflects the specific audience they serve and speak to, so it was especially beautiful to feel the love and mutual gratitude in The Garden on Thursday night.
Immediately after “Gorgeous,” Mary sang a pair of songs from her Gratitude album — “Here I Am” and “Don’t F–k Up” — the night’s lone dull moment. Earlier in her set, she performed the album’s lead single, “Breathing,” bringing out Fabolous to perform his guest verse. Soon after, Jadakiss came out for his verse on “Need You More,” which also appears on Gratitude. Unfortunately, both guest appearances were briefly marred by sound issues. Mary also reached out to a younger generation of BX hip-hop titans, tapping A Boogie Wit da Hoodie for a quick “Look Back at It” performance.
To end the night on a high note, Mary tore through some of her most enduring uptempo hits, including “The One,” “Just Fine,” “I Can Love You” — albeit with no Lil’ Kim — “MJB Da MVP” and, of course, her six-week Hot 100-topper, “Family Affair.”
To celebrate her very first MSG show as the lone headliner, Mary teamed up with Veeps to exclusively live-stream the April 10 show around the world. Each ticket included access to the live stream and an unlimited seven-day rewatch period. Veeps All Access members will be able to access the show for free as part of their subscription.
The For My Fans Tour will spend one more night in New York — at Long Island’s UBS Arena (April 11) — before concluding with its original lineup on April 19 in Memphis, Tenn. From April 21 to April 27, Mary will play four solo shows to officially bring the tour to a close.
Kendrick Lamar and SZA have dropped off the official music video for their Billboard-chart topper “Luther,” just days before launching their highly anticipated Grand National Tour. The minimalistic video debuted on Friday (April 11). Directed by Karena Evans — who notably helmed Drake’s videos for “God’s Plan,” “Nice for What” and “In My Feelings” — […]
Kendrick Lamar had a big night at the 2025 Grammys on Feb. 2, winning in all five categories he was nominated in with his smash single and video “Not Like Us.” Lamar could be headed for another big Grammy night next year. He could become the first solo male rapper to win album of the year, for his sixth solo studio album, GNX. The only rap artists to win in that category to date are Lauryn Hill, in 1999 for The Miseducation of Lauryn Hill, and OutKast, in 2003 for Speakerboxxx/The Love Below.
If Lamar wins three Grammys, he would tie Jay-Z for the most career Grammys won by a rapper (25). If he wins four, he’ll set a new record (unless Jay also adds to his Grammy collection). The standings among rappers are currently: Jay-Z (25), Ye, formerly Kanye West (24) and Lamar (22).
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As we noted in a previous post, if Lamar wins record and/or song of the year for either “Luther” or “Squabble Up,” coming on the heels of his wins in those categories with “Not Like Us,” he’ll make history. He would become the fourth artist to win back-to-back awards for record of the year, following Roberta Flack, U2 and Billie Eilish, and just the second songwriter to win back-to-back awards for song of the year. D’ Mile won in 2021 for co-writing H.E.R.’s “I Can’t Breathe” and in 2022 for co-writing Silk Sonic’s “Leave the Door Open.”
If Lamar wins best rap performance, that would be his eighth victory in that category, extending his lead as the artist with the most wins there.
But Lamar could make history even before the Grammys are presented next year. If GNX is simply nominated for album of the year – which seems almost certain – Lamar would make Grammy history. He would set these records. (The years shown are the years of the Grammy ceremonies.)
First Rapper to Land Five Album of the Year Nods as a Lead Artist
Lamar was nominated for album of the year for good kid. m.A.A.d. city (2014), To Pimp a Butterfly (2016), DAMN.(2018) and Mr. Morale & the Big Steppers (2023). If he is nominated for a fifth time, he would pull ahead of Ye, who has received four album of the year nods as a lead artist – for The College Dropout (2005), Late Registration (2006), Graduation (2008) and Donda (2022).
First Black Male Artist to Land Five Album of the Year Nods as a Lead Artist
If he is nominated for a fifth time, he would become only the second Black artist to receive five album of the year nods as a lead artist. Beyoncé was nominated for I Am…Sasha Fierce (2010), Beyoncé (2015), Lemonade (2017), Renaissance (2023) and Cowboy Carter (2025), winning for the latter album. This would obviously make Lamar the first Black male artist to achieve this feat.
As noted, Ye has received four album of the year nods as a lead artist. Black or biracial artists who have received three album of the year nods as a lead artist are Ray Charles, Stevie Wonder, Michael Jackson, Whitney Houston, Mariah Carey, H.E.R. and André 3000 (counting two albums with OutKast).
First Solo Artist to Be Nominated for Album of the Year With Five Consecutive Studio Albums
Lamar would become the first solo artist – from any genre – to be nominated for album of the year with five consecutive studio albums. Donald Fagen was nominated for album of the year with five consecutive studio albums — but that combined solo albums and albums he recorded as half of Steely Dan. He was nominated with Steely Dan’s Aja (1978) and Gaucho (1982), then his first two solo albums, The Nightfly (1983) and Kamikiriad (1994), and finally Steely Dan’s Two Against Nature (2001), which won. He issued no other studio albums in those years, so these five nominated albums were consecutive releases.
We need to quickly add that album release patterns were very different in the 1960s. Artists often had multiple albums in one year. In that era, it’s best to look at consecutive years with an album of the year nomination instead of consecutive studio albums to be nominated.
The Beatles are the only act in Grammy history to receive a Grammy nomination for album of the year in five consecutive years. They were nominated for the Help! soundtrack (1966), Revolver (1967), Sgt. Pepper’s Lonely Hearts Club Band (1968, which won), the Magical Mystery Tour soundtrack (1969) and Abbey Road (1970).
Barbra Streisand was nominated for album of the year in four consecutive years. She was a contender for The Barbra Streisand Album (1964, which won), People (1965), My Name Is Barbra (1966) and Color Me Barbra (1967). People competed in 1965 with the original cast album from Streisand’s Broadway triumph, Funny Girl. (That nomination went to the composers of the score.)
Big Sean was faced with a difficult decision when he was asked to pick between his two favorite rappers, Eminem and Lil Wayne. In an interview with Uproxx, Sean Don covered a wide array of topics. However, he became immediately stressed out when he was forced to choose between Tunechi and fellow Detroit rap legend […]
YoungBoy Never Broke Again should be expecting a knock on his door and a fresh batch of homemade cookies some time real soon. The Baton Rouge rapper — who was sentenced to 23 months in prison last December while already serving time for a prescription fraud case — is back home early in Utah and […]
Tyla has bars. In her recent Nylon cover story, the South African singer revealed that she’s made “full-on rap songs” and plans to share one with fans someday. When asked if she had a specific pop star she wanted to emulate as a kid, Tyla answered that while she didn’t idolize one specific person, she […]
Nicki Minaj was reportedly the target of a random swatting attack by someone who told police there had been a shooting at her Hidden Hills home. According to a report from the Los Angeles Times, the Los Angeles County Sheriff’s Department received a report of an assault with a deadly weapon on Wednesday (April 9). […]
Kai Cenat and Ray J‘s recent #sleepovergate has taken a dark turn.
During a recent stream, Ray J hit up the popular streamer and asked if he can be invited to one of the sleepovers Cenat has done in the past with comedians such as Druski and Kevin Hart. However, the way he asked made it seem like he wanted to sleep with Kai, which made him uncomfortable.
“Y’all have sleepovers before right,” Ray asked Kai over the phone. “I didn’t mean it like anything. I meant it how y’all meant it. I want to sleep over, too. I want to sleep with y’all n—as too. That’s how I meant it; pause, I know. That was a lot.”
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He then brought up when Kai streams himself in the shower while wearing swimming trunks. “But that’s what I meant,” he continued. “Is like if y’all was in the shower then y’all was in the shower, y’all took a shower together. I’m like, s—t, I’ll take a shower with them n—as like on a stream, of course, with clothes on, bro. You know what I mean?”
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Adding, “The next sleepover — if I’m not invited, it’s cool, I’ll just be hurt about it. But I was hurt about the first one. And I’m like, ‘Damn, man, these n—as in the city, they over there sleeping in the bed like I wanna sleep in the bed too! I don’t mean with you, I mean I want my own bunk. Kevin Hart gotta bunk, Druski gotta bunk. N—a, this a big night! This one of the biggest nights. I wanna sleep too, my n—a.”
This led to Ray J’s sister Brandy appearing to send him a YouTube clip of his convo with Kai and said, “Come on Ray? What’s going on with you? You’re so much better than this!!”
He shared a screenshot of a message from someone named “Rocket” in his phone, and attached a lengthy rant about his family and kids on his Instagram Stories Wednesday (April 9). “My sister hates who I am!” he wrote. “And all I’m doing is being myself! I don’t know how to be better than who I am. I tried. But I get depressed trying to change when I don’t have a wife anymore and I have no stability!! I’m sorry to my sister for who I am. And my mom. I don’t give a f about nobody else’s feelings but when it’s my family it makes me feel alone.”
“So I turn up more!!” he continued. “Stay tuned — to my kids who might see this later when they are older – just know I work hard for you and only you!! – if it wasn’t for you Melody and Epik I would’ve been locked up or dead!! — I’m crashing out tonight.”
Billboard has reached out to Brandy’s rep for comment.
Young Thug seems to be taking issue with Billboard‘s Best Female Rapper’s of All Time list, questioning why the list left off his girlfriend Mariah The Scientist. On Wednesday (April 9), Akademiks reposted a ranking of Billboard‘s list, which was topped by Nicki Minaj. The Billboard staff compiled our picks for the 25 best female […]