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Trending on Billboard

A new entrant to Australia’s live music market has officially landed, with the inaugural edition of Strummingbird, a touring country music festival presented by Live Nation and Kicks Entertainment, drawing tens of thousands across three cities over two weekends.

Held in the Sunshine Coast (Oct. 25), Newcastle (Nov. 1), and Perth (Nov. 2), the multi-date, all-ages event marked one of the most ambitious country-focused touring formats launched in Australia in recent years.

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The 2025 lineup combined U.S. charting acts like Jelly Roll, Shaboozey, and Treaty Oak Revival with a strong mix of emerging and established domestic talent, including James Johnston, Kaylee Bell, Wade Forster, The Dreggs, and Rachael Fahim.

Beyond traditional main stage performances, organizers leaned into fan engagement and social content opportunities, from line-dancing workshops and crowd-wide Nutbush dance breakouts to surprise collaborations — including Jelly Roll bringing out both Shaboozey and Bell during his Newcastle and Perth sets, and Johnston filming a live music video during his Sunshine Coast appearance.

The debut comes amid rising interest in country-adjacent genres across the Australian market. Jelly Roll has achieved notable chart success in Australia, with his 2024 album “Beautifully Broken” peaking at No. 19 on the ARIA Top 50 Albums chart. On the ARIA Top 40 Country Albums Chart, “Beautifully Broken” peaked at No. 3 and has maintained a strong presence. Meanwhile, local breakout James Johnston recently scored a top-five ARIA album debut — a rare feat for an independent country act.

Programming across cities was localized, with unique artist configurations in each market and strong integration of Māori and First Nations acknowledgments. The event’s Sunshine Coast leg sold out in advance, and Newcastle received strategic backing from Destination NSW as part of its tourism and major events initiative.

Festival co-presenter Live Nation, which has been expanding its genre footprint across ANZ through a mix of pop, country, hip-hop and Latin offerings, is already planning a return in 2026.

In addition to the core music offering, activations included the “Strummo Bowlo”, a communal dancefloor space where attendees engaged with both country and crossover pop tracks, including viral moments set to Charli XCX’s “Brat” anthems — a programming nod to Gen Z festivalgoers.

Trending on Billboard Americana singer/songwriter Todd Snider has been forced to cancel his High, Lonesome and Then Some 2025 tour dates, after he was the victim of an assault prior to a show in Salt Lake City, Utah. According to a post from Aimless Inc. on Snider’s Instagram, prior to his concert at The Commonwealth […]

Trending on Billboard

This week, Kaitlin Butts celebrates inking a label deal with Republic by issuing a tender revamping of a Jimmy Eat World hit. Meanwhile, Riley Green teams with Jamey Johnson for a robust new collab, and ERNEST, Sammy Arriaga and newcomer Joshua Slone also offer new tracks.

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Check out all of these and more in Billboard‘s roundup of some of the best country, bluegrass and/or Americana songs of the week below.

Kaitlin Butts, “The Middle”

Butts, who recently inked a deal with Republic Records, offers up a revamped version of Jimmy Eat World’s 2001 hit, transforming it into a soothing, hopeful, acoustic-driven track driven by guitars, fiddle and understated percussion. Butts’ version comes across as tender, wise and thoughtful, particularly on lines such as “Just do your best, do everything you can/ And don’t you worry what their bitter hearts are gonna say.” That’s a timeless message people of all ages can cling to.

Jamey Johnson and Riley Green, “Smoke”

Jamey Johnson welcomes Riley Green for this barn burner, intertwining Johnson’s weathered, gravelly vocal with Green’s burnished twang as they explore the motif of “smoke” with varying meanings throughout the heartbreak-driven track. At various points throughout “Smoke,” the titular phrase references the plumes billowing from an ex’s tires as she speeds away, or the wisps of smoke curling from the end of the lit cigarette he’s using to obscure his pain. Green and Johnson wrote the song with Erik Dylan and recorded the track at the Cash Cabin and Big Gassed Studios, with production from Kyle Lehning and Jim “Moose” Brown, which captures complementary ties between Johnson and Green’s distinct styles.

ERNEST, “Blessed”

In his latest, ERNEST weaves a tale of love and legacy, as this song looks at a piece of land being handed down generation after generation. “Granddaddy bought this slice back in 1962/ It came with a barn, a dog in the yard and a Chevrolet painted blue,” he sings, before sketching his own dreams of passing the land down to his son. Reserved guitars, bass and drums put ERNEST’s vocal at the fore, as he brims with pride about passing down wisdom he hopes his son will continue learning from. “Blessed” precedes ERNEST’s upcoming project Live From The South, out Nov. 21.

Sammy Arriaga, “Before the Next Teardrop Falls”

First-generation Cuban American Sammy Arriaga bridges cultures and languages, combining English and Spanish-language tracks on his bilingual country Latin album Heart in Texas, which released Oct. 31. The album also includes Arriaga’s heartfelt, Spanglish rendition of Latin country trailblazer Freddy Fender’s classic “Before The Next Teardrop Falls” (Fender’s original topped both the Billboard Hot Country Songs chart and Hot 100 in 1975). Arriaga’s version simultaneously pays graceful homage to Fender’s original, while, like the rest of the songs on the album, Arriaga stamps every lyric and message with his unique artistry and warm, welcoming vocal tone.

Joshua Slone, “Your Place at My Place”

Slone makes a striking entrance with his 16-song, debut album Thinking Too Much, which features Slone as the sole writer on each track. The angst-fueled “Your Place at My Place” finds him musing about unfruitful attempts to move past a faded relationship. “No one’s ever taken your place at my place,” the Kentucky native concisely laments. His full project showcases his vivid, vulnerable songwriting, cementing Slone as one of country music’s most compelling new voices.

Trending on Billboard Kehlani’s “Folded” makes its way into the top 10 of the Hot 100, while “Daisies” and Olivia Dean’s “Man I Need” continue to climb. Meanwhile, HUNTR/X’s “Golden” and Taylor Swift’s “The Fate of Ophelia” continue to battle for the No. 1 spot. Tetris Kelly: The battle between “Golden” and Taylor Swift stays […]

Trending on Billboard Gavin Adcock took quite the dive while performing his song “Deep End” at a recent concert in Canada, with the rising country star slipping and falling on stage mid-performance — and acquiring a big ole bruise in the process. As captured in footage from the concert, a shirtless Adcock performs his 2023 […]

Jason Aldean is set to perform his songs “Try That in a Small Town” and “How Far Does a Goodbye Go” as part of Fox Nation’s seventh annual Patriot Awards, which will be held Thursday (Nov. 6) at The Tilles Center for the Performing Arts in Brookville, N.Y. During the event, Erika Kirk, Turning Point […]

Trending on Billboard

In his memoir, Heart Life Music, Kenny Chesney takes the reader on the journey of how he developed from a sports-loving young boy growing up in a tiny East Tennessee town raised by a single mom to one of the biggest country stars of all time.

The engrossing tale, co-written with award-winning journalist Holly Gleason, is a love story to the music that inspired him and, ultimately, to Chesney’s fans who make up the No Shoes Nation and who have helped the recent Country Music Hall of Fame inductee realize success beyond his wildest dreams.

Below, Chesney, who will return to Las Vegas’ Sphere in June, highlights more than 30 songs of the dozens mentioned in the book, which is available starting Tuesday (Nov. 4). He’s exclusively sharing with Billboard what the songs mean to him, including ones that influenced him, such as Conway Twitty’s “Hello Darlin’,” which he heard at the first concert he attended.

“Someone asked me if there was a soundtrack for the book. It’s easy to say, ‘Just listen to [SiriusXM’s] No Shoes Radio,’ but someone else asked, and I thought, “Well, why not? I just looked at my life, so lets look at the music,” Chesney says. “This isn’t the definitive list, nor is it the only list,” he continues, “But it’s one collection of songs that you could listen to and enjoy while you’re reading. To me, that was the fun of this playlist: make a playlist that would be fun to listen to while reading. Though now I hear getting the audio book and listening to that while you read is the thing. Anyways… Enjoy the book. Enjoy the music. But especially, enjoy your life.”

Find his explanations behind the songs chosen below, and check out the full playlist on Spotify here.

“The Tin Man”

Trending on Billboard

Belmont University’s new Center for Mental Health in Entertainment, launched by the University’s Mike Curb College of Entertainment & Music Business and the College of Pharmacy & Health Sciences, has tapped industry veteran and licensed clinical social worker Debbie Carroll as its executive director.

Carroll was most recently vp of entertainment and specialized services at Onsite Entertainment and previously spent more than 20 years as vp of health and human services at MusiCares.

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Carroll will also hold the position of CMA endowed chair as part of a $3 million gift from the Country Music Association to the new center. Two million dollars of that will go towards the creation of the chair and the executive director position, while the remaining $1 million will go toward programming. The $2 million will be matched by the Johnson Academic Challenge at Belmont, for a total of $5 million.

“I’m honored to step into this role and help lead a transformative initiative that places mental health at the heart of the entertainment industry,” said Carroll in a statement.  “This Center represents a powerful opportunity to build a culture of care, resilience and innovation for artists and professionals across music, film, television and beyond. With Belmont’s deep commitment, and CMA’s visionary support, we’re poised to make a lasting impact, starting in Nashville and reaching far beyond.”

Belmont University Center for Mental Health in Entertainment

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The Center will address the critical need for mental health research, education and resources in the entertainment industry. It will serve both students and industry professionals.

CMA CEO Sarah Trahern added, “As a trade association, it’s our responsibility to care for the people who make this industry thrive. Supporting their well-being has always been central to CMA’s mission, and through years of investments and partnerships, we’ve seen how access to care can change lives. This collaboration with Belmont allows us to take that support a step further—transforming advocacy into meaningful, long-term change. With a leader like Debbie Carroll guiding this work, we’re helping ensure a stronger, healthier music community for generations to come.”

Brittany Schaffer, dean of Curb College, said, “Our partners, like CMA, know a thriving entertainment industry begins with healthy, supported individuals connected by community. This center will invest in today’s leaders and creators, prepare the next generation to confidently navigate challenges, and serve as a model for how our industry can care for its own. Debbie Carroll has long been the trusted voice on mental health in entertainment—her wisdom, compassion and proven leadership have shaped the vision for this Center from the spark of the idea, and I have every confidence in her as our inaugural CMA Endowed Chair & Executive Director. With Debbie at the helm, we have the opportunity to forever change culture.”

Trending on Billboard

Coco Jones and Paris Hilton may have drawn inspiration from iconic music videos and Broadway musicals for their costumes this year, but Halloween weekend 2025 is also about new music.

Florence + The Machine returned with its first new album in three years, the aptly titled Everybody Scream, which features production from Aaron Dessner and Mark Bowen. Offset also shared his surprise new spooky season-themed Haunted by Fame project, while Mass Appeal unveiled its highly anticipated posthumous Big L album.

Hailing from Harlem, the late rapper, who was fatally shot in a drive-by shooting in 1999, released only one album during his lifetime, but his impact and influence still live on in hip-hop today. A part of Mass Appeal’s Legend Has It… album series, Big L’s Harlem’s Finest: Return of the King features unreleased remastered tracks and rare freestyles, including collaborations with Jay-Z, Nas and Joe Budden.

This year, Halloweekend also brought a new OutKast re-release. The ATL rap duo shared a 25th anniversary edition of their classic Stankonia album, complete with previously unreleased tracks and new remixes. The world of hip-hop also spun out new projects from Westside Gunn (Heels Have Eyes 3), Armani White (There’s A Ghost In My House), Kodak Black (Just Getting Started), Saba (Coffee!) and Icewear Vezzo (Purple Passion).

New singles also arrived from Brent Faiyaz (“Have To”), Tyler, The Creator (“Mother”), Omarion (“For War”), Rosalía (“Berghain”), Russell Dickerson and Jonas Brothers (“Happen to Me”), and Lee Brice (“Killed the Man”). In addition to Taylor Swift‘s new “Alone In My Tower” version of “The Fate of Ophelia,” we also got new Halloweekend singles from Jai’Len Josey, Lola Brooke, Lil Baby, The Chainsmokers, and Jessie J.

London indie pop singer Cat Burns also released her How to Be Human LP, and Pentatonix shared their latest holiday album, Christmas in the City, which features collaborations with Jojo and Frank Sinatra.

There’s a lot of new music to squeeze into your Halloween playlists, but Billboard still wants to know which new release you can’t take off repeat. Tell us by casting your vote in the poll below.

Trending on Billboard

Riley Green and featured artist Ella Langley enter the top 10 on Billboard’s Country Airplay chart dated Nov. 8 with “Don’t Mind If I Do.” The collaboration climbs 12-10, up 20% to 17.8 million in audience Oct. 24-30, according to Luminate. It’s Green’s seventh visit to the tier and Langley’s third — and their second as a tandem, after Langley’s “You Look Like You Love Me,” featuring Green, led for one week last December.

Langley and Green make for the first pair of soloists with multiple shared Country Airplay top 10s in five years: In 2020, Blake Shelton and Gwen Stefani teamed up for two No. 1s: “Nobody But You” that May, and “Happy Anywhere” that December.

Elsewhere, Langley’s current solo chart entry, “Choosin’ Texas,” bounds 59-41 (2.5 million, up 203%).

Megan 2.0

Megan Moroney continues her career ascent with two tracks due on her upcoming third studio album. Ballad “Beautiful Things,” released Oct. 24, debuts at No. 37 on Country Airplay (3.7 million), marking her highest entrance on her own; overall, she has started at a No. 23 best with “You Had to Be There” with Kenny Chesney in May.

Plus, Moroney’s fellow current single, “6 Months Later,” rises 14-12 on Country Airplay (15.9 million, up 20%).

Shaboozey ‘News’

Also notably, Shaboozey’s “Good News” departs Country Airplay following a standout stretch, including two weeks at No. 1 in September. He has logged 49 total weeks in the top 10, the fourth-most of any artist since his crossover breakout, “A Bar Song (Tipsy)” reached the region and became a juggernaut — it holds the all-time record for the most weeks in the top 10 (33), seven of those at No. 1.

Additionally, the singer-songwriter’s latest single, “Amen” with Jelly Roll, surges 37-29 on Country Airplay (5.3 million, up 55%). For an artist who entered as an outlier, Shaboozey has quickly become a fixture.