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Ben Stiller publicly defended his Tropic Thunder movie recently, which garnered controversy over Robert Downey Jr. appearing in blackface in the film among other issues.
The actor and writer was mentioned in a tweet about the film last Tuesday by a Trump supporter who goes by “Benny Sings.” The individual wrote: “Please stop apologizing for doing this movie. It was and still is funny AF… Even funnier now with cancel culture the way it is. It’s a MOVIE. Ya’ll can just get over it. I was DYING laughing when I first saw it back in the day and so was everyone else.”
In an included text statement, the user noted that the Wayans Bros didn’t apologize for White Chicks in which they appeared as two white women. Stiller would respond afterward, writing: “I make no apologies for ‘Tropic Thunder.’ Don’t know who told you that. It’s always been a controversial movie since when we opened. Proud of it and the work everyone did on it.”
The 2008 comedy movie, which features Stiller and Downey Jr. along with Jack Black, drew a swarm of backlash on its release mainly for Stiller’s role as Tugg Speedman, who played a character in the fictional film-within-the-film Simple Jack that disability advocates felt mocked them. They pointed to the usage of the R-slur in particular in their criticisms.
Downey Jr. would also face some backlash for his role as Australian method actor Kirk Lazarus, who opts to darken his skin to play a Black soldier. The Iron Man actor did express his reservations about taking the role while appearing on The Joe Rogan Experience podcast in 2019, which would wind up earning him an Oscar nomination for Best Supporting Actor the following year. “Sometimes, you just have to go, ‘Yeah I effed up,’” he said.
Stiller appeared to apologize for that or claimed to in another tweet in 2018 prompted by Olympic medalist Shaun White appearing as Simple Jack for a Halloween costume. “Actually Tropic Thunder was boycotted 10 years ago when it came out, and I apologized then. It was always meant to make fun of actors trying to do anything to win awards. I stand by my apology, the movie, Shaun White, And the great people and work of the @SpecialOlympics,” he wrote.
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Volker Bertelmann’s score for All Quiet on the Western Front and Carter Burwell’s score for The Banshees of Inisherin are among the nominees for 2023 ASCAP Composers’ Choice Awards.
They are also among the Oscar nominees for best original score, and were among the BAFTA nominees in that category (which Bertelmann won on Feb. 19).
Established as a first-of-its-kind program among U.S. performing rights organizations, the ASCAP Composers’ Choice Awards enable composers to recognize the artistic accomplishments of their peers. The nominations committee includes composers and film, television and video game industry leaders. Voting is open to eligible ASCAP writer members through March 10 at www.ascap.com/composerschoice. Winners will be announced as part of the 2023 ASCAP Screen Music Awards the week of May 15.
Amanda Jones, Bear McCreary, Siddhartha Khosla, Dan Romer and Cristobal Tapia de Veer were each nominated in two categories.
More information about the 2023 ASCAP Composers’ Choice Awards, including excerpts of the nominated music, is available at www.ascap.com/composerschoice.
Categories with six or more nominees reflect ties.
**Indicates a work co-written by non-ASCAP composer(s).
Film score of the year
All Quiet on the Western Front – Volker Bertelmann
Avatar: The Way of Water – Simon Franglen
The Banshees of Inisherin – Carter Burwell
Glass Onion: A Knives Out Mystery – Nathan Johnson
The Menu – Colin Stetson
Nope – Michael Abels
Documentary score of the year
Brainwashed: Sex-Camera-Power – Sharon Farber
Conversion – Paul Leonard-Morgan
Prehistoric Planet – Hans Zimmer & Anže Rozman**
Super/Natural – Amanda Jones
Tony Hawk: Until the Wheels Fall Off – Jeff Cardoni
Television score of the year
Cobra Kai – Leo Birenberg & Zach Robinson
The Lord of the Rings: The Rings of Power – Bear McCreary
Only Murders in the Building – Siddhartha Khosla
Slow Horses – Daniel Pemberton
Station Eleven – Dan Romer
The White Lotus – Cristobal Tapia de Veer & Kim Neundorf
Television theme of the year
Guillermo del Toro’s Cabinet of Curiosities – Holly Amber Church
Only Murders in the Building – Siddhartha Khosla
Somebody Somewhere – Amanda Jones
Station Eleven – Dan Romer
The White Lotus – Cristobal Tapia de Veer
Video game score of the year
Destiny 2: The Witch Queen – Skye Lewin, Michael Salvatori, Michael Sechrist**
God of War Ragnarök – Bear McCreary
Immortality – Nainita Desai
Minecraft: The Wild Update – Lena Raine**
MultiVersus – Gordy Haab
Composing the score for a war film can be, apologies for the metaphor, a minefield. Go too heavy on the orchestral oomph — all soaring strings and booming base — and you can quickly swing into schmaltz. Go too small and minimalist, and the onscreen explosions can overpower your music. Plus, there’s the danger of familiarity, of echoing the grand and epic scores of war films past.
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So, when director Edward Berger asked his regular composer, Volker Bertelmann, to write a score for his antiwar drama All Quiet on the Western Front, he told him to break all the rules.
“I said, ‘I want something different, something we’ve never heard before,’ ” says Berger, “then, and this is almost the most important thing: I said, ‘I want you to destroy the images onscreen. Don’t beautify or sentimentalize.’ [I wanted] a sound that feels like it’s coming from inside [lead character] Paul Bäumer’s stomach. I want the sound of fear, of hatred, of rage, of what a soldier feels when he has to kill in order to survive.”
“Something different” is pretty much Bertelmann’s M.O. The German pianist, who records and performs under the name Hauschka, is part of a cadre of experimental musicians who came up in the Berlin indie electronics scene and have quietly started to change the sound of Hollywood movies. Others from that milieu include Oscar-winning composer Hildur Gudnadóttir (Joker, Tár) and the late Jóhann Jóhannsson (Arrival, Sicario, The Theory of Everything), a two-time Oscar nominee.
Bertelmann is best known for his Oscar-nominated work on Garth Davis’ Lion and his score for Francis Lee’s Ammonite, which received an ASCAP nom for score of the year (both were co-written with Dustin O’Halloran). In Lion, the composers stripped out horns and strings to deliver a piano-driven sound that managed to be emotional while never being predictable. For Ammonite, a small, sparingly used chamber orchestra forms the film’s emotional core.
“Coming from the independent scene, I have a different approach to composing,” says Bertelmann. “It’s very intuition-driven, just trying something out and seeing what happens. Like, if I want a bass drum sound, instead of getting an orchestra to record it, or going through all the recorded bass drum loops to find just the right one, I’ll put contact mics on the wall and bang on them to see if that works.”
Bertelmann created the signature three-tone motif that echoes through All Quiet — a thundering dom-dom-DOM! sounding like a trumpet of doom — by picking up his grandmother’s old harmonium.
“When I played it, pressing the paddles and using these old panels on the side with my knees, it created this weird wooden sound,” he recalls. “You could hear all the technical bits from the materials of the machine creating the music. Normally, in a classical recording, you’d work to take those out. I amplified them. I stuck microphones inside the harmonium, underneath it, on the wood, everywhere, to capture that sound.”
The result is both old and modern, like a wooden turn-of-the-last-century synthesizer, and — as it plays over post-battle scenes, as boots and uniforms are stripped off corpses, thrown in piles and then trucked off to be washed, repaired and handed out to a new crop of cannon-fodder recruits — perfectly evokes the horrifying machinery of war.
But when intimate emotion is called for, as in a late wrenching scene when Bäumer (Felix Kammerer) lies next to a French soldier he has brutally stabbed, listening to him slowly die, Bertelmann’s score can go quiet.
“For that scene, I used this really fragile string motif, recording them in a clear pure way,” he says. “When Edward heard it, he said it was too emotional and overpowering the scene. But I thought we needed that feel, so I put a filter on the whole instrumentation, just cut off the high end. It made it sound a bit like the music is coming from underneath a blanket. It’s muffled, but the emotion still comes through.”
For the battle scenes, Bertelmann worked closely with the film’s sound designer, Frank Kruse, to harmonize his score with the rat-a-tat-tat of the machine guns and the monstrous thumps of the exploding shells.
“With fights and battle scenes, the music can very easily get swamped by all the war sounds,” he says, “so we tried to find the frequencies for each other’s instruments and complement, not compete. Say there were explosions. That could be the bass drums. So I wouldn’t use bass on that section, or I’d go even lower, deeper in tone, below the explosions. Or for an ambush scene, in place of the main rhythm portion, I use the specific metal sounds of the gunfire.”
Bertelmann’s favorite piece of music in the All Quiet score, he says, comes in the final scene, as Bäumer, mortally wounded, climbs out from underground to see the sky one last time. For the piece, called “Making Sense of War,” the composer returns to his three-tone motif, but this time classically orchestrated.
“It sounds a little bit like an opera,” he says. “It gives this moment of clarity and pause, where we question everything that we’ve seen, and what the whole point [of war is].”
This story first appeared in a Feb. stand-alone issue of The Hollywood Reporter magazine. To receive the magazine, click here to subscribe.
Volker Bertelmann’s score for All Quiet on the Western Front won a BAFTA Award for best original score on Sunday (Feb. 19). The awards were presented at Royal Festival Hall in London. The score is also nominated for an Academy Award in that category.
This was Bertelmann’s second BAFTA nomination, but his first on his own and his first under his own name. He was nominated six years ago for Lion, on which he teamed with Dustin O’Halloran. Bertelmann went by the name Hauschka at the time. He and O’Halloran were also nominated for an Oscar for that film, but lost both awards to Justin Hurwitz for La La Land.
The other scores nominated for a BAFTA Award this year were Babylon (Hurwitz), The Banshees of Inisherin (Carter Burwell), Everything Everywhere All at Once (Son Lux) and Guillermo del Toro’s Pinocchio (Alexandre Desplat).
All of those scores except Guillermo del Toro’s Pinocchio are also nominated for Oscars. John Williams’ score for The Fabelmans is nominated instead at the Oscars. Oscar voting will conducted from March 2-7. The awards will be presented on March 12.
Unlike the Oscars, the BAFTAs don’t present an award for best original song.
All Quiet on the Western Front won in six other categories at the BAFTAs – best picture, best director (Edward Berger), best adapted screenplay, best film not in the English language, best cinematography and best sound.
Austin Butler won best actor in a leading role for his portrayal of Elvis Presley in Elvis. Cate Blanchett won best actress in a leading role for Tár. The awards for best actor and actress in a supporting role went to Barry Keoghan and Kerry Condon, both for The Banshees Inisherin.
With the 2023 Oscars just weeks away, Son Lux is in rarified company. They are the first band to receive a scoring nomination, credited as a band, since The Beatles won best original song score in 1971 for Let It Be.
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Son Lux, which consists of Ryan Lott, Rafiq Bhatia and Ian Chang, is nominated for best original score for Everything Everywhere All at Once. This is their first film score as a band.
Son Lux originated as a solo project of Lott’s, but became a three-piece band with the addition of Bhatia and Chang. It was as a band that they released the studio albums Bones (2015) and Brighter Wounds (2018) and the Everything Everywhere All at Once soundtrack.
The Beatles, who had broken up a year earlier, weren’t present at the Dorothy Chandler Pavilion in Los Angeles on April 15, 1971 when they won the Oscar. The award was accepted on their behalf by Quincy Jones, who was the music director for that year’s Oscar telecast.
In addition, Trent Reznor and Atticus Ross, the two current members of Nine Inch Nails, have been nominated three times for best original score, but under their own names, not as NIN. They won in 2011 for The Social Network and again in 2021 for Soul (shared with Jon Batiste). They were also nominated for Mank in 2021.
Several other band members have been nominated for – and in some cases have won – scoring Oscars, but not in collaboration with other members of their bands. These include Pete Townshend of The Who (Tommy, 1976), Prince of Prince and the Revolution (Purple Rain, 1985), David Byrne of Talking Heads (The Last Emperor, 1988), Will Butler of Arcade Fire (Her, 2014) and Jonny Greenwood of Radiohead (Phantom Thread, 2018 and The Power of the Dog, 2022).
Lott shares a second Oscar nomination for best original song with David Byrne and Mitski for “This Is a Life.” It is performed in the film by Son Lux, Byrne and Mitski.
The director of Leaving Neverland, the documentary that chronicled two accusers’ sexual abuse claims against Michael Jackson, is criticizing a planned biopic about the late singer.
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In a guest column for The Guardian published Sunday (Feb. 5), Dan Reed criticized the decision to release a biopic about the music icon, questioning why “no one is talking about ‘canceling’ this movie, which will glorify a man who raped children.”
“It seems that the press, his fans and the vast older demographic who grew up loving Jackson are willing to set aside his unhealthy relationship with children and just go along with the music,” Reed wrote.
He went on to directly address the filmmaking team, which includes director Antoine Fuqua, writer John Logan, as well as producers Graham King, John Branca and John McClain, the latter of whom are co-executors of the Michael Jackson estate. Reed challenged whether the film would be able to represent alleged moments of abuse.
“How will you represent the moment when Jackson, a grown man in his 30s, takes a child by the hand and leads him into that bedroom?” the Emmy-winning Leaving Neverland helmer asked. “How will you depict what happens next?”
He adds that the film “sidestepping the question of Jackson’s predilection for sleeping with young boys” is broadcasting a specific message to survivors of child sexual abuse. “That message is: if a [pedophile] is rich and popular enough, society will forgive him,” he said.
The biopic about the Grammy-winning, record-setting artist was announced last week and will address all aspects of Jackson’s life, according to Lionsgate, though it remains unclear how the film will tackle the various controversies around the late musician.
“For me, there is no artist with the power, the charisma, and the sheer musical genius of Michael Jackson,” Fuqua said in a statement. “I was influenced to make music videos by watching his work — the first Black artist to play in heavy rotation on MTV. His music and those images are part of my worldview, and the chance to tell his story on the screen alongside his music was irresistible.”
The Hollywood Reporter has reached out to the Jackson estate and Fuqua for comment.
Reed said making Leaving Neverland, which features Jackson accusers Wade Robson and James Safechuck, “was not just the opportunity to expose Jackson by having his victims speak on camera for the first time. Here was an opportunity to bring to the widest possible audience an insight into how children fall victim to any sexual abuser, the psychology of the predator and, above all, the grooming process.”
This article originally appeared on The Hollywood Reporter.
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Renowned actress Angela Bassett secured an anticipated Oscar nomination for Wakanda Forever, one of a few for the blockbuster film.
On Tuesday morning (Jan. 24), the Academy announced the list of nominees for the 95th Academy Awards. Angela Bassett was nominated for her role of Queen Ramonda in the Black Panther sequel film Wakanda Forever, making history in a three-fold fashion. She’s the first person of color, the first woman, and the first Marvel Studios actor to obtain an Oscar nomination for a role in a film adapted from a comic book.
Her nomination stands out among the few nominations that the 2022 blockbuster received from the Academy of Motion Picture Arts & Sciences. The Rihanna & Tems single “Lift Me Up” (written with composer Ludwig Göransson and Ryan Coogler) was nominated for Best Original Song. Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick were nominated for Best Visual Effects. Legendary industry designer Ruth E. Carter received a nomination for Best Costume Design, and Camille Friend and Joel Harlow were nominated for Best Makeup and Hairstyling.
For the 64-year-old veteran actress, this is her second Oscar nomination. She had been nominated for Best Actress in 1993 for her portrayal of Tina Turner in What’s Love Got to Do with It. Bassett is considered to be the favorite to win this go-round even as critics’ favorite Everything Everywhere All At Once (which dominated the 2023 Oscars nomination list) has two actresses in the category in Stephanie Hsu and Jamie Lee Curtis.
Her riveting work recently won the Critics Choice Award and most recently the Golden Globe Award for Best Supporting Actress. During her acceptance speech for the Globes award, she spoke of how the cast and crew banded together to honor the late Chadwick Boseman in filming Wakanda Forever.
“We have joy in knowing that with this historic Black Panther series, it is a part of his legacy that he helped to lead us to we showed the world what Black unity, leadership, and love looks like beyond, behind, and in front of the camera.”
The 95th Academy Awards will be held at the Dolby Theater in Los Angeles, California Sunday, March 12, and will be aired live on ABC.
The 2023 Academy Award nominations were revealed on Tuesday (Jan. 24) morning by Riz Ahmed and Allison Williams, and it looks like music will play a starring role in the March 12 Oscars ceremony.
Baz Luhrmann’s biopic on 20th century icon Elvis Presley, Elvis, was nominated for eight Oscars, including best picture; it also earned a best actor nomination for Austin Butler, who portrayed the King of Rock & Roll.
In the best original song category, two major pop stars are nominated: Lady Gaga for “Hold My Hand” (Top Gun: Maverick) and Rihanna for “Lift Me Up (Black Panther: Wakanda Forever). This is Rihanna’s first and Gaga’s fourth Oscar nom; in that same category, Diane Warren receives her 14th Oscar nomination for “Applause” (Tell It Like a Woman). Warren has yet to win an Academy Award, while Gaga won for co-writing “Shallow” from A Star Is Born. Talking Heads co-founder David Byrne, Sox Lux founder Ryan Lott and indie darling Mitski are also Oscar nominees in the best original song category thanks to their song “This Is A Life” from Everything Everywhere All At Once, which is the most-nominated film this year, earning 11 nods.
Head here for our full analysis of the music nominees at the 2023 Oscars.
The 95th Oscars will take place on Sunday, March 12 at the Dolby Theatre at Ovation Hollywood and air live on ABC.
Best Actress in a Supporting Role
Angela Bassett in “Black Panther: Wakanda Forever”Hong Chau in “The Whale”Kerry Condon in “The Banshees of Inisherin”Jamie Lee Curtis in “Everything Everywhere All at Once”Stephanie Hsu in “Everything Everywhere All at Once”
Best Costume Design
“Babylon” Mary Zophres“Black Panther: Wakanda Forever” Ruth Carter“Elvis” Catherine Martin“Everything Everywhere All at Once” Shirley Kurata“Mrs. Harris Goes to Paris” Jenny Beavan
Best Sound
“All Quiet on the Western Front” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte“Avatar: The Way of Water” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges“The Batman” Stuart Wilson, William Files, Douglas Murray and Andy Nelson“Elvis” David Lee, Wayne Pashley, Andy Nelson and Michael Keller“Top Gun: Maverick” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor
Best Original Score
“All Quiet on the Western Front” Volker Bertelmann“Babylon” Justin Hurwitz“The Banshees of Inisherin” Carter Burwell“Everything Everywhere All at Once” Son Lux“The Fabelmans” John Williams
Best Adapted Screenplay
“All Quiet on the Western Front” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell“Glass Onion: A Knives Out Mystery” Written by Rian Johnson“Living” Written by Kazuo Ishiguro“Top Gun: Maverick” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks“Women Talking” Screenplay by Sarah Polley
Best Original Screenplay
“The Banshees of Inisherin” Written by Martin McDonagh“Everything Everywhere All at Once” Written by Daniel Kwan & Daniel Scheinert“The Fabelmans” Written by Steven Spielberg & Tony Kushner“Tár” Written by Todd Field“Triangle of Sadness” Written by Ruben Östlund
Best Live-Action Short Film
“An Irish Goodbye” Tom Berkeley and Ross White“Ivalu” Anders Walter and Rebecca Pruzan“Le Pupille” Alice Rohrwacher and Alfonso Cuarón“Night Ride” Eirik Tveiten and Gaute Lid Larssen“The Red Suitcase” Cyrus Neshvad
Best Animated Short Film
“The Boy, the Mole, the Fox and the Horse” Charlie Mackesy and Matthew Freud“The Flying Sailor” Amanda Forbis and Wendy Tilby“Ice Merchants” João Gonzalez and Bruno Caetano“My Year of Dicks” Sara Gunnarsdóttir and Pamela Ribon“An Ostrich Told Me the World Is Fake and I Think I Believe It” Lachlan Pendragon
Best Actor in a Supporting Role
Brendan Gleeson in “The Banshees of Inisherin”Brian Tyree Henry in “Causeway”Judd Hirsch in “The Fabelmans”Barry Keoghan in “The Banshees of Inisherin”Ke Huy Quan in “Everything Everywhere All at Once”
Best Animated Film
“Guillermo del Toro’s Pinocchio” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley“Marcel the Shell with Shoes On” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey“Puss in Boots: The Last Wish” Joel Crawford and Mark Swift“The Sea Beast” Chris Williams and Jed Schlanger“Turning Red” Domee Shi and Lindsey Collins
Best Original Song
“Applause” from “Tell It like a Woman”; Music and Lyric by Diane Warren“Hold My Hand” from “Top Gun: Maverick”; Music and Lyric by Lady Gaga and BloodPop“Lift Me Up” from “Black Panther: Wakanda Forever”; Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler“Naatu Naatu” from “RRR”; Music by M.M. Keeravaani; Lyric by Chandrabose“This Is A Life” from “Everything Everywhere All at Once”; Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne
Best International Feature Film
“All Quiet on the Western Front” Germany“Argentina, 1985” Argentina“Close” Belgium“EO” Poland“The Quiet Girl” Ireland
Best Makeup and Hairstyling
“All Quiet on the Western Front” Heike Merker and Linda Eisenhamerová“The Batman” Naomi Donne, Mike Marino and Mike Fontaine“Black Panther: Wakanda Forever” Camille Friend and Joel Harlow“Elvis” Mark Coulier, Jason Baird and Aldo Signoretti“The Whale” Adrien Morot, Judy Chin and Anne Marie Bradley
Best Production Design
“All Quiet on the Western Front” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper“Avatar: The Way of Water” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole“Babylon” Production Design: Florencia Martin; Set Decoration: Anthony Carlino“Elvis” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn“The Fabelmans” Production Design: Rick Carter; Set Decoration: Karen O’Hara
Best Cinematography
“All Quiet on the Western Front” James Friend“Bardo, False Chronicle of a Handful of Truths” Darius Khondji“Elvis” Mandy Walker“Empire of Light” Roger Deakins“Tár” Florian Hoffmeister
Best Visual Effects
“All Quiet on the Western Front” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar“Avatar: The Way of Water” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett“The Batman” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy“Black Panther: Wakanda Forever” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick“Top Gun: Maverick” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher
Best Film Editing
“The Banshees of Inisherin” Mikkel E.G. Nielsen“Elvis” Matt Villa and Jonathan Redmond“Everything Everywhere All at Once” Paul Rogers“Tár” Monika Willi“Top Gun: Maverick” Eddie Hamilton
Best Documentary Feature
“All That Breathes” Shaunak Sen, Aman Mann and Teddy Leifer“All the Beauty and the Bloodshed” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov“Fire of Love” Sara Dosa, Shane Boris and Ina Fichman“A House Made of Splinters” Simon Lereng Wilmont and Monica Hellström“Navalny” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris
Best Documentary Short Subject
“The Elephant Whisperers” Kartiki Gonsalves and Guneet Monga“Haulout” Evgenia Arbugaeva and Maxim Arbugaev“How Do You Measure a Year?” Jay Rosenblatt“The Martha Mitchell Effect” Anne Alvergue and Beth Levison“Stranger at the Gate” Joshua Seftel and Conall Jones
Best Actor in a Leading Role
Austin Butler in “Elvis”Colin Farrell in “The Banshees of Inisherin”Brendan Fraser in “The Whale”Paul Mescal in “Aftersun”Bill Nighy in “Living”
Best Actress in a Leading Role
Cate Blanchett in “Tár”Ana de Armas in “Blonde”Andrea Riseborough in “To Leslie”Michelle Williams in “The Fabelmans”Michelle Yeoh in “Everything Everywhere All at Once”
Best Directing
“The Banshees of Inisherin” Martin McDonagh“Everything Everywhere All at Once” Daniel Kwan and Daniel Scheinert“The Fabelmans” Steven Spielberg“Tár” Todd Field“Triangle of Sadness” Ruben Östlund
Best Picture
“All Quiet on the Western Front” Malte Grunert, Producer“Avatar: The Way of Water” James Cameron and Jon Landau, Producers“The Banshees of Inisherin” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers“Elvis” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers“Everything Everywhere All at Once” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers“The Fabelmans” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers“Tá”r Todd Field, Alexandra Milchan and Scott Lambert, Producers“Top Gun: Maverick” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers“Triangle of Sadness” Erik Hemmendorff and Philippe Bober, Producers“Women Talking” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers
All Quiet on the Western Front leads this year’s BAFTA nominations with 14 nods, which puts it in a tie with Crouching Tiger, Hidden Dragon (2000) as the most-nominated non-English language film in BAFTA history.
The Banshees of Inisherin and Everything Everywhere All at Once are tied for second place in overall nominations this year with 10 nods.
All three of these films are nominated for best original score. Volker Bertelmann scored All Quiet on the Western Front; Carter Burwell scored The Banshees of Inisherin and Son Lux scored Everything Everywhere All at Once.
The other nominees for original score are Babylon (Justin Hurwitz) and Guillermo Del Toro’s Pinocchio (Alexandre Desplat).
All five of these scores were among the 15 scores shortlisted for Oscars on Dec. 21. Oscar nominations will be announced on Tuesday Jan. 24.
Desplat is a three-time winner for original score at the BAFTA Awards — for The King’s Speech (2010), The Grand Budapest Hotel (2014) and The Shape of Water (2017). Only two other composers have won three or more awards in this category in the history of the BAFTAs. John Williams leads with seven wins, followed by Ennio Morricone with six. Hurwitz won in this category at the BAFTAs six years ago for La La Land.
Bertelmann referenced All Quiet’s strong showing in a statement: “I am deeply honored to be nominated for a BAFTA, especially in connection with such a well-crafted and meaningful film. The collaboration with [director] Edward Berger gave me the freedom to work on a score without compromise. I am very thankful for that. Congrats to Edward, the producers and the entire team on their 14 nominations.”
In a statement, Son Lux, the composer of Everything Everywhere All at Once, said: “Our heads are spinning and our hearts are full. Thanks to BAFTA for this honor, to Daniels [directors Daniel Kwan and Daniel Scheinert] for their boundless vision and trust, and to each and every member of the EEAAO [Everything Everywhere All at Once] family for inspiring us beyond words.”
The BAFTAs do not have a best original song category.
In other nominations of interest to the music community, Austin Butler was nominated for leading actor for his portrayal of Elvis Presley in Elvis, and Brett Morgan’s David Bowie documentary Moonage Daydream is up for documentary.
These are the first BAFTA nominations for Butler, Angela Bassett (Black Panther: Wakanda Forever), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale) and Ke Huy Quan (Everything Everywhere All at Once), among others.
Steven Spielberg’s autobiographical family drama The Fabelmans received just one BAFTA nomination, for original screenplay – on which Spielberg collaborated with Tony Kushner. Sarah Polley’s Women Talking was shut out entirely.
In the best director category, four of the six nominated directors are first-time nominees in that category: Gina Prince-Bythewood (The Woman King); Todd Field (Tár), Kwan and Scheinert (Everything Everywhere All at Once) and Berger (All Quiet on the Western Front).
Actors Hayley Atwell and Toheeb Jimoh announced this year’s BAFTA nominations via a live broadcast from BAFTA’s London headquarters on Thursday (Jan. 19). This year’s awards will be presented at the Royal Festival Hall on Sunday, Feb. 19.
Here’s the complete list of BAFTA Award nominations.
Original score
All Quiet on the Western Front – Volker Bertelmann
Babylon – Justin Hurwitz
The Banshees of Inisherin – Carter Burwell
Everything Everywhere All at Once – Son Lux
Guillermo Del Toro’s Pinocchio – Alexandre Desplat
Best film
All Quiet on the Western Front – Malte Grunert
The Banshees Of Inisherin – Graham Broadbent, Pete Czernin, Martin Mcdonagh
Elvis – Gail Berman, Baz Luhrmann, Catherine Martin, Patrick Mccormick, Schuyler Weiss
Everything Everywhere All at Once – Daniel Kwan, Daniel Scheinert, Jonathan Wang
Tár – Todd Field, Scott Lambert, Alexandra Milchan
Leading actress
Cate Blanchett – Tár
Viola Davis – The Woman King
Danielle Deadwyler – Till
Ana De Armas – Blonde
Emma Thompson – Good Luck to You, Leo Grande
Michelle Yeoh – Everything Everywhere All at Once
Leading actor
Austin Butler – Elvis
Colin Farrell – The Banshees of Inisherin
Brendan Fraser – The Whale
Daryl Mccormack – Good Luck to You, Leo Grande
Paul Mescal – Aftersun
Bill Nighy – Living
Supporting actress
Angela Bassett – Black Panther: Wakanda Forever
Hong Chau – The Whale
Kerry Condon – The Banshees of Inisherin
Dolly De Leon – Triangle of Sadness
Jamie Lee Curtis – Everything Everywhere All at Once
Carey Mulligan – She Said
Supporting actor
Brendan Gleeson – The Banshees of Inisherin
Barry Keoghan – The Banshees of Inisherin
Ke Huy Quan – Everything Everywhere All at Once
Eddie Redmayne – The Good Nurse
Albrecht Schuch – All Quiet on the Western Front
Micheal Ward – Empire of Light
Director
All Quiet on the Western Front – Edward Berger
The Banshees of Inisherin – Martin Mcdonagh
Decision to Leave – Park Chan-wook
Everything Everywhere All at Once – Daniel Kwan, Daniel Scheinert
Tár – Todd Field
The Woman King – Gina Prince-bythewood
Original screenplay
The Banshees of Inisherin – Martin Mcdonagh
Everything Everywhere All at Once – Daniel Kwan, Daniel Scheinert
The Fabelmans – Tony Kushner, Steven Spielberg
Tár – Todd Field
Triangle of Sadness – Ruben Östlund
Adapted screenplay
All Quiet on the Western Front – Edward Berger, Lesley Paterson, Ian Stokell
Living – Kazuo Ishiguro
The Quiet Girl – Colm Bairéad
She Said – Rebecca Lenkiewicz
The Whale – Samuel D. Hunter
Film not in the English language
All Quiet on the Western Front – Edward Berger, Malte Grunert
Argentina, 1985 – Santiago Mitre, Producer(S) Tbc
Corsage – Marie Kreutzer
Decision to Leave – Park Chan-wook, Ko Dae-seok
The Quiet Girl – Colm Bairéad, Cleona Ní Chrualaoí
Documentary
All That Breathes – Shaunak Sen, Teddy Leifer, Aman Mann
All The Beauty and the Bloodshed – Laura Poitras, Howard Gertler, Nan Goldin, Yoni Golijov, John Lyons
Fire of Love – Sara Dosa, Shane Boris, Ina Fichman
Moonage Daydream – Brett Morgan
Navalny – Daniel Roher, Diane Becker, Shane Boris, Melanie Miller, Odessa Rae
Animated film
Guillermo Del Toro’s Pinocchio – Guillermo Del Toro, Mark Gustafson, Gary Ungar, Alex Bulkley
Marcel The Shell With Shoes On – Dean Fleisher Camp, Andrew Goldman, Elisabeth Holm, Caroline Kaplan, Paul Mezey
Puss In Boots: The Last Wish – Joel Crawford, Mark Swift
Turning Red – Domee Shi, Lindsey Collins
Casting
Aftersun – Lucy Pardee
All Quiet on the Western Front – Simone Bär
Elvis – Nikki Barrett, Denise Chamian
Everything Everywhere All at Once – Sarah Halley Finn
Triangle Of Sadness – Pauline Hansson
Cinematography
All Quiet on the Western Front – James Friend
The Batman – Greig Fraser
Elvis – Mandy Walker
Empire of Light – Roger Deakins
Top Gun: Maverick – Claudio Miranda
Editing
All Quiet on the Western Front – Sven Budelmann
The Banshees of Inisherin – Mikkel E. G. Nielsen
Elvis – Jonathan Redmond, Matt Villa
Everything Everywhere All at Once – Paul Rogers
Top Gun: Maverick – Eddie Hamilton
Production design
All Quiet on the Western Front – Christian M. Goldbeck, Ernestine Hipper
Babylon – Florencia Martin, Anthony Carlino
The Batman – James Chinlund, Lee Sandales
Elvis – Catherine Martin, Karen Murphy, Bev Dunn
Guillermo Del Toro’s Pinocchio – Curt Enderle, Guy Davis
Costume design
All Quiet on the Western Front – Lisy Christl
Amsterdam – J.R. Hawbaker, Albert Wolsky
Babylon – Mary Zophres
Elvis – Catherine Martin
Mrs. Harris Goes to Paris – Jenny Beavan
Make up & hair
All Quiet on the Western Front – Heike Merker
The Batman – Naomi Donne, Mike Marino, Zoe Tahir
Elvis – Jason Baird, Mark Coulier, Louise Coulston, Shane Thomas
Roald Dahl’s Matilda the Musical – Naomi Donne, Barrie Gower, Sharon Martin
The Whale – Anne Marie Bradley, Judy Chin, Adrien Morot
Sound
All Quiet on the Western Front – Lars Ginzsel, Frank Kruse, Viktor Prášil, Markus Stemler
Avatar: The Way of Water – Christopher Boyes, Michael Hedges, Julian Howarth, Gary Summers, Gwendolyn Yates Whittle
Elvis – Michael Keller, David Lee, Andy Nelson, Wayne Pashley
Tár – Deb Adair, Stephen Griffiths, Andy Shelley, Steve Single, Roland Winke
Top Gun: Maverick – Chris Burdon, James H. Mather, Al Nelson, Mark Taylor, Mark Weingarten
Special visual effects
All Quiet on the Western Front – Markus Frank, Kamil Jafar, Viktor Müller, Frank Petzoid
Avatar: The Way of Water – Richard Baneham, Daniel Barrett, Joe Letteri, Eric Saindon
The Batman – Russell Earl, Dan Lemmon, Anders Langlands, Dominic Tuohy
Everything Everywhere All at Once – Benjamin Brewer, Ethan Feldbau, Jonathan Kombrinck, Zak Stoltz
Top Gun: Maverick – Seth Hill, Scott R. Fisher, Bryan Litson, Ryan Tudhope
Outstanding British film
Aftersun – Charlotte Wells, Producer(S) Tbc
The Banshees of Inisherin – Martin Mcdonagh, Graham Broadbent, Pete Czernin
Brian and Charles – Jim Archer, Rupert Majendie, David Earl, Chris Hayward
Empire of Light – Sam Mendes, Pippa Harris
Good Luck to You, Leo Grande – Sophie Hyde, Debbie Gray, Adrian Politowski, Katy Brand
Living – Oliver Hermanus, Elizabeth Karlsen, Stephen Woolley, Kazuo Ishiguro
Roald Dahl’s Matilda the Musical – Matthew Warchus, Tim Bevan, Eric Fellner, Jon Finn, Luke Kelly, Dennis Kelly
See How They Run – Tom George, Gina Carter, Damian Jones, Mark Chappell
The Swimmers – Sally El Hosaini, Producer(S) Tbc, Jack Thorne
The Wonder – Sebastián Lelio, Ed Guiney, Juliette Howell, Andrew Lowe, Tessa Ross, Alice Birch, Emma Donoghue
Outstanding debut by a British writer, director or producer
Aftersun – Charlotte Wells (Writer/director)
Blue Jean – Georgia Oakley (Writer/director), Hélène Sifre (Producer)
Electric Malady – Marie Lidén (Director)
Good Luck to You, Leo Grande – Katy Brand (Writer)
Rebellion – Maia Kenworthy (Director)
British short animation
The Boy, the Mole, the Fox and the Horse – Peter Baynton, Charlie Mackesy, Cara Speller, Hannah Minghella
Middle Watch – John Stevenson, Aiesha Penwarden, Giles Healy
Your Mountain Is Waiting – Hannah Jacobs, Zoe Muslim, Harriet Gillian
British short film
The Ballad of Olive Morris – Alex Kayode-kay
Bazigaga – Jo Ingabire Moys, Stephanie Charmail
Bus Girl – Jessica Henwick, Louise Palmkvist Hansen
A Drifting Up – Jacob Lee
An Irish Goodbye – Tom Berkeley, Ross White
EE rising star award (voted for by the public)
Aimee Lou Wood
Daryl Mccormack
Emma Mackey
Naomi Ackie
Sheila Atim
After jesting about Rihanna’s long-awaited album and the controversy that kept the Golden Globes off broadcast TV last year, 2023 Globes host Jerrod Carmichael took a moment to make a swipe at Kanye West.
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Quieting the crowd after a commercial break, the comedian spoke directly to legendary filmmaker Steven Spielberg. “I want to take out a second to shout out Steven Spielberg, who is here,” he said. “It’s an honor sir. Congrats on The Fabelmans. I actually saw it with Kanye and it changed everything for him,” he continued as the audience exploded with laughter. “That’s how good you are. You changed Kanye West’s mind.”
Spielberg, for his part, laughed and raised his hands in prayer and looked up to the sky, as if to say, “if only.” The Fabelmans is the director’s semi-autobiographical 2022 film about a young boy born to Jewish parents in New Jersey who falls in love with cinema (Spielberg himself is Jewish). West, as nearly everyone is aware at this point, has been on a months-long diatribe* spouting antisemitic tropes and hate speech.
*Editor’s Note: After an Oct. 8, 2022 tweet in which he announced he was going “death con [sic] 3 on Jewish people,” Kanye West (Ye) has repeatedly doubled down on antisemitic hate speech, even going so far as to praise Hitler, a man responsible for the systematic murder of six million Jews during the Holocaust. This arrives at a troubling time when antisemitism is on the rise, with the Anti-Defamation League noting a 34% year-over-year increase in antisemitic incidents (assault, harassment and vandalism) in America in 2021. Many companies have cut business ties with the rapper/fashion designer, while numerous musicians, friends and politicians have condemned his comments.