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The Viña del Mar International Song Festival has its host duo for 2025. The event’s production reported Wednesday (Nov. 6) that presenter and journalist Rafael Araneda will join previously announced host Karen Doggenweiler for its 64th edition, which returns to Quinta Vergara from February 23 to 28.

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This will be the first time that Doggenweiler serves as co-host of the Chilean festival, while Araneda returns after seven years, having hosted before between 2011 and 2018.

Produced this year by Bizarro Live Entertainment, the Festival de Viña begins a “new era” on the channel Mega, after having previously been broadcast on Canal 13 and Televisión Nacional de Chile.

“Today, it is an honor, it is a privilege, it is a gift that music gives me, that life gives me, to be able to return in this new era of Mega and Bizarro doing the Viña del Mar Festival,” Araneda told Billboard Español this week. “[I have] great memories, and great expectations for the future.”

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“I am tremendously lucky to participate in this edition,” said Doggenweiler. “Viña is not only a festival, it is a global movement of music and entertainment, of human connection.”

With almost three decades of career in radio and television, Araneda has hosted journalistic spaces, primetime shows, realities and contests, in addition to his eight years at the helm of the Viña del Mar Festival. In recent years he has developed his career in Mexico City (TV Azteca) and Miami (Univision), where he currently hosts the show Enamorándonos.

Doggenweiler, with more than a quarter century on the Chilean screens, has also hosted entertainment shows in various formats, including primetime programs, morning shows, family shows, game shows, reality TV and festivals. Over the years she has had a close connection with the Festival de Viña, which she not only covered as a reporter, but for which she also served as a judge.

Launched in 1960, the Viña del Mar International Song Festival is held annually at the Quinta Vergara, a 15,000-seat amphitheater located in the Chilean city of Viña del Mar, in the central coastal region of Valparaíso.

Over six days, the event features a mix of superstars, emerging singers and local artists competing for Silver, Gold and Platinum “Gaviotas” (Seagulls). These awards are decided by a jury with the help of viewers from their homes, although the so-called “monster” — the audience present at Quinta Vergara — undoubtedly has great power of influence with its ovations and occasional boos.

Below, Karen Doggenweiler and Rafael Araneda, the official hosts of Viña del Mar 2025, answer questions from Billboard.

Karen, this is your first time as a host of the most important television event in Chile. How do you feel now that this moment is approaching?

I am tremendously fortunate to participate in this edition of the festival. Viña is not only a festival, it is a global movement of music and entertainment, of human connection. We are going to have cutting-edge technology, there is a commitment to sustainability as well and a show that we hope will illuminate the entire summer [in the Southern Hemisphere]. I feel that it comes at a very, very special moment in my career.

Together with Rafael, we hope to put our own stamp on it. We know that for 65 years other channels have had it too… and well, now we are here and of course we hope that it becomes an endearing festival in this new version that we have prepared, in this change of era that we are working with so much love and dedication.

Rafael, what does it mean to you to return to Viña as host after seven years?

Indeed, I was member of the jury on two occasions at the Viña del Mar Festival, and then I had the opportunity to host it in eight consecutive editions. It was an extraordinary experience, personally and professionally, given that we work with the best technology in terms of making television, of doing what we are passionate about. We work on a 360 multimedia concept where there are different audiences, not just the people on television — there is the radio, the written press, today social media is very strong, and also digital broadcasts that can even give you a personalized festival experience. In that sense, it was always a nice challenge.

Today, it is an honor, it is a privilege, it is a gift that music gives me, that life gives me, to be able to return in this new era of Mega and Bizarro doing the Viña del Mar Festival. [I have] great memories, and great expectations for the future.

What would you say has been your favorite moment in Viña?

Karen: So many! I was able to go as a spectator when I was little with my mother, with my sister. I have also been part of the jury, and on related satellite programs, I participated as a reporter, waiting for the artists who arrived at the airport to interview them. For so many years I have witnessed it from different places. I think I was just missing being a host! So I think my favorite moment in Viña is yet to come. Although I treasure each of these other moments in a very important place in my heart, I think Viña 2025 is going to be my favorite moment in Viña del Mar.

Rafael: There are many particular moments, there are many behind-the-scenes emotions — but I stick with the prior preparation, on a personal level. And also observing from backstage, from a unique point of view, the nerves of world-class stars before going onstage — or when they are introduced — they look nervous, they look eager, you see them vocalizing, doing exercises, talking and refining details with their crew. And there you realize that we are all people, that we all want to give always the best version of ourselves, and that what happens there is unique, truly wonderful.

Karen, you mentioned attending the festival as a spectator with your mother and your sister. What does your family tell you now that you will be hosting Viña del Mar?

Karen: My family feels proud, happy, and of course supports me in this important instance. We experience the affection of each of the Chileans that we encounter every day, of our compatriots, in every step we take on the street, through the screens, through the radio. Of course our family also adds to that. And I am convinced that with Rafael it is the same. I know his family, I love them very much. And well, we are already working very closely to make it an unforgettable festival, so that we truly reflect this change of era, so that we can surprise, and so that everyone transforms each of these six nights in something that remains forever in the hearts.

Rafael, what is going to be different for you after seven years of absence?

Rafael: I think that the signature that Mega and Bizarro are going to give it. And in that sense, together with Karen — with whom I had the opportunity to work for many years on Chilean television in different formats, at different times, and we enjoyed it, we had a great time — I think that will be the hallmark. Having the possibility of meeting her again after so many years of accumulated experience is going to be very rich. Hopefully that chemistry and maturity that we have both gained over the years will come through. I have no doubt that this is how it will be.

But the signature will also be connected to energy, which is a central concept for Viña 2025. The energy generated by the music, the energy generated by the Viña del Mar experience, the energy generated by making a broadcast that each of us makes it our mission, not only the media. People today will have access to technological platforms to see the festival from wherever they want to see it, and however they want to see it. I hope they see it with their family — the lineup is going to be along those lines. It will be family-friendly crossover artists, and obviously and proudly massive. That’s Viña del Mar.

Pop superstars Olivia Rodrigo and Justin Timberlake are set to headline the 14th edition of the Pa’l Norte festival, the massive music party held annually in the Mexican city of Monterrey. The lineup, announced on Tuesday morning (Oct. 29), includes other major international acts such as Charli XCX, Green Day, Massive Attack, Kings of Leon, Black Keys and Caifanes.
This will be the first time that Rodrigo and Timberlake, who have previously visited Mexico, will participate in a Mexican festival. Timberlake has already performed in the country and has two upcoming shows scheduled at the Palacio de los Deportes in Mexico City on Feb. 7-8. Rodrigo — who recently completed the 2024 dates of her Guts World Tour, which did not include Mexico — had not previously performed in concert in the country.

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The acclaimed festival will take place April 4-6 in Parque Fundidora in this city bordering the U.S.

SEVENTEEN, Garbage, Fall Out Boy, Benson Boone and electronic music stars Gesaffelstein, The Chainsmokers, Claptone, Sasha & John Digweed, and Deep Dish are also part of the Tecate Pa’l Norte 2025 lineup.

The 14th edition of the festival, one of the most acclaimed in Latin America, will feature more than 180 musical acts across nine stages, according to the organizers. The three-day event draws about 100,000 people per day, a few thousand more than the EDC electronic music festival, one of the most populous in the country.

In partnership with promoter Ocesa, acquired by Live Nation in 2021, Tecate Pa’l Norte has become one of the largest and most diverse festivals in Mexico. It annually attracts thousands of fans from around the world, with a capacity greater than other mega-festivals in the Mexican capital such as Vive Latino and Corona Capital, which gather about 80,000 people per day, according to their organizers.

Situated in Parque Fundidora, the festival’s lineup celebrates a rich fusion of genres ranging from rock and indie to regional Mexican music, reggaeton and electronic music, featuring some of the biggest international acts.

Its stages include Tecate Light, which hosts the main acts; Tecate Original stage, which embraces a mix of musical genres; Oasis Stage, dedicated to the popular genres of reggaeton, hip-hop, and trap; while Villa Maravilla offers the best in techno, afro house, and house music. The Club Social stage brings conventional sounds and EDM.

The Fusión stage is designated for Latin acts, and the Acústico stage offers a unique show with “unplugged” sets throughout the weekend, while the Sorpresa stage offers surprise performances and the Pilos stage, named after a legendary bar in Monterrey, has hosted the biggest stars of northern music since its inception.

In its 14 years of existence, Pa’l Norte has established itself as the “most important musical entertainment event in northern Mexico,” according to the Ministry of Tourism of Nuevo León.

In previous editions, the festival featured artists such as Billie Eilish, Foo Fighters, Caifanes, Maná, Tame Impala, The Killers, Los Fabulosos Cadillacs, and 50 Cent. The 2024 edition was headlined by Peso Pluma, Blink-182, Imagine Dragons, Maná, and Fuerza Regida.

Mexican festival Vive Latino will celebrate its 25th anniversary with an eclectic lineup headlined by acts including Caifanes, Raphael, Scorpions, Aterciopelados, Keane, Molotov, Mon Laferte, Eden Muñoz, Los Ángeles Azules, Zoé and Duncan Dhu, who will light up the great Hispanic rock party to be held March 15-16, 2025, at the GNP Seguros Stadium in Mexico City, promoter Ocesa announced Friday (Oct. 25).

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The lineup also includes other Latin and English speaking soloists and bands such as Sepultura, Draco Rosa, Nortec: Bostich + Fussible, Kany García, Meme del Real, Little Jesus, Los Planetas, Rüfüs Du Sol, La Lupita, Vilma Palma e Vampiros, Cuarteto de Nos, Siddhartha, División Minúscula, Arde Bogotá, Él Mató a un Policía Motorizado, and León Benavente.

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According to the organizers, the presale for Citibanamex cardholders will take place next Wednesday (Oct. 30), with the regular sale for the general public opening the next day.

The Vive Latino will be returning to its original home at GNP Seguros Stadium (formerly Foro Sol), after the 2024 edition had to be held at Curve 4 of the Autódromo Hermanos Rodríguez, the same site where Formula 1 and the Corona Capital and Arre festivals are held annually, due to renovations of the venue.

Since its inception in 1998, the Ibero-American Festival of Musical Culture, better known as Vive Latino, has had a transgressive personality that has challenged stigmas: It was the first to incorporate pop, reggaeton, cumbia, and regional Mexican music artists into its lineup; it had an edition lasting four days; it added English-speaking bands despite being the ultimate celebration of rock es Español, and it is the first in Latin American festival to have its own edition in Spain.

The Vive Latino festival debuted on November 28-29, 1998, at the Foro Sol, on the east side of Mexico City. Since then, it has been held annually, except in 1999, 2002, and 2021, the latter due to the COVID pandemic.

Check out the full official lineup for the 2025 Vive Latino festival below:

Nuestros Sonidos, Carnegie Hall‘s ambitious season-long celebration of Latin music and culture, got off to a spectacular start on Oct. 8 under the baton of the Venezuelan virtuosic conductor Gustavo Dudamel — Billboard‘s cover star this month — and the Los Angeles Philharmonic. Kicking off during Hispanic Heritage Month, the festival boasts an impressive lineup, featuring talents such as Mexican singer-songwriter Natalia Lafourcade, Cuban funk artist Cimafunk, Colombian indie pop band Monsieur Perine, salsa legends Grupo Niche and Chilean jazz virtuoso Claudia Acuña.

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One of the most eagerly awaited highlights of the festival is the Carnegie Hall debut of Ivy Queen, the formidable reggaetón superstar known for her fierce advocacy for women’s empowerment within the male-dominated genre. “Being on this stage allows me to celebrate not only reggaetón but also the essence of what it means to be Latino, our roots, and our global musical influence,” Ivy Queen expresses to Billboard Español. “It is an honor to be part of this representation and to continue taking our music to every corner of the planet.”

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Carnegie Hall’s executive and artistic director Clive Gillinson and Adriaan Fuchs, director of festivals and special projects, articulate that Nuestros Sonidos aims to shine a spotlight on Latin music that has deeply influenced both American culture and the world at large.

“Latin music was something that has had such a huge effect [not just] on American culture, but on culture around the world,” Gillinson notes. “It was something really important to do. We look at who are the greatest experts in the field so that we make sure all the ideas that we’re considering and exploring come from people who are leaders in thinking, knowledge, experience and background.” 

Gustavo Dudamel & Natalia Lafourcade at Carnegie Hall

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Fuchs adds, “We work with curatorial councils and advisors who help put these festivals together. They include Latin music experts, ethnomusicologists, cultural and societal experts in terms of how culture in America has developed. In conjunction with them, we decided that we wanted to cover a range of different genres one would expect, such as salsa, reggaetón, Latin jazz, classical music, and so forth. We really wanted to focus on those genres that have played a key role in the American cultural landscape, and in America, particularly.”

As Nuestros Sonidos unfolds throughout the season, it promises a diverse array of Latin musical styles and expressions, inviting audiences to explore the powerful narratives that have shaped the past, present, and future of Latin music.

Read our Q&A with Ivy Queen and Carnegie Hall’s Clive Gillinson and Adriaan Fuchs below:

What inspired Carnegie Hall to launch Nuestros Sonidos, and what do you hope to achieve with this initiative?

Clive Gillinson: We try to look at things that are important issues and areas of culture. Last season, we looked at the Fall of the Weimar Republic: The Fragility of Democracy, because we felt that’s a very major issue in the world today. The year before, we looked at Women in Music, and before that, Afrofuturism. [In 2021], we looked at [Voices of Hope] Artists in Times of Oppression; artists who wrote despite the most horrific circumstances — be it in the Holocaust, slavery, the Soviet Union, and so on. They still wrote things that were about hope and aspiration. 

Latin music was something that has had such a huge effect [not just] on American culture, but on culture around the world. 11 years ago, we did Voices from Latin America, which looked specifically at the music of three Latin American countries. The emphasis was to look at the influences of Latin music on American culture, particularly. We felt it was something really important to do, something that maybe hasn’t been looked at enough in terms of the way people look at culture in America. 

Ivy, as a pioneering figure in reggaetón and an advocate for female empowerment in the music industry, what does it mean for you, on a personal and professional level, to debut at Carnegie Hall with the Nuestros Sonidos series?

Ivy Queen: For me, debuting at such an iconic place as Carnegie Hall represents both a personal and professional validation of the path I have traveled in my career. I have fought to open doors for women in a genre that has historically been dominated by men. Being on that stage not only represents recognition of my years of work and effort but also proves that reggaetón, a music born from the streets, has a legitimate place in the most prestigious spaces in the world. It is an achievement that celebrates the resilience, strength, and talent of all the women who have been part of this movement.

How does Nuestros Sonidos intend to impact the local New York community and the broader Latin music scene?

Gillinson: We want this to be meaningful for devotees, advocates and people who come from the Latin music background so that they feel represented. They feel that their culture is given center stage. To make sure that all of these areas of music also reach people who maybe it has not been their background, and where they trust Carnegie Hall as a curator to take them on a journey of exploration.

Fuchs: New York had such a huge role to play, in terms of Latin music flourishing this country throughout the decade. We wanted to make sure that we have programming that addresses all of that. In putting together the concerts at the Hall, we were very much aware of the Latin communities that exist in New York City: the Puerto Rican community, Colombian community, Dominican Republic, Mexico, Cuba, etc. We made sure that we had artists representing those different cultures, musical genres, and styles as part of the festival. 

The range of partners that are involved are the Cuban Cultural Center of New York, the Colombian Film Festival of New York, the Association of Dominican Classical Artists. Then we also have iconic New York institutions like the Metropolitan Museum of Art, New York City Center, New York University’s Steinhardt School of Culture, Education, and Human Development all participating in this festival. It’s really an exciting citywide celebration of Latin culture.

Ivy, how do you see this opportunity in terms of promoting and celebrating the diversity of Latin music and its impact on the global music scene?

Ivy Queen: This opportunity at Carnegie Hall is an incredible platform to showcase the richness and diversity of Latin music in all its forms. Latin music is not a single genre; it is a universe full of rhythms, cultures, and stories that connect with audiences around the world. Being on this stage allows me to celebrate not only reggaetón but the essence of what it means to be Latino, our roots, and how we have influenced music on a global level. It is an honor to be part of this representation and to continue taking our music to every corner of the planet, demonstrating that Latin music is much more than a passing trend: it is a cultural and artistic force that continues to transform the global music industry.

Are there any particular performances or elements within the series that you’re especially excited about? 

Fuchs: We’re really excited about Ivy Queen on November 20. It was important for us to find a big headlining artist like Ivy Queen to be part of the festival because of the fact that she’s such a trailblazing female artist within the industry. Really in terms of, obviously reggaetón and hip-hop, she stands out as someone who forged her own path and is someone really to be celebrated for her achievements in a very male-dominated field. We wanted to make sure that she appears at Carnegie and as part of Nuestros Sonidos. 

We’re also really excited about Grupo Niche. They’re just an extraordinary ensemble that have pioneered and pushed the envelope in terms of salsa music for so long. It’s exciting to have them at Carnegie Hall for the first time. Monsieur Periné, who will be part of the festival on February 22, are such a funky and interesting group. I’m sure that people are going to be getting up and dancing when they start to play. It’s going to be such a joyful concert. Then the incredible Chilean jazz vocalist, Claudia Acuña, who is bringing a very interesting program. Songs in jazz that have stood the test of time through various decades. It’s a moment for us to celebrate the Latin songbook. 

For fans hoping to see Shakira “Whenever, Wherever” they can, the Queen of Latin Music has some good news.
On Monday (Oct. 21), InterPride and the Capital Pride Alliance announced that Shakira would serve as the official headliner for WorldPride 2025. Taking place in Washington, D.C., the official Welcome Concert for the annual festival will take over the city’s Nationals Park on Saturday, May 31.

The headlining concert comes as a part of Shakira’s upcoming Las Mujeres Ya No Lloran World Tour. After initially intending to bring her shows to arenas around the globe, the singer and Live Nation recently announced that they would be upgrading the She Wolf’s tour to stadium venues. “The demand for tickets and more shows has reached the point that our tour now requires stadiums in the USA and more dates so I can see as many of you as possible,” Shakira wrote in a statement. “We’re elevating my North America run from arenas to stadiums and the dates will be shifted to May 2025, right after my Latin American tour.”

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Among the new set of stadium dates Shakira announced on Monday is her headlining set for WorldPride 2025. In a statement, Capital Pride Alliance’s executive director Ryan Bos shared his excitement for the upcoming show. “It’s the biggest event of the year and we are thrilled to welcome Colombian pop legend Shakira to D.C. for a truly momentous evening of love, pride, and community – celebrating the final week of extraordinary celebrations,” he wrote.

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Held in different locales each year, WorldPride 2025 will help honor the 50th anniversary of D.C.’s first-ever pride celebrations. Taking place over two weeks (starting on May 23 and ending June 8), the annual celebration will feature multiple concerts, parades, parties and other events to commemorate the occasion.

Tickets for Shakira’s headlining performance at WorldPride 2025, along with the rest of her Las Mujeres tour dates, go on sale Friday, Oct. 25, at 12 p.m. local time on her website. Fans can register for the presale until Tuesday, Oct. 22, at 11:59 p.m. ET.

Glastonbury Festival’s ticket release is one of the most eagerly — and dreaded — days for British music fans. The performing arts festival, which began in 1970, is a staple of the summer’s festival scene and the 210,000 tickets usually sell out instantly amidst queues and a scramble to secure passes. Now the festival has […]

Mexican music merges with rap in Fuerza Regida‘s groundbreaking new project. The entrepreneurs of the San Bernardino band announced their inaugural Don’t Fall In Love Fest on Thursday (Oct. 3), a nod to their latest Jersey corridos album Pero No Te Enamores — an album that blends Jersey club and hip-hop with a corridos bélicos mindset.

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A homecoming of sorts, the Nov. 2 event at the NOS Event Center will be Fuerza Regida’s first performance in their hometown of San Bernardino since 2018.

The festival that the group will headline showcase a dynamic array of stars from both the OG Cali rap scene, hip-hop new heads and Latin music superstars. The lineup includes high-profile names such as Lil Baby, Kodak Black, and Luis R Conriquez, alongside Chino Pacas, Sexy Red, Xavi, and Clave Especial. Also gracing the stage will be Los Rieleros del Norte, Mi Banda El Mexicano, Bone Thugs N Harmony, Too $hort, Roberto Tapia, Larry Hernandez, MC Magic, Baby Bash, and Lil Rob.

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Additionally, another major headliner will be revealed on Monday (Oct. 7).

“I wanted to do something big for San Bernardino,” said Fuerza Regida frontman JOP (real name Jesús Ortiz Paz) in a press release. “I’m bringing hope to the city with this festival.”

The SoCal band have earned plenty of critical praise. The group are finalists for eight 2024 Billboard Latin Music Awards, including Artist of the Year, Top Latin Album of the Year and Regional Mexican Album of the Year for their 2023 Pa Las Baby’s Y La Belikeada, and more. Additionally, JOP is up for Songwriter of the Year and Producer of the Year. Last year, the quintet made Billboard history by becoming the first Latin band ever to be crowned No. 1 on the Top Artists – Duo/Group list of Billboard‘s year-end charts.

See the full lineup below:

JOP will star on the The Sony Music Publishing Icon panel, presented by Sony Music Publishing during the 2024 Billboard Latin Music Week, taking place on October 14-18 at the Fillmore Miami Beach. Get your tickets here.

Inside the inaugural New York edition of the celebrated All Things Go music festival, including exclusive portraits of MUNA, Soccer Mommy, Towa Bird and more performers.

One day after Chappell Roan announced she was pulling out of 2024’s All Things Go Festival to “prioritize [her] health,” MUNA paid tribute to the Midwest princess during their set at the music fest on Saturday (Sept. 28) night.
“We acknowledge that somebody very special is missing tonight,” said Katie Gavin, the band’s singer, from the stage at the Forest Hills Stadium in Queens. “We just want to say that we love Chappell so much. We started as a queer band in 2014, and we’ve really been given the time and the grace that we needed to be nourished as artists. We wish nothing but that times a million for her.”

Roan, who had been scheduled to play All Things Go NYC on Saturday and All Things Go D.C. on Sunday, explained she was feeling “overwhelmed” in a statement on Friday (Sept. 27) and would be canceling her All Things Go appearances to focus on her health. Prior to the cancelation, Roan had received flak from some fans and pundits for refusing to endorse Vice President Kamala Harris for president, though Roan explained she would be voting for Harris in the 2024 election.

The rock band – made up of Gavin, Josette Maskin and Naomi McPherson – went one step further than just talking about Roan, too, performing a “tribute” to the pop supernova that they pulled together at the last minute. Guitars in hand, the trio delivered a gorgeous, stripped-down cover of Roan’s “Good Luck, Babe!”, which currently sits at No. 4 on the Billboard Hot 100. Prior to MUNA’s set, a coterie of drag performers (including RuPaul’s Drag Race winner Yvie Oddly and NYC queen Beaujangless) led the crowd through a joyous Chappell Roan dance party during what would have been her time slot.

Roan wasn’t the only one MUNA dedicated a song to. Prior to “Kind of Girl” from their self-titled 2022 album, Gavin said, “We’re gonna dedicate this song to all the trans cuties that are here with us tonight.” Nor was it their only cover, with MUNA leading the Forest Hills Stadium in a sing-along to Vanessa Carlton’s 2002 smash “A Thousand Miles.”

Near the end of their set, MUNA got explicitly political, with Gavin reading a pre-written statement.

“We are staunchly against the American far-right, and we’re terrified of the way that an anti-queer and anti-trans attitude has manifested itself in our current political climate,” Gavin said. “On top of this, we want abolition. We want the wellbeing of people and animals and land to be prioritized over the wellbeing of the global market. And we want total disarmament and world peace now. And there should be nothing f–king controversial about saying that.”

As her bandmates nodded and the crowd cheered, Gavin continued. “We want to say ‘f—k fascism’ and very importantly we continue to say, ‘Free free Palestine.’” Gavin then started a brief “free free Palestine” chant that some of the crowd participated in.

Gavin’s comments dovetail with what Roan said in a TikTok video that posted on Wednesday (Sept. 25). “Obviously, f–k the policies of the right — but also, f–k some of the policies on the left. That’s why I can’t endorse. There is no way I can stand behind some of the left’s completely transphobic and completely genocidal views,” Roan said. “F–k Trump, for f–king real, but f–k some of the s–t that has gone down in the Democratic Party that has failed people like me and you, and more so Palestine, and more so every marginalized community in the world.”

MUNA’s comments arrive almost a year after a terrorist attack on Israel by Hamas militants killed more than 1,200 people on Oct. 7, 2023, including around 360 people killed at the Nova Music Festival, according to officials. During the attack, more than 250 people were taken hostage by Hamas, with around 117 of them being returned and eight freed by Israeli troops since then. The bodies of 37 hostages have been recovered, including three mistakenly killed by Israeli troops. Israel’s retaliatory military strikes in Gaza have killed more than 40,000 Palestinians, including more than 10,000 children, according to health officials in the territory. More than one million people have been displaced, leading to widespread famine and an ongoing humanitarian crisis.

Elsewhere in New York City on Saturday night, Doja Cat also addressed the ongoing wars from the stage at Global Citizen Festival in Manhattan’s Central Park. “Right now, millions of men, women and children in Gaza, Ukraine, Sudan, the Congo and all across the world are suffering. In times like this, it is important to remember that together we have the power to bring change, love, light and hope to those that need it most,” the rapper said. “Please keep using your voice to help those fleeing violence get the food, shelter and education they need and deserve.”

Louder Than Life organizers in Louisville, Ky., were forced to cancel the rock festival‘s second day due to severe weather conditions caused by Hurricane Helene.
The four-day event at Louisville’s Highland Festival Grounds was called off Friday (Sept. 27) as 50-mile-per-hour winds blew into the region, along with heavy rains brought on by the remnants of Hurricane Helene.

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“Louder Family, we’re heartbroken to share this, but the weather just isn’t in our favor today. We’ve been working closely with our meteorologists and local authorities, holding on to the hope that we can open doors, but the continuous wind gusts simply make it impossible for us to proceed safely,” Louder Than Life organizers wrote on Instagram. “We know how disappointing this is — it’s gut-wrenching for us too. But your safety, along with the safety of our artists and crew, will always be our number one priority.”

Louder Than Life’s Friday lineup included performances by Slayer, Till Lindemann, Anthrax, Evanescence and In This Moment. Organizers noted that single-day ticket-holders would be allowed to attend the festival on Saturday or Sunday, but they must be wearing their original Friday wristband for admittance.

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Saturday’s lineup includes performances by Mötley Crüe, Falling in Reverse, Disturbed, Chevelle, Dropkick Murphys and Mastodon. And Sunday will being sets by Korn, Judas Priest, Breaking Benjamin and Staind.

Louder Than Life launched on Thursday (Sept. 26) with performances by Slipknot, Five Finger Death Punch, The Offspring and Halestorm. On Friday, however, organizers warned on social media, “Rest assured, we’re keeping a close eye on the situation and will provide updates as soon as we can. Parking, doors, and set times will be adjusted, and we are committed to rockin’ with you as soon as it’s safe.”

On Thursday, a festival spokesperson told told the Courier-Journal that the event is “built to handle rain, but lightning and wind are what would cause us to need to pause the event. We’ll always make the right decision to ensure our fans’ safety.”

See Louder Than Life’s statement on Instagram below.