genre dance
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Winter Music Conference 2025 has announced a long phase one list of speakers for its March event in Miami.
The dance industry conference, returning to Miami Music Week for the first time since 2019, will feature input from artists including Aluna, LP Giobbi, Hayla, Sydney Blu and more.
Additionally, programming will include more than 60 industry representatives from a wide range of labels, management companies, agencies, publications, streaming services and more. See the complete list of phase one names and companies below.
Panels themes, keynote speakers and more will be announced in the coming weeks, with the event also set to feature mixers, a pool party and workshops, along with the inaugural hybrid awards show from the EDMAs and IDMAs. The Conference and tangential events will happen at Eden Roc Miami Beach Resort on March 26-28. Tickets are on sale now.
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Winter Music Conference is owned by Ultra Music Festival, which kicks off in Miami the same day the conference ends, Friday, March 28. Launched in 1985, Winter Music Conference was held every March in Miami (prior to the pandemic) and is part of the larger event known as Miami Music Week, a marathon of dance music performances and parties. Drawing an estimated 100,000 attendees and 3,500 music professionals from more than 70 countries at its height, WMC hosts a schedule of events, parties, seminars and workshops and serves as one of the largest industry networking events in the dance/electronic music genre.
Though the Ultra Music Festival was originally spawned by the conference, it eventually surpassed it in terms of influence, and its parent company went on to acquire WMC in 2018.
Winter Music Conference 2025 Industry Speakers:
Alex Greenberg – Falcon PRAlex Jukes – Jukebox PR/The TribesAndy Daniell – Defected RecordsAnna Horowitz – WMEBina Fronda – Ultra RecordsBlake Coppelson – Proximity II Kompass Music GroupCameron Sunkel – EDM.comCandace Silva-Torres (p/k/a SiLVA) – KCRWaCarly Peterson – CircaCelena Fields – EVENChris Johnson – SoundCloudChuck Fishman – Soul Clap RecordsConnie Chow – FUGA II shesaid.so AMSCristiana Votta – Alegria AgencyDani Chavez – Good Girl ManagementDani Deahl – BandLabDanny Klein – SPIN Magazine II Robot SunriseDavid Waxman – Ultra RecordsDeron Delgado – EMPIRE Dance/DirtybirdDilini Weerasooriya – Merrill Wealth Management (Bank of America)Dorothy Caccavale – FM Artists/Three Six ZeroEddie Sears – Republic RecordsElyn Kazarian – Women In Visuals/dublabEmma Hoser – Liaison ArtistsEric Silver – Red Light ManagementEryk Puczek – FriendsOfFriends.AgencyGavin Ryan – Big Beat Records/Atlantic RecordsGeorge Hess – G5 EntertainmentGina Tucci – 146 RecordsHallie Halpern – SeriouslyHallie StudiosHarmony Soleil – c895 SeattleHilary Gleason – BacklineJason Adamchak – Calculated Creative AgencyJaye Hamel – 1of1 CustomJeroen te Rehorst – BEAT Music Fund/ArmadaJess Page – RareformJordyn Reese – Do Better For ArtistsKat Bein – Super Kat WorldKatie Bain – BillboardKatie Knight – Can U Put Me On Guestlist PodcastKyle Jones – EDM.comLauren Anderson – LabelWorxLewis Kunstler – 2 + 2 Management II Young Art RecordsLorne Padman – Dim Mak RecordsMatt Sherman – Sherm In The Booth Podcast II Hood Politics RecordsMegan Venzin – DJ MagNicholas Saady – Pryor Cashman LLPOlivia Mancuso – Elevated Frequencies PodcastOllie Zhang – 88risingPaula Quijano – Little Empire MusicPete Anderson – ETP AgencyPeter Slayton – Slayton CreativeSam Mobarek – Major Recordings (Warner Records)Seth Shapiro – Shapiro Legal, PLLCShannon Herber – Wise River ConsultingSilvia Montello – Voicebox ConsultingSimon Scott – Cirkay LTDSonya Okon – Helix Records/Ultra PublishingSteph Conlon – Easier SaidTaryn Haight – WassermanTom Williams – L’Affaire MusicaleVivian Belzaguy Hunter – Ultra Music Festival II Ascendance Sustainable EventsWatse de Jong – Manager, Martin GarrixWill Scott – Helix Records / Ultra Publishing
Lady Gaga debuts at No. 1 on the Feb. 15-dated Hot Dance/Pop Songs tally with “Abracadabra,” becoming the second chart-topper in the survey’s five-week history. Tate McRae’s “It’s Ok I’m Ok” drops to No. 6 after reigning for the list’s first four frames.
All Billboard charts dated Feb. 15 will update tomorrow, Feb. 11. Hot Dance/Pop Songs ranks the most popular current dance/pop titles, separate from Billboard’s Hot Dance/Electronic Songs chart, which focuses on producers and DJs.
“Abracadabra” and its official music video were debuted during last weekend’s Grammy telecast (Sun, Feb. 2), before appearing in full on digital platforms later that night. Billboard‘s tracking week stretches from Friday to Thursday, meaning that the song’s chart debut was handicapped by its Sunday release. Still, its No. 1 entry was powered by 13.7 million official U.S. streams, 1.3 million radio audience impressions, and 10,000 downloads sold through Feb. 6, according to Luminate.
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Despite its shortened week, “Abracadabra” boasts the highest sales and streaming totals in the chart’s brief history.
Gaga also debuts on the Billboard Hot 100, with “Abracadabra” arriving at No. 29 in its first abbreviated week. Following the chart’s current reigning champ, the Bruno Mars-assissted “Die with A Smile”, and “Disease” (No. 27), her upcoming Mayhem now boasts three top 40 hits on the all-genre ranking before its impending March 7 release, marking her first album to do so since 2013’s Artpop. Overall, it’s her 39th entry on the chart dating back to “Just Dance,” featuring Colby O’Donis, which spent three weeks at No. 1 in 2009.
Gaga’s history in the genre reaches farther back than her No. 1 debut. She crowned the Dance/Mix Show Airplay list four times, reigning for one week with “Bad Romance” and “Born This Way,” for four weeks with “Rain on Me” featuring Ariana Grande, and for a 15-week stretch with “Poker Face.” Plus, her debut album The Fame has logged 193 weeks at No. 1 on Top Dance Albums, climbing back to No. 2 in its 569th week on the chart, 17 years removed from its 2008 release.
Detroit’s Movement Festival has added a crew of heavyhitters to the lineup for its 2025 event. Belgian techno titan Charlotte de Witte has been added as a headliner, with hard techno star Sara Landry, rapper A$AP Ferg, Underground Resistance co-founder Mike Banks, rapper and DJ Zack Fox, Dutch producer Mau P, Nina Kraviz, HAAi, Boys Noize, The Blessed Madonna, Goldie b2b Photek and many others also joining the bill.
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These artists join the previously announced phase one lineup that included John Summit, Carl Cox, Jamie xx, Anfisa Letyago, Carl Cox, Chase & Status, Ela Minua, DJ Minx, Sammy Virji and more.
“Movement is a techno institution in Detroit so for me, it’s like reuniting with an old friend,” Cox says in a statement. “I’m going to make up for the years I’ve missed with a show that’s going to send Detroit to another dimension!”
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The festival will happen at its longtime home in Detroit’s Hart Plaza May 24-26. Tickets are on sale now.
Movement is produced by the Detroit-based Paxahau, which took over the festival in 2006. The event is known for focusing on the city’s homegrown techno genre along with house music, and has long championed rising stars, especially local ones, from each genre.
“One of the great things about [Paxahau’s] culture is we aren’t goal focused, but direction focused,” Paxahau Founder Jason Huvaere told Billboard in 2023. “It’s always been about the trajectory, the journey, the emotion. It’s never been about, ‘I need to get this thing done,’ or ‘I need to get this thing acquired.’ For the future, I just want to preserve that.”
See the complete Movement 2025 lineup below.
Movement 2025 lineup
Courtesy Photo
When one steps outside the airport in Ibiza, they see a long row of billboards promoting many of the club nights on the Spanish island, a longtime destination for dance music fans. Many visitors have noticed the simple but striking fact that all of these billboards feature the names and faces of exclusively male artists.
“Is it equal opportunity? It’s definitely not. There’s something going on there. It’s still controlled by a bunch of, I guess, old school bookers and club owners.” So says Aloki Batra, the CEO of hospitality and real estate group FIVE, which acquired Pacha Ibiza in 2023. Hoping to innovate on the island while also maintaining and extending Pacha’s historic status, he was determined to do something different.
And so for the 2025 season, and for the first time in the history of Pacha — which opened its doors in 1973 — the club will have a female resident, with longstanding house producer Blond:ish launching an 11-week residency on May 21. Called “Abracadabra” (the name of the event series she’s hosted around the world for years) the party will focus on music, merriment and magic.
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“We literally have things levitating in the air,” says the producer born Vivie-ann Bakos. “We’re building this hologram [installation] and just doing epic stuff where it feels like magic.” Bakos cites plans to install “press for champagne” buttons on the dancefloor, allowing clubbers to simply press a button to have a glass of champagne delivered to them, putting trained magicians and illusionists on the dancefloor, pulling people out of line and gifting them with VIP status for the night and other special flourishes and “random acts of kindness” and whimsy to make the nights inviting, interesting and meaningful.
“A residency is a place where you can create and iterate on a consistent basis, and you learn from the previous weeks,” says Bakos. “We don’t just have one chance; you have people coming to see you every week, and you learn from the people a week before, so by the middle of the residency it’s this crazy snowball effect of what we want to do. And the reason we do this party goes back to helping people live their best life. Without speaking about it, we show people through the music how to create their own magic.”
In terms of the distinction of being Pacha’s first female resident, Bakos says being the first female anything has never been a focus of her career, which began more than 15 years ago and has included major festival plays, global club shows, an official remix of Taylor Swift’s “Fortnight,” a collaboration with Madonna and a focus on environmentalism through her Bye Bye Plastic initiative, which works to reduce the use of single use plastic within the industry.
During it all, she’s been more focused on meeting her goals with the music itself. Bakos does say, however, making history as Pacha’s first female resident “I think it maybe means a lot for the music industry as a whole, because I think a lot of people are triggered when you’re outside at the Ibiza airport and you see all the billboards.” (Her face will appear on billboards on other parts of the island, as most of the billboards near the airport are owned by the Ibiza clubs Hï and Ushuaïa.)
Batra says that while “a lot of names were getting thrown around” for potential residents, Bakos proved that she has what it takes after a playing a series of nights at Pacha last summer. Here, Batra found that “the music on point, the energy was really infectious and she has a way of resonating with the dancefloor that I thought was special.”
Bakos, her wife and their new baby will live on the island this summer during the residency. Before that, however, she’ll release her debut album, Never Walk Alone on February 14 via Insomniac Records. The 11-track project is full of bright, bouyant house music that reflects Bakos’ current mindset and mission.
“I used to make darker music, because I was living in after hours,” she says. “But my music is definitely not dark these days. You can feel that, and it’s because every decision I make with my music is about answering the question ‘How can I help people live their best lives?’”
Determining this mission is a function of Bakos’ own personal and professional evolution. In the earlier years, she says, “I was just traveling the world trying to play for the biggest crowds ever.” As time went on, however, “I started actually figuring out what my why is, and why I exist in the world and the music industry and why I’m a DJ.”
This contemplation led her to determine that “I want to help people live their best life, and I’m doing that through my music. That’s my connection point with every single person in this world, without having a conversation.” Bakos made this goal part of the conversation with her album collaborators, taking time to talk about the intention for tracks while making them alongside artists including British singer Stevie Appleton, L.A.-based, Zimbabwe-born singer, rapper and producer Bantu and more.
Bakos is releasing the vinyl editions of Never Walk Alone on bio-based PVC, a material that’s 99.9% petroleum-free, cuts 90% of the carbon dioxide emissions from the process and creates no difference in the sound quality between bio-vinyl and regular vinyl. With the eradication of single use plastic a longtime part of her mission, Bakos knew she had to make a plastic-free vinyl, although at first “I didn’t know it was possible. It was just a dream.” Figuring out that it could actually happen, she says, further demonstrated to her “that magic does exist.”
She hopes this vinyl will also show other artists that it can be done, the same way Bye Bye Plastic has shown that there are alternatives to venues using loads of single use cups and bottles. Partnering with Pacha has easy, she says, as they’re already “quite sustainable.” (The club operated exclusively on renewable electricity for the 2024-2025 season and is focused on bringing down water consumption at the venue at the nearby Ibiza resort, DestinoFIVE, which is set to reopen as a five-star resort this season after a significant remodeling. It’s also pursuing LEED Gold or higher certification across its properties in Ibiza and Dubai.) Bakos hopes their extra efforts this season will, in the competitive Ibiza market, make “the other clubs get FOMO” and follow suit with similar environment-focused projects.
Working with Pacha and Batra on making Abracadabra special has been especially refreshing, Bakos says, because “He’s a ‘yes’ guy. He’s very supportive. It’s amazing to work with him, because he’s not from the music industry, so he comes with a different outlook, whereas the traditional music industry is very set in their ways on how to do things old school. I love that he comes with a different mindset that’s very possibilist, versus limiting.”
Swedish producer Alesso has opened up about his recent experiences with tinnitus and how it has been the cause of numerous canceled shows in recent months.
The 33-year-old musician (whose real name is Alessandro Lindblad) took to social media on Monday (Feb. 3) to discuss his recent spate of live cancellations. Following near nonstop touring throughout 2024, Alesso was forced to cancel shows throughout Australia and Saudi Arabia, before his entire world tour was axed, with “a recent health issue combined with overexertion” being cited as the reason.
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“I just wanted to be a little bit transparent on the situation,” the producer said in a video shared to Instagram. “So basically, two months ago, I woke up with the loudest ringing in my ears. I’m talking about 10 out of 10. I was in complete shock, and it was not after a show. I just woke up, and it was so intense.”
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Noting that such problems related to hearing were “super common in the music industry”, Alesso admitted he too had experienced similar issues in the past, though not to this level.
“But the good news is I’m getting better,” he continued. “I took this as a sign to slow down, to prioritise my health, be more careful. I’ve been doing this for 14 years now, and I’ve never taken a break. So I’ve just been kind of focusing on that.”
Currently, Alesso’s website lists tour dates for the next six months, with his return to the stage set to take place at Belly Up Aspen in Colorado on Feb. 14. As he concluded his video, Alesso explained he’s working towards big events such as Miami’s Ultra Festival on March 30, and offered advice to his followers as he moves forward.
“I will be doing shows, but maybe not as many, as you can understand,” he explains. “I just wish everyone health this year. I want everyone to To be careful, wear ear protection. Remember, we’re only humans.“
Alesso rose to fame throughout the 2010s, beginning his musical career with a series of remixes, singles, and collaborations ahead of his only studio album to date, 2015’s Forever. The record peaked at No. 30 on the Billboard 200 and spawned the Tove Lo-featuring single “Heroes (We Could Be)”. The track would become his biggest commercial success in the U.S., hitting No. 31 on the Hot 100.
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