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Trending on Billboard Sean “Diddy” Combs is supporting his fellow inmates this Thanksgiving. While serving his first year at FCI Fort Dix in New Jersey, the 56-year-old hip-hop mogul helped organize and fund a Thanksgiving meal for 1,000 inmates at the federal correctional institution on Thursday (Nov. 27), according to TMZ. “Thanksgiving, to me, is […]
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Billboard News went straight to the rides with some of the coolest artists at Camp Flog Gnaw 2025. Hang out with Malcolm Todd, Paris Texas, AG Club, Alemeda, PARTYOF2 and Deb Never as they joined us on the ultimate CFG adventure. Get a taste of those limited-edition burgers, watch the gravity-defying rides, and check out the best festival fashion. Which ride was the wildest? Watch to find out!
Jerah Milligan:
Who are you excited to see?
Alemeda:
I literally told my team, “Once Geezer goes on, I’m out.”
Partyof2:
Definitely Doechii, and I gotta see my fashion icon, bro, A$AP Rocky.
AGClub:
Childish Gambino for me. I’m so used to seeing him, but I never seen him live. I loved his music for a long time, like. I’m tryna see T-Pain.
Jerah Milligan:
Yo, I’m ready for both. And you know he has so much joy when he performs. He’s about to be spinning and s–t.
Partyof2:
After this interview I’m gonna run and see Teezo. I saw him walking out of his trailer with a like a BBL thing goin’ on with a, with a surge, like, I don’t know what he’s about to do. I’m so interested to see that.
Jerah Milligan:
What’s up, folks? It’s your boy Jerah here. I’m at Camp Flog Gnaw. I’m hype. It’s my first time being here. We’re talking to artists, your favorite artists’ favorite artists. We’re going on rides. We getting snacks. I’mma win this bear right now and I’m super hype. Let’s go. Yeah, y’all got me out here at Camp Flog Gnaw. Y’all had a good year, two albums a week apart. What was the idea behind that?
Paris Texas:
Uh, you know, just moving different.That’s it, is just moving different, that’s all we wanna do.
Jerah Milligan:
Now let me ask y’all though, that’s two albums. That’s a lot of songs. Y’all got, like, your favorite child on one of the albums?
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Trending on Billboard Cam’ron and Mase are always roasting someone on It Is What It Is, and on the latest episode of their talk show, the pair of Harlem rappers playfully clowned each other’s wardrobe choices of the past. Explore See latest videos, charts and news Murda brought up Cam’s Epic Records debut album cover, […]
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Missy Elliott says fans have been urging her to get her song from the Shark Tale soundtrack on streaming.
In a post on X, Missy tagged both Universal Music Group and Geffen Records and pleaded with them to put “Car Wash” — the closing song from the 2004 Dreamworks animated film Shark Tale — up on streaming. The rap legend had responded to a fan who appeared devastated that the song wasn’t available to listen to.
“@UMG @GeffenRecords the fans tagged me wanting to know why the song ‘Car Wash’ on #Sharktale soundtrack not on streaming sites,” she wrote. “Can you please help out because many of them have been asking as you can see and miss it.”
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“Car Wash” closed out the film, and was sung by Christina Aguilera and featured Missy. Most of her bars were of course shark related, including, “Y’all can make your bets, y’all small tuna fish, I’m one big catch/ Shark slayer, bow down player.”
In other news, Victoria Monet recently praised Missy, and said it was beyond time to give the rapper her flowers.
When asked why, Monet explained that Missy can still rock out when she needs to.
“Her show is incredible,” Monet said while walking the red carpet at the Femme It Forward Give Her FlowHERS Gala. “She’s still performing, like, she’s in her 20s, and I feel like we haven’t given her her moment, like, the tribute show and the, you know, events like this where she can get her flowers…I feel like we just need a few more of those for her, because she’s incredible, and she’s done so much, and influenced a lot of our childhoods.”
Check out the tweet below.
.@UMG .@GeffenRecords the fans tagged me wanting to know why the song “Car Wash” on #Sharktale soundtrack not on some streaming sites…Can you please help out because many of them have been asking as you can see and miss it🙏🏾☺️— Missy Elliott (@MissyElliott) November 25, 2025
Trending on Billboard Doja Cat and SZA’s groovy “Take Me Dancing” collaboration caught fire on social media thanks to a viral TikTok trend, which was created by an Australian superfan named Joel Houwen in September following the arrival of Doja’s Vie. Explore See latest videos, charts and news She brought the Tour Ma Vie World […]
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Most artists probably wouldn’t want to be on the receiving end of a diss from Eminem, but Lil Yachty wears it like a badge of honor.
Em took a shot at the Atlanta rapper on 2018’s “The Ringer” when he rapped, “Get this f—kin’ audio out my Audi yo, adios/ I can see why people like Lil’ Yachty, but not me though/ Not even dissin’, it just ain’t for me/ All I am simply is just an emcee.”
Seven years later, Yachty reflected on getting name-dropped by Em during an appearance earlier this month on Tea Time W/ Raven & Miranda.
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“Eminem actually dissed me, but I thought it was amazing. If you say my name, it’s like, you could’ve said anyone’s name,” Yachty said. “So, you’re saying my name? I’m like, ‘That’s kinda fire.’ I was like, ‘You could’ve said anybody and you said me?’ Am I the top of the nobodies? I wasn’t mad at it all, I was like, ‘Fire!’ I’ll take it any day of the week.”
Yachty was one of the faces of the SoundCloud generation of rap that exploded in the mid-2010s. He faced backlash at times, as some classified his bubblegum trap as “mumble rap.”
The ATL native is far from the last and not nearly the first public figure to have Eminem throw a lyrical jab in their direction. At the time, Yachty tweeted out that he was cool with being dissed by Slim Shady.
“Lmao me personally I think it’s fye Eminem took a shot at me.. I f–k wit Eminem,” he wrote on Twitter in 2018, per HotNewHipHop.
“The Ringer” landed on Em’s Kamikaze album in 2018 and the Platinum track peaked at No. 8 on the Billboard Hot 100.
Watch Lil Yachty’s interview and listen to “The Ringer” below.
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It was 20 years ago this week (Nov. 29) that 16-year-old Chris Brown vaulted onto the scene with his self-titled debut studio album and triple platinum-certified Hot 100 No. 1 “Run It!” And in celebrating that anniversary, Brown — under the guidance of manager Anthony “Ant” Wilson of Tycoon Music — has achieved various other career milestones during what’s become an even more momentous year for the singer-songwriter.
Brown kicked off 2025 with the best R&B album Grammy for his latest album 11:11 (Deluxe) — his second win in that category after 13 years. He’s now closing out the year with two more nominations for the 2026 Grammy ceremony: best R&B song and best R&B performance for “It Depends” featuring Bryson Tiller, which peaked at No. 16 on the Hot 100. Prior to that in 2024, Brown picked up his first RIAA Diamond-certified single for “No Guidance” featuring Drake.
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Of witnessing Brown’s second Grammy win, Wilson — a 2025 R&B/Hip-Hop Power Players honoree — told Billboard in August, “Winning isn’t everything, but it feels good. And the consistent recognition of his artistry continues to solidify him as one of the biggest artists in the world.”
Between those Grammy bookends, Brown embarked on what’s since been logged by Billboard Boxscore as his highest-grossing live outing to date, the Breezy Bowl XX World Tour. Spanning 39 cities and 48 shows, his 20th anniversary and first-ever stadium run (June 8-Oct. 16) earned $300 million and drew 2 million fans across North America, Europe and the U.K. Accompanied by Tiller as a special guest through the run and Grammy-nominated artists Jhené Aiko and Summer Walker on select dates, Brown also welcomed pop-up performances along the way by Usher, 50 Cent, GloRilla, Tyga, Bow Wow, Sexyy Red and Davido during his three-hour, 56-song set.
It’s Brown’s indefatigable energy and love of performing that Wilson first focused on strategically when he became the global star’s manager 10 years ago after predecessors Tina Davis and Mike G.
“We started off doing club and spot dates,” Wilson recalls. “Then we got the Heartbreak on a Full Moon tour [2018 with H.E.R., 6lac, and Rich the Kid]. I just wanted to get him back to the touring part of the business because I felt he could touch the most fans there. That was my initial goal.”
Wilson also created the annual Tycoon Music Festival. Presented this year in association with Live Nation and 313 Presents, the festival marked its sixth anniversary on April 19 at Little Caesars Arena in Detroit. Headlined by Brown, the lineup also starred Skilla Baby, Fabolous, Gucci Mane and Wiz Khalifa with surprise appearances from Sexyy Red, G-Herbo, Payroll Giovanni and Tee Grizzley.
Based in Las Vegas, as is Brown, Wilson recently spoke with Billboard about what’s next on the drawing board for him and his superstar client.
Chris Brown and Anthony “Ant” Wilson
Travis Colbert
What’s it like managing such a tireless artist as Brown?
We don’t sleep too much over here [laughs]. That’s because he stays up working in the studio he has in his house. He’s in that studio every day until we put out an album. And then the hard part before that is figuring out what songs are going to make the album. Chris also has a billion ideas about different things. So another hard thing is trying to get those billion ideas down to at least 10.
Talk about the rapport between the two of you, which is an important part of the artist/manager collaboration.
I met Chris when I was working with Bow Wow. that’s when Tina was involved. She’s a friend of mine as well. So I used to help out whenever she needed some assistance. Mike G was there too; we were all together then. But Chris is my brother first then it’s business, I don’t hope that he wins. He has to win because he’s my family. So that’s why there is no sleeping because I’ve got to make sure he does. I don’t know if there’s a blueprint on how to manage an artist. Every artist is different. But there is one key thing: understanding the artist and the fans of that artist.
Very few artists have made the successful transition from teen to adult star. Why has Brown been able to cross that bridge?
A lot of artists can do one thing; they can either sing or they can dance. But not a lot of artists can perform the way that he does: he’s singing, he’s dancing, he’s crying, he’s laughing, he’s flying, He’s doing everything he can to please fans. He’ll take less money just for the production to be what it is. He just wants [his performance] to stand out. Breezy XX was originally three and a half hours. I’m like, “Chris, come on. We’re going to run into overtime on every show. Like I said before, that’s the hardest thing … trying to get things down to where we’re both happy [laughs].
A new album coming before this year is out has been rumored given the 20th anniversary. Any hints about the next project?
There’s always an album. The name of it always changes. The songs always change. Even with the last album, we were in the studio putting another song together on the day before it came out. So I can’t say the name or a date for the album. I’ll leave it open because he could wake up and say let’s put it out next week. I’m ready though. I have it [the album] at the moment, but it changes every week.
Chris Brown performs in San Diego, CA, on September 18, 2025.
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What else is next? A concert movie à la Taylor Swift and Beyoncé or a return to acting?
He loves and wants to act. There are acting classes, and he’s gearing up for that. I also think the Super Bowl would be a great place for him. I believe it will happen.
Have there been any overtures on that front?
We’ll just see.
How has it been navigating the negativity that he still encounters as you work to move his career forward?
It’s nothing that I’m not used to at this point. We just smile and keep going. I just try to show improvement with work over the words, you know? I think that’s the best way. But his kids ground him. He’s a great, involved dad. I also think Chris’ fans love him so much because they can relate. He’s a real person who’s gone through things that others have but he did it in front of the world. So I feel like that’s his legacy: going through life with everyone else.
Now that Verzuz is back, is the long-rumored Usher/Chris Brown match-up a stronger possibility?
It may. Usher and Swizz Beatz are friends of mine; Swizz recently spoke to me about it. I’m not saying no if it makes sense.
Beyond your ownership of the Tycoon Festival, what other projects are you shepherding?
I also work with 50 Cent in a company called the Green Light Gang. We have 40 TV shows [in the works] at the moment and a few movies. We’re also going to build a production company in Shreveport, Louisiana. So that’s my new baby, television.
Trending on Billboard Denzel Washington is not often moved to tears, but he was during Aiyana-Lee’s performance in a scene from Highest 2 Lowest. It appears that Denzel getting emotionally shaken up wasn’t part of Spike Lee’s script either, which the Brooklyn-bred director revealed in an interview with Variety on Tuesday (Nov. 25). Lee detailed […]
Trending on Billboard Doechii lit up Camp Flog Gnaw during her headlining slot, and spiced her show up by giving Ayo Edebiri a memorable lap dance. Doechii performed at Tyler, the Creator’s 2025 festival over the weekend at Dodger Stadium, and things got heated during her hour-long set once she brought The Bear star on […]
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50 Cent teased a documentary surrounding Diddy’s fall and allegations against him of sexual abuse for well over a year, and Netflix announced on Tuesday (Nov. 25) that the four-part docuseries is coming to the streaming giant on Dec. 2.
“I’ve been committed to real storytelling for years through G-Unit Film and Television,” 50 said in a statement. “I’m grateful to everyone who came forward and trusted us with their stories, and proud to have Alexandria Stapleton as the director on the project to bring this important story to the screen.”
The G-Unit mogul is an executive producer on Sean Combs: The Reckoning, while Alexandria Stapleton sits in the director’s chair.
The Reckoning will explore the sexual assault and abuse allegations against Diddy, along with his federal conviction on prostitution charges. Former associates, friends, artists and employees have come forward to participate in the explosive docuseries, detailing the world that hid below the Bad Boy empire.
“Being a woman in the industry, and going through the #MeToo movement — watching giants in music and film go on trial, and to know what their outcomes were … When Cassie dropped her lawsuit, I just thought this could go a million different directions,” director Stapleton said in a statement. “I wondered how she had the confidence to go out there against a mogul like Sean Combs. As a filmmaker, I instantly knew it was a stress test of whether we’ve changed as a culture, as far as being able to process allegations like this in a fair way.”
Stapleton continued: “This isn’t just about the story of Sean Combs or the story of Cassie, or the story of any of the victims, or the allegations against him, or the trial. Ultimately, this story is a mirror [reflecting us] as the public, and what we are saying when we put our celebrities on such a high pedestal. I hope [this documentary] is a wake-up call for how we idolize people, and to understand that everybody is a human being.”
50 Cent and Diddy have a tumultuous relationship. The longstanding feud found 50 continuously antagonizing Combs on social media as Diddy’s empire began to crumble, starting with Cassie’s bombshell sexual abuse lawsuit filed against Diddy in 2023, which was quickly settled.
The trolling from 50 Cent didn’t stop when Diddy was arrested on sex trafficking allegations by federal agents in September 2024. The year-long prosecution came to a close in October when Combs was sentenced to 50 months in prison for violating federal prostitution laws.
50 posted the first poster for The Reckoning docuseries on Tuesday, which sees a desolate Combs with his face in his palm. “They said I was capping, what happened?” he wrote.
50 Cent announced plans for a documentary surrounding Diddy last year and The Reckoning found a home at Netflix in September 2024.
Stream Sean Combs: The Reckoning on Netflix on Dec. 2.
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