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Nicki Minaj confirmed that she will be speaking at an upcoming event with U.S. Ambassador Mike Waltz about the alleged religious persecution of Christians in Nigeria.
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Time magazine correspondent Eric Cordellessa broke the news regarding Minaj and Waltz’s event slated for Tuesday (Nov. 18).
“U.S. envoy to the UN @michaelgwaltz and rap superstar @NICKIMINAJ will deliver remarks early this week on the persecution of Christians in Nigeria,” he wrote on Sunday (Nov. 16). “The unexpected collaboration was arranged by Trump advisor @AlexBruesewitz, who will also speak at the Tuesday event.”
Waltz called Minaj “arguably the greatest female recording artist” and a “principled individual” who has refused to “remain silent in the face of injustice.”
“I’m grateful she’s leveraging her massive platform to spotlight the atrocities against Christians in Nigeria,” he added. “And I look forward to standing with her as we discuss the steps the President and his administration are taking to end the persecution of our Christian brothers and sisters.”
The Young Money rapper responded to Waltz on X, explaining that she will “never stand down in the face of injustice.”
“Ambassador, I am so grateful to be entrusted with an opportunity of this magnitude,” she replied. “I do not take it for granted. It means more than you know. The Barbz & I will never stand down in the face of injustice. We’ve been given our influence by God. There must be a bigger purpose.”
Ambassador, I am so grateful to be entrusted with an opportunity of this magnitude. I do not take it for granted. It means more than you know. The Barbz & I will never stand down in the face of injustice. We’ve been given our influence by God. There must be a bigger purpose. 🎀 https://t.co/Mdh0nBWwm1— Nicki Minaj (@NICKIMINAJ) November 17, 2025
Earlier in November, Minaj responded to Trump’s comments regarding Christianity “facing an existential threat” in Nigeria.
“Reading this made me feel a deep sense of gratitude. We live in a country where we can freely worship God. No group should ever be persecuted for practicing their religion,” she wrote. “We don’t have to share the same beliefs in order for us to respect each other. Numerous countries all around the world are being affected by this horror & it’s dangerous to pretend we don’t notice. Thank you to The President & his team for taking this seriously. God bless every persecuted Christian. Let’s remember to lift them up in prayer.”
Reading this made me feel a deep sense of gratitude. We live in a country where we can freely worship God. No group should ever be persecuted for practicing their religion. We don’t have to share the same beliefs in order for us to respect each other. Numerous countries all… pic.twitter.com/2M5sPiviQu— Nicki Minaj (@NICKIMINAJ) November 1, 2025
Nigeria’s population of 220 million is split about evenly between Christians and Muslims. Trump previously said he planned to add the West African nation to the list of “Countries of Particular Concern” and has threatened to take military action against the nation.
“If the Nigerian Government continues to allow the killing of Christians, the U.S.A. will immediately stop all aid and assistance to Nigeria, and may very well go into that now disgraced country, ‘guns-a-blazing,’ to completely wipe out the Islamic Terrorists who are committing these horrible atrocities,” the president wrote on Truth Social.
A Nigerian presidential spokesman told The Associated Press that the U.S. can not “carry out any military operation” in Nigeria over the claims of religious persecution of Christians. Spokesman Daniel Bwala added that this is “Trump’s style of going forceful in order to force a sit-down and have a conversation.”
The Associated Press also found that location plays a heavier factor for murder victims rather than the individual’s religion in Nigeria. “There is no systematic, intentional attempt either by the Nigerian government or by any serious group to target a particular religion,” Information Minister Idris Muhammed told The Associated Press, while downplaying reports of religious persecution.
Similarly, over the weekend a group of prominent white Afrikaners in South Africa pushed back against what Trump has claimed is a “white genocide” in the majority black nation under the “Not in Our Name” banner. They refuted Trump’s repeated claims that the nation’s minority group is facing an “existential threat” as his administration has prioritized resettling white South Africans over refugees from other war-torn nations fleeing well-documented persecution and threats to their lives.
Trending on Billboard Just about three years after releasing her “Bikini Bottom” single, Ice Spice is set to make her voice-acting debut in The SpongeBob Movie: Search for SquarePants when the sequel hits theaters via Paramount Pictures on Dec. 19. Billboard obtained an exclusive first look at Ice Spice’s animated character in Bikini Bottom on […]
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The performers for the 2025 Thanksgiving Day NFL halftime shows have been announced. Post Malone, Jack White and Lil Jon are set to take the stage during the three games on Thursday (Nov. 27).
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Malone will perform at the Dallas Cowboys-Kansas City Chiefs game at AT&T Stadium in Arlington, Texas. White will headline the Detroit Lions-Green Bay Packers matchup at Ford Field in Detroit, while Lil Jon will appear at the Baltimore Ravens-Cincinnati Bengals game at M&T Bank Stadium in Baltimore.
Posty shared the news in a joint Instagram post on Sunday (Nov. 16), featuring a video of himself in Cowboys gear driving a horned semi truck into Dallas.
“Our big secret’s out! The one and only @postmalone will ring in The Salvation Army’s famous #RedKettleKickoff at the Dallas Cowboys halftime show this Thanksgiving on CBS. Let’s make this a Texas-sized kickoff!” the caption read.
Malone added in the comments, “how bout them cowboys?!!”
In a separate statement, the “I Had Some Help” singer added, “I’m from Texas. I grew up a Cowboys fan and have been watching this halftime show for years. It’s a real honor to be part of the Red Kettle Kickoff with The Salvation Army and the Dallas Cowboys and help bring hope to so many people.”
Detroit native Jack White also announced his performance through Instagram on Sunday, sharing a post showing a blue vinyl album being printed, with the record’s circular label highlighting his halftime show appearance. “Hot off the press,” the caption read.
White’s announcement follows news that fellow Detroit artist Eminem, along with his longtime manager Paul Rosenberg, signed a multi-year partnership with the Lions to executive-produce the team’s Thanksgiving halftime show. Slim Shady and Rosenberg will consult on all aspects of the halftime show’s production and presentation, including talent selection, from 2025 through 2027.
Earlier in the week, it was confirmed that Lil Jon will perform during the Bengals-Ravens Thanksgiving night game. The rapper will also appear at the 99th Macy’s Thanksgiving Day Parade in New York City earlier that day.
Check out Post Malone and Jack White’s Thanksgiving halftime show announcements below on Instagram.
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C.J. Wallace, son of The Notorious B.I.G., has countersued for defamation after a Florida music producer and publicist accused him of participating in a sexual assault with Sean “Diddy” Combs.
Jonathan Hay filed a lawsuit this summer claiming that while working on a remix project with the Biggie estate in 2020, Wallace and an associate brought him to a house where Combs forced him to perform oral sex. The case also alleged multiple other instances of sexual misconduct by Combs, who’s faced a barrage of civil assault lawsuits since being criminally charged last year.
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Wallace is now hitting back at Hay with a countersuit in which he calls the allegations a “calculated smear campaign.” The federal court complaint, filed Wednesday (Nov. 12), alleges Hay fabricated these claims because he was upset about their remix project falling through.
The countersuit alleges the estate decided to shelve the project — a house remix of Biggie’s 1994 album Ready to Die, called Ready to Dance — after the first single (a remix of “Big Poppa”) flopped in August 2020. Wallace says Hay was “irate” at this decision and later came up with a phony story about the alleged Combs assault.
“The statements constitute defamation,” writes Wallace’s attorney, Jeremiah Reynolds of Eisner LLP. “As a direct and proximate result, Wallace has suffered general and special damages, including loss of professional opportunities, humiliation and mental anguish.”
Wallace’s defamation claims don’t actually target Hay’s sexual assault lawsuit, since legal filings are broadly shielded from slander liability under a principle known as the litigation privilege. Instead, Wallace’s case focuses on an October YouTube video in which Hay repeated and described his claims in detail.
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While Hay’s assault lawsuit was filed anonymously, he revealed his identity in this video, titled “Jonathan Hay Details EXACTLY What Happen When Diddy A$$AULTED Him, Forced to S*CK D*CK & VlOLATED!”
Hay declined to comment on the countersuit when reached by Billboard on Friday (Nov. 14), but noted that he’s filed a police report in addition to the pending civil lawsuit against Combs and Wallace.
Combs’ reps did not immediately return a request for comment on the matter. The disgraced rap mogul is serving a prison sentence for arranging drug-fueled sex marathons between his girlfriends and male escorts, though he was acquitted of more serious sex-trafficking and racketeering charges at a blockbuster trial this summer.
Trending on Billboard Tony Yayo isn’t entertaining the thought of taking on Memphis Bleek in a potential Verzuz battle, as the G-Unit rapper doesn’t even think it would make for a fair fight. Yayo stopped by VLADTV for an interview on Thursday, and DJ Vlad asked him about who would win in a Verzuz between […]
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Federal prosecutors are urging a judge to sentence Tekashi 6ix9ine to between three and nine months in prison for possessing drugs and assaulting someone who taunted him about flipping on former Brooklyn gangmates.
The rapper (Daniel Hernandez) is due to be sentenced by Judge Paul A. Engelmayer next Thursday (Nov. 20) after pleading guilty to multiple violations of his supervised release. Tekashi’s probation stems from a 2018 racketeering prosecution, in which he testified against other members of the Nine Trey Gangsta Bloods in exchange for leniency.
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Tekashi broke the rules of supervised release by possessing cocaine and MDMA this past February, then again by punching and kicking a man in August at a Florida mall, who made derogatory comments about his cooperation with law enforcement. Now, prosecutors say prison time is warranted because Tekashi “violated the court’s trust.”
“While it brings the government no joy to seek a custodial prison sentence for a former cooperator, the court must send a message to Hernandez and other government cooperators — or those considering cooperating with the government — that they are not above the law by virtue of their status as cooperators,” wrote Assistant U.S. Attorney Jonathan Rebold in a Wednesday (Nov. 13) sentencing recommendation.
Meanwhile, Tekashi’s attorney says six months of house arrest is a more appropriate sentence. Defense lawyer Lance Lazzaro sought to put Tekashi’s violations in perspective in a Nov. 6 court letter, noting that the rapper was caught only with “a very small amount” of drugs and that the victim of his Florida assault, who was the “initial aggressor” in the dispute, was not seriously injured.
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Lazzaro also advised Judge Engelmayer that for a cooperator like Tekashi, months in prison “end up being much more severe, difficult, and even dangerous, when compared to a typical inmate.”
“Due to Mr. Hernandez’ classification, he always serves his jail time segregated and fully isolated from other inmates,” wrote Lazzaro. “As a result, Mr. Hernandez is given extremely limited social interaction with other inmates and very little time outside to get fresh air and exercise.”
Neither Lazzaro nor a rep for the prosecution immediately returned requests for comment about the sentencing recommendations on Friday (Nov. 14).
Back in 2018, Tekashi pled guilty to nine racketeering, gun and drug charges related to his time in the Nine Trey Gangsta Bloods. He admitted to being involved in a slew of violent incidents targeting rival rappers, including a 2017 assault of Trippie Redd, and testified against his former gang associates at a high-profile trial in 2019.
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The charges in Tekashi’s plea could have subjected him to decades in prison. But Judge Engelmayer sentenced him to just two years behind bars due to his “game-changing” and “brave” cooperation, and he got out even faster because of health risks during the early days of the COVID-19 pandemic.
Tekashi began a five-year term of supervised release after getting out of jail in 2020. He had just months left on probation when, in November 2024, the rapper was charged with a host of violations, including using methamphetamine, failing to appear for drug tests and traveling to Las Vegas without permission.
The rapper admitted to these violations, and Judge Engelmayer sentenced him to 45 days in jail plus another year of supervised release. After his release last December, Tekashi was again caught violating probation by possessing cocaine and MDMA. Then came the Florida assault, which happened while he was awaiting sentencing for the drug violations.
Prosecutors now say that whatever sentence Tekashi receives on Nov. 20, it should be followed by a fresh two-year supervised release term. And this time, they add, he should be required to seek substance abuse treatment and anger management counseling.
“Hernandez is now six years removed from his criminal sentencing; yet he still appears unable to control his temper when slighted by a random stranger,” reads the prosecution’s sentencing memo. “Hernandez must learn to turn the other cheek and walk away from situations like these moving forward.”
Trending on Billboard Tyler, the Creator announced on Friday (Nov. 14) that he will be postponing his 11th annual Camp Flog Gnaw festival this weekend due to inclement weather in Los Angeles, California. The LA Times reported on Friday that an “incoming atmospheric rain storm” is headed to Los Angeles County this weekend that will […]
Trending on Billboard Drake has responded to an old rumor that a T.I. associated once urinated on the Canadian rapper. The incident in question became a talking point back in 2015 after Meek Mill claimed in his diss track “Wanna Know” that Drizzy, “let Tip’s homie piss on [him] in a movie theater.” The rumor […]
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Growing up in New York City, I’ve watched footwear evolve from utility to identity. In a place where the right pair of shoes can say more than a full outfit, we’ve entered an era where craftsmanship and authenticity matter more than hype. Walk through SoHo, the LES, or even a late-night industry event in Midtown, and you’ll see it: people are gravitating toward pieces that feel personal, elevated, and built to last.
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That’s why Steven Victor stepping into footwear feels so natural. Known for shaping some of the most influential sounds and careers in music, he’s always operated with intention, nothing loud, nothing forced, everything rooted in quality. His debut public boot with Timberland carries that same energy.
From the moment you pick it up, the difference is clear. Steven went with an ultra-soft leather that gives the boot a distinct feel. His take on the Timberland 6-inch boot is luxury without the stiffness. Quiet confidence in shoe form.
For me, the classic wheat Timb is one of the first shoes I ever understood as “culture.” It’s been on construction sites, in subway stations, in music videos and in moments that shaped hip-hop history. It’s woven into the fabric of the city, durability that mirrors our grit, style that mirrors our confidence, and a presence that mirrors our energy.
Victor Victor x Timberland
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New York has always been a city where fashion and music intersect, not in theory, but in lived experience. Artists shape trends, audiences shape culture, and the city shapes everything. Steven’s Timbs fits right into that lineage. It’s not chasing attention. It’s not chasing a moment. It’s grounded in who he is and what he stands for: intention, discipline, and craft.
And in a landscape where collaborations, drops, and hype cycles move fast, it’s refreshing to see a piece that isn’t trying to be viral, it’s trying to be valuable.
The Timberland x Victor Victor 6-Inch Boot stays true to everything that made the original untouchable, the timeless wheat suede, the shape, the workwear DNA, and the spiritual connection to this city, while bringing in just enough of Victor Victor’s own identity to make the pair feel personal, intentional, and elevated.
You get blue suede accents on the collar as a nod to Detroit, a city that shaped Steven Victor in unexpected ways; custom blue laces that stand out without doing too much; embossed Victor Victor branding on the side panel; the signature dog logo stamped into the tongue and hang tags; and, most surprising, the softest inner leather I’ve ever felt on a Tim, a full smooth blue-leather interior. As Steven told me, “what’s inside matters the most.” That detail says everything about his design philosophy: keep the outside authentic, and elevate what you feel when you step into it.
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For me, this one’s a Flex, easily. The quality, the story, the execution, the versatility, it all lines up. This is the kind of boot that elevates a wardrobe, not just a fit. A piece made to last, not trend.
The Timberland 6-inch boot is New York City. It’s childhood, it’s culture, it’s fashion, it’s history.
This collaboration respects the heritage, adds thoughtful details, and bridges two cities that move culture forward. The craftsmanship is there, the story is there, the authenticity is there, and the execution feels like it came straight from the heart of someone who loves both music and fashion.
But now it’s your turn: Flex, Trade or Fade? Are you adding Steven Victor’s debut boot to your rotation, waiting to see how it holds value, or passing altogether?
Billboard caught up with Steven Victor to explore the story behind the Timberland x Victor Victor six-Inch Boot, the influence of both New York and Detroit, and how heritage, family and culture continue to shape everything he creates.
What first sparked the idea for a Victor Victor x Timberland collaboration?
I’ve always wanted to do something with them. So, when I finally found a connection over there, that was the first thing I said. We actually did it last year, it started as a friends-and-family release where they gave me about 20 pairs. I designed it, gave it to my closest friends, and that version is pretty much the same one that just dropped.
To answer your question about what sparked it, one of my favorite shoes, and honestly, a favorite for anybody from New York, is the classic wheat six-inch Timberland boot. I’ve always wanted to work on that silhouette, because everything about me is New York City. And when you think about New York, you think about that boot. So to me, it just made sense, Victor Victor NYC, Timberland, six-inch boot, New York City. Why not?
Detroit plays a big role in this project, what about the city’s culture made it the heart of this story?
To be honest, it wasn’t something I thought about initially because, like I said, everything to me is about NYC. But my wife is from Michigan. So I spend a lot of time out there, and I’ve got a lot of friends in Michigan too, mainly rappers I know from out that way.
And to be super honest with you, we were watching a Lions game — we’re huge Detroit Lions fans — and the wide receiver Jameson Williams made this crazy catch. I was like, “Yo, this dude is fly. I wanna shoot him in some Timbs.”
So it kind of grew from there. I’ve got love for NYC, but I’ve also got love for Detroit. Music is everything to me, and Motown was born there. To me, that’s the essential record label, not just for music, but for our music, you feel me? All that pain and soul it represents.
Plus, I love cars, that’s the automotive capital of the world. And I just feel like Detroit represents all the same things we represent as a company: resilience, hustle, hard work, endurance. Detroit got that spirit, and most importantly, Detroit gets fly.
So you got music, cars, hustle, endurance, and a whole lot of style. I just love Detroit, to put it simply.
The blue accents really stand out. What does that color represent for you and for Victor Victor?
That one’s super simple, it’s just that blue is my favorite color, and that specific hue is my favorite shade of blue. It’s really that straightforward. It’s become kind of a staple color for the company just because it’s my favorite.
Everything I do, I have to genuinely love it. I don’t ever want to put something out that I’m not completely into, even down to something as simple as the color.
When you’re reimagining a classic like the 6-Inch Boot, how do you balance Timberland’s heritage with your own creative vision?
I’d compare it to cars. I’m really into cars. If I get a super fly car, I’m not gonna put aftermarket rims on it. I try to keep it true to what the original designer intended, while adding my own flare.
I’m never gonna stray too far from what I love about the product. Otherwise, I’d just create my own, my own silhouette, my own design. But if I love something, I’m not gonna overdo it. Maybe I’ll tweak the color scheme, maybe embellish the logo, but I work within the confines of what the original designer intended. I’m not gonna butcher it.
You ever hear the saying, “Sometimes, success is not f–king it up?” That’s what I live by.
What were some of the early conversations between your team and Timberland’s design team like?
There was a lot of back-and-forth. There was definitely conversation about making significant changes to the boot. We tried some different things just to push the envelope, but I kept coming back to simple changes.
There were some designs I really liked, a whole different colorway, probably gonna put those out later, that I thought were really strong. But yeah, you go back and forth, try to step outside your comfort zone, push the envelope a little.
At the end of the day, I really want to stay true to the original design. Like I said, it’s like putting rims on a car that don’t belong — they change the whole aesthetic of what you loved in the first place.
Babyface Ray fronts the campaign, what made him the right person to represent this collab?
I’m not gonna hold you. I have a friend named 23, right? Back when I worked at Def Jam, 23 — who’s really good friends with Ray — brought Ray to my office before he was signed. I was like, “Yo, this rapper from Detroit is fire.” But I was in a different place in my career at the time, and I messed up by not signing him.
I don’t wanna say it’s all on me — but I’ve always been, like, “Man, I wish I could do something with Ray because he’s so fire.” I love everything he represents and I love his music.
So, this is one of those opportunities. I feel like he gets fly. I love his music. He’s from Detroit. We have a really good relationship. Everything I do, I feel like has to be authentic to me, and I always want to tell a story through my experiences.
This was an experience I had with someone I know personally, so I wanted to incorporate him. Detroit represents so many things, resilience, keep going, get fly, and he embodies all of that. Plus, there’s a backstory in our relationship that nobody really knows. I’m telling you that now, but I know it.
Being able to get that out creatively is personal and meaningful for me.
Victor Victor x Timberland
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Timberland has a deep history in music and streetwear. How do you see this project adding to that legacy?
Ah, man, that’s exactly what you just said. Everything they represent, I feel like we represent too. A fisherman always sees another fisherman from afar. Timberland has built their brand by being authentic, truthful, and consistent, and that’s how they’ve been able to connect with musicians and the culture.
It’s not like they’re deliberately marketing to us, but when you see something, or someone, and you notice a lot of resemblance, whether it’s product or people, it resonates. And, by the way, there’s always people behind the product.
So, yeah. I think we represent a lot of the same things. That’s why partnering with them on this project just made sense. I don’t wanna call it a no-brainer, but you wanna be on the same team, right? You wanna be with like-minded individuals. For better or for worse, I feel like we’re aligned.
With only 500 pairs dropping, how do you think about exclusivity when it comes to cultural impact?
It’s less than 500, but to me, especially with Victor Victor being a relatively new company, I want to keep things very intentional. I’m trying to create a community of like-minded people, and this is one way to communicate with that community.
I’m not saying it shouldn’t be accessible, but anything that’s important to you, you want to keep closest to your heart. At this stage, it’s not about making money or selling the most product, it’s about communicating with the people who support you early on.
As your audience grows, you can expand, but you don’t want to expand just for the sake of expanding. You want to make sure you’re fully connecting with the people who are supporting you now. As your bandwidth increases, you’ll be able to reach more people, but for now, it’s about servicing the community we know and can communicate with directly, hand to hand, and then growing from there.”
It’s really about establishing your core audience.
Exactly, yeah. It’s about keeping the community close, keeping those closest to you, closest to you. That makes all the difference.
Victor Victor has crossed into both music and fashion, what connects those two worlds for you creatively?
Music. Music is the epicenter of all of it. For me, it’s all about music, everything else comes second. Through music, you can get fly, you can feel yourself. It’s part of my everyday being, whether I’m working out, driving, or just living life, music influences everything. The sounds, the energy, it’s the foundation for everything I do. I just love it.
When you look at the finished boot, what part of it feels most you?The inside, when you put the boot on, it’s all blue inside, and it’s soft, the softest leather. For me, that’s what it’s all about. It’s not just literally; it’s almost like… what’s inside matters the most.
So did you change the materials, personally?:
Yeah, we went with a very soft leather for this boot. When you put it on, it definitely fits differently than a regular boot. Because of that, it actually fits a little larger — like, I wear an eight normally, but in these, I wear a seven and a half. The leather has to expand a bit, so it’s built to feel just right.
The inside is so soft, it’s all blue, and it’s those simple details that really matter. You have to wear the shoe to feel the difference, it’s not just about what it looks like on the outside. The inner details, the comfort, the color, the leather, those are the things that make it fire for me.
Victor Victor x Timberland
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When the name Q Parker is mentioned, the first thing that usually springs to mind for most is the Grammy-winning group 112. Between the mid-‘90s and the mid-’00s, the R&B quartet’s mesmerizing harmonies were a radio staple, thanks to classics such as “Only You,” “Cupid,” “It’s Over Now,” “Peaches & Cream” and “U Already Know.”
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After the members opted to pursue solo projects, Parker released his first solo studio album in 2012, The MANual. Now 13 years later, Parker is back — and he’s still got love and romance on his mind. Released today (Nov. 14), sophomore solo set Evolution of Romance, Volume One (on Parker’s Paramount Collective Ventures label via ONErpm) is a melodious, insightful, sensual and frank 34-minute discourse on a topic that never loses its allure.
“I want this project to be a conversation between men and women about affection, courtship, support, love; all the things that true romance encompasses,” Parker — the self-proclaimed “Romance Dealer” — declared ahead of the album’s release.
Romance aside, the album is just as much about the evolution of Parker as a solo artist and songwriter. In the latter arena, his penmanship credits beyond 112 include Faith Evans, New Edition, Keyshia Cole and The Notorious B.I.G. Among Parker’s collaborators on Evolution of Romance are Felly the Voice (Chris Brown, Usher), Blac Elvis (Ciara, Kelly Rowland) and Rico Love (Beyoncé, Usher). The album has spun off three singles: “Keep on Lovin’,” “BEG” (his first top 10 solo hit on Billboard’s Adult R&B Airplay chart) and “Triple F’s (F Me. Feed Me. Be a Fan of Me)” Additional standouts include the one-two punch of “Put It On” and “Take It Off,” plus “World War.”
“I’m staying committed to R&B because I know it’s a place that listeners long for and ask for — and I’m here to deliver,” says Parker. “I’m not going anywhere anytime soon.”
Below, he talks more about the new set, and about the challenges of going it on his own.
Why the long break between your first and second solo albums?
I was just trying to figure out my place. What I like to do is review what’s out in the market and find where I can occupy a space that I can own. I identified that romance was missing; that we [R&B singers] haven’t been paying the right kind of attention to the ladies for a while. From there, it was: “How can I sing and tell stories about romance?” I wanted the album to feel nostalgic but also have a contemporary feel; to be authentic by telling real stories from my life and that of others I’d had conversations with. I wanted to contribute to the legacy of Black male R&B artists who have upheld the genre.
But romance isn’t quick. You have to let it marinate so it can be delivered in a subtle, gentle way — which I can’t do all in one volume. So there will be a volume two and three … and potentially a fourth.
Press materials describe the album as “grown-man R&B.” How did that factor into the sensual scenario spelled out in your latest single “Triple F’s”?
I wanted the records to hit home so everybody can find their place in the lyrics, melodies, instrumentation and delivery of my vocal performance. “Triple F’s” is about males having the microphone to share what we need from the women in our lives. And I think I eloquently summed it up. Obviously, the first F is literal. It means we need the passion, the intimacy of that physical touch. The second F, feed me, is about needing the soul to be fed. And the final F is for fan. Support me; cheer me on. When we get those three things from our women… man, the sky is not [even] the limit.
What’s been the most difficult challenge in going solo?
Being given the opportunity to just be Q Parker. That’s not taking anything away from what I’ve done in the first half of my career with my [112] brothers, because that’s legendary and will forever be etched in the record books. However, Q Parker does have something to say too. It’s difficult when the public is so accustomed to only what they want. Sometimes they’ll say, “I want 112 or nothing.” I don’t think that’s fair. I’m not saying, “Forget 112.” But please allow Q Parker to really show who I am, and what talents I possess.
How concerned are you about AI’s growing presence in music?
I believe in the advancement of technology. I also strongly believe that when all else fails, you lean on your talent. Now there are some great things you can get from AI. But again, there are ways it can be used negatively. As long as I have breath in my body, I’m not necessarily worried about AI. God gifted me with a talent to write and perform music, so I can still put points on the board.
With volume one taking off, just how heavy will wearing the Romance Dealer mantle become?
It’s not heavy at all because it’s who I am. I grew up watching soap operas, which is where I got a lot of my [early] writing material. I watched my dad wining and dining my mom. And as the youngest of four, I also saw my sisters with their boyfriends. So me being the Romance Dealer is just who I am. I’m an R&B song with legs. [Laughs.]
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