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Snoop Dogg is getting back in the coaching chair. As announced Wednesday (April 23), the rapper is locked in to return to The Voice as part of an expansive new partnership with NBCUniversal, which will also see him exploring various film, television, sports and streaming projects in conjunction with his Death Row Pictures company, according […]
Kevin Gates pulled up to the Los Angeles Lakers game at Crypto.com Arena on Tuesday night (April 22), which had social media buzzing on the heels of his controversial remarks about Lakers star LeBron James and his wife, Savannah James.
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Over the weekend, Kevin Gates took to social media detailing a conversation he had with a friend regarding how he wouldn’t want to switch places with LeBron James and explained that he didn’t like the way James’ wife looked at her superstar husband.
“We was talking about how LeBron do the little handshake with Savannah. Then I came, maybe I notice s–t people don’t notice. They were like, ‘What if you had LeBron money?’ He one of the greatest players to play the game, but I wouldn’t want to trade places with him,” Gates said. “I said because I don’t like the way Savannah look at LeBron. I like the way them white women look at LeBron.”
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KG later compared Savannah to the “warden of the jail” and feels that she “polices” James. “I couldn’t do it,” he said. “It hurt me to see that… I love LeBron and I hate that he gotta go through that.”
James typically doesn’t respond to social media chatter involving him, but many fans took his Instagram post on Monday (April 21) as a possible dig at Kevin Gates.
“‘Kings don’t concern themselves with the opinions of peasants.’ Where to next Queen?!?! Let’s get it,” he captioned the pair of photos, laughing with his wife.
Symba, Victoria Monét, D-Nice and more applauded James for showing love to Savannah. “[fire emoji] and that’s that on that,” Monét wrote in his comments.
Unlike when he confronted ESPN’s Stephen A. Smith, James appeared to pay Gates and his girlfriend, Brittany Renner, no mind during game two against the Minnesota Timberwolves.
James and Luka Doncic led the Lakers to a much-needed 94-85 victory on Tuesday night to even the series at one game apiece. King James finished with 21 points, 11 rebounds and seven assists to help power the Lakers.
Find Kevin Gates’ original post addressing LeBron below.
Atlanta rap legend Jeezy has announced the TM:101 Live Tour — teased as a “black-tie symphonic tour” — with special guest DJ Drama to celebrate his third studio album and commercial debut, Let’s Get It: Thug Motivation 101, as it turns 20 this year. Explore See latest videos, charts and news See latest videos, charts […]
Two decades into his decorated career, Wiz Khalifa remains in demand. On the heels of dropping his Kush + Orange Juice 2 sequel, the Taylor Gang boss stopped by The Joe Budden Podcast earlier this week.
Budden inquired about Khalifa’s rates during his hitmaking run of the mid-2010s, which was capped off by the Billboard Hot 100-topping No. 1 smash “See You Again” in 2015. While 10 years have passed, Wiz says his paychecks remain the same when it comes to his guest verses and shows.
“They’re still the same,” he insisted. “250.” Khalifa doubled down on his $250,000 feature price tag and says the six-figure sum doesn’t even come with a music video appearance, just a verse.
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“Shows, honestly, go up to two Ms a show,” he added. “That’s because I have worldwide songs. I got stuff that people sing in China or Brazil or New Zealand and Thailand and Germany [and] Norway and stuff like Korea. I’m talking Saudi Arabia. You know what I’m saying?”
Even though the checks continued to clear, Wiz recently reflected on seeing the industry switch up on him depending on how hot he was at the time in the music game.
“Being in the industry, it’s clear when people are or aren’t f—ing with you,” Khalifa told the Call Her Daddy podcast on the April 18 episode. “When they’re f—ing with you, you’re at every party, every show, every this. When they’re not f—ing with you, you’re calling, and you’re like, ‘Ay, this party’s coming up.’ They’re like, ‘I know, but you don’t have an invite this year.’”
He continued: “You’re like, ‘Damn, they’re really ain’t f—ing with me.’ I didn’t do nothing. I didn’t change. I just maybe didn’t put up the numbers that they wanted me to or they got more people that they’re in line to do things for. So it’s like fighting for that position.”
Fifteen years after his classic mixtape, Wiz Khalifa returned on April 18 with his Kush + Orange Juice 2 sequel. The project features assists from Gunna, Ty Dolla $ign, Curren$y, Juicy J, Chevy Woods, Max B, Luh Tyler, O.T. Genesis and more.
Twenty-five years after Eminem released his hit “Stan,” the Shady Films-produced STANS documentary is set to premiere on the opening night of the SXSW London Screen Festival on June 2.
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The first wave of programming was announced on Tuesday (April 22) ahead of SXSW London, which is slated for June 2 through June 7 in Shoreditch. Full screen passes are currently up for sale on the festival’s website.
Directed by Steven Leckart, STANS explores the psychology behind the multilayered relationship between an artist and the fans. Em’s collaborators, along with some of his most devoted followers, are featured prominently in the documentary.
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Distributed by MTV Entertainment Studios, STANS will premiere on Paramount+ in the United States later in 2025.
“Stan” — which samples Dido’s “Thank You” — was the third single from The Marshall Mathers LP, which arrived in May 2000. The 45 King-produced track peaked at No. 51 on the Billboard Hot 100 and has nearly 1.3 billion streams on Spotify.
“Stan” has become common vernacular in the music world to describe delusional and obsessed fans and their relationship with an artist, which has only been amplified with social media’s impact. The word was even been added to the Merriam-Webster dictionary in the years since.
Eminem made his involvement with the film official when he publicly called on his diehard fans to come out and participate in the documentary last year.
“Putting together the first-ever programme of the SXSW London Screen Festival has been a dream. We are excited to present bold new work from across the world, celebrating boundary-pushing films across documentary, animation and narrative filmmaking,” SXSW London’s head of screen, Anna Bogutskaya, said in a statement. “Our program is designed to ignite conversations, inspire new connections and showcase and celebrate screen storytelling across film, TV and immersive.”
The Life of Chuck will serve as the inaugural festival’s closing night feature on June 7, which is based on Stephen King’s 2020 novella. Another King adaptation, The Institute, is also slated to join the festival’s programming. Other film premieres on the bill include Tom Kingsley’s action-comedy Deep Cover, Love & Rage: Munroe Bergdorf and more.
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To celebrate the 2025 NFL Draft, which takes place in Green Bay on April 24-26, Lil Wayne has teamed up with Mitchel & Ness and the NFL to drop a limited-edition apparel collection that will extend throughout the year. As a lifelong “Cheesehead,” Wayne’s first release celebrates his favorite football team, the Green Bay Packers, but with a Carter VI-inspired makeover.
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The collection will include limited-edition T-shirts, hoodies and a unique football jersey incorporating designs derived from the rappers upcoming album. Dropping Wednesday (April 23), each piece features bold graphics and premium detailing that pay homage to Green Bay’s rich football heritage.
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“We had to create something that reps the G but still drips with that Tunechi flavor. It’s more than merch,” said Lil Wayne. “It represents legacy, loyalty and a little bit of luxury for the real ones.”
For the collection, the iconic Packers “G” logo is front and center for each piece, and gets a cheesy redesign that’s seemingly melting on the front of the top. On the back, a “VI” motif takes center stage featuring an allover print of the original Green Bay “G” logo. The t-shirt comes in green, the hoodie in white, and the football jersey in black.
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“This collaboration represents the essence of Mitchell & Ness – merging one of the most talented worldwide entertainers with iconic sports franchises and bold merchandise designs. We couldn’t be more excited to launch a collection with Lil Wayne at the NFL Draft and are excited to see this relationship come to life and different points throughout the year,” said Emilie Arel, President of Mitchell & Ness.
The collaboration doesn’t stop in Green Bay. Wayne and Mitchell & Ness plan to expand their collection with more NFL teams and designs inspired by his anticipated album at this years Fanatics Fest NYC on June 20-22 at the Javits Center. Until then, shop the Lil Wayne x Mitchell & Ness collection available on MitchellandNess.com, Fanatics.com, NFLShop.com.
Lil Wayne x Mitchell & Ness
Black Green Bay Packers Legacy Jersey
Lil Wayne x Mitchell & Ness
Cream Green Bay Packers Melt Pullover Hoodie
Lil Wayne x Mitchell & Ness
Green Bay Packers T-Shirt
Lil Wayne x Mitchell & Ness
Green Bay Packers Melt T-Shirt
Lil Wayne x Mitchell & Ness
Green Bay Packers Melt Pullover Hoodie
Lil Wayne x Mitchell & Ness
Green Bay Packers Melt T-Shirt
Disgraced hip-hop mogul Sean “Diddy” Combs‘ precipitous fall from grace will be chronicled in the upcoming BBC investigative documentary P Diddy: The Rise and Fall. According to the BBC, the doc will examine the highs and lows of Combs, “whose influence and impact is undeniable, but whose legacy could not be indelibly tarnished.”
The doc — the latest in an increasingly long list of such films and series exploring Combs’ highs and lows — will be hosted by award-winning broadcaster Yinka Bokinni and air on the BBC Three and iPlayer on April 28. Combs has been in jail for nearly eight months as he awaits the May 5 start of his upcoming trial in a federal criminal case in which he is charged with racketeering, sex trafficking and transportation to engage in prostitution, with prosecutors alleging that he “abused, threatened and coerced women” in the furtherance of a “criminal enterprise” that allegedly involved kidnapping, arson, bribery and forced labor. Combs has pleaded not guilty to the charges and last week lost a bid to delay the start of the trial.
He is also facing dozens of other lawsuits accusing him of rape and assault, allegations he has denied.
The BBC said that Bokinni will explore how Combs “has gone from being the world’s biggest Hip-hop mogul, to hemorrhaging friends and fans in a matter of months,” mapping both his extraordinary success and influence in fashion, music and culture, “while meeting those close to him to understand what may have led to this very public disgrace… [and] unpack[ing] the interplay of power, money, moral corruption, and sexism, which underpins this story.”
Bokinni said, “My job is to tell stories — but never did I imagine I’d be telling this one. Investigating the alleged actions of Diddy has forced a spotlight onto the darker side of an industry so many of us dream of belonging to. We sang his songs, bought into the lifestyle, watched the shows and wanted more. This has been an emotional, sometimes difficult experience. And with a trial on the horizon, what happens next will no doubt be gripping — in the most sobering way.”
The BBC effort is one of a raft of docs exploring Combs’ undoing, including Max’s The Fall of Diddy, TMZ’s The Downfall of Diddy, as well as Prime Video’s Diddy: Monster’s Fall, Diddy: Summit to Plummet and an upcoming Netflix doc from 50 Cent’s G-Unit Films whose release date has not yet been announced.
As Deltron 3030 reportedly prepare the release of their long-awaited third album, they’ll first be taking a look back at their debut, performing the record in full on their upcoming North American tour.
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The revered hip-hop supergroup – comprising rapper Del the Funky Homosapien (aka Deltron Zero), producer Dan the Automator (the Cantankerous Captain Aptos) and turntablist Kid Koala – will be returning to the live stage this summer, launching a 16-date tour in Vancouver, BC on July 18 before traveling throughout the U.S. and Canada over the next three months.
The tour will see Kid Koala pulling double duty as he opens the shows alongside Lealani, while the main event will see Deltron 3030 performing their self-titled debut album in full.
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Originally released in May 2000, Deltron 3030 didn’t reach dizzying commercial heights, instead peaking at No. 194 on the Billboard 200 and No. 18 on the Independent Albums charts. However, it was highly-regarded by critics, with the hip-hop concept album pairing stark social commentary with tongue-in-cheek humour as atmospheric beats accompanied narratives of dystopian society in the year 3030.
Deltron 3030 were largely inactive in the years following their debut album’s release, though they would re-emerge in 2013 with a sequel record titled Event 2. The album would hit No. 41 on the Billboard 200 and reach No. 6 on the Top R&B/Hip-Hop Albums chart, with the group touring in earnest in the following years.
Currently, the release of a 2016 live album (fittingly-titled Live) is the group’s latest commercial release, though Deltron 3030 have hinted towards a third studio LP in previous years. Alongside news of their forthcoming tour, it’s been confirmed that a new record is indeed in the works, though it’s likely that fans will have to wait until the completion of their live commitments before new material or updates arrive.
Deltron 3030 – 2025 Tour Dates
July 18 – Commodore Ballroom, Vancouver, BCJuly 19 – Summer Concerts at the Pier, Seattle, WAJuly 21 – Revolution Hall, Portland, ORJuly 23 – The Regency, San Francisco, CAJuly 25 – Bellwether, Los Angeles, CAJuly 26 – Observatory, Santa Ana, CAJuly 27 – House of Blues, San Diego, CASept. 24 – Uptown, Minneapolis, MNSept. 25 – House of Blues, Chicago, ILSept. 27 – Majestic Theatre, Detroit, MISept. 28 – The Concert Hall, Toronto, ONSept. 29 – Théâtre Beanfield, Montreal, QCOct. 2 – Big Night Live, Boston, MAOct. 3 – Union Transfer, Philadelphia, PAOct. 4 – 9:30 Club, Washington, DCOct. 6 – Webster Hall, New York, NY
Sharon Osbourne has shared her disdain of Northern Irish hip-hop trio Kneecap and the outspoken messaging present in their recent Coachella set, going so far as to call for the revocation of their work visas.
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Osbourne shared her comments on social media on Tuesday (April 22), days after Kneecap played the second weekend of the Coachella festival. The Friday (April 18) performance drew recognition for the band’s use of strong anti-Israel sentiments during their set – sentiments which they had claimed were censored during their first weekend appearance.
“Israel is committing genocide against the Palestinian people,” the projected messages read. “It is being enabled by the U.S. government who arm and fund Israel despite their war crimes. F–k Israel; free Palestine.”
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These messages weren’t the only pro-Palestinian sentiments shared during the 2025 edition of the festival. Notably, Green Day altered lyrics to reflect the plight of Palestinian children, while names such as Bob Vylan and Blonde Redhead displayed Palestinian flags during their sets. In the case of the latter, the onstage event was soundtracked by audio of Mahmoud Khalil – the detained Columbia University graduate student currently being held in an immigration detention center following his role in on-campus protests.
However, Osbourne shared a lengthy response to the apparent politicisation of Coachella, noting that this year’s edition will be remembered “as a festival that compromised its moral and spiritual integrity.”
“Goldenvoice, the festival organizer, facilitated this by allowing artists to use the Coachella stage as a platform for political expression,” she wrote. “At a time when the world is experiencing significant unrest, music should serve as an escape, not a stage for political discourse.
“While festivals like Coachella showcase remarkable talent from around the globe, music’s primary purpose is to unite people. It should not be a venue for promoting terrorist organizations or spreading hate.”
As Osbourne continued, she noted that despite being a fan of Saturday headliners Green Day, she felt that their own views of events in the Middle East would have been more appropriate if shared “at their own concert, not at a festival.” Kneecap’s sentiments, however, were deemed so egregious that she closed by asking supporters to join in her “advocating for the revocation of Kneecap’s work visa.”
“Kneecap, an Irish rap group, took their performance to a different level by incorporating aggressive political statements,” Osbourne wrote. “Their actions included projections of anti-Israel messages and hate speech, and this band openly support terrorist organizations.
“This behavior raises concerns about the appropriateness of their participation in such a festival and further shows they are booked to play in the USA. Reports indicate that Goldenvoice was unaware of Kneecap’s political intentions when they were booked. However, after witnessing their performance during the first weekend, allowing them to perform again the following weekend suggests support of their rhetoric and a lack of due diligence.”
In the wake of Kneecap’s performance, Goldenvoice CEO Paul Tollett reportedly claimed he was “blindsided” by the band’s actions. While HYBE America CEO and former talent manager Scooter Braun – who previously staged exhibits in Los Angeles and Israel about the October 7, 2023 attacks in Israel – defended Tollett, Osbourne expressed disbelief that anyone who attended exhibits such as Braun’s could book an artist such as Kneecap for the festival.
“Furthermore, the Independent Artists Group, which represents Kneecap, includes individuals of Jewish heritage,” she continued. “It is disheartening that they have not used their positions to prevent the promotion of such controversial messages. Shame on them.
“As someone with both Irish Catholic on my Mothers side and Ashkenazi Jewish heritage on my Fathers side, and extensive experience in the music industry, I understand the complexities involved,” she added. “Goldenvoice’s claim of being ‘blindsided’ by Kneecap’s performance seems implausible given the circumstances. I know for a fact that certain people in the industry had written to Goldenvoice, airing their concerns around the booking of Kneecap.”
For their part, Kneecap have not responded directly to the criticism of their messaging, instead sharing examples of the myriad supportive messages they have received in the wake of their Coachella sets. The group will return to North America in October for another run of live dates.
It all started last week when Drake collaborator Gordo tweeted out that Mustard unfollowed him on Instagram. “Oh, my God. Just noticed Mustard unfollowed me on IG,” he wrote on X. “Sad day…headlining [Coachella] must of got to his head.” Mustard caught wind of the post and responded in kind, saying, “Ain’t going back and […]