genre hiphop
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Rockstar Games unleashed the second trailer for the long-awaited Grand Theft Auto VI on Tuesday (May 6), and fans are headed back to Vice City. GTA has a penchant for perfectly curating the soundtrack to match the game’s vibe, and they did it again with The Pointer Sisters‘ 1986 hit “Hot Together” playing throughout the […]
A$AP Rocky has opened up about his gun assault trial for the first time, calling the experience “gut-wrenching and nerve-wracking.” In a new interview with Variety published on Tuesday (May 6), Rocky talked about what it was like sitting in the courtroom for his gun assault trial in February — he was accused by former […]
As the sex trafficking trial against Sean “Diddy” Combs kicks off with jury selection in New York this week, radio DJs have all but dropped the Bad Boy Records founder’s catalog from their airwaves, Luminate data reviewed by Billboard shows.
Songs by Puff Daddy, P. Diddy and Diddy accrued just 1,671 airplay spins year to date, an 86% decline from the same time frame last year when the artists’ catalog racked up 11,870 airplay spins, according to Luminate. For a comparison, Diddy collaborator and Bad Boy artist Notorious B.I.G.’s catalog accrued 63,390 spins since the start of the year, Luminate data shows.
The decline in commercial radio play doesn’t just reflect a public turn away from the artist who is accused of running a large-scale criminal operation for his own “sexual gratification.” It also means the artist’s catalog could generate less than the $3 million in revenue that Billboard estimates it generated annually from master recording and publishing revenue from streams, sales and radio airplay between 2021 and 2023.
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Representatives for Diddy did not respond to requests for comment.
Revenue from music streaming subscriptions is still the most significant source of income for music companies, artists and other owners’ music rights. However, commercial radio play remains a significant source of income for the publishing side, sources said.
“For a mature catalogue, such as Sean ‘Diddy’ Combs … that portion of income impacted by a sharp decline in radio airplay is limited to 6 percent to 9 percent of total publishing royalties,” says Barry Massarsky, a partner at Citrin Cooperman and head of the firm’s music and entertainment valuation practice. Massarsky cautioned that only the catalog’s publishing revenue can be analyzed because there is no entitled performance right for sound recordings played on U.S. commercial radio.
In the United States, the performance rights organizations ASCAP and BMI pay a base rate of roughly 50 cents to publishing companies per radio spin. As radio airplay can influence stream counts, there is a residual paid out on the master recording royalties that brings the total payment per airplay stream to roughly $1. Popular songs can earn additional bonus money.
While the Diddy catalog’s airplay spins did not put him within reach of any bonus money — bonuses are typically paid out for songs that top 135,000 spins in a quarter — Billboard estimates his catalog’s publishing revenue was $10,200 less for the first 16 weeks this year compared to last year. If Diddy’s songs continue to generate the same average per-week-radio airplay spins they did at the start of the year — an average of 117 per week — it would mean a year over year decline of $34,300 compared to last year.
As of June 2024, Diddy owned his master recording catalog and publishing, which Billboard estimated earned about $2.4 million in master recording revenue and $600,000 in publishing revenue annually for the years from 2021 to 2023. Diddy’s share was $2.625 million in each of those years, Billboard estimated. Those estimates do not include credits and royalties for music assets beyond his own artist catalog.
It is unclear to what extent the accusations and lawsuits against Diddy may have contributed to the decline in airplay because airplay spins for his catalog rose for roughly the first four months of both 2023 and 2024, when several allegations that would later lead to lawsuits were already public.
Last year, Diddy’s catalog had the best start of the year in terms of airplay spins that it has had for any similar 16-week period since 2020, when the catalog accrued about 7,700 airplay spins. The second best 16-week period for Diddy’s catalog in terms of airplay spins was the start of 2023, when the catalog racked up nearly 11,000 spins.
Despite the decline in airplay, Diddy’s catalog remains popular on streaming platforms, though streaming activity during this period was almost half of what it was last year and was the lowest for this period than during any of the past five years.
In the first 16 weeks of this year through April 24, Diddy’s catalog accumulated roughly 29 million U.S. on-demand streams compared to nearly 52.7 million U.S. on-demand streams for the same period in 2024. The only other start-of-the-year stretch over the last five years when Diddy’s catalog had such a low stream count was in 2020, when it racked up 29.7 million on-demand streams from Jan. 1, 2020, to April 23, 2020.
106 & Park is back, at least for one night. On Tuesday (May 6), BET announced that 106 & Park is celebrating its 25th anniversary with a host reunion and a night of special performances at the 2025 BET Awards.
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A.J. Calloway, Free, Julissa Bermudez, Keshia Chanté, Rocsi Diaz and Terrence J will be packing on the nostalgia with a reunion after raising a generation of millennial rap and R&B fans.
“106 & Park was more than just a music countdown show — it was the heartbeat of Black youth culture and one of the highest rated BET programs for over a decade,” BET president Scott Mills said in a statement. “From Freestyle Friday to unforgettable live performances, it launched careers, influenced fashion,and became a platform where voices, style and sound converged. 106 & Park both celebrated and fueled many of the most important musical and culture evolutions that occurred during its two-and-a-half-decade tenure.”
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On the performance side, Mr. 106 & Park himself, Bow Wow, will hit the stage with B2K, Mya, Amerie, Jim Jones and T.I. on June 9. The BET Awards will kick off at the family of BET Networks at 8 p.m. ET.
“106 & Park served as a cultural touchstone, embodying the energy, creativity and authenticity of a generation,” stated Connie Orlando, who serves as the EVP of Specials, Music Programming & Music Strategy at BET. “It provided artists a direct connection to their fans, transforming everyday moments into lasting memories. The show’s legacy continues to influence how we engage with music, connect with talent and celebrate Black creativity. We are thrilled to commemorate 25 years of this iconic series at this year’s BET Awards.”
There will be plenty of activations for fans to get in on the festivities in Los Angeles for culture’s biggest week. The BET Fan Fest (BETX) will be set up at the L.A. Convention Center with the 106 & Park stage throughout the weekend on June 7 and June 8, leading into the BET Awards.
Launched on Sept. 11, 2000, 106 & Park enjoyed a fruitful run filled with appearances from music’s biggest stars, and went off the air after a 14-year run in 2014.
The family and friends of Queens rapper Chinx, who died in 2015, are setting up a foundation in his name on the 10th anniversary of his passing.
The Lionel D. Pickens Foundation will focus on youth mentorship and development by connecting young people with mentors to help guide them academically, professionally and emotionally; scholarships for ambitious students regardless of circumstance; small business grants that provide local entrepreneurs with funding and resources’ and community initiatives such as coat drives, Thanksgiving turkey giveaways and toys drives for families in need across the five boroughs of New York City.
“Lionel was more than an artist — he was a dreamer, a provider, and a beacon of hope to so many,” said Veronica Clinton, co-founder and Chinx’s mother, via press release. “Through this foundation, we are continuing what he started: helping others rise up, chase their goals and never give up, no matter where they come from.”
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The foundation’s official launch will be commemorated with his annual community candle lighting on May 17 on Queens Blvd, where supporters, family and friends will gather to remember Lionel “Chinx” Pickens and celebrate the foundation’s mission.
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“This foundation is our way of turning pain into power,” said Janelli Caceres, co-founder and Lionel’s widow, via press release. “It’s about honoring Lionel by investing in the futures of others — especially those who’ve been forgotten, underestimated or underserved.”
Douglas Ellison, one of the foundation’s board members and Chinx’s former manager, added, “Lionel had the heart of a leader, he lifted people up, he inspired them to dream bigger. This foundation continues that work, so his voice, his values and his love for this community never fade.”
Chinx killed in a 2015 drive-by shooting while sitting in his car at a red light. Last year, Quincy Homere was sentenced to 23 years for his hand in the killing, while Chinx Hill’s case is still pending because he’s already incarcerated for an unrelated charge.
Chinx made a name for himself during the mid-2000s when he started making music with the late Stack Bundles and later, French Montana.
Quavo’s the Rocket Foundation hosted a Mother’s Day brunch on Sunday (May 4) for moms who have lost children to gun violence.
The Migos frontman was in attendance alongside his mother, as well as the late TakeOff’s mom and grandmother; TakeOff was killed in a shooting in Houston on Nov. 1, 2022.
Quavo launched the Rocket Foundation following the death of his nephew, with a goal of reducing gun violence across the country. Draped in white and pastel colors, attendees enjoyed a day of healing as flowers by Fenty Beauty and photos of the lives lost lined the building in Atlanta.
“It’s three times a year that’s really hard. This is one of the major ones. TakeOff made me a mama,” TakeOff’s mother, Tatiana Davenport, told The Atlanta Voice. “I pray that mothers will have a place, like a refuge, where they can get finances to help them grow. They may need spiritual help. They may need mental help. Because it’s all hard, and it’s all combined into one. So I pray that this day will allow them to feel that they can continue to go on and grow.”
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There was also a panel with representatives from various anti-violence groups discussing what can be done in the community to enact the changes they want to see.
It’s the fourth initiative of its kind hosted by the Rocket Foundation, which has plans for another meeting with members of congress this summer.
Earlier this month, the Rocket Foundation named Gregory Jackson Jr. as the president of the organization. Jackson Jr. previously served as the White House Office of Gun Violence Prevention, which was dismantled by the Trump Administration.
“What they’re going through, while it’s painful, there’s a whole community here that has their back and has been through similar trials, and we’re just stronger together than we are apart,” Jackson Jr. told those in attendance. “Maybe just every once in a while, there’s a sad night, they’ll remember that there are so many other people there to support them, even if they aren’t physically there with them. And frankly, we want to inspire them to continue to be courageous in speaking out on this issue, pushing for change, because that’s how we fix this.”
On the music side, Quavo released a posthumous collaboration with TakeOff “Dope By Phone,” which hit streaming services on May 2.
Megan Thee Stallion risked it all for the ‘gram. The Houston Hottie pulled up to the 2025 Met Gala on Monday night (May 5) and broke the event’s no-phone policy to post a video to social media of her sampling appetizers with Doechii and WNBA star Angel Reese. Thee Stallion went live from the “Hottie […]
Hip-hop’s biggest story of the week is technically a year old.
From May 3-5, 2024, Drake (“Family Matters” and “The Heart Part 6”) and Kendrick Lamar (“6:16 in LA,” “Meet the Grahams” and “Not Like Us”) traded the last five songs of a battle that changed the course of hip-hop history and popular music forever. In the year since, Lamar won five Grammys for “Not Like Us,” dropped his monster GNX LP, spun out two additional Billboard Hot 100 chart-toppers (“Squabble Up” and “Luther,” launched a massive stadium tour alongside SZA, and scored the most-watch Super Bowl halftime show of all time. For his part, Drizzy added another Billboard 200 No. 1 album (the Partynextdoor-assisted $ome $exy $ongs 4 U) to his arsenal and a No. 2 hit in “Nokia.”
In 2025 news, Doechii teamed up with Westside Gunn to remix the latter’s “Egypt.” The new collaboration arrived as the Swamp Princess’ “Anxiety” returned to the Hot 100’s top 10 — and just a few days before her stint on this year’s Met Gala hosting committee. With a rich theme of “Superfine: Tailoring Black Style,” Monday night’s Met Gala steps (May 5) featured eye-popping looks from several of hip-hop’s biggest fashionistas, including Teyana Taylor, Pharrell Williams, Tyla, Doja Cat and more.
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Jorja Smith’s new banger to Benny the Butcher and Styles P’s latest link-up. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
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Freshest Find: Jorja Smith, “The Way I Love You”
U.K. garage and Jorja Smith are a match made in music heaven. J Money gets back in her bag to get the party started just in time for the summer, as “The Way I Love You” should be part of every DJ’s set list, looking to fill the dance floor. The 27-year-old does just that as she throws a rave at Club Nice in the single’s blue-tinted visual. It feels like you could draw a line from “The Way I Love You” to her breakout “On My Mind” anthem that introduced J Money to droves of fans back when she was an emerging star in 2017. At this point, we need a UKG-grime album from Smith in the future. — MICHAEL SAPONARA
Tiana Major9, “Money”
Tiana Major9’s “Money” is a soulful, witty, and emotionally layered meditation on her complicated relationship with wealth. Framed as a love song to money — personified as a flirtatious, fickle, and sometimes cruel partner — Tiana’s new joint explores how financial security, desire, and personal history collide. Tiana highlights how money can feel loving when it’s present, but also how quickly it disappears, reinforcing that “money knows who needs who more.” “Money” is about more than just wealth — it’s about survival, self-worth, and learning how to have a healthy relationship with abundance without letting it define your identity. Tiana brings humor, heart, and honesty to a topic that affects everyone, making the song both relatable and deeply personal. — CHRISTOPHER CLAXTON
Benny the Butcher feat. Styles P, “Toxic”
Produced by BSF, Buffalo rapper and Griselda stalwart Benny the Butcher taps the Ghost in Styles P to give us some of that good old-fashioned hard s–t. The beat sounds like concrete and has an infectious hook that’ll make you nod your head into oblivion and give you the ugly face. — ANGEL DIAZ
Yeat, “Feel No Wayz (Yeat Mix)”
Yeat shocked fans at his Coachella set last month when he performed a cover of Drake’s fan-favorite “Feel No Ways.” Instead of the melodic rapping mixed with Drizzy’s R&B sonic, the Oregon native leans heavily into the AutoTune for an electronic spin on the classic VIEWS deep cut. The official track that landed on DSPs sounds much cleaner than the edition Yeat initially previewed on social media. Drake even lent his stamp of approval with a text to Yeat, which he fittingly turned into the cover art for the single. It might be time for another a Twizzy x The Boy link-up. — M.S.
Girlfriend, “Come Thru”
Mississippi-born singer, songwriter, and rapper Girlfriend (Kenya Edwards) returns with her new EP It’s Complicated, led by the standout track “Come Thru” — a sultry, emotionally raw anthem exploring intimacy, secrecy, and the longing for genuine connection in a situationship. The line “middle of the summer, it’s cold” captures the emotional disconnect between seasons and feelings — even when life should feel warm and full, something is still missing. That “cold” feeling symbolizes loneliness or emotional distance, hinting that both people involved are longing for closeness but are hesitant to fully open up. At its core, “Come Thru” is about vulnerability masked by sensuality, navigating desire in a relationship that lives in the grey area between love and lust, cold and warm, commitment and secrecy. — C.C.
A$AP Nast, “No Hammer”
Nast is back, and he dropped a movie. No, seriously: He and director Dexter Navy gave fans a crime drama set in London, as the Harlem rapper does his thing over Drumatik production. Maybe this means we’ll be getting that song he has with Playboi Carti that was apparently produced by The Alchemist. — A.D.
Mariah the Scientist, “Burning Blue”
Mariah the Scientist ignites her next era with the intoxicating “Burning Blue.” The Atlanta native puts a soulful spin on her unique perspective on the trials and tribulations of romance. Even with the chaos around her, Mariah feels at ease with her man by her side. But her submissive lust will only remain if he holds up his end of the relationship bargain. The 27-year-old’s vocals remain as soothing as ever, with “Burning Blue” reaching a crescendo in its closing moments. Keep fanning the flame, Thugger. — M.S.
GRiMM Doza, “Bullet Train”
Influenced by the Jersey producer’s trip to Tokyo, Grimm Doza paints a soundscape with a beat tape — a format that has become something of a lost art these days. I wanted to highlight this after a conversation I had with Conductor Williams, where he mentioned Dilla’s classic instrumental album Donuts felt like a jazz record. You can check out Tokyo Transit on streaming services. Here’s the YouTube playlist. — A.D.
Samara Cyn, “Bad Brain”
Samara Cyn is a breath of fresh air in rap. The burgeoning rhymer delivered her introspective “Bad Brain” single last week, which finds Cyn battling the voices in her head while combing through the mental gymnastics she has to hurdle to get by. Enclosed by a Thee Sacred Souls sample, Cyn’s wispy flow weaves around the dreamy production as she gives listeners a peek into the warfare she’s dealing with on a day-to-day basis as a rising star. “All these little voices in my voice gon’ drive a b—h insane/ As I’m talking, feel exhausted, think a b—h gon’ pop a vein,” she raps. — M.S.
Roc Marciano, “Period Blood”
To celebrate the 15th anniversary of his seminal work Marcberg, Roc Marciano dropped a special edition of the album that included a brand new song in this insanely titled track. Produced by the man himself, “Period Blood” is standard-issue Marci with a soulful loop and sharp lyrics that have helped make him one of the more influential artists of the last decade and a half. When it comes to underground East Coast rap music, we’re living in his era. Don’t let anybody else tell you different. — A.D.
The Blue Note Jazz Festival’s Black Radio Experience will be returning to California this summer, and the lineup is stacked. On Tuesday (May 6), The festival unveiled its 2025 lineup, which includes headlining performances from Jazmine Sullivan, The Roots and a third mystery headliner that has yet to be announced. Additionally, the fest will of […]
What will Doja Cat‘s fifth album, Vie, sound like? The more apt question after Monday night’s (May 5) 2025 Met Gala might be: what will Vie look like? Doja hit the blue carpet at the high fashion superbowl in a Marc Jacobs pinstripe bodysuit with a velvet ocelot-print bustier design and dramatic shoulder pads on […]