Film
Page: 6
HipHopWired Featured Video
CLOSE
Source: Jim Spellman / Getty
The iconic film legend James Earl Jones has passed. He was 93.
In the new Thom Zimny documentary Road Diary: Bruce Springsteen and the E Street Band — which had its world premiere at the Toronto International Film Festival last night (Sept. 8) and premieres on Disney+ and Hulu on Oct. 25 — we see under the hood of arguably the best live performer in rock ‘n’ roll, as The Boss meticulously “shakes the cobwebs” off his colossal band in preparation for their 2023-2024 world tour.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
After being forced off the road for six years because of the global pandemic, during which he turned 70, Springsteen chose the setlist with care and precision to “let the audience know who I am at this point.” At its core, though, Road Diary is about exceptional commitment and a lesson to all bosses on how to be firm and respectful to get the best out of the people who work for you, something Springsteen alluded to in the post-screening Q&A.
Zimny, who directed other Springsteen’s docs (2019’s Western Stars, 2018’s Springsteen on Broadway, 2010’s The Promise: The Making of Darkness on the Edge of Town, 2005’s Wings for Wheels: The Making of Born To Run) and countless music Springsteen videos, sat with The Boss, his manager Jon Landau and E Street guitarist and musical director Steve Van Zandt in the balcony of Roy Thomson Hall. Together, they watched the first public screening along of Road Diary with 2600 other people, including the Governor of New Jersey, Phil Murphy.
Trending on Billboard
On the red carpet before the screening, Zimny told Billboard, “I was hoping with the film to give the casual fan a sense of Bruce, but also the über fan approach. What I wanted to show was there’s elements of a brotherhood that you see in how they first greet each other — nothing is staged, none of it is rehearsed. I sat there for days filming them, and what came across for me — and what I think is unique compared to the other docs — was this musical language that they have, where they work out songs… So, I think, the big surprise is how deep that bond is. You see it in the footage, and then you see them share that with the crowds.”
Interspersed with that beautiful bond is Springsteen’s current mindset: bracing his own mortality. From being the only surviving member of from his first band, the Castiles, which he joined at 16 (captured in the song “Last Man Standing”), to the “terrible blows to the [E Street] Band” when Clarence Clemons and Danny Federici died too young — in 2011 and 2008, respectively — and the final scene of Springsteen dancing with his mom, Adele — who died in February at 98 (and to whom Road Diary is dedicated) — Springsteen, now 74, is feeling nostalgic, contemplative, appreciative and a little bit melancholy.
There is also a brief but startling revelation in the documentary when his wife — and band member — Patti Scialfa, 71, says she received a diagnosis in 2018 of early-stage multiple myeloma (blood cancer), which she says “affects my immune system” and makes it “challenging” to tour.
Still, despite the undercurrent of “I’m getting old,” Road Diary is more joyous than anything — which is no surprise to any Springsteen fan, given the still-jubilant nature of his live shows. It serves as a blueprint for how a band can still sell out arenas and stadiums around the world many decades after its formation, from Springsteen’s meticulous guidance of the E Street Band to his six-cylinder live presence — and, as the doc reveals, getting in the gym the next morning after a show. Plus, as he promises in the film (and has recently affirmed on tour), he plans on “continuing until the wheels come off. After 50 years on the road, it’s too late to stop now.”
Though fans know there are often spontaneous moments in concert — though fewer on the current outing than in years past — Road Diary shows the high level of planning and practice that go into each show.
On the red carpet, Van Zandt tells Billboard that even 50 years later, there’s no strolling into rehearsal with a “‘Sorry I’m late. I overslept.’ No, that would be a different band,” he says with a loud laugh. “This movie does lift the curtain, the backstage curtain, the rehearsal curtain. I’m not sure we’ve ever done that to this extent. So, you’re gonna see the band [and] how it works.”
Springsteen’s long-time manager Landau tells Billboard he likes how Zimny includes archival footage that shows “the history of the emergence of Bruce as a performer,” from the shy teen that Van Zandt met when they were both teens, “into what we think is the greatest live artist in the world. We try to show how that happened.” Though the doc includes a good deal of footage from the current tour, Landau says, “We really wanted to tell the story of Bruce, the live performer, artist, and what goes into it. And I think that what will surprise people is that it’s actually a very emotional film.”
Springsteen didn’t do any interviews on the red carpet, but did join Zimny, Landau and Van Zandt onstage for a brief, 15-minute post-screening Q&A. As always, Van Zandt played the perfect hype man, prepping his question for Springsteen with a wind-up: “So, alright, for you, I got a big question now, so bear with me for 60 seconds. This is your question, baby. Get ready!”
He proceeded with a lengthy set up which included a spot-on summation of the film, describing it as “the explanation of your roots and methodology as a band leader, the explanation of how a band works, how it functions [and] what it takes to do what we do.” Van Zandt then asked Springsteen, “Did the realization of being that ‘Last Man Standing’ from your first band reawaken your love of the band interaction, and how that affects your work and ultimately the communication to an audience?”
Springsteen answered that he is “completely committed to everything that I do, but the band is the band,” and that onstage he’s not alone; he’s surrounded by his bandmates. He reflected on how the “natural order of things” is that bands break up and quips how, “They can’t even get two guys to stay together, Simon hates Garfunkel, Sam hates Dave, the Everly Brothers hated one another… but if you do it right, and we have, I would call it a benevolent dictatorship.”
And, he knows just how lucky he and his ongoing band members are. “We have this enormous collective where everyone has their role, and a chance to contribute, and to own their place in the band, and this is what people want from their work, and I wish it on everyone,” he continued. “We don’t quite live in a world where everybody gets to feel that way about their jobs or the people they work with, but I sincerely wish that we did — because it’s an experience like none I’ve ever had in my life. If I went tomorrow, I’d be, ‘It’s okay. What a f–king ride.”
HipHopWired Featured Video
Source: Netflix / Netflix
Netflix has released the trailer for the documentary series on the controversial WWE chairman Vince McMahon.
The trailer for the Netflix documentary series Mr. McMahon made its debut, showing the rise and tumultuous fall of World Wrestling Entertainment chairman and co-founder Vince McMahon. The trailer is loaded with snippets from interviews with a few of the wrestling federation’s legends including Dwayne “The Rock” Johnson, Hulk Hogan, Stone Cold Steve Austin, John Cena, and Paul “Triple H” Levesque. McMahon himself is extensively featured, having sat down for multiple interviews concerning his career during the filming of the series. Mr. McMahon will debut on the platform on September 25.
Mr. McMahon covers the life and career of Vince McMahon from his beginnings as a businessman who helped found the WWE (formerly the World Wrestling Federation), overseeing its rise from a regional force to a dominant global entertainment company to the shocking sexual abuse allegations that forced him to step down. The six-part series, according to the press release, aims to “present an unflinching, no-holds-barred look at one of the most enigmatic figures in sports entertainment.” It was originally announced in October 2020. McMahon would announce his retirement from the WWE as its board of directors was investigating allegations of misconduct. He’d return to oversee the sale of the WWE to Endeavor, who merged it with the UFC under the TKO umbrella in 2023. McMahon would then step down again due to another sexual assault allegation.
Tiger King filmmaker Chris Smith is the director of the series and is an executive producer along with the noted sports journalist Bill Simmons and Zara Duffy. There was speculation that the series wouldn’t go forward after Netflix’s 10-year, $5 billion deal to be the home of WWE’s Monday Night Raw beginning next January. “The goal behind Mr. McMahon was to pull back the curtain and reveal the true Vince McMahon, obscured beneath the persona he presented to the world,” Smith said in an interview with Deadline. “Over the four years of production, the story evolved in truly shocking ways, culminating in some extremely harrowing allegations. The final product is a revealing documentary that we believe offers a rich and nuanced portrait of the man and the complex legacy he left behind.”
HipHopWired Featured Video
Source: YouTube / Youtube
While most Americans and much of the civilized world hope and pray that Kamala Harris beats the breaks off of Donald Trump in this coming November’s presidential election so we can forget all about the orange antichrist once and for all, a new biopic centered around the Cult 45 leader is set to release this October. We’ve gotten our first peek at what we can expect when it releases.
Starring Sebastian Stan as Donald Trump, The Apprentice is bound to infuriate hardcore MAGA members as the Ali Abbasi-directed feature seems to paint Donald Trump in a not so flattering manner. According to Variety, the film was screened at Cannes Film Festival earlier this year, and due to it’s controversial nature it struggled to find a buyer as it featured a scene in which Trump raped his then wife, Ivana Trump. Something his ex-wife confirmed happened when they were “happily” wedded.
Now that Briarcliff Entertainment has decided to take on the film and subsequently the hate that will soon follow after MAGA country realizes how this film will portray their dear leader, a clip for the film has been released featuring Stan as Donald Trump riding along side his favorite lawyer of all-time, Roy Cohn (Jeremy Strong). Rocking a blonde wig piece and tan suit (Didn’t Obama get a lot of hate for wearing some similar duds?), we see how Stan’s iteration of Donald Trump might be throughout the whole film. Truth be told, he comes off a bit too stable and smart compared to the man we’ve experienced over the past decade. Just sayin’.
From what we know, Donald Trump has yet to see the film but has already condemned it as he knows it won’t be a movie that makes him look good.
Variety reports:
The Trump campaign threatened legal action over the movie, saying in a statement, “This garbage is pure fiction which sensationalizes lies that have been long debunked.”
From writer Gabe Sherman, “The Apprentice” is touted as “a dive into the underbelly of the American empire.” Martin Donovan also stars as Fred Trump Sr.
Set in 1970s America, the movie centers around Trump’s relationship with Cohn, who served as Senator Joseph McCarthy’s chief counsel during the Army-McCarthy hearings. Cohn was thrust into the limelight as a prosecutor for the U.S. Department of Justice at the espionage trial of Julius and Ethel Rosenberg, leading to their execution in 1953.
Expect more hateful rhetoric from Donald Trump and MAGA country as the premier date of this film nears and Election Day rolls around. Just sayin’.
Check out the clip for The Apprentice below, and let us know if you’ll be checking for it when it hits theaters Oct. 11.
HipHopWired Featured Video
Source: Paramount Pictures / Paramount Pictures
It’s almost Halloween season and though kids, teens and tweens look forward to dressing up in costumes and barely-there cosplay outfits, others are keeping an eye out for the pending horror films set to drop in October. Smile 2 is definitely one that tops our list.
Source: Paramount Pictures / Paramount Pictures
Paramount Pictures released their latest trailer for the sequel to the surprise 2022 hit, and if this trailer is any indication on what to expect, we’re definitely in for a bloody good time. Starring Naomi Scott as famous pop star, Skye Riley, the trailer finds her accidentally witnessing the “suicide” of a close friend. Little does she know that simply being in the presence of such an act carries with it a deadly curse that can’t be shaken off.
Haunted by the smiling entity, Riley must figure out how she can defeat the curse without losing her life in the process.
The official synopsis for the film states: “About to embark on a new world tour, global pop sensation Skye Riley (Naomi Scott) begins experiencing increasingly terrifying and inexplicable events. Overwhelmed by the escalating horrors and the pressures of fame, Skye is forced to face her dark past to regain control of her life before it spirals out of control.”
We can’t wait for this one.
Check out the latest trailer for Smile 2 below, and let us know if you’ll be checking it out when it hits theaters Oct. 18.
Olivia Rodrigo and Louis Partridge look smitten with one another in new photos from Venice, Italy, where the couple attended festivities together at the 2024 Venice Film Festival.
Fresh off of the second U.S. leg of her Guts Tour, the “Obsessed” singer-songwriter spent the weekend publicly supporting Partridge at the premiere of his upcoming Apple TV+ limited series Disclaimer, an Alfonso Cuarón-directed psychological thriller starring Cate Blanchett.
As The Hollywood Reporter notes, the Venice Film Fest marked Rodrigo and Partridge’s debut as a couple at an “official” event.
Trending on Billboard
They didn’t do a typical red carpet launch at Palazzo del Cinema for Disclaimer‘s Venice premiere on Thursday (Aug. 30), but together they attended a cocktail reception at the Hotel Excelsior, as a well as a post-screening reception at Palazzina Grassi.
They posed together and were captured in candid moments in select photos that hit the wires from the Venice events, with the actor adorably kissing the top of Rodrigo’s head for one cute photo opp. At another point, Partridge was seen photographing Rodrigo with his own camera.
Eric Charbonneau/Apple TV+ via Getty Images
THR reports Rodrigo was spotted taking a cell phone video of her beau while Disclaimer received a warm, standing ovation at Venice’s Sala Grande cinema. When Partridge took his seat among the show’s cast, he turned to look at Rodrigo; she mimed a sweet kiss in his direction.
Over the weekend Partridge also shared a romantic image from Venice of the couple hand-in-hand, and gazing at one another, via a temporary Instagram Story.
Rumors that Rodrigo and Partridge were dating began to swirl in October 2023, and two months later it seemed the romance was real, thanks to a PDA-filled moment at a gas station. In June, Rodrigo called the Enola Holmes actor “angel boy” in a sweet happy birthday message on Instagram.
Disclaimer, adapted for Apple Studios from the Renée Knight novel of the same name, has Partridge in the role of Jonathan Brigstocke in an ensemble cast featuring Blanchett, Kevin Kline, Sacha Baron Cohen, Kodi Smit-McPhee, Lesley Manville, Leila George and Hoyeon. The first two episodes are set for an Oct. 11 release on Apple’s streaming service, followed by new episodes every Friday.
Rodrigo, currently on a short break from her world tour, returns to the Guts stage Sept. 15 in Bangkok.
When Maren Morris began working on music for The Wild Robot, the animated adaptation of the beloved best-selling middle-school-aimed book by Peter Brown, all she had to do was put on her mom hat.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
“I was so emotionally moved by this story as a mother. Writing the songs for this film was such an honor because it made me feel even closer to my son, especially when I’m touring and sometimes have to be far away from him,” she tells Billboard. “The entire Wild Robot team has been so supportive of the creation of these songs and I’m so excited for the world to see this film.”
The movie tells of a shipwrecked robot, Roz, who lands on an uninhabited island and learns how to build relationships with the animals there, including an orphaned gosling, Brightbill, whom Roz adopts and watches become independent.
Trending on Billboard
Morris, who is mom to 4-year old Hayes, sings and co-wrote “Kiss the Sky,” which plays over a pivotal scene in the film. The uplifting song and video premiere below and show Roz helping Brightbill fulfill his destiny by teaching him to fly. DreamWorks Animation will release the film Sept. 27, while Back Lot Music will put out the soundtrack, which features a score by Kris Bowers, the same day.
[embedded content]
“When we were approached to write the song for the flight scene in The Wild Robot we understood how pivotal the moment was in the film,” says co-writer Michael Pollack, who penned “Kiss the Sky” with Morris, Ali Tamposi, Delacey, Stefan Johnson and Jordan K. Johnson. “The scene is literally Brightbill learning how to fly and eventually taking flight, but also metaphorically felt like a lifting off point to the back half of the movie. It was important for the song itself to feel uplifting and have triumphant elements but at the same time it had to evoke the struggles Brightbill was enduring at this point in the story. In a way the melodic arc of the song mirrors the actions of a bird taking flight, as it rises from section to section, ultimately soaring in the post-chorus.”
Morris also penned the end-title song, “Even When I’m Not,” with the same co-writer (with additional writing by Isaiah Tejada). Both songs were produced by The Monsters & Strangerz production team and Tejada. Kris Bowers handled orchestration and served as the movie’s composer.
The Wild Robot stars Academy Award winner Lupita Nyong’o as Roz; Emmy and Golden Globe nominee Pedro Pascal) as fox Fink; Emmy winner Catherine O’Hara as opossum Pinktail; Oscar nominee Bill Nighy as goose Longneck; Kit Connor as Brightbill and Oscar nominee Stephanie Hsu as robot Vontra.
When Dave Stewart released his autobiographical album Ebony McQueen back in 2022, he promised there would be more to the story — like, a story, told on film. Now it’s lights, camera, action time.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Under the auspices of his Dave Stewart Entertainment, the Eurythmics co-founder has announced an early 2025 production start for the Ebony McQueen film, which will be set and filmed in Stewart’s hometown of Sunderland in northeast England. It will be directed by BAFTA Award winner Shekhar Kapur (2022’s What’s Love Got to Do With It?, 1998’s Elizabeth) from a script written by Stewart, Lorne Campbell, Selma Dimitrijevic and Peter Souter. It stars Sharon D. Clarke — who was also part of Stewart’s Ghost the Musical, in the title role — and Sunderland singer-songwriter Tom A. Smith as the aspiring musician guided by the spectral McQueen’s presence.
“The kernel of this idea I had very early on in (the album), and it stayed in my head,” Stewart tells Billboard via Zoom from his home studio in Nashville. “As I was writing the songs there were all these concepts or ideas or imaginings. On the album, obviously it’s me singing all the songs but in the film, it’ll be the character, and I always had that in my head.”
Trending on Billboard
The Ebony McQueen story comes directly out of Stewart’s youth, from when he was an aspiring football (soccer here in the States) player laid low by a broken knee. The silver lining, and his savior, was music.
“It’s a time in my life when it was a total disaster,” Stewart recalls. “My mum had left my dad and he was depressed and my brother had gone away from college and I was alone with my broken knee. And this amazing intervention happened where a postman came with a box from my older cousin in Memphis…with two pairs of corduroy jeans and these blues albums — Robert Johnson, people like that. I had never listened to music but I was so bored and fed up, and my dad had made a little homemade record player in his workshop. So I put (the records) on and it was one of those boom! moments where in one hour everything went from gloom and doom to ‘What the hell is this?!’ How do I do this?!’ I never looked back.”
Ebony McQueen isn’t Stewart’s first foray into film. He’d directed music videos for Eurythmics and others and made his feature directorial debut with the black comedy Honest in 2000. He won a Golden Globe Award in 2005 for “Old Habits Die Hard,” a collaboration with Mick Jagger, for the Alfie remake. Prior to all that, and more on-point, he was a principle figure in producing the 1991 documentary Deep Blues: A Musical Pilgrimage to the Crossroads, which is also at the heart of his desire to make Ebony McQueen.
“It was a very slow process,” Stewart says of the project’s gestation. “During Covid I had quite a bit of time to develop and think about the whole thing, and it became more and more like a movie than something for the stage.” Co-producer David Parfitt (Shakespeare in Love, The Father) is a BAFTA and Academy Award winner (and also from Sunderland), while Stewart met director Kapur during 1994 in India, when they had neighboring hotel rooms and Kapur heard Stewart working on music through the walls.
“We got on like a house on fire then,” Stewart says, “and he invited me and my wife to a screening of Elizabeth, so I met him again then. Twenty-odd years later we’re suddenly doing this movie together. So it started to become like a great, very small group of people rather than sitting in a room with loads of writers at Paramount or somewhere, and some executives chipping in. This is a very homemade, indie group of people who all have the same feeling about how this should be.”
Stewart has no plans to appear in Ebony McQueen himself, not even in a cameo à la Alfred Hitchcock or Stan Lee. “It’s a very short snapshot of a period in my teenage life, probably six months, and it stays in that world so there’s no need to have me, now, in it,” he notes. He is, however, writing new music for the production, including score music with A.R. Rahman — who was a bandmate in the short-lived SuperHeavy project with Jagger, Joss Stone and Damian Marley — as well as some fresh songs.
“As the script develops and changes, you need bits of songs and melodies to fit this scene or in that spot,” Stewart says. “I love creating these melodies that can also fit in this other song later on, because that’s where you write something where the worlds are colliding and coming together. So you can have a theme for Sunderland on the river but you can also use it for a character. It’s a tool that can help tell the story.”
Firm dates as well as distribution plans are still being worked out for Ebony McQueen, while Stewart remains involved in other projects; he co-produced Daryl Hall’s latest album, D, and has toured since 2023 with a Eurythmics songbook show featuring an all-female band. Who To Love, a multimedia collaboration with Italy’s Mokadelic and actress Greta Scarano, premiered at the Rome Festival last October, and he’s been busy with Artificial Intelligence experiments in the recording studio.
“I’m getting at this amazing stage of my life where I’m not winding down. I’m winding up into a world where it’s going to be more and more adventurous with AI and things you can do now with sound and light and…sound and vision, as Bowie would say,” Stewart notes. “You can do incredible things now, in all sorts of venues. I know a lot of people are going nuts about AI, for valid reasons, but it’s not like people can make it go away. I remember when drum machines came out and there was an uproar from the musicians’ union — and drummers — and now it’s just part of everything. Or when the labels were all panicking about the Internet. It doesn’t matter how hard you try and resist it; once it’s already there it’s there, and it’s just something you have to work with — and hopefully for the better.”
HipHopWired Featured Video
Source: Sony / Sony
Though Sony hasn’t released a live-action Spider-Man film in forever and have no plans to anytime soon, they’re still not giving up on their own Spider-Verse, which features some of his classic villains and allies.
Following the atomic bombs that were Morbius and more recently Madame Web (just tuuuurible), Sony is hoping that their next Spidey spinoff, Kraven, can help rejuvenate comic book fans’ appetite for their struggling comic book universe. Good luck with that.
Still, they’ve just dropped off a new trailer for the origin story of one of Spider-Man’s deadliest foes and truth be told, it looks pretty entertaining. Starring Aaron Taylor-Johnson as the titular character, the new trailer to Kraven shows just how merciless and blood thirsty Sergei Nikolaievich Kravinoff (Kraven) can get when he has a mission to complete. Stabbing men, using bear traps to almost decapitate other men and dismembering whoever’s in his way, Kraven seems like he can be the evil John Wick of Sony’s Spider-Verse.
In the previous trailer we learned that he got his superhuman strength from a lion who took a few chomps out of him but didn’t finish the job (sort of similar to Catwoman in 1992’s Batman Returns). So now that he’s learned how to utilize his newfound abilities, Kraven’s out to prove he’s the world’s deadliest hunter while dealing with some daddy issues (Russell Crowe) that we’re sure will come to a head by the end of the film.
Check out the new trailer to Kraven below, and let us know if you’ll be checking for this when it hits theaters Dec. 13.
While the solutions to climate change an also feel so big to be beyond our control, a new song from Diane Warren, Tiwa Savage and producer Damon Elliott intends to remind listeners otherwise.
Out Friday (Aug. 16), “One Heart Can Change The World” is sung by the Nigerian singer, produced by Elliott and written by Diane Warren, the 15-time Oscar-nominated legend.
The bright Afrobeats anthem is the sole song from the soundtrack to Ozi: Voice of the Forest, an animated film that tells the story of Ozi, an orangutan whose habitat is destroyed by deforestation. Forced from her home, Ozi goes on adventure through the forest, ultimately using social media to tell her story with the world.
Trending on Billboard
“One Heart Can Change the World” provides a climactic and uplifting end to the film, which is out Friday (Aug. 16) in Europe and will be released in the U.S. this fall. Hear the song below.
At a recent screening in Los Angeles, Savage, Warren and Elliott spoke on a panel after the film to talk about the song’s origins and intention.
“I was really touched by this movie and it really spoke to me,” Warren said of writing the soaring song. “What it has to say is what everybody needs to pay attention to, what’s going on with our planet. I sat down and wrote the song ‘One Heart Can Change the World’ because it’s true. One of us makes a little change and it can change the world.”
[embedded content]
Warren had Savage in mind to sing on the song, reaching to her via DM.
“I literally thought it was a joke,” Savage said of getting Warren’s message. “Then she said she wanted to send me the music, and when I heard it — I already I knew it was going to be an amazing song, because it’s coming from her. The lyrics and the melody were incredible and refreshing, because it’s different from everything that’s out right now, and I just loved the message behind it as well. I have a nine year old son, and it is something to think about: what kind of planet is my son going to grow up in, and his kids. I’m really honored to be able to lend my voice.”
For Warren, a longtime animal activist and vegan, working on this song was particularly meaningful. “The environment is ruined because of the greenhouse gasses which [are] caused by the cow industry and agriculture, aside from the horrible cruelty of it,” she said, “so I feel like my little one heart can make a change, and that’s how I choose to do it, by choosing kindness over cruelty.”
Elliott, a close collaborator of Warren’s who’s releasing the song through his own Kind Music Group, added that he took a course in Afrobeats production to make sure he got the sound right. “I was like, ‘This has to be the real deal,’” he said.
Ozi: Voice of the Forest was produced by Leonardo DiCaprio and Mike Medavoy and is an Appian Way and GCIFILM Production. While the film is a smart, heartfelt and entertaining way to introduce children to ideas around deforestation and climate change, Warren emphasizes that the movie and song’s message is for everyone.
“I didn’t write a song for kids,” she said. “I wrote a song for people of all ages. You could be five years old or 50, or whatever age. This song is saying something that’s important, that one heart can change the world, however old your heart is. “