folk music
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Just five days after receiving 2026 Grammy nominations for their latest albums, Alison Krauss & Union Station and I’m With Her are nominated for album of the year at the 2026 International Folk Music Awards. Krauss’ group is nominated for Arcadia, which received a Grammy nod for best bluegrass album. I’m With Her is nominated for Wild and Clear and Blue, which is Grammy-nominated for best folk album.
The 2026 International Folk Music Awards will be presented on the first night of Folk Alliance International (FAI)’s 38th annual conference, set for Jan. 21-25 in New Orleans.
Sarah Jarosz, one of the members of I’m With Her, won album of the year at the International Folk Music Awards in 2016 with Undercurrent.
This year’s other nominees for album of the year are CHURCH by Flamy Grant, Room on the Porch by Taj Mahal & Keb’ Mo’, Reclamation by Crys Matthews and Woody at Home: Volumes 1 + 2 by legendary folk singer/songwriter Woody Guthrie, who died in 1967.
Crys Matthews, who won artist of the year at the International Folk Music Awards earlier this year, is back to defend his title. His competition includes I’m With Her, which won in this category in 2018, as well as Abbie Gardner, Carsie Blanton, Ordinary Elephant and Sam Robbins.
New recordings released between Oct. 1, 2024 and Sept. 30, 2025 were eligible in the best-of-the-year categories (artist, album and song of the year).
In addition, Lifetime Achievement Awards will be granted to five-time Grammy-winner Taj Mahal; zydeco originator Clifton Chenier; and Louisiana Folk Roots, which celebrates the joie de vivre of Cajun and Creole cultures.
Spirit of Folk Awards will go to Laura Thomas, whose ComboPlate Booking has spanned a quarter century; Rachel Ornelas, cultural heritage manager for the New Orleans Jazz & Heritage Festival; FAI’s Alex Mallett, who has served the Folk Alliance International community for the past decade; and Cindy Cogbill, who has served in leadership roles with FAI and Memphis’ Overton Park Shell.
Yasmin Williams will be receive The Rising Tide Award, which celebrates artists who inspire others by embodying the values and ideals of the folk community.
Kyshona will receive The People’s Voice Award, which is presented to an individual who unabashedly embraces social and political commentary in their creative work and public careers.
The Edmonton Folk Music Festival will receive the Clearwater Award, which is presented to a festival that prioritizes environmental stewardship and demonstrates public leadership in sustainable event production.
Four DJs will be inducted into the Folk Radio Hall of Fame – Susan Forbes Hansen (WHUS), Kieran Hanrahan (RTE Radio 1), Ron Olesko (Folk Music Notebook), Michael Stock (WLRN).
Hip-hop artist and TV personality Big Freedia and 2025 Grammy winner Tank (of Tank and the Bangas), both of New Orleans, are the conference’s 2026 keynote speakers. The conference’s theme is Rise Up. All conference attendees will have access to attend the IFMAs.
Here’s a complete list of nominees for the Best of 2025 awards at the 2026 International Folk Music Awards.
Artist of the year
Abbie Gardner
Carsie Blanton
Crys Matthews
I’m With Her (Sara Watkins, Sarah Jarosz and Aoife O’Donovan)
Ordinary Elephant
Sam Robbins
Album of the year
Arcadia, Alison Krauss & Union Station (Down the Road Records) best bluegrass album
CHURCH, Flamy Grant (Shamus Records/Palm Valley Music)
Room on the Porch, Taj Mahal & Keb’ Mo’ (Concord Records)
Reclamation, Crys Matthews (self-released)
Wild and Clear and Blue, I’m With Her (Rounder Records) best folk album
Woody at Home: Volumes 1 + 2, Woody Guthrie (Shamus Records)
Song of the year
“Ain’t Afraid To Die” (written and performed by Woody Guthrie)
“Crying in the Night” (written by Stevie Nicks, performed by Andrew Bird & Madison Cunningham)
“I BOUGHT ME A PRESIDENT” (written by Cathy Fink & Tom Paxton, performed by Cathy Fink & Marcy Marxer)
“Room on the Porch” (written by Henry St. Claire Fredericks, Jr., Kevin R. Moore, Ruby Amanfu & Ahmen Mahal; performed by Taj Mahal, Keb’ Mo’, Ruby Amanfu)
“Sleeves Up” (written and performed by Crys Matthews)
“Sisters of the Night Watch” (written by Aoife O’Donovan, Sara Watkins, Sarah Jarosz, performed by I’m With Her)
Global folk album award
At the Feet of the Beloved, Rizwan-Muazzam Qawwali
Bagola, Malian trio Da Kali
Niepraudzivaya, Hajda Banda
Tales of Earth and Sun, Rastak
Värav / Vārti / Vartai, The Baltic Sisters
Vié Kaz, Votia
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Bono and The Edge of U2 accepted the 2025 Woody Guthrie Prize on behalf of the band on Tuesday. The award was presented for embodying the legacy of the legendary folk singer. The event was held at Cain’s Ballroom in Tulsa, Oklahoma – and marked the first time Bono and The Edge had been there since a U2 tour stop in 1981 to promote the band’s debut album, Boy.
The 2025 Woody Guthrie Prize celebration was hosted by the Woody Guthrie Center. Preceding the award presentation, Bono and The Edge participated in an onstage conversation about art and activism with producer and musician T Bone Burnett.
“Our favorite protest songs always had a sense of vision, something to aim for. … You don’t talk about the darkness, you make the light brighter,” The Edge said, adding: “I believe music can actually change the mood of the room and actually shift a culture.”
Bono credited Bob Dylan for leading U2 to Guthrie’s music. “Bob Dylan really did bring us to the place where the song was an instrument to open up worlds. And the world of Woody Guthrie, I wouldn’t have entered if not for Bob.”
Bono also alluded to the current challenges confronting America. “America is the greatest song still yet to be written. The poetry is there but it’s still being written… don’t imagine it will continue to be extraordinary on its own, that if you fell asleep and woke up in twenty years, the world would be fairer or freer. It won’t, that’s not the way it works.”
When speaking with Burnett about the songwriting process relative to protest songs, Bono said, “You can’t write a song to order.” He read lyrics to a song that is a work-in-progress, written about the killing of Palestinian activist Awdah Hathaleen in July by an Israeli settler.
Bono and The Edge surprised attendees with a six-song performance, including two songs in which they included snippets of Woody Guthrie songs (“Running to Stand Still” with a snippet of “Bound for Glory) and “Pride (In the Name of Love)” with a snippet of “Jesus Christ”). Other U2 songs in their set were “Mothers of the Disappeared,” “Sunday Bloody Sunday,” “One” and “Yahweh.”
Guthrie’s granddaughter Anna Canoni and Woody Guthrie Center director Cady Shaw also spoke at the event. “Woody and U2 have been aligned for decades,” Canoni said. “Whether it is protesting against war and violence, standing up for humanitarian rights, singing about greed, corruption and injustice.”
The event served as a fundraiser to support the Center’s educational programs, public concerts, exhibitions and the legacy of Woody Guthrie. The event was presented by the Harper House Music Foundation.
The Woody Guthrie Prize seeks to recognize artists who reflect Guthrie’s belief that music can be a force for social justice and change. Previous honorees include Tom Morello, Pete Seeger, Mavis Staples, Kris Kristofferson, John Mellencamp, Chuck D, Joan Baez, Bruce Springsteen and Pussy Riot, as well as groundbreaking TV producer Norman Lear.
Guthrie’s most famous song is “This Land Is Your Land,” which he wrote in February 1940 in response to what he felt was the overplaying of Irving Berlin’s “God Bless America” on the radio. Guthrie died in 1967 at age 55 from complications of Huntington’s disease. He was inducted into the Rock & Roll Hall of Fame as an early/musical influence in 1988 and received a lifetime achievement award from the Recording Academy in 2000.
U2, which also includes Adam Clayton and Larry Mullen Jr., has won 22 Grammys, more than any other group or duo in history. Their Grammy collection includes two awards for album of the year, two for record of the year and two for song of the year. U2 was inducted into the Rock & Roll Hall of Fame in 2005 and were recently named Fellows of The Ivors Academy, the highest honor in British songwriting.
Triple 8 Management has added Aaron Sawyer as an artist manager. He brings with him longtime colleague and associate manager Hannah Boren.
Prior to joining Triple 8, Sawyer spent seven years at Red Light Management. With his hire, he expands the Triple 8 Management roster to include Madison Cunningham, I’m With Her, Julian Lage, and Melt, as well as Sean and Sara Watkins and Watkins Family Hour.
“We’re really proud that Triple 8 is known for being a collaborative and creative environment where everyone in the company is willing to raise a hand and help across teams and departments,” said Triple 8 Management founding partner George Couri in a statement. “Aaron and Hannah embody those qualities and compliment the team perfectly. We are thrilled to welcome them to our organization. We are lucky to have them.”
“Aaron Sawyer has been a trusted friend for at least 15 years, and Hannah and I have known each other since her time at Noisetrade in 2014,” added Triple 8 partner Paul Steele. “I can not say enough kind things about these people and am honored they have decided Triple 8 is the right place for them to be. I have never been more excited about our future than I am today, and Aaron and Hannah are a big part of that.”
Sawyer added, “I’ve long admired the company George and Paul have built over the years, as well as their all-hands approach to management and ability to look at every minute detail to foster enduring artist growth and development. Paul and I nearly joined forces in 2015, so when the opportunity to join him arose again, it felt kismet.”
Cunningham currently boasts two Grammy nominations leading into next month’s ceremony, with nods for best folk album (for Revealer) and best American roots performance (for her song “Life According to Raechel”). Lage sold out concerts across Europe and North America last year following the release of View With a Room, his second album for Blue Note Records. Meanwhile, Sean and Sara Watkins continued their longstanding Watkins Family Hour project, releasing their record Vol. II and celebrating their 20th year in residence at Los Angeles club Largo. They are also gearing up for a big year with their group Nickel Creek, with the band slated to tour in Europe for the first time in nearly two decades.
Touring can be a tough way to make a living these days, but for Arlo Guthrie, playing live comes with certain medical benefits that aren’t available in retirement.
“There’s nothing like playing before a live audience,” says the prolific songwriter, activist and storyteller who suffered a series of strokes in 2019 and decided to retire in 2020 as the pandemic shuttered the live music industry. Now, after three years resting at his home in Berkshire County, Mass. with wife Marti Ladd, the couple decided that “I could recuperate better in front of a live audience, rather than just sit at home, and both agreed I should get back out there as part of my rehabilitation.”
Today, Guthrie is sharing the details of his recovery plan, embarking on a four-city storytelling theater tour titled “Arlo Guthrie – What’s Left Of Me – A Conversation With Bob Santelli,” featuring the executive director of the Grammy Museum in Los Angeles. The tour is spread out so that each show is at least one week apart, making travel an easy back and forth trip from his home in western Massachusetts.
“I didn’t really retire from the gigs. I retired from getting to them. I’m retired from seven-hour rides in a tour bus,” Guthrie tells Billboard. The first show in the series will take place at Boston’s Schubert Theater on April 1, followed by The Egg in Albany, NY on April 21; The Pollock Theater at Monmouth University in West Long Branch, New Jersey on April 28; and The Spruce Peak PAC in Stowe, Vermont on May 27.
“What’s Left Of Me” was booked by Guthrie and Ladd’s new production company Gut3 Productions. Ladd is the director of set design for the series and has created an intimate setting with a backdrop of Arlo’s heroes and mentors hanging within a living room environment. The couple met 20 years ago in Woodstock and married in December 2021. For “What’s Left of Me,” Guthrie will talk about his life as a touring artist, his memories of his famous father Woody Guthrie and his wildly entertaining tales from the road. Guthrie has performed at Carnegie Hall, the 1967 Newport Folk Festival and the original Woodstock festival in 1969 and has released 32 acclaimed albums over his six-decade career. “What’s Left of Me” also includes rarely seen video footage along with an audience Q&A and snippets of his past performances.
Guthrie says the stroke has affected his ability to perform music and says the series is not a music show with some conversation sprinkled in between songs.
“It’s a conversation between two people with maybe some music included,” he notes. “I would rather have it that way. There may be some young people who have no idea who I am, but who got dragged to these events by overenthusiastic friends or parents, or even grandparents and you’ve got to reeducate people and tell them where you’ve been and who you’ve been and make it as much fun as possible.
That includes telling the story of “Alice’s Restaurant Massacre,” a 18-minute monologue that’s both a celebration of Thanksgiving and a not-so-subtle protest piece against the Vietnam War. The talking, satirical format was unusual when it was released in 1967 and still occasionally befuddles folk music fans.
“In 1967, I was beginning to tell my stories on stage and somebody yelled out, ‘shut up and sing,” he jokes “After ‘Alice’s Restaurant’ came out, I was back in Chicago and I was singing songs and somebody yelled ‘shut up and talk.’”
While Guthrie is still affable and gregarious six decades into his career, he’s also become an outspoken advocate and proponent for folk music and the genre’s legacy. His father Woody is one of the most significant and recognized American folk artists of the last century and Arlo has received multiple awards and accolades for his work in folk music, which he insists is more of a musical movement than a genre.
“The great folk musicians all learned how to play music the same way — on acoustic instruments in their houses. That’s the kind of music that I was brought up with. That’s the kind of music my father played. That’s the kind of music I taught my kids to play. It’s music you can take to any country in the world and sing or play with anyone – even those you may not be able to talkto. You may not even be able to say hello, but you can sit down and play something together. That to me, is really always been at the heart of what folk music is,” Guthrie explains.
“That to me is what folk music is,” he continues. “It’s how you learn music. It’s not the sound of it. It’s not the look of it. You don’t need a fancy hat for it. You don’t need lights or amplification. You don’t need anything besides experience and the will to learn how to play.”
For more on “What’s Left Of Me” and to purchase tickets, visit: www.gut3.me
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