genre dance
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Detroit’s Movement Festival has added a crew of heavyhitters to the lineup for its 2025 event. Belgian techno titan Charlotte de Witte has been added as a headliner, with hard techno star Sara Landry, rapper A$AP Ferg, Underground Resistance co-founder Mike Banks, rapper and DJ Zack Fox, Dutch producer Mau P, Nina Kraviz, HAAi, Boys Noize, The Blessed Madonna, Goldie b2b Photek and many others also joining the bill.
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These artists join the previously announced phase one lineup that included John Summit, Carl Cox, Jamie xx, Anfisa Letyago, Carl Cox, Chase & Status, Ela Minua, DJ Minx, Sammy Virji and more.
“Movement is a techno institution in Detroit so for me, it’s like reuniting with an old friend,” Cox says in a statement. “I’m going to make up for the years I’ve missed with a show that’s going to send Detroit to another dimension!”
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The festival will happen at its longtime home in Detroit’s Hart Plaza May 24-26. Tickets are on sale now.
Movement is produced by the Detroit-based Paxahau, which took over the festival in 2006. The event is known for focusing on the city’s homegrown techno genre along with house music, and has long championed rising stars, especially local ones, from each genre.
“One of the great things about [Paxahau’s] culture is we aren’t goal focused, but direction focused,” Paxahau Founder Jason Huvaere told Billboard in 2023. “It’s always been about the trajectory, the journey, the emotion. It’s never been about, ‘I need to get this thing done,’ or ‘I need to get this thing acquired.’ For the future, I just want to preserve that.”
See the complete Movement 2025 lineup below.
Movement 2025 lineup
Courtesy Photo
When one steps outside the airport in Ibiza, they see a long row of billboards promoting many of the club nights on the Spanish island, a longtime destination for dance music fans. Many visitors have noticed the simple but striking fact that all of these billboards feature the names and faces of exclusively male artists.
“Is it equal opportunity? It’s definitely not. There’s something going on there. It’s still controlled by a bunch of, I guess, old school bookers and club owners.” So says Aloki Batra, the CEO of hospitality and real estate group FIVE, which acquired Pacha Ibiza in 2023. Hoping to innovate on the island while also maintaining and extending Pacha’s historic status, he was determined to do something different.
And so for the 2025 season, and for the first time in the history of Pacha — which opened its doors in 1973 — the club will have a female resident, with longstanding house producer Blond:ish launching an 11-week residency on May 21. Called “Abracadabra” (the name of the event series she’s hosted around the world for years) the party will focus on music, merriment and magic.
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“We literally have things levitating in the air,” says the producer born Vivie-ann Bakos. “We’re building this hologram [installation] and just doing epic stuff where it feels like magic.” Bakos cites plans to install “press for champagne” buttons on the dancefloor, allowing clubbers to simply press a button to have a glass of champagne delivered to them, putting trained magicians and illusionists on the dancefloor, pulling people out of line and gifting them with VIP status for the night and other special flourishes and “random acts of kindness” and whimsy to make the nights inviting, interesting and meaningful.
“A residency is a place where you can create and iterate on a consistent basis, and you learn from the previous weeks,” says Bakos. “We don’t just have one chance; you have people coming to see you every week, and you learn from the people a week before, so by the middle of the residency it’s this crazy snowball effect of what we want to do. And the reason we do this party goes back to helping people live their best life. Without speaking about it, we show people through the music how to create their own magic.”
In terms of the distinction of being Pacha’s first female resident, Bakos says being the first female anything has never been a focus of her career, which began more than 15 years ago and has included major festival plays, global club shows, an official remix of Taylor Swift’s “Fortnight,” a collaboration with Madonna and a focus on environmentalism through her Bye Bye Plastic initiative, which works to reduce the use of single use plastic within the industry.
During it all, she’s been more focused on meeting her goals with the music itself. Bakos does say, however, making history as Pacha’s first female resident “I think it maybe means a lot for the music industry as a whole, because I think a lot of people are triggered when you’re outside at the Ibiza airport and you see all the billboards.” (Her face will appear on billboards on other parts of the island, as most of the billboards near the airport are owned by the Ibiza clubs Hï and Ushuaïa.)
Batra says that while “a lot of names were getting thrown around” for potential residents, Bakos proved that she has what it takes after a playing a series of nights at Pacha last summer. Here, Batra found that “the music on point, the energy was really infectious and she has a way of resonating with the dancefloor that I thought was special.”
Bakos, her wife and their new baby will live on the island this summer during the residency. Before that, however, she’ll release her debut album, Never Walk Alone on February 14 via Insomniac Records. The 11-track project is full of bright, bouyant house music that reflects Bakos’ current mindset and mission.
“I used to make darker music, because I was living in after hours,” she says. “But my music is definitely not dark these days. You can feel that, and it’s because every decision I make with my music is about answering the question ‘How can I help people live their best lives?’”
Determining this mission is a function of Bakos’ own personal and professional evolution. In the earlier years, she says, “I was just traveling the world trying to play for the biggest crowds ever.” As time went on, however, “I started actually figuring out what my why is, and why I exist in the world and the music industry and why I’m a DJ.”
This contemplation led her to determine that “I want to help people live their best life, and I’m doing that through my music. That’s my connection point with every single person in this world, without having a conversation.” Bakos made this goal part of the conversation with her album collaborators, taking time to talk about the intention for tracks while making them alongside artists including British singer Stevie Appleton, L.A.-based, Zimbabwe-born singer, rapper and producer Bantu and more.
Bakos is releasing the vinyl editions of Never Walk Alone on bio-based PVC, a material that’s 99.9% petroleum-free, cuts 90% of the carbon dioxide emissions from the process and creates no difference in the sound quality between bio-vinyl and regular vinyl. With the eradication of single use plastic a longtime part of her mission, Bakos knew she had to make a plastic-free vinyl, although at first “I didn’t know it was possible. It was just a dream.” Figuring out that it could actually happen, she says, further demonstrated to her “that magic does exist.”
She hopes this vinyl will also show other artists that it can be done, the same way Bye Bye Plastic has shown that there are alternatives to venues using loads of single use cups and bottles. Partnering with Pacha has easy, she says, as they’re already “quite sustainable.” (The club operated exclusively on renewable electricity for the 2024-2025 season and is focused on bringing down water consumption at the venue at the nearby Ibiza resort, DestinoFIVE, which is set to reopen as a five-star resort this season after a significant remodeling. It’s also pursuing LEED Gold or higher certification across its properties in Ibiza and Dubai.) Bakos hopes their extra efforts this season will, in the competitive Ibiza market, make “the other clubs get FOMO” and follow suit with similar environment-focused projects.
Working with Pacha and Batra on making Abracadabra special has been especially refreshing, Bakos says, because “He’s a ‘yes’ guy. He’s very supportive. It’s amazing to work with him, because he’s not from the music industry, so he comes with a different outlook, whereas the traditional music industry is very set in their ways on how to do things old school. I love that he comes with a different mindset that’s very possibilist, versus limiting.”
Swedish producer Alesso has opened up about his recent experiences with tinnitus and how it has been the cause of numerous canceled shows in recent months.
The 33-year-old musician (whose real name is Alessandro Lindblad) took to social media on Monday (Feb. 3) to discuss his recent spate of live cancellations. Following near nonstop touring throughout 2024, Alesso was forced to cancel shows throughout Australia and Saudi Arabia, before his entire world tour was axed, with “a recent health issue combined with overexertion” being cited as the reason.
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“I just wanted to be a little bit transparent on the situation,” the producer said in a video shared to Instagram. “So basically, two months ago, I woke up with the loudest ringing in my ears. I’m talking about 10 out of 10. I was in complete shock, and it was not after a show. I just woke up, and it was so intense.”
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Noting that such problems related to hearing were “super common in the music industry”, Alesso admitted he too had experienced similar issues in the past, though not to this level.
“But the good news is I’m getting better,” he continued. “I took this as a sign to slow down, to prioritise my health, be more careful. I’ve been doing this for 14 years now, and I’ve never taken a break. So I’ve just been kind of focusing on that.”
Currently, Alesso’s website lists tour dates for the next six months, with his return to the stage set to take place at Belly Up Aspen in Colorado on Feb. 14. As he concluded his video, Alesso explained he’s working towards big events such as Miami’s Ultra Festival on March 30, and offered advice to his followers as he moves forward.
“I will be doing shows, but maybe not as many, as you can understand,” he explains. “I just wish everyone health this year. I want everyone to To be careful, wear ear protection. Remember, we’re only humans.“
Alesso rose to fame throughout the 2010s, beginning his musical career with a series of remixes, singles, and collaborations ahead of his only studio album to date, 2015’s Forever. The record peaked at No. 30 on the Billboard 200 and spawned the Tove Lo-featuring single “Heroes (We Could Be)”. The track would become his biggest commercial success in the U.S., hitting No. 31 on the Hot 100.