festivals
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As música mexicana and música urbana have emerged as global powerhouses within the music industry, they’ve not only captured the ears of international audiences but have also carved out significant spaces at some of the world’s most prestigious music festivals. With reggaetón pop sensation Rauw Alejandro and corridos hitmaker Peso Pluma taking center stage at […]
Creamfields 2024 has announced its complete lineup.
Leading the bill are a flurry of A-list electronic artists including dance pop king Calvin Harris, local legend Fatboy Slim, progressive house leader Eric Prydz, global star of the moment Peggy Gou, the U.K. legends on a current hot streak Chase & Status, techno leader Charlotte de Witte and rising star Eliza Rose. London-based producer Michael Bibi will also play one of his first shows back after his December announcement that he’d beat cancer.
Additionally, the lineup includes many of the dance world who’s who, like Armin van Buuren, Alesso, Fisher, Gorgon City, Hardwell, John Summit, Martin Garrix, Solomun, Steve Angello, Tiësto and many more. See the complete featured artist lineup below. The festival will also feature many more local and rising acts, bringing the total artist count to roughly 300.
The festival, which typically hosts 80,000 fans over three days, happens in Daresbury, England this August 22-25. Ticket start at £240 ($300)and are on sale now.
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In 2024 Creamfields will debut a 30,000 capacity indoor mainstage, which the event claims will be the world’s largest indoor festival superstructure.
Creamfields launched in 1998 as a one-day electronic music festival. The event’s parent company, Cream Holdings Limited, was acquired by Live Nation in 2012 as the music industry rushed to invest in electronic music properties amid the EDM boom.
In a statement at the time, Live Nation president/CEO Michael Rapino said that “With this acquisition, Live Nation further establishes its position in electronic music and expands its concert platform.”
Courtesy of Creamfields
Movement 2024 has rounded out its lineup with a flurry of new acts, announced today (Feb. 28.) Artists joining the previously announced phase one lineup include Atlanta rap icon Ludacris, Los Angeles-based producer/rapper Channel Tres and techno legend Richie Hawtin, along with The Blessed Madonna, Chris Lake, Masters At Work, Carl Craig and Robert Hood, LTJ Bukem, Paul Woolford performing under his Special Request alias and many more.
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These artists join previously announced names including Fatboy Slim, James Blake, Solomun, Goldie (who will play a second festival set, per today’s announcement), Honey Dijon, Gorgon City, LP Giobbi, Sama’ Abdulhadi, Indira Skream, Mount Kimbie, DJ Minx, Boys Noize b2b VTSS and others.
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See the complete Movement 2024 lineup below.
Movement 2024 will take place at the festival’s longstanding home in Detroit’s Hart Plaza on May 25-27. Tickets are on sale now and start at $289.
The annual festival is produced by Detroit-based Paxahau, which launched in 1998 as an underground party promoter. The dance-focused company has produced Movement for the past 18 years, helping it gain global renown as one of the world’s premiere techno festivals. Paxahau is run by a team of 15 year-round, full-time employees across four departments: marketing and communications, production, talent and creative. During Movement, they bring in an event staff of 350 to help bring the event to life.
“This is a labor of love that all of us clustered around since we were young,” Paxahau Founder Jason Huvaere told Billboard in 2023. “Detroit techno culture is what we committed to years ago, it’s second nature.”
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John Fogerty is continuing to speak out about the mysterious cancelation of his performance at this year’s Country Fest Queensland in Australia.
Chatting with Billboard on Wednesday (Feb. 28), the Creedence Clearwater Revival founder says that he’s still “in total shock” over the festival’s Tuesday (Feb. 27) announcement that his performance was canceled due to “unforeseen circumstances.”
“I’m bewildered,” he says, sounding jovial but confused. “I still remain able and ready and willing to do this show. I take the commitment of playing for the fans very seriously. Throughout my career, practically my whole life, there’s hardly ever been a cancelation.”
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The performance, which had been scheduled for the weekend of March 30, would have marked Fogerty’s first show in Australia in more than a decade. According to the singer and his rep, Country Fest Queensland alerted his agent Friday (Feb. 23) that he’d been removed from the lineup without explanation, but continued to sell tickets with his name attached to the event for four days afterward, up until announcing the the cancellation of his performance to the public on Tuesday. (Country Fest Queensland did, however, offer refund options to ticketholders no longer interested in attending in light of Fogerty’s “non-appearance.”)
Fogerty and his team maintain that they have not been made aware of any reason for the sudden change. Billboard has reached out to Country Fest Queensland for comment.
“I really don’t know a lot,” Fogerty tells Billboard. “I was happy to be coming down to Australia to play. It sounded like a really fun event.”
Soon after Country Fest announced that Fogerty was no longer part of the billing, the “Old Man Down The Road” singer posted a statement on Instagram. “I was ready to celebrate with you all for my one and only show this year in Australia when the Country Fest Queensland blindsided me yesterday by canceling my appearance,” it read.
“It was posted that I would not be appearing due to unforeseen circumstances,” his statement continued. “Well, I can tell you, my friends, I was not the reason for the ‘unforeseen circumstances.’”
Country Fest has since shared a follow-up statement claiming that negotiations with Fogerty’s team “did not reach a final outcome” and ceased on Friday (Feb. 23). “The matter is now subject to court proceedings in the Supreme Court of Queensland,” it continued, adding that the festival does not “intend to comment further” until the case is heard mid March.
However, neither Fogerty nor his rep know of any details regarding the “court proceedings” mentioned by Country Fest Queensland, they tell Billboard. They also expressed confusion over the festival’s assertion that negotiations had never been finalized; according to Fogerty, his contract was signed and fully agreed upon in mid-January.
“My wife Julie and I and our people … we started making all the usual preparations to arrive at the showplace on the show date and, you know, do my show,” he tells Billboard. “Everything was normal as far as I knew.”
What’s most important to Fogerty now is that his Aussie fans know how much he wants to perform for them. On Tuesday night, he posted a video dedicated directly to them, in which he plays an acoustic rendition of CCR’s “Bad Moon Rising.”
“It’s a big disappointment what’s going on right now,” he says in the clip before diving into the song, sitting in a chair with his golden retriever lying at his feet. “A shock, actually. Sometimes things get complicated, beyond my grasp anyway.”
“I’d certainly never cancel for convenience, or for [the sake of being] – what do you call those – a diva,” he tells Billboard. “There were some people that were going to travel quite a distance. I just feel really bad about it. As far as I’m concerned, the fans come first.”
Jack Harlow is representing for his hometown in a major way. The “First Class” rapper announced the launch of Gazebo Festival in Louisville, Ky., on Wednesday (Feb. 28).
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The inaugural two-day festival is coming to Kentucky’s Waterfront Park on Memorial Day Weekend (May 25-26) to celebrate “the intersection of music and culture.”
SZA is slated to co-headline the festival on the Ohio River with Jack Harlow, while James Blake, Vince Staples, Veeze, Pinkpantheress, Rich Homie Quan, Omar Apollo, Majid Jordan, Slum Village, BNYX, Karrahbooo and more round out the bill.
“I GIVE YOUUU… GAZEBO FEST,” Harlow wrote on Instagram when announcing the festival.
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Pre-sale tickets will be available starting on March 6 at 10 a.m. ET, while the general public can get its hands on tickets through the festival website on March 8 at 10 a.m. ET.
Prices for the general admission tickets are penciled in to start at $255. VIP packages are available, which include viewing upgrades with better food options and access to an air-conditioned VIP lounge.
“Jack Harlow is an extraordinary Louisvillian who continues to give back to his hometown,” said Louisville Mayor Craig Greenberg in a press release. “This is yet another way Jack is showing up for our city, and I can’t wait to see the excitement this festival creates. I am so grateful for his commitment to making first class things happen for Louisville and our people.”
A portion of all ticket proceeds will benefit community organizations and local initiatives in the Louisville area through the Jack Harlow Foundation, which the “Lovin On Me” rapper launched last year.
Find the entire Gazebo Fest lineup below.
St. Louis, Missouri’s emerging Evolution Festival will mark its second year this fall with a killer lineup — literally. Alt-rock anthem makers The Killers will join anti-folk funk-soul rocker Beck as headliners of the event, which returns to Mound City’s leafy Forest Park on Sept. 28-29 following a successful debut in 2023.
Joining the veteran headliners will be fellow seminal acts Jane’s Addiction, Blondie and Nile Rodgers & Chic. The rest of Evolution’s stacked lineup includes recent Grammy winner Killer Mike, Americana singer Elle King, studio wizard Todd Rundgren and singer-songwriter Pete Yorn, along with Robert Finley, S.G. Goodman, His Lordship, Beachwood Sparks, The Mysterines, Lola Kirke, 95 Bulls, Tre Burt, The Asteroid No. 4 and more.
Like other area festivals, namely Music at the Intersection, Evolution co-producers Contemporary Presentations and The Just Listen Company make sure to weave in local acts as well. This year, the honors go to alt-country statesmen Son Volt and a group simply called Nadine. The former helped popularize the genre following the collapse of frontman Jay Farrar’s earlier band, Uncle Tupelo; the latter produced a series of beloved indie albums that evolved from straight-on roots to more atmospheric territory during a brief run in the late 1990s and early 2000s.
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Organizers hope to build on the momentum of Evolution’s inaugural event, which attracted over 25,000 attendees last August for a lineup that included Brandi Carlile, The Black Keys, Ice Cube and Sugarhill Gang, plus a curated program of local culinary offerings and craft-y spirits.
“We are thrilled to bring Evolution Festival back to Forest Park for its second year,” said festival producers Steve Schankman and Joe Litvag. “Building upon the success of our inaugural year, we are committed to creating a dynamic and inclusive experience that celebrates music, food, and community. We look forward to welcoming fans to what promises to be an unforgettable weekend.”
Attendees can choose from two general admission tiers, starting at $129.50, or spring for one of three VIP or ‘Platinum’-level packages that provide special seating, access to lounge areas and special food offerings. All options will be available for purchase on Wednesday, Feb. 28 at 10:00 a.m. CST.
Eight years after his last performance at Viña del Mar, Alejandro Sanz has once again won over the “monster” of Quinta Vergara on Sunday night, when he opened the 63rd edition of Viña’s International Song Festival.
The Spanish singer/songwriter delighted the event’s 15,000 attendees by performing live hits including “No Es Lo Mismo,” “Lo Que Fui Es Lo Que Soy” and “Deja Que Te Bese,” to name a few.
The set began with a video of Sanz, on the large screens at the back of the stage, narrating the beginning of his autobiographical song “Bio” before appearing live — dressed in black, with white sneakers and dark glasses — accompanied by a band that included about a dozen musicians among instrumentalists and backup singers. “Viña roars!” he yelled before starting singing.
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Sanz later greeted the audience in the Chilean coastal city: “How good to see you!” he said to the “monster,” as the festival’s audience at the Quinta Vergara is known as. “What a joy to return to this stage after a few years. This is a very special night for all of us here; I hope it is for you too. We are going to do absolutely everything to make it so.”
And they did not disappoint. For almost an hour and a half, Sanz and his band delivered hit after hit.
One of the most emotional moments came from “Looking for Paradise,” originally recorded with Alicia Keys, which Sanz performed this time with one of his backup singers. The artist dedicated the uplifting bilingual song to the volunteers working to help the victims of the fires that left 120 people dead and more than 15,000 homes affected earlier this month in Viña del Mar. “I want to dedicate it to them with all the love in the world and thank them. It is from those people that we, as humanity, can really nourish ourselves, because they are people who selflessly give everything,” he said. “So this is for you. ¡Viva Chile!”
Some of the songs that inspired a sing-along among the fans were “La Fuerza del Corazón”, “Cuando Nadie Me Ve,” “Quisiera Ser”, “Mi Soledad y Yo”, “Y, ¿Si Fuera Ella?” and, of course, “Corazón Partío,” which the audience belted with Sanz wholeheartedly. Later, they awarded his art and his solidarity with a Silver and Golden Gaviota Awards, the highest honor awarded to the guest artists, as per the intensity of the audience’s ovation.
But Sanz wasn’t the only international star who performed on the opening night of the event. Colombian singer Manuel Turizo followed him with his Viña debut, performing an eclectic, colorful set that included ballads, urbano and tropical music, with songs from “Desconocidos” and “Déjala Que Vuelva” to “Vagabundo” and his biggest hits, “La Bachata” and “El Merengue,” which undoubtedly lit up the crowd. Turizo also received a strong ovation from the “monster,” and went home with his first Silver Gaviota Award.
Manuel Turizo performs during the 63th Viña del Mar International Song Festival in Viña del Mar, Chile on Feb. 26, 2024.
JAVIER TORRES/AFP via Getty Images
The Viña del Mar Festival 2024 takes place all week at the Quinta Vergara Amphitheater and can be seen outside of Chile on the Star+ streaming platform and the festival’s YouTube channel.
The celebration continues Monday (Feb. 26) night with performances by Andrea Bocelli and his son Matteo Bocelli, plus Miranda! as the second act. Maná and Men at Work on Feb. 27; Mora and Anitta on Feb. 29; a night devoted to Chilean artists with Los Bunkers and Young Cister on March 1; and for the finale on Feb. 2, Maria Becerra, who took the place of Peso Pluma after the Mexican artist canceled his Latin American tour last week. Trueno will be the second artist of the night.
If you missed Sunday’s performances by Alejandro Sanz and Manuel Turizo, or want to relive them, you can watch them here below:
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Cali Vibes — the West Coast’s biggest reggae, roots music and hip-hop festival — returns to Long Beach this weekend with one of its strongest lineups yet, including headliners Gwen Stefani, Stick Figure, Slightly Stoopid, Rebelution, Ice Cube and more.
For the third year in a raw, Cali Vibes will include the Boomyard stage curated by Leslie Cooney, a longtime A&R rep at Delicious Vinyl specializing in Jamaican and Caribbean dancehall, reggae and soca artists. This year’s Boomyard stage will include Jamaican rapper and reggae artist Kabaka Pyramid, Jamaican reggae artist Protoje, rasta reggae singer Lutan Fyah, Ghana artist Stonebwoy and DJ sets from KrossFayah, DJ Daneekah and Mr Crooks.
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Goldenvoice’s own Nic Adler got his start working in the mailroom at Delicious Vinyl, the West Coast hip-hop label that was home to the Pharcyde, Tone Loc, Young MC, The Brand New Heavies and other acts in the late 1980s and ’90s, says label co-founder Mike Ross, who also hired Cooney around the same time to bring reggae artists to the label. In 2018 — the same year reggae imprint Delicious Vinyl Island was launched — Cooney and Ross created a regular showcase and party for Jamaican artists called Boomyards at Delicious Pizza on West Adams in L.A.
“The idea behind it was to create a place to commune and celebrate the records we were putting out,” says Cooney. “I was putting out records by a lot of these young Caribbean acts and Boomyards became a way to play those records and meet up with DJs and dancers in the community. I used my relationships with all of my friends like Shaggy, Protoje and Mr. Vegas and all of these big artists that would just come touch the mic because they were friends of mine and the Party just took off.”
Jamaican DJ and singer Yaadboy, who performs at Boomyards, was the first artist Cooney worked with at the Delicious Vinyl Island imprint, although Delicious Vinyl’s ties to Jamaican music go back to the hip-hop-reggae group Born Jamericans, whose debut record Kids from Foreign was released on the label in 1994. As the record business changed, Cooney shifted focus to managing acts including Mr. Vegas and Trinidadian soca star Machel Montano and building up the Boomyards brand.
“It’s an extended community and everybody that I put on my stage is friends or family with a lot of other Jamaican people in the community,” Cooney explains. “So the stage is kind of like a meeting point. We’ll have the Marleys on the main stages, but their kids will be performing on the Boomyards stage or DJing.”
Cooney expects Protoje’s Sunday set to be among the biggest draws for the Boomyard stage, telling Billboard that “fans are going to get the real culture there because they’re going to see Protoje perform the way he might at home at a sound session. It’s DJs, playing his tracks live, mixing them live, flying in sound effects and all sorts of fun. It’s going to be insane.”
Learn more at www.calivibesfest.com.
This past New Year’s Eve (Dec. 30-31) hordes of dance fans descended on the NOS Events Center in San Bernardino, Calif., for two days of traditional year-end partying. Highlights from the Insomniac Events-produced festival included Porter Robinson playing as the clocked ticked to 2024, a DJ set from British legends Nero, a space bass frenzy […]
Pennsylvania’s Elements Festival will be back for 2024 with a lineup of more than 100 dance acts including future bass star Illenium, a redux set from Kaskade, psychedelic bass powerhouse Liquid Stranger, the ever vibey Bob Moses, house fav BLOND:ISH, along with Slander, Barclay Crenshaw, Wreckno and many more. See the complete phase one lineup below.
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The camping festival happens August 9-11 in Long Pond, Pennsylvania, roughly two hours from both Philadelphia and New York City. Tickets are on sale now.
The music will take place across four stages (each named after, naturally, an element), with the festival also offering art cars, theme camps, interactive performances, large-scale art installations and a wellness lineup featuring yoga, aromatherapy, dance, comedy, sound baths and workshops.
The independently operated Elements was founded by Brett Herman and Timothy Monkiewicz, with the first edition taking place in Brooklyn in 2013 before moving to another rural Pennsylvania location and ultimately landing in Long Pond.
“The genesis of Elements has always been to constantly evolve, becoming more grand, more weird, and more wild each year,” Herman says in a statement. “Fans can expect a number of revamped accommodation offerings and more opportunities to participate and become immersed in the experience.”
Elements Music & Arts Festival 2024: Phase One Lineup
5am TrioAhadadreamAusteriaAzzeccaBarclay CrenshawBlanke: ÆON MODEBLOND:ISHBob MosesBoogie TBoogie T.RioCanablissChris Lake b2b ClooneeCloZeeCool CustomerDimensionDisco LinesDr. FreschEli FolaExcisionIlleniumINZOIt’s murphJustin MartinKaskade (Redux)Lee ReynoldsLespecialLightcodeLiquid StrangerLSDREAMMarbsMarvel YearsMatrodaMikey LionOf The TreesPorkyRome in SilverSakaSlanderSlander Presents: Before DawnSpace WizardSub FocusSullivan King b2b KayzoSunSquabiTape BThe FlooziesTownship RebellionTroyBoiTVBOOVNSSA b2b NalaWalker & RoyceWrecknoZingara