genre dance
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Calvin Harris is getting ready to release a country-oriented song, featuring himself on vocals. Today (March 5), the Scottish superstar producer posted a 30-second clip of himself singing a new song called “Smoke the Pain Away.” In the video, occasionally filmed in soft focus, Harris sits on a chair and plays an acoustic guitar to […]
Boys Noize will open for Nine Inch Nails for the entirety of the band’s upcoming Peel It Back Tour. Nine Inch Nails’ first live run since 2022 is scheduled to start at 3Arena in Dublin, Ireland, on June 15, and move around Europe through mid-July before jumping to the U.S. beginning Aug. 3 for a […]
Create Music Group has acquired the deadmau5 catalog in addition to the catalog of the electronic producer’s longstanding label, mau5trap.
The deal is valued at $55 million and includes the master recordings and publishing of more than 4,000 songs. The partnership also includes the formation of a joint venture to release future recordings from deadmau5 and mau5trap.
“I have worked closely with Jonathan, Alex and Create for nearly two decades now, building my own career as well as the artists on mau5trap,” said Deadmau5 (born Joel Zimmerman) in a statement. “We didn’t need to look far when we were considering a partner to help get it all to the next level. With Create, I feel the music is going to reach more.”
As part of the partnership, Create Music Group will remaster and re-release key catalog pieces, launch exclusive new content and work to introduce “the mau5trap legacy” to new generations of fans, according to a press release. The collaboration will also explore licensing opportunities and brand partnerships and continue to focus on media such as gaming, virtual reality and live-streaming to drive additional revenue streams.
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Founded in 2015, Create Music Group functions as a record label, distribution company and entertainment network. Eric Nguyen, senior vp of global corporate development and M&A at Create Music Group, played a key role in the deal. Paul Hastings LLP served as legal advisors to Create Music Group while LaPolt Law P.C. served as legal advisors to deadmau5 and mau5trap.
“From the earliest days of Create Music Group, [co-founder and COO] Alexandre Williams and I had the privilege of working alongside Joel and his business partner Dean Wilson, witnessing firsthand the evolution of an icon,” added Jonathan Strauss, co-founder/CEO of Create Music Group. “Now, as the stewards of deadmau5 and mau5trap’s legendary catalog, we inherit a legacy that changed music forever. Joel’s influence reaches far beyond sound — his mastery bridges music, gaming, and technology, inspiring a new generation to think bigger. This is more than an acquisition; it’s a responsibility.”
“Over the last 20 years, fueled by Joel’s creative and entrepreneurial ambitions, we have built one of the strongest brand names in electronic music,” adds Wilson, deadmau5’s longtime manager. “To have partnered with Create, who have worked so closely with us over the years on our journey, ensures that the next two decades will be every bit as exciting for Joel and everyone on the mau5trap team as we work to expand our legacy even further.”
HARD Summer is coming back this August with a whopping lineup. Announced today (March 4), the two-day dance fest will be headlined by Colombian star Feid, Australian house force Dom Dolla, Canadian star Kaytranada, hard-driving French producer Gesaffelstein and hard techno titan Sara Landry.
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Additionally, the fest features a load of dance stars including Marlon Hoffstadt, Crankdat, The Blessed Madonna, Loco Dice, James Hype, Deorro, I Hate Models, Gordo, Nico Moreno, Tape B playing b2b with Mersiv, Jamaican legend Sean Paul and rap icon Juvenile. See the complete lineup below.
Produced by Insomniac Events, HARD Summer will take place at Hollywood Park, the 300-acre entertainment complex adjacent to SoFi Stadium. 2025 will mark HARD Summer’s second year at the site. Tickets go on sale March 7.
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The festival’s debut at Hollywood Park last summer resulted in a rash of noise complaints in the area, with the Following the noise complaints, Inglewood Mayor James T. Butts Jr. wrote that “city authorities engaged the event promoter and the venue and implemented several critical adjustments to each stage and established enhanced monitoring plans for overall sound and bass levels. Additional sound engineers were strategically positioned in areas of concern…and were promptly dispatched to make necessary adjustments in real time.”
This year, HARD Summer will again put on its “Pre-Game” initiative, for which HARD partners with local establishments to bring them into the festival. In years past, this has meant on-site activations with L.A. institutions including Randy’s Donuts, Roscoe’s Chicken & Waffles, Sweet Red Peach, Sunday Gravy and Carnitas El Artista.
Local businesses can apply here to inquire about partnering on this year’s edition of the project.
HARD Summer 2025
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Femme House, the nonprofit focused on creating equity in the music industry by amplifying voices of women, femme, gender-expansive LGBTQIA+ and BIPOC creators, will host the first ever Femmy Awards during Miami Music Week 2025.
Happening at Palm Tree Club — the waterfront hotel opened by Kygo’s Palm Tree Crew this past December — the March 27 event will honor artists, agents, managers, engineers, allies event brands and other figures across the industry who’ve worked to make the dance scene a more inclusive and representative space.
The Femmys will honor a flurry of groundbreaking artists, including Detroit legend DJ Minx and Chicago dance music royalty DJ Lady D, who will both receive the Pioneer Award for lifetime achievement. This award honors trailblazers who’ve broken barriers, reshaped the dance and electronic music industries and paved the way for femme, non-binary, and LGBTQ+ artists, leaving a lasting impact on music, culture and inclusivity.
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Barbara Tucker and Crystal Waters will be honored with the Voice of House award, which honors the vocalists who have soundtracked the dance music we know and love through generations. Meanwhile Sara Landry will be honored as Producer of the Year, an award that celebrates her singular contributions to electronic music.
Cross-category nominees will be announced in the coming weeks. Billboard is the official media sponsor of the Femmy Awards, which is taking place on March 27 from 1 to 3 p.m. Tickets and tables for the event are available now, with all proceeds from the event benefitting Femme House.
“The Femmy Awards were created to celebrate the artists, executives, and industry leaders who are actively shaping a more inclusive future for dance music,” Femme House Executive Director Emily Bass tells Billboard. “This year felt like the right time to launch because representation in electronic music is at a pivotal moment — there is progress, but there’s still work to do. Honoring legends like DJ Lady D and DJ Minx, who have spent decades breaking down barriers, alongside trailblazers like Sara Landry, who is redefining what it means to be a powerhouse producer today, reflects the impact that diverse voices have across generations. The Femmys are about more than recognition — they’re about cementing the legacy of those pushing this industry forward.”
“As an artist, I know firsthand how important it is to see yourself reflected in the industry — to have role models, mentors and a community that lifts you up,” adds Femme House co-founder LP Giobbi. “The Femmy Awards are our way of shining a light on those who are not only making incredible music but also creating opportunities for others to rise. DJ Lady D and DJ Minx have paved the way for so many of us, and Sara Landry is leading the charge for the next generation of producers. We hope The Femmys inspire more people to challenge the status quo and build a more equitable future in dance music.”
“The Femmy Awards aren’t just about celebrating talent, they’re about acknowledging the people who have fought to create space for underrepresented voices in dance music,” continues co-founder & Head of Culture, I know how powerful it is to see pioneers like DJ Lady D, DJ Minx, Barbara Tucker and Crystal Waters honored for their legacy, and to celebrate someone like Sara Landry, who is showing the next generation what’s possible. This moment is about more than awards — it’s about visibility, representation, and giving credit to those who are shifting the culture.”
Femme House will also host additional events during Miami Music Week, with the third annual Femme Friday happening March 28 at W South Beach. The daylong program will provide emerging artists with direct access to top industry professionals in an effort to foster education and community building.
Starting Tuesday (March 4), SiriusXM will deliver the sounds of Tomorrowland and the global dance scene with a new channel curated by the team at the Belgian mega-festival festival.
One World Radio will be featured within the SiriusXM app and feature music programmed by the team that curates Tomorrowland’s One World Radio internet radio station, with the SiriusXM channel to offer new music and live DJ sets from Tomorrowland festivals including the flagship event in Boom, Belgium, along with Tomorrowland Winter, Tomorrowland Brasil and more.
SiriusXM’s One World Radio channel will be an extension of Tomorrowland’s pre-existing One World Radio feed, but will be curated a bit differently and customized to the SiriusXM audience.
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“We are really excited about hearing the nearly unlimited Tomorrowland archives, giving SiriusXM listeners a peak into past vibes of the legendary two-weekend festival in Belgium,” Geronimo, SiriusXM’s Vice President of Music Programing, tells Billboard.
Aside from regularly scheduled and rotated music, the channel will also feature exclusive song cuts from previous festivals. “You’ll be able to hear the crowd reaction which really put you in the moment,” Geronimo continues. “It’s truly a place where the global dance community comes together and enjoys each other. Dance music is really about fun, love, positivity and enjoying life and each other and One World Radio captures this essence perfectly.”
The channel will feature music spanning the two decades of Tomorrowland history and span the spectrum of electronic music sounds. The “main thing is to give people a good time and spread positive vibes, without necessarily being bound to a genre,” says Bram Franssen, station lead at the pre-existing One World Radio and curator for the new SiriusXM channel.
With the launch, One World Radio joins SiriusXM’s suite of dance channels that include BPM, Diplo’s Revolution, SiriusXM Chill, Studio 54 Radio, Utopia and more.
“We’re excited to not only hear classic archived Tomorrowland sets but also what One World Radio has for the future,” says Geronimo. “The world outside of North America has historically been a step ahead when it comes to dance music and emerging genres, and One World Radio on SiriusXM will help bridge that gap.”
2025 BRIT Awards winner Charli XCX was gorgeously draped in a Dilara Findikoglu dress, a garment of sheer layers that mostly concealed the singer’s bust, at Saturday night’s show — but the look must’ve nearly been deemed risqué by British network ITV.
“I heard that ITV were complaining about my nipples,” Charli commented at the podium on March 1 at London’s O2 Arena, while accepting the artist of the year award. “I feel like we’re in the era of free the nipple though, right?”
“Thanks for being on my side,” she added after the crowd cheered.
Styled by Chris Shoran, Charli wore look nine from Dilara Findikoglu‘s autumn/winter 2025 collection. The black dress, with a calf-skimming, pencil skirt silhouette layered over a minimalist, bikini-shaped bottom, was paired with classic pumps by Christian Louboutin.
Charli XCX attends the BRIT Awards at The O2 on March 1, 2025 in London.
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“I’ve gotta say, I feel like I’ve always been an artist but it really takes a whole team, and they’re all like sat at that table. I just want to say thank you so much to the people who helped me make this record,” said the Brat singer as she accepted her third of four award wins at the 2025 BRITs. She’d already collected the awards for song of the year and dance act.
Charli gave a special shout out her fiancé in her artist of the year speech: “George Daniel, love you, baby.” (Daniel is a notable musician and producer, and a founding member of the band The 1975. For Charli he produced “Apple” and “Club Classics” on Brat, and also worked on “I Might Say Something Stupid,” which also features Jon Hopkins and Daniel’s 1975 bandmate Matty Healy, for the companion release Brat and It’s Completely Different but Also Still Brat).
George Daniel and Charli XCX post during the BRIT Awards at The O2 Arena on March 1, 2025 in London, England.
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“Thank you to all the artists out there who feel like they don’t fit in but are brave enough to try and be rejected a million times. I share this with you,” Charli said, candidly.
“Keep partying,” she told the audience. It was a pastime she was likely talking part in; host Jack Whitehall joked at the start of the ceremony that Charli had asked to not perform so she could get drunk Saturday night.
The mind behind Brat won the awards for artist of the year, album of the year, song of the year (for “Guess,” featuring Billie Eilish) and dance act at the 2025 BRITs, and the night’s honorary songwriter of the year prize also went to her. Brat executive producer A.G. Cook won producer of the year.
What should fans expect from Charli’s next album? “I’ll probably do something completely different,” she said at the BRIT Awards.
“I used to tell myself that things like this weren’t important,” Charli admitted when returning to the stage to accept the album of the year award. “This kind of recognition, awards in general, weren’t important. That was really easy for me to do because until last year I was literally never nominated for anything … Now it’s cool to not be in that position.”
“I guess this time around the culture caught up with us and wanted to be on the journey with us,” she said.
Charli XCX gave the BRIT Awards a Brat makeover on Saturday night (Mar. 1) by scooping the biggest prizes of the night, including the coveted album of the year prize.
She won four awards at the ceremony: song of the year, dance act, artist of the year and album of the year. She also collected the honorary songwriter of the year prize, while Brat‘s executive producer A.G. Cook won producer of the year.
Speaking when she collected the album of the year prize, Charli said: “I used to tell myself things like this weren’t important and that was easy for me to do because until last year I wasn’t nominated for anything. I always felt like an outsider in the British music industry, so it feels nice to be recognized on this album when I actually haven’t made any sacrifices.”
Brat was one of 2024’s defining records, landing at No. 1 on the U.K.’s Official Album Charts and at No. 3 on the Billboard 200. It was named the Billboard staff’s album of the year.
The awards took place at The O2 Arena in London, and were hosted by comedian Jack Whitehall for a fifth time.
Elsewhere it was a big night for Chappell Roan, who triumphed in the international artist and international song categories, beating off competition from Taylor Swift, Billie Eilish and Beyoncé.
Sabrina Carpenter opened the show with a two-song medley of “Espresso” and “Bed Chem” and collected the honorary global success award.
Sam Fender had a big night , winning rock/alternative act and performing the title song from People Watching. On Friday, the North Shields-born musician’s third album went to No. 1 and clocked the biggest opening week for a British act in three years, topping over 100,000 units.
Ezra Collective collected group of the year and shouted out youth clubs and the musical opportunities they offer, while Myles Smith challenged the U.K. government to do more for grassroots venues in his speech while collecting BRITs Rising Star.
Baroque-pop group The Last Dinner Party performed “Nothing Matters” and picked up best new artist. Like Smith, they used their speech to champion the small venues in the U.K.
RAYE won best R&B act, and Stormzy shouted out his fellow nominee Central Cee when he triumphed in the best hip-hop/grime/rap.
Performances came from Carpenter, Teddy Swims, Ezra Collective, Fender, The Last Dinner Party, JADE and Lola Young.
In December, the BRITs announced Luton-born singer-songwriter Myles Smith as the recipient of the 2025 BRIT Rising Star award — a new music prize that is handed out to the British act that the voting academy believes will make the biggest impact on music in the coming year. He performed his breakout song “Stargazing” on the night.
It was not Dua Lipa’s night: She went 0-4. The Cure and Central Cee were also shut out, despite three nominations.
The nominees and winners were chosen by the BRIT Awards Voting Academy, its membership made up of musicians and industry figures; the public decided the winners of the genre categories, with voting taking place via a WhatsApp campaign.
Here’s the complete list of 2025 BRIT Awards winners.
Mastercard album of the year
WINNER: Charli XCX – Brat, Atlantic/Warner Music Ezra Collective – Dance, No One’s Watching, Partisan RecordsDua Lipa – Radical Optimism, Warner/Warner MusicThe Cure – Songs of a Lost World, Polydor/Universal MusicThe Last Dinner Party – Prelude to Ecstasy, Island/Universal Music
Artist of the year
Beabadoobee, Dirty Hit Central Cee, Columbia/Sony MusicWINNER: Charli XCX, Atlantic/Warner Music Dua Lipa, Warner/Warner MusicFred Again.., Atlantic/Warner MusicJamie xx, Young/XL BeggarsMichael Kiwanuka, Polydor/Universal MusicNia Archives, Island/Universal MusicRachel Chinouriri, Parlophone/Universal MusicSam Fender, Polydor/Universal Music
Group of the year
Bring Me the Horizon, RCA/Sony MusicColdplay, Parlophone/Warner MusicWINNER: Ezra Collective, Partisan Records The Cure, Polydor/Universal MusicThe Last Dinner Party, Island/Universal Music
Best new artist
English Teacher, Island/Universal MusicEzra Collective, Partisan RecordsMyles Smith, RCA/Sony MusicRachel Chinouriri, Parlophone/Universal MusicWINNER: The Last Dinner Party, Island/Universal Music
Song of the year
“I Like the Way You Kiss Me,” Artemas, Parlophone/Warner Music“Kisses,” BI3SS x CamrinWatsin (ft. Bbyclose), Atlantic/Warner Music “BAND4BAND,” Central Cee (ft. Lil Baby), Columbia/Capitol/Motown/Sony MusicWINNER: “Guess,” Charli XCX (ft. Billie Eilish), Atlantic/Interscope/Warner Music“Backbone,” Chase & Status (ft. Stormzy), 0207 Records/EMI/Merky/Universal Music“Feelslikeimfallinginlove,” Coldplay, Parlophone/Warner Music“Training Season,” Dua Lipa, Warner/Warner Music “Alibi,” Ella Henderson (ft. Rudimental), Atlantic/Warner Music“Angel of My Dreams,” Jade, RCA/Sony Music “Kehlani,” Jordan Adetunji, Warner/Warner Music“Thick of It,” KSI (ft. Trippie Redd), Atlantic/Warner Music“Stargazing,” Myles Smith, RCA/Sony Music“You’re Christmas to Me,” Sam Ryder, East West/Rhino/Warner Music “Somedays,” Sonny Fedora/Jazzy/D.O.D, Solotoko/Ada Warner Music “Now and Then,” The Beatles, Apple/UMR
BRITs Rising Star
WINNER: Myles Smith, RCA/Sony Music Elmiene, Polydor/Universal MusicGood Neighbours, Polydor/Universal Music
International artist of the year
Adrianne Lenker, 4AD/XL BeggarsAsake, YBNL NationBenson Boone, Warner/Warner MusicBeyoncé, Columbia/Parkwood Entertainment/SonyBillie Eilish, Interscope/Universal MusicWINNER: Chappell Roan, Island/Universal Music Kendrick Lamar, Interscope/Universal MusicSabrina Carpenter, Island/Universal MusicTaylor Swift, EMI/Universal MusicTyler, the Creator, Columbia/Sony Music
International group of the year
Amyl and The Sniffers, Rough Trade Records/XL BeggarsConfidence Man, Chaos/Universal MusicWINNER: Fontaines D.C., XL Recordings/XL Beggars Future & Metro Boomin, RCA/Sony MusicLinkin Park, Warner/Warner Music
International song of the year
“Beautiful Things,” Benson Boone, Warner/Warner Music “Texas Hold Em,” Beyoncé, Columbia/Parkwood Entertainment/Sony“Birds of a Feather,” Billie Eilish, Interscope/Universal MusicWINNER: “Good Luck, Babe!,” Chappell Roan, Island/Universal Music “End of Beginning,” Djo, AWAL/Djo/The Orchard “Houdini,” Eminem, Interscope/Universal Music “Too Sweet,” Hozier, Island/Universal Music“Lovin On Me,” Jack Harlow, Atlantic/Warner Music“Stick Season,” Noah Kahan, Republic Records/Universal Music“I Had Some Help,” Post Malone (ft. Morgan Wallen), Republic Records/Universal Music“Espresso,” Sabrina Carpenter, Island/Universal Music“A Bar Song (Tipsy),” Shaboozey, American Dogwood/Empire“Fortnight,” Taylor Swift (ft. Post Malone), EMI/Universal Music“Lose Control,” Teddy Swims, Atlantic/Warner Music“Million Dollar Baby,” Tommy Richman, ISO Supremacy/Pulse/Stem Disintermedia
Alternative/rock act
Beabadoobee, Dirty HitEzra Collective, Partisan RecordsWINNER: Sam Fender, Polydor/Universal Music The Cure, Polydor/Universal MusicThe Last Dinner Party, Island/Universal Music
Hip-hop/grime/rap act
Central Cee, Columbia/Sony MusicDave, Def Jam/Universal Music Ghetts, Warner/Warner Music Little Simz, AWAL/Sony MusicWINNER: Stormzy, 0207 Records/EMI/Merky/Universal Music
Dance act
Becky Hill, Polydor/Universal MusicWINNER: Charli XCX, Atlantic/Warner Music Chase & Status, 0207 Records/Universal MusicFred Again.., Atlantic/Warner MusicNia Archives, Island/Universal Music
Pop act
Charli XCX, Atlantic/Warner MusicDua Lipa, Warner/Warner MusicWINNER: Jade, RCA/Sony Music Lola Young, Island/Universal MusicMyles Smith, RCA/Sony Music
R&B act
Cleo Sol, AWAL/Sony MusicFlo, Island/Universal MusicJorja Smith, FAMM/The Orchard/SonyMichael Kiwanuka, Polydor/Universal MusicWINNER: Raye, Human Resources/The Orchard/Sony
Songwriter of the year
WINNER: Charli XCX
Producer of the year
WINNER: A.G. Cook
Global success award
WINNER: Sabrina Carpenter
This week in dance music: The Do Lab announced its Coachella 2025 lineups, Bonnaroo 2025 announced that its adding a new dance-focused stage, the team behind Breakaway Music Fetival announced a new label and management division called Breakaway Projects, we spoke with Anotr about their dazzling and recently released album On a Trip, and we spoke with Darkside about their new album Nothing.
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A judge ruled that Ultra Music Publishing must change its name following a lawsuit brought by Sony Music and its Ultra Records subsidiary, Anna Lunoe and Mel C. teamed up for a new track, we talked to our February Dance Rookie of the Month Stryv about his global hit “Move,” and we spoke with the legend Armin van Buuren about remixing Bon Jovi’s 1992 classic “Keep the Faith.” Meanwhile, Justice earned its first ever Radio No. 1 with the duo’s Grammy winning Tame Impala collab “Neverender.”
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That’s a lot, and there’s more. These are the best new dance tracks of the week.
Anyma feat. Ellie Goulding, “Hypnotized” (John Summit Remix)
Ahead of his slot opening for Anyma at Sphere this weekend, John Summit drops his edit of “Hypnotized,” Anyma’s collab with Ellie Goulding released in January and a contender for one of the most major dance releases of the year thus far. It’s an apt meeting of the minds, with Summit leaving the track largely in tact but adding a siren-laden bridge and other smart flourishes that have his fingerprints all over them. The epic build that Summit layers in will without a doubt have ’em going wild in the seats tomorrow (March 1) when he plays in support of Anyma’s lauded audiovisual spectacular.
2hollis, “Style”
It seems everything Los Angeles-based artist 2hollis touches turns to gold, with his latest single “style” already racking up tens of thousands of views across platforms. The song is slight in length (one minute and 39 seconds) but absolutely goes, with a twisted, wind-up production paired with distorted beats and the artist breathily declaring “I like your style.” (Please also see the simple but effective accompanying video.) 2hollis currently on tour in Asia and Europe, with the run set to conclude with performances at Coachella in April and an appearance at Bonnaroo in June.
Carlita & Andre Zimmer, “Raf”
Carlita joins the esteemed crew of producers who’ve assembled one of fabric’s mix compilations, with the lead single from fabric presents: Carlita out today. A collaboration with Toronto producer Andre Zimmer, “Raf” is all out gospel house bliss with muscle and a BPM sure to make ’em sweat. fabric presents: Carlita is out on April 11.
Tesh, “Wants & Needs”
Hitting with the same zest and effervescence of your favorite flavor of La Croix, “Wants & Needs” is the newest from rising producer, Tesh. The richly textured song is laced with U.K. garage and manages to emote a certain amount of love and longing (with the vocals doing a lot of the heavy lifting here) even while also bouncing merrily along. “Wants & Needs” is the second single from Tesh’ forthcoming Cycles + Repetitions EP, coming April 25 via San Holo’s bitbird label. (And don’t sleep on the project’s lead single “Fingertips,” released in January.)
Rusko, “1 Man Army”
The British master is back with his first new solo work in two years with “One Man Army,” a track that delivers the same hectic D&B + bass that’s made Rusko a longtime hero. Out on Monstercat, the song is the title track from a five-song, no skips EP. “Creating this EP was a mission that began with a simple desire to explore more areas of my love for drum and bass,” the producer says. “Over the past 19 years, I’ve been experimenting with new sounds, genres, and emotions — and this collection is a reflection of the vibes and feelings of this past year as Rusko.”
Justice and Tame Impala’s collaboration “Neverender” lands both acts their first No. 1 on Billboard’s Alternative Airplay chart, leaping three places to top the March 8-dated tally.
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For electronic duo Justice, “Neverender” is its first No. 1 on any airplay-based chart. The tune previously became its first entry on any radio ranking since “D.A.N.C.E.,” which peaked at No. 25 on Dance/Mix Show Airplay in 2007.
Meanwhile, “Neverender” marks the first Alternative Airplay ruler for Tame Impala, the project of Kevin Parker, in his eighth appearance. Parker, who first made the list with the No. 8-peaking “Elephant” in 2013, has two previous No. 2s in “Lost in Yesterday” (2020) and as featured, alongside Bootie Brown, on Gorillaz’s “New Gold” (2023).
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Tame Impala boasts two No. 1s on Adult Alternative Airplay: “Lost in Yesterday” and “Is It True,” both in 2020.
“Neverender” gives Alternative Airplay its second and third newcomers to the top spot on the chart in 2025. Almost Monday snagged its first leader in early February with “Can’t Slow Down.”
“Neverender” reigns in its 25th week on the ranking and just over 10 months after its April 25, 2024, release.
Concurrently, the song bounds 22-11 on the all-rock-format, audience-based Rock & Alternative Airplay chart with 2.9 million audience impressions, up 37%, in the week ending Feb. 27, according to Luminate.
On the most recent Hot Dance/Electronic Songs chart (dated March 1, reflecting data Feb. 14-20), “Neverender” appeared at No. 9 for a sixth total week; it reached No. 8 in May 2024. In addition to its radio airplay, the song earned 826,000 official U.S. streams last week.
“Neverender” is on Hyperdrama, Justice’s fourth studio album and first since 2016’s Woman. The former bowed at No. 1 on the Top Dance Albums chart in May 2024 and has earned 84,000 equivalent album units to date.
All Billboard charts dated March 8 will update Tuesday, March 4, on Billboard.com.