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All Things Go festival will return to the Washington, D.C. area this fall with headliners Noah Kahan, Lucy Dacus and Doechii, who will be performing her first-ever festival headlining slot. The three-day festival will also feature performances from Clairo, Kesha, The Marías, MARINA, DJO, Julien Baker & Torres, and Lola Young.  

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Set for Sept. 26-28, the festival returns to its iconic venue Merriweather Post Pavilion in Columbia, Md. The 11th edition of the festival promises another year of incredible performances from established and emerging artists across a myriad of genres, with the majority of artists identifying as women or non-binary.  With a welcoming and diverse environment, the festival has been dubbed “Gay-chella,” “All Things Gay” and “Lesbopalooza” over the years.  

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Additional performers include The Last Dinner Party, Faye Webster, Role Model, Wallows, Griff, Sharon Van Etten & The Attachment Theory, Lucius, The Beaches, Joy Oladokun, G Flip, The Backseat Lovers, Hippo Campus, Orion Sun, Bartees Strange, Gigi Perez, Ashe, Rachel Chinouriri, MICHELLE and Molly Grace.   

In 2023, the festival expanded from one to two days with performances from Lana Del Rey, Maggie Rogers, boygenius and Carly Rae Jepsen. In 2024, All Things Go added a simultaneous weekend in New York. The lineup announcement for ATG Festival 2025 in New York at Forest Hills Stadium will be announced soon.  

Tickets for the Merriweather Post Pavilion edition of the festival will go on sale Thursday at 10am ET. Public on sale will begin on Friday. Head here for tickets and the full DC-area lineup.  

Sen. Bernie Sanders made an unexpected appearance at Coachella 2025.
The 83-year-old Vermont independent took the stage at the Indio, California, festival on Saturday (April 12) to introduce Clairo and deliver a politically charged message.

“This country faces some very difficult challenges, and the future of what happens to America is dependent upon your generation,” Sanders told the crowd, according to Time. “Now you can turn away and ignore what goes on, but if you do that, you do so at your own peril. We need you to stand up and fight for justice, to fight for economic justice, social justice, and racial justice.”

At one point, after referencing the “President of the United States,” the audience responded with boos. “I agree,” he replied.

The longtime politician went on to criticize President Donald Trump’s stance on climate change. “[Trump] thinks that climate change is a hoax. He’s dangerously wrong,” the senator said. “And you and I are going to have to stand up to the fossil fuel industry and tell them to stop destroying this planet.”

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Sanders also addressed wealth inequality and corporate power. “We have an economy today that is working very well for the billionaire class, but not for working families,” he said, calling for action against insurance and pharmaceutical companies. “Healthcare is a human right,” he added.

The senator praised Clairo for using her platform to advocate for critical issues. “I’m here because Clairo has used her prominence to fight for women’s rights, to try to end the terrible, brutal war in Gaza, where thousands of women and children are being killed,” he said.

Later that evening, Sanders reflected on his appearance through X, posting a photo from the stage. “Thank you, Coachella. I enjoyed introducing the great @clairo tonight,” he wrote. “These are tough times. The younger generation has to help lead in the fight to combat climate change, protect women’s rights, and build an economy that works for all, not just the few.”

Earlier in the day, Sanders appeared at Los Angeles’s Gloria Molina Grand Park as part of his ongoing “Fighting Oligarchy: Where We Go From Here” tour alongside Rep. Alexandria Ocasio-Cortez. The event also featured including Neil Young, Joan Baez and Maggie Rogers.

The Sanders-AOC tour has drawn thousands at rallies across Arizona, Colorado, Nevada and Utah. At a March 7 stop in Kenosha, Wisconsin, Sanders invited musician Laura Jane Grace to the stage to perform a provocative new song titled “Your God (God’s D—),” which sparked controversy online for its profane lyrics and religious themes.

Cactus Jack was always meant for the desert. Travis Scott told Complex he always wanted to headline Coachella — he even rapped about the decorated festival on ASTROWORLD’s “SKELETONS” and he took full advantage of the spotlight on Saturday night (April 12).

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La Flame was tasked with designing the desert, and he continued to push the envelope with his innovative world-building when it comes to his performances, which are simply unmatched in hip-hop at the moment.

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A 60-plus person marching band combining brass members from Jackson State’s Sonic Boom and Florida A&M University’s Marching 100 gave Scott’s “4×4” and anthems like “SICKO MODE” and “FE!N” a renewed texture and shelf life.

Scott had wrung about as much as he could out of the UTOPIA era and delivered on his promise of Coachella marking a “new chapter” for the Houston rapper.

La Flame previewed a pair of unreleased songs with the first being a lucid track that’s tentatively titled “She Goin Dumb.” “You getting wasted, just don’t waste mine,” he sings on the chorus. While the second finds Scott in a fun pocket on the smokey tune seemingly titled “On Jacques.” “We brought magic to the stu because it get tricky,” Trav raps.

It’s unclear if they’re intended to kick off Scott’s next solo effort or will end up on the JACKBOYS 2 compilation project, but it’s a welcome sign for where La Flame is headed sonically.

Scott is always looking for new ways to test the limits of what’s possible with his shows. He had dancers suspended in mid-air like the cover of NSYNC’s No Strings Attached album. They were flipped upside down like a pack of bats in the midst of the ethereal “Stargazing.” Tate McRae, a potent dancer in her own right, appreciated the theatrics and lent her stamp of approval on her IG Story from the crowd.

In a shoulder pad vest equipped with sunglasses and a Nike headband, Scott himself got in on the action to scale the stage’s stanchion wall while rappelling down and performing “Skyfall.”

The 33-year-old isn’t shy about how much Kanye West has meant to his career. Being a branch on the West artistic family tree, Scott having a model strut down the catwalk as the muse for “90210″ felt like something out of Ye’s “Runaway” playbook.

An interesting moment and perhaps olive branch to mend the fences with Drake came when Scott performed a mash-up of “Modern Jam” and Drizzy’s “NOKIA,” which comes on the heels of a “Modern Jam” and “NOKIA” blend that went viral on X from user Spectre earlier this year. It seemed to make it onto La Flame’s radar and he messed with it so much, it made the cut for his Coachella set.

The HBCU-led marching band gave Scott another avenue of creativity to explore as an orchestrator and made his performance art feel that much richer. Catalog anthems like “SICKO MODE” and “FE!N” felt like they received a fresh coat of paint with the brass band’s involvement in the arrangement meshing with Scott’s AutoTune-laced vocals. Of course, in typical Trav and DJ Chase B fashion, they had to run back the chaos of “FE!N” a few times.

The thrilling 70-minute solo set took fans on a rollercoaster ride through Scott’s career from when he was couchsurfing in the early 2010s looking for his break to becoming one of the most lucrative brands in all of music. Whether it was “Mamacita,” “Goosebumps,” the dreamy “My Eyes,” or his verses on Playboi Carti’s MUSIC, there was something representing every era of La Flame.

“That was a great set,” a fan was heard saying as “TELEKINESIS” and a firework show ended the night, while another attendee looked visibly emotional when the lights came on.

And perhaps the best part after everything? He’s still not satisfied, as the hunger for greatness remains. A photo emerged on social media shortly after Scott’s set of the Cactus Jack honcho back in the studio, tweaking tracks with the Coachella euphoria fueling him.

While Scott’s called arenas home for the majority of his past two U.S. treks, La Flame’s creativity thrives when the stakes are highest and venues are biggest. Buckle up, the next chapter is here.

Benson Boone made a memorable Coachella debut on Friday (April 11), lighting up the main stage with surprise guest Brian May for a powerful rendition of Queen’s iconic 1975 hit “Bohemian Rhapsody.”
Wearing a white-and-blue outfit reminiscent of Freddie Mercury’s classic look, the 22-year-old singer delivered a high-energy set complete with his signature backflips. Midway through the performance, Boone sat at the piano to begin “Bohemian Rhapsody,” and moments later, May emerged dramatically from the top of the stage, guitar in hand, to join him.

The legendary Queen guitarist stuck around for Boone’s final song, “Beautiful Things,” adding signature Queen-style riffs to the emotional track, which peaked at No. 2 on the Billboard Hot 100 in 2024.

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“It has changed my life this year and I hope you enjoy it,” Boon said prior to hit set, which was filled with fireworks and pyrotechnics.

May had teased the surprise appearance by posting a photo of himself and Boone on a plane headed to Palm Springs. “Look who I bumped into – on the way to the fabled Palm Springs,” May wrote on Instagram. “Maybe something will happen ?!”

Boone replied with a playful comment: “What are you doing with Pedro Pascal.” P!nk also joined in, commenting, “Perfect combo right here.”

During his set, Boone also announced that his second album, American Heart, is dropping on June 20. He premiered the title track and revealed the cover art, which shows him standing in front of an American flag.

Coachella’s opening day was packed with standout moments, including sets from Lady Gaga, Tyla, LISA, Mustard, and more. Catch Billboard’s full recap of day one here.

Coachella 2025 got off to both a literal and figurative hot start on Friday (April 11), with daytime temperatures in the desert hitting 100-degrees and a cavalcade of stars gracing the festival’s many stages. Among them were hip-hop legend Missy Elliott, South African star Tyla, pop queen LISA, rapper GloRilla and many others including Lady […]

Tens of thousands of music fans will descend on the California desert this weekend for the first of two iterations of the Coachella Music and Arts festival outside of Palm Springs, Calif.
Approximately 80,000 to 100,000 fans each weekend will have coughed up the $599 ticket price to see headliners Lady Gaga, Travis Scott, Green Day and Post Malone. But ticket price is often just the cost of entry — many of those fans will spend more than a $1,000 per weekend on lodging and cough up hundreds of dollars more for food, drinks and merchandise. It’s a substantial spend for any of the 20-somethings in Coachella’s target demographic. But festival organizers have increasingly helped finance their purchase through payment plan programs.

Approximately 60 percent of general admission ticket buyers at this year’s festival opted to use Coachella’s payment plan system, which requires as little as $49.99 up front for tickets to the annual concert. The desert festival isn’t alone — Lollapalooza, Electric Daisy Carnival and Rolling Loud all sell the majority of their tickets using some kind of payment plan system.

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Representatives at Goldenvoice, which puts on Coachella, declined to comment for this story. One source, who asked to remain anonymous because they weren’t authorized to speak to the media, told Billboard that payment plans have fundamentally changed how festivals are marketed to the public.

“Festivals are now marketing a cheap down payment as their main call to action,” the source says. “The messaging is $20 down gets you in the door, or $50 down gets you started. It’s no longer about the artists, or the festival lifestyle — the message is, ‘You can afford this if you act today.’”

The same source told Billboard it’s not uncommon for some fans to have four or five different festival payment plans hitting their accounts at one time. Typically, fans pay as little as $19.99 to get started on a payment plan that’s extended over a period of several months — three months generally for Coachella, since most buying happens after the lineup is announced, which until 2025 took place in early January. This year, fans who signed up before Jan. 25 had their payments split into three payments, with the last payment hitting a user’s account in March.

The system is different than those of popular fintech payment-plan firms like Klarna, Affirm and Sezzle, which pay out the vendor in full and reimburse themselves by collecting the remaining payments from buyers. These firms make money from merchant and processing fees they collect from vendors and, in some cases, interest payments charged to customers that go beyond the terms of their original payment plan. Because firms like Klarna and Affirm essentially grant buyers credit, and often run credit histories on their users, they are heavily regulated under a number of state and federal financial frameworks.

The payment systems used by festival promoters are administered by ticketing companies like AXS, Ticketmaster and Frontgate, and are offered as a service in exchange for the festival promoter’s business. These systems are not considered credit providers since there’s no third party fronting the vendor the full price of the transaction. Instead, the vendor is paid out over time, as each payment goes through.

Ticket buyers are charged a $41 fee for using Coachella’s payment plan, similar to what other festivals charge fans for the use of payment plans. The fee is equivalent to approximately eight percent of the ticket price, which is still far cheaper than what a fan might pay for financing a ticket on their credit card. The revenue generated from this fee is split between the ticketing company and the promoter.

While some have criticized festivals for using fees as a revenue generator, fest organizer Bob Sheehan with the California Roots Festival in Monterey, Calif. tells Billboard that payment plans “are a critical link between fan affordability and generating the revenue needed to finance a modern multiday festival.”

Sheehan estimates that 65 percent to 70 percent of his festival attendees use payment plans to pay for their tickets and adds “the entire system is built upon trust — trust that we will deliver the experience we promised and trust that our fans will make their payments on time.”

If Coachella attendees miss their scheduled payments — typically, the attempt to debit their account is declined for insufficient funds or having an expired credit card — they are given 10 days to bring their account current. If the 10th day passes and the payment is not received, then the order is cancelled and the fan is issued a credit that can be used towards next year’s festival.

“Credit expires 12 months from issuance,” Coachella officials explain on their website. “No exceptions.”

Expired monies and credits — often referred to as “breakage” in business — are governed by state law, though one source says the revenue generated from breakage is miniscule.

“Most defaults happen after the initial deposit is made on the first payment — it’s very rare that a fan will default on tickets after two payments have been made, so the revenue from breakage is very low,” explains one source familiar with how festivals operate their payment plans. “All of the incentives for the promoter are that the fan pay off their ticket in full and attend the event so they can spend money on beer and parking and merchandise.”

With Coachella Valley Music and Arts Festival just around the corner, things are heating up in Indio, Calif. Lady Gaga, Green Day, Travis Scott and Post Malone are headlining the main Coachella stage at the festival taking place over the next two weekends, April 11-13 and April 18-20. Missy Elliott, Benson Boone, LISA, GloRilla, Tyla, Artemas […]

A slot on the 1994 Lollapalooza lineup was almost relegated to Green Day‘s boulevard of broken dreams when festival founder Perry Farrell supposedly tried to block the band from performing — after which frontman Billie Joe Armstrong and his bandmates eventually got the last laugh when they did end up joining the tour 30 years ago.
In excerpts from Richard Bienstock and Tom Beaujour’s new book, Lollapalooza: The Uncensored Story of Alternative Rock’s Wildest Festival, published by People on Tuesday (April 8), the “American Idiot” singer recounts the story of how Farrell — apparently writing the punk rockers off as a “boy band” — pushed back against Green Day’s inclusion on the ’94 traveling festival’s bill.

“It was going to be [Japanese noise band] Boredoms on the first half, and us on the second half as the opening band,” Armstrong recalls. “And then all of a sudden, [Farrell] comes back in and he’s like, ‘I don’t want them on the bill.’”

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Calling Farrell’s dislike of his group “disappointing,” as Green Day had looked up to the festival pioneer, Armstrong adds, “I think that made us want to play even more, actually, because we wanted to prove that he had his head very far up his own a–.”

“I can’t think of a single time that Perry pushed back or vetoed a band — except for Green Day,” remembers stage manager Rubeli, who eventually found a way to convince Farrell to let the group onto the lineup. “To Perry’s credit, I was able to go through [Green Day’s] history in the Bay Area and how they had released indie records and eventually he said, ‘Okay, they can do half the tour, but I want the Boredoms on the other half.’”

Lollapalooza would have been just three years old in 1994, with Farrell starting the now-iconic music event in ’91 as a small farewell tour for Jane’s Addiction that quickly evolved into what it is today: one of the world’s biggest annual popular music festivals with multiple iterations across the world. After finally winning their place on the bill, Green Day got the last laugh against Farrell when Armstrong dedicated the band’s Dookie track “Chump” to him onstage.

“I’m like, ‘I’m not going to take any f—ing sh– from anybody,” Armstrong recalls in Bienstock and Beaujour’s book. “I’m not going to take any sh– from anybody as much as Perry Farrell’s not going to take any sh– from anybody.’ He had minions that would come up and say, ‘Perry Farrell’s really angry that you dedicated “Chump” to him.’ And I’m like, ‘Tell him to stop acting like one.’”

“But I never met the guy until we played Woodstock ’94,” he adds. “He was there and we shook hands.”

Lollapalooza has come a long way since its days as a fringe gathering place for alternative rock and other developing genres. Some of the biggest names in music now play the event every year, with this year’s Chicago iteration expecting Sabrina Carpenter, Olivia Rodrigo and Tyler, the Creator as headliners in addition to dozens more performers on the lineup.

And in 2010, Green Day’s beginnings with the festival came full-circle when the band headlined alongside Lady Gaga, Soundgarden, Arcade Fire, The Strokes and Phoenix.

REVOLVE Festival is heading back the desert. The eighth annual edition of the invite-only festival, which takes place April 12 in Thermal, Calif., over Coachella weekend 1, will feature an all-star performance lineup including Lil Wayne, Tyga, Gelo and Uncle Waffles, plus DJ sets by Hunny Bee, DJ Lex and Quinn Blake, as well as special guest Cardi B, Billboard can exclusively reveal.
This year’s theme includes an immersive Desert Mirage experience, which promises a “fusion of chrome and organic elements, inspired by the desert sunset and the beauty of a bold yet serene landscape,” per a press release.

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“Every year, we aim to deliver a lineup featuring the best of the best artists in the game, and this year is no exception,” Raissa Gerona, chief brand officer of REVOLVE Group Inc., said in a press statement. “We’re excited to bring an incredible mix of performers, making this our best festival yet. REVOLVE Festival continues to raise the bar, and we can’t wait to bring unparalleled energy to the desert.”

REVOLVE Festival will spotlight exclusive collections in collaboration with brands including Leslie Amon, AKNVAS, Understated Leather and 8 Other Reasons, as well as the REVOLVE-owned brands GRLFRND, Camila Coelho and Superdown. You can visit The Festival Shop edit now to see styles curated for the event.

Affirm will provide guests with exclusive deals and a desert oasis lounge to escape the heat, and Vivrelle will host carnival game experiences where guests will have the chance to win luxury designer accessories from their closet. Guests will enjoy gifted REVOLVE BEAUTY products from Ole Henriksen, Bask Suncare, Perelel Health and NOYZ Fragrance; plus, a K-Beauty World convenience mart will feature products from Mixsoon, Rael Beauty, I’m From, Sungboon Editor, Some by Mi and Tocobo. Beverages will include Sprinter Vodka Soda, 818 Tequila, Heineken and SipMARGS. Warner Bros. Pictures will host a bar activation with cocktails inspired by the film Sinners from Ryan Coogler starring Michael B. Jordan and Hailee Steinfeld. BODYARMOR FLASH I.V. will offer rapid rehydration beverages and electrolyte slushies, and LaCroix will debut its newest sparkling water flavor Sunshin. Food options will include Irv’s Burgers, Yeastie Boys x Prince St Pizza, Raising Cane’s, Hot Girls Pickles, Beignet Box and more.

Last year’s Revolve Festival lineup included T-Pain, Ludacris, Sean Paul, the Ying Yang Twins, Nina Sky, Siobhan Bell and Kim Lee.

Ed Sheeran and Weezer were two previously unannounced acts spotted on the 2025 Coachella lineup when set times for the this year’s festival were posted on Saturday (April 5). They’ll each pop in for a one-day, daytime set. Weezer will play the Mojave tent on Saturday afternoon (3:10-3:55 p.m.) on April 12, during the festival’s […]