genre hiphop
Page: 18
Drake is back with another earworm, and we have the producer Elkan to thank for it. This week, Drizzy’s latest hit “Nokia” sneaks back into the top 10 of the Billboard Hot 100 — reaching a new peak of No. 7 — as fans are waiting with baited breath for the arrival of the song’s IMAX music video, dropping later today (March 31). Appearing on Drake and PARTYNEXTDOOR‘s joint album $ome $exy $ongs 4 U, “Nokia” emerged as the leader of the pack amongst three other chart-topping songs off the project: “Die Trying,” “Gimme a Hug” and “Somebody Loves Me.”
While “Nokia” is littered amongst 20-other lusty heartbroken R&B slowburns, the song commands listeners to dry their tears and hit the dance floor. Drake’s “Who’s calling my phone?” catchphrase is already breaking the internet, and will undoubtedly crash every karaoke bar this summer, as soundtracked by Elkan’s bouncy beat. The producer, who’s from Sierra Leone and is based out of the United Kingdom, graces Drake with a disorienting backdrop, which disintegrates from a sweaty and pummeling Atlanta bass beat into a slithering synth-driven funk groove.
Trending on Billboard
So who is Elkan, and how long has he been honing this unique style? Here’s everything Billboard knows about the buzzing producer behind The Boy’s latest hit.
When Did Elkan Start Producing?
The 21-year-old producer began his production journey back when he was between the ages of eight and ten. His uncle, an artist based out of Sierra Leone at the time, introduced him to FL Studio. Elkan admitted in an interview with wavs.com that he wasn’t interested in the software at first, but eventually began tinkering around in FL’s demo version. He then fully locked in with producing after taking a class led by a professional producer named Eli Brown.
“I saw Eli Brown post a sample on Twitter and it blew me away,” he said in an interview with the Spill Your Sauce podcast in 2023. “I reached out to him about his class and I’m so grateful for the opportunity to learn from him. It completely changed my perspective on what could be achieved with samples.”
From there, Elkan became obsessed with making samples, with his first official release being a sample from Tory Lanez’ “Joke’s on Me” when he was 17. After getting some praise online, Elkan decided to pursue production full time.
How Did Elkan Break Out?
His claim to fame became meshing nursery rhymes within his samples, and he got his official start producing as part of a well-established group called the Rucker Collective. One of Elkan’s samples from 2020, titled “Dead or Alive,” caught the attention of Lil Baby, who was seen on TikTok rapping over the beat in the studio. The sample eventually made its way to Metro Boomin, who added drums and tinkered with it a bit more to make his Heroes & Villains cut “Metro Spider” with Young Thug in 2022.
The rest was history, as Elkan continued to produce for well-known rappers including Russ, Nemzzz and Lecrae, the latter collaboration of which led to his first Grammy win in 2024, for his work on Church Clothes 4.
What Inspired “Nokia?”
While working on the beat for “Nokia,” Elkan said on Instagram in February the instrumental was just inspired by real-life events.
“NOKIA” came from people I love ringing my line asking if I was okay inviting me out to karaoke, clubbing, going to crazy food spots and just enjoying the finer things in life!” he wrote on IG. Elkan added that knew the result would be a smash hit.
“When Drake puts pen to pad onna elken ting you know it’s a special one!” he concluded.
GloRilla absolutely dominated 2024 as she cemented her status as one of the premier rappers in the game today. Following her massive year, Glo was honored with the Powerhouse Award at the Billboard Women in Music 2025 ceremony in Los Angeles on Saturday (March 29). Draped in a sleek black tux, the Memphis native was […]
Kendrick Lamar and SZA’s “Luther” rules the Billboard Hot 100 songs chart for a sixth total and consecutive week. The single, whose title fêtes late R&B icon Luther Vandross, who is sampled on the track, became Lamar’s sixth No. 1 and SZA’s third. Lamar and SZA each extend their longest career Hot 100 reigns with the song.
Meanwhile, “Luther” ties Jack Harlow’s “Lovin on Me,” in 2023-24, for the longest Hot 100 command for a rap hit since 24kGoldn’s “Mood,” featuring iann dior, led for eight weeks in 2020-21. The only longer domination for a rap hit this decade: 11 weeks, for Roddy Ricch’s “The Box” in 2020. (Rap titles are defined as those that have hit or are eligible for Billboard’s Hot Rap Songs chart.)
Plus, Morgan Wallen’s “Just in Case” launches at No. 4 on the Hot 100, marking the country star’s 14th top 10 – and record fifth from an album prior to its release; his I’m the Problem is due May 16 – and Chappell Roan’s “Pink Pony Club” trots to No. 5, becoming her third top five hit.
Browse the full rundown of this week’s top 10 below.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated April 5, 2025) will update on Billboard.com tomorrow, April 1. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
‘Luther’ Airplay, Streams & Sales
Morgan Wallen’s “Just In Case” debuts in the top five of the Hot 100. Tetris Kelly: This is the Billboard Hot 100 top 10 for the week dated April 5. “APT” is back in the top 10 while “Not Like Us” slips to nine. “Beautiful Things” also returns to the top 10, as does “Nokia” […]
Drake has had a challenging year, due to being widely seen as the loser of a high-profile diss battle with Kendrick Lamar, but he got a strong show of support at the Juno Awards in his native Canada on Sunday (March 30). His friend and frequent collaborator Boi-1da (pronounced Boy Wonder) sang his praises in accepting an International Achievement Award. Drake wasn’t present at the ceremony, which was held at Rogers Arena in Vancouver.
“I’m extremely humbled by this award and just to be mentioned among the legendary names as well – man I can’t even describe it,” the producer (who was born Matthew Jehu Samuels) began. “I want to have a huge shout-out to my brother Drake, the greatest rapper of all time, the greatest artist of all time and he’s from Canada – Drizzy Drake – that’s my brother.
Trending on Billboard
“Listen…Drake, love you bro, we started this together, we did this together, I wouldn’t be where I am today if it wasn’t for Drake and all the sacrifices he made, all the doors he kicked down for a lot of people man, so shout-out to Drake. Thank you for life, man, I love that guy.”
Born in Kingston, Jamaica, the future producer moved to Canada when he was three and grew up in Toronto. His first production work was at age 18, when he worked on two tracks on a Drake mixtape (Room for Improvement).
Boi-1da won his only Grammy to date as the co-writer of Drake’s “God’s Plan,” which was voted best rap song. The producer has been nominated for 19 Grammys, including six times for album of the year, for his work on Eminem’s Recovery, Lamar’s To Pimp a Butterfly and Mr. Morale & the Big Steppers, Drake’s Views, Kanye West’s (now Ye’s) Donda and Beyonce’s Renaissance.
Boi-1da has received two Grammy nods for record of the year, for “God’s Plan” and Rihanna’s “Work” (featuring Drake), and one song of the year nod, also for “God’s Plan.” He has been nominated twice for producer of the year, non-classical.
This International Achievement Award was his first Juno Award or nomination.
Playboi Carti’s MUSIC spends a second week at No. 1 on the Billboard 200 albums chart (dated April 5), after debuting atop the list a week earlier with the year’s biggest week for a rap title.
Explore
See latest videos, charts and news
See latest videos, charts and news
In its second week (ending March 27), the effort earned 131,000 equivalent album units in the U.S. (down 56%), according to Luminate. It opened with 298,000 first-week units. It’s Carti’s second No. 1, and first to spend more than week atop the list. He previously logged one week in the lead with his previous release, Whole Lotta Red, in January 2021.
Also in the top 10 of the new Billboard 200, Selena Gomez and benny blanco’s first collaborative set, I Said I Love You First, debuts at No. 2. It marks the seventh top 10 for Gomez and first for blanco.
Trending on Billboard
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 5, 2025-dated chart will be posted in full on Billboard‘s website on April 1. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of the 131,000 equivalent album units earned by MUSIC in the week ending March 27, SEA units comprise 124,000 (down 56%; equaling 171.02 million on-demand official streams of the set’s songs; it’s No. 1 for a second week on Top Streaming Albums), album sales comprise 7,000 (down 51%; it falls 3-9 on Top Album Sales) and TEA units comprise a negligible sum (down 60%).
MUSIC’s second week profited from the sales and streaming activity generated by the release of a deluxe edition of the project that added four additional cuts to the set’s original 30-song runtime. Dubbed MUSIC – Sorry 4 Da Wait, it was released on Tuesday (March 25) on Playboi Carti’s official webstore and widely via streamers and digital retail. The four bonus songs on the deluxe (“Different Day,” “2024,” “Backr00ms” and “FOMDJ”) were initially released as cuts exclusively available on three different artist webstore-exclusive download variants of the album in its first week. As the four songs became available to stream via the MUSIC album on March 25, the album earned SEA for those four tracks on the final three days of the tracking week.
Selena Gomez and benny blanco’s collaborative project I Said I Love You First debuts at No. 2 on the Billboard 200, scoring the superstar multi-hyphenate Gomez her seventh top 10-charting effort and hitmaking producer/writer blanco his first. The project earned 120,000 equivalent album units in its first week — the largest week by units for both artists. (The Billboard 200 began ranking by equivalent album units in December 2014.)
Of the album’s 120,000 first-week units, album sales comprise 71,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 48,000 (equaling 64.04 million on-demand official streams of the streaming edition of the album’s songs; it debuts at No. 6 on Top Streaming Albums) and TEA units comprise 1,000.
I Said I Love You First is the first album pairing from the real-life couple, who announced their engagement in December. While this is the first full-length set from the duo, they’ve teamed up for Billboard Hot 100-charting hit songs before this project. Blanco was a producer and writer on Gomez’s “Same Old Love” (No. 5 peak in 2016), “Kill Em With Kindness” (No. 39, 2016) and “Single Soon” (No. 19, 2023). Gomez and Blanco shared artist billing, with Tainy and J Balvin, on “I Can’t Get Enough” (No. 66, 2019), which blanco also co-produced and co-wrote.
The new album was preceded by the Hot 100-charting tune “Call Me When You Break Up,” billed to Gomez, blanco and Gracie Abrams. It debuted and peaked at No. 58 in March, and climbs into the top 20 on the Pop Airplay chart (dated April 5), rising 21-19. It’s the 25th top 20-charting cut for Gomez on Pop Airplay.
The opening-week sales of I Said I Love You First were bolstered by its availability across seven vinyl variants (different color editions, some with alternate covers; including a signed version), three CD versions (a standard CD, a signed edition, and a zine/CD version with expanded packaging), a deluxe box set containing branded merch and a CD. (The album’s vinyl sales totaled 21,000 for the week — the best sales week on vinyl for either Gomez or blanco.)
Further, the album was available in 10 different digital variations. First, there was a widely available standard album at streamers and digital retail. Then, through the set’s opening week, nine additional download variants were issued, all initially exclusively available through Gomez’s webstore, and each sold for $5. All of the variants included the standard album’s 14 songs, plus bonus material. Five of the variants each had one bonus track (“Stained,” “Talk,” “That’s What I’ll Care [Seven Heavens Version],” “Scared of Loving You [Live From Vevo]” and “How Does It Feel To Be Forgotten [Live From Vevo],” respectively) and one contained two bonus cuts (an acoustic version and extended version of the album single “Call Me When You Break Up”). There was also an Explained: Narrated by Selena Gomez edition (with 14 bonus tracks with Gomez providing commentary on each of the set’s 14 songs), a Slowed & Reverbed edition (with 14 bonus slowed and reverbed versions of the album’s songs) and an Instrumentals edition (with 14 bonus instrumental versions of the tracklist).
All nine of the variants became available in the iTunes Store on Wednesday (March 26). The variants were only sold in the iTunes Store through March 27, the final day they were also sold in Gomez’s store.
The rest of the top 10 on the latest Billboard 200 comprises former No. 1s. Nos. 3-5 are all non-movers, led by Kendrick Lamar’s GNX at No. 3 (65,000 equivalent album units; down 8%) and followed by PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U at No. 4 (61,000; down 7%), and SZA’s SOS at No. 5 (60,000; down 4%).
Sabrina Carpenter’s Short n’ Sweet is steady at No. 6 (54,000 equivalent album units; down 4%); Lady Gaga’s MAYHEM falls 2-7 (52,000; down 29%); Bad Bunny’s Debí Tirar Más Fotos is stationary at No. 8 (49,000; down 2%); Tate McRae’s So Close To What falls 7-9 (47,000; down 10%); and Morgan Wallen’s One Thing at a Time holds at No. 10 (45,000; up 9%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Hot off a Grammy win for best rap album for her 2024 LP Alligator Bites Never Heal and the news that her single “Anxiety” had hit top 10 on the Billboard Hot 100, Doechii took the stage at Billboard’s Women in Music 2025 event on Saturday (March 29) night to accept the honor for 2025 Woman of the Year.
“Where’s the swamp? Do I have any fans in the house?” Doechii asked the audience inside YouTube Theater in Inglewood, Calif., to laughs and applause after an introduction from two of her collaborators, Jayda Love and DJ Miss Milan.
“I cannot believe it was just two years ago I stood on this stage right here and accepted the Billboard Rising Star Award. I had literally performed so hard I danced my shoes off and had to hop up to the mic,” she recalled of her performances of “Persuasive” and “Crazy,” smiling. “And here I am. That moment reflects how I approach my career – always go full out, always go hard and always be fab.”
Trending on Billboard
Thanking her family, God and the many women on her team and at her label, Doechii noted the Woman of the Year honor was “a full-circle moment.”
She also talked about the importance of Billboard Women in Music as an annual industry event. “I stand here as a fierce ally,” the Grammy-winning rapper said. “That word is a key reason there is a Billboard Women in Music.” The event, which began in 2007, came about because “women in the music business were tired of not getting their seats at the table or the credit they deserved,” she said. “This event was created out of a necessity. That word, necessity, is important. My mixtape, Alligator Bites Never Heal, was a space I created out of necessity. A space where I could feel seen, heard and connect with other people through experiences.”
The Swamp Princess noted that nearly two decades after Billboard Women in Music first started, a “lack of inclusion and sexism are still issues in this industry. And that’s a problem. Which is why I’m grateful we have Billboard Women in Music.
“This is our motherf–king night to rightfully come together to acknowledge each other, support each other and to celebrate,” she said. “We are the creators, we are the executives, we are the innovators who are just as central to this industry as the men. Clock it.”
Influential women in music graced the red carpet at Billboard’s 2025 Women in Music event, which took place on Saturday (March 29). See the best red carpet photos from the night here.Host Laverne Cox, music stars and industry leaders were pictured on the carpet ahead of the ceremony that honors accomplished women and their contributions to the music industry, their communities and beyond.
Artist nominees at this year’s prestigious event include Doechii, receiving the Woman of the Year Award, as well as aespa (Group of the Year), Ángela Aguilar (Breakthrough Award), Erykah Badu (Icon Award), GloRilla (Powerhouse Award), Gracie Abrams (Songwriter of the Year), JENNIE (Global Force Award), Megan Moroney (Rulebreaker Award presented by Crown Royal Whisky), Meghan Trainor (Hitmaker Award), Muni Long (Rising Star Award Presented by Honda Stage) and Tyla (Impact Award presented by Bose). Global Women of the Year are ANNA (Billboard Italy Woman of the Year) and Charlotte Cardin (Billboard Canada Woman of the Year).
Tina Knowles, mom to Beyoncé and Solange Knowles, is the first-ever Mother of the Year honoree at Billboard’s Women in Music, held at the YouTube Theater at Hollywood Park in Inglewood, Calif.
The list of presenters features Becky G, Kali Chis, Madison Beer, Julia Michaels, Lauren Jauregui, Mickey Guyton, Suki Waterhouse, Summer Walker, Tanner Adell, Victoria Monét and Zara Larsson.
The red carpet was also expected to see appearances from Ari Lennox, Ashe, Ava Max, Bella Poarch, Heidi Montag, JoJo Siwa, Kandi Burruss, Keyshia Cole, Loren Gray, Madison Bailey, Queen Naija, Sophia Culpo, Tinashe, Victoria Justice and more.
See many of them pictured on the red carpet in this photo gallery of not-to-be-missed moments.
Meghan Trainor
Image Credit: Gilbert Flores
Meghan Trainor at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Kali Uchis
Image Credit: Christopher Polk
Kali Uchis at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Victoria Monét, Ari Lennox & Muni Long
Image Credit: Christopher Polk
Victoria Monét, Ari Lennox and Muni Long at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Julia Michaels
Image Credit: Gilbert Flores
Julia Michaels at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Zara Larsson
Image Credit: Christopher Polk
Zara Larsson at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Ravyn Lenae
Image Credit: Christopher Polk
Ravyn Lenae at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Tinashe
Image Credit: Christopher Polk
Tinashe at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Maeta
Image Credit: Michael Buckner
Maeta at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Ledisi
Image Credit: Gilbert Flores
Ledisi at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Dalia Ganz
Image Credit: JC Olivera
Dalia Ganz at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Cindy Oliver
Image Credit: Jesse Grant
Cindy Oliver at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Sabrina Phillips, Pam Sturchio & Elena Quandt
Image Credit: Jesse Grant
Sabrina Phillips, Pam Sturchio and Elena Quandt at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Rania Aniftos
Image Credit: Gilbert Flores
Rania Aniftos at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Tanner Adell
Image Credit: Michael Buckner
Tanner Adell at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Diane Warren
Image Credit: Christopher Polk
Diane Warren at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Laverne Cox
Image Credit: Christopher Polk
Laverne Cox at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Melody Thornton
Image Credit: Gilbert Flores
Melody Thornton at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Mary Conde & Judy Heyman
Image Credit: JC Olivera
Mary Conde and Judy Heyman at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Gina Harrell
Image Credit: JC Olivera
Gina Harrell at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Kiona Nikiy Reaves & Alexandra Lyzwa
Image Credit: JC Olivera
Kiona Nikiy Reaves and Alexandra Lyzwa at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Meg Donnelly
Image Credit: Christopher Polk
Meg Donnelly at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Queen Naija
Image Credit: Michael Buckner
Queen Naija at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Mickey Guyton
Image Credit: Michael Buckner
Mickey Guyton at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Megan Moroney
Image Credit: Christopher Polk
Megan Moroney at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Ari Lennox
Image Credit: Christopher Polk
Ari Lennox at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles,.
Muni Long
Image Credit: Christopher Polk
Muni Long at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Bella Poarch
Image Credit: Christopher Polk
Bella Poarch at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles, California.
Madison Bailey
Image Credit: Gilbert Flores
Madison Bailey at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Melissa Ruderman
Image Credit: JC Olivera
Melissa Ruderman at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Lauren Jauregui
Image Credit: Michael Buckner
Lauren Jauregui at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Dana Droppo & Mike Van
Image Credit: Christopher Polk
Dana Droppo and Mike Van at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Kiana Lede
Image Credit: Christopher Polk
Kiana Lede at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Victoria Monét
Image Credit: Gilbert Flores
Victoria Monét at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Suki Waterhouse
Image Credit: Gilbert Flores
Suki Waterhouse at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Jenna Park Adler
Image Credit: JC Olivera
Jenna Park Adler at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Lil Nas X has revealed that he almost collaborated with Taylor Swift.
During an interview at the GLAAD Media Awards in Los Angeles on Thursday (March 27), the 25-year-old rapper shared that he was offered a chance to add a verse to one of the pop superstar’s songs but ultimately turned it down.
“We were working on something,” Lil Nas told E! News on the red carpet at the event. “She offered to let me try a verse on something, but I couldn’t catch a vibe for it, so it didn’t happen.”
However, the “Old Town Road” hitmaker hasn’t ruled out the possibility of working with Swift in the future. “When it happens… Global. World. Tay-tay and Nassy,” he said.
Despite the song not coming together, Lil Nas X expressed nothing but love for the “All Too Well” singer. “I’m proud of my girl,” he said. “I love the album. She’s been doing her thing. She’s at the very tippety top. I’m thankful that she even considered me.”
Trending on Billboard
Swift was nominated in six categories at the 2025 Grammy Awards in February, including album of the year for The Tortured Poets Department, which spent 17 nonconsecutive weeks at No. 1 on the Billboard 200. Although she went 0-6 at this year’s Grammys, the 35-year-old superstar had much to celebrate with her record-breaking The Eras Tour, which grossed over $2 billion from 149 shows worldwide.
Meanwhile, Lil Nas X has been busy putting out his own music. In recent months, the rapper has dropped a series of singles, starting with the dance-y “Light Again” and the energetic “Need Dat Boy.” In March, he ramped up the pace with a series of single releases ahead of the as-yet-unscheduled release of his Dreamboy album, the highly anticipated follow-up to his 2021 debut, Montero.
This flurry of activity culminated in the surprise drop of Days Before Dreamboy, an eight-track EP released on Friday (March 28). The mini album compiles all of Lil Nas X’s recent releases, including “Dreamboy,” “Big Dummy!,” “Swish,” “Hotbox,” “Lean on My Body” and “Right There!” It’s unclear whether all the tracks on the EP will also appear on his forthcoming full-length project.
Sean Kingston and his mother were found guilty of federal wire fraud charges in a Florida courtroom on Friday (March 28). The “Beautiful Girls” singer, whose real name is Kisean Anderson, and his mother, Janice Turner, were convicted on all five charges following a five-day trial related to over $1 million in wire fraud. A […]