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Executive Turntable

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Big Machine Label Group has promoted two executives, with Mike Rittberg rising to COO and Clay Hunnicutt rising to executive vp of label operations. Both are already in their new roles and report to Big Machine Label Group president of label operations Andrew Kautz. Rittberg most recently served as Big Machine’s executive vp of label […]

It’s time for another quick whirl around the Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music.
Stem, the music tech company company known for collaborating with Kanye West on his Donda 2 album release, has brought on Ameer Sudan as global head of music label relations. The move comes ahead of plans to release new audio remix products Stem 2 and Stem 3, which includes a built in projector, as well as the Stem Music subscription service. The devices allow users to interact with a track’s stems to engage with audio in a new, real-time format. Sudan also acts as CEO of Silvaback Productions and Management. “Ameer Sudan is joining the growing group of senior music luminaries in unifying Stem,” said Alex Klein, inventor of the Stem Player and founder of Stem and Kano Computing before that. “His level of expertise and contributions in the realms of music label relations and strategic partnerships are invaluable to Stem.”

Sudan added that it will be a “very busy” year for the company, noting discussions are underway with leading labels, fashion houses and media companies. “Stem will change the culture of entertainment,” he said. “I am glad to be a part of such a major juggernaut in the making.”

Meanwhile…

Maverick Nashville has turned to seasoned pro Beville Dunkerley for the newly created role of vp of marketing at the label. She’ll oversee creative and marketing efforts for artists across Maverick Nashville’s stacked roster, which includes Jason Aldean, Lauren Alaina, Darius Rucker (along with Hootie & the Blowfish), Terri Clark and the rebooted Brooks & Dunn. Dunkerley reports directly to Maverick partner Clarence Spalding. She comes to Maverick after a seven-year stretch leading country music industry relations for SirusXM and Pandora. Prior to that, Dunkerley made her mark in music journalism as co-founder of both Rolling Stone Country and The Boot (back when it was one of AOL’s many music-focused verticals), and she serves on both the ACM and Leadership Music boards. “While I’m certainly a huge fan of our artist roster, it was a look behind the scenes at Maverick that really sold me,” Dunkerley tells Billboard. “Clarence and Chris [Parr] have assembled a team of innovative thinkers with big hearts. I’m thrilled to join this incredible team.” Dunkerley can be reached at Bdunkerley@maverick.com.

Max Kaplan, a Sony Music staple for the last decade-plus, was elevated to senior vp and head of commercial partnerships at Columbia Records. Kaplan was most recently vp of sales at the label, and before that spent several years overseeing digital sales. He joined Sony in 2013 as a member of the Columbia sales team and over the years has worked with DSPs and physical retailers to maximize the releases of Columbia megastars like Adele, Beyonce and Harry Styles, among others. Kaplan is based in NYC and reports up to Darren Stupak, Sony Music evp and GM of commercial partnerships. “Max is an established leader who has continually demonstrated an ability to take on new challenges and deliver success throughout his career,” said Stupak. “We are excited to have him supporting the ongoing growth of our business in this new role with Columbia.”

Radio, Radio: NPR has officially tapped Robin Hilton as host of All Songs Considered, succeeding Bob Boilen, who left in October. Hilton has been a co-host of the show since 2008, the same year he and Boilen launched the wildly cool/popular Tiny Desk Concerts series. He first joined All Songs in 2001 as an assistant producer. Off the air, Hilton has been senior producer for podcasts since 2021, and before that was a part of the NPR Music management team. “It’s amazing having Robin back in the host chair of this iconic show,” said Keith Jenkins, NPR’s Vice president of visuals and music strategy. “So much has changed since All Songs debuted, but Robin has the ability to help our audience connect the dots from then to now to the future. With Robin at the helm, All Songs will continue to bring the essence of NPR Music, a celebration of new music discovery, to audiences everywhere.”

14th Street Music announced the departure of one of its key members, prolific film, TV and video game composer Lorne Balfe. The music production and publishing company, which Balfe co-founded in 2010 alongside Hans Zimmer and Steven Kofsky, said Balfe left the triad at the end of 2023 to pursue new musical endeavors. “Lorne’s many outstanding contributions made 14th Street Music the leading company it is today,” the firm said. Over the years, Balfe has composed outright or contributed to scores of… scores, including several Mission: Impossible films, The Tomorrow War, Gran Turismo and more. His theme song for National Geographic’s Genius earned him an Emmy nomination, and his video game credits include Assassin’s Creed III and several Skylanders games.

Gibson gearheads in Britain will soon have the “ultimate guitar experience” at the ready with the Feb. 24 opening of a new Gibson Garage store in London, off Oxford Street. It’s the instrument (and amp!) maker’s first-ever flagship shop outside of the U.S. and will feature 4,500 square feet (or 418 square meters) of Gibby goodies. Hold that power chord, who will run the joint? Gibson said they hired Etaoin Fagan (general manager), Andy Wratten (assistant manager-operations), and Sam Gammon (assistant manager-sales) to the leadership team, reporting to Cesar Gueikian, the president and CEO of Gibson Brands. All three have extensive retail and/or music-adjacent experience, ranging from Harrods (Fagan), Watches of Switzerland (Wratten) and Yamaha (Gammon). “The Gibson Garage London is fast becoming a reality and with Etaoin, Sam and Andy at the helm it safe to say that it couldn’t be in better hands,” said Lee Bartram, Gibson Brands’ head of commercial, marketing and cultural influence.

Nick Barr is PULSE Records‘ new senior vp, overseeing digital marketing. Barr will be based in Silverlake, Calif. and report to Ashley Calhoun, president and head of creative at PULSE Music Group. He most recently served as vp of A&R and creative strategy at Island Records, where he worked campaigns for Sabrina Carpenter, Shawn Mendes, Demi Lovato, Lauren Spencer Smith and Keshi, and signed Charlieonafriday. He is also credited with helping the career of Columbia rapper Lil Tjay. Calhoun, along with co-CEOs Josh Abraham and Scott Cutler said: “Nick has an instinct for exceptional music and artists. He is highly respected in the community for his proven ability to develop artists, many of whom he helped launch. His passion for A&R coupled with his marketing and digital abilities are going to strengthen our exceptional team and supports our mission of innovative service around our clients’ artistry.”

BOARD SHORTS: Emma Banks, longtime co-head of CAA London, has been appointed chair of Nordoff and Robbins, the UK’s leading music therapy charity. Banks takes over from David Munns, who steps down after 13 years as leader — and 30 years of support overall. Also stepping down from the board of trustees is Howard Jones and Neil Warnock. Supporting Banks will be AEG Presents exec Lucy Noble, as vice chair … The Association of Independents in Radio elected former Pushkin Industries vp Mia Lobel, independent audio producer Will Coley and Vox Audio exec Rob Byers to its board … Thomas St. John Group board member Matt Ellis was hired as CEO of the business management firm’s U.K. office. He is a former deputy CEO of Deloitte, where he spent over 30 years.

Oak View Group gets extra credit for hiring Visa veteran Andrew Cohen as senior vp of OVG brand consulting and solutions. In this new role, which reports up to president of global partnerships Daniel Griffis and is effective immediately, Cohen manages OVG’s teams handling creative, analytics, solutions and activations. Prior to joining OVG, Cohen put in nearly 20 years at Visa, where he rose to leadership roles across sales, sponsorships and brands (he led negotiations of Visa’s deals with the NFL and FIFA, among others). “Andrew is special because he has been a part of just about every type of major global deal during his [Visa] tenure on the brand side,” said Griffis, “and his wealth of knowledge reinforces our organization’s strengths – our unique ability to drive measurable sales, engagement and brand love for our clients.”

The American Association of Independent Music (A2IM) hired Emmaline McCourt as membership manager as the indie booster eyes a growth spurt. “In working with Melissa, she will play an integral role in enriching our member experience and will contribute significantly to the growth of A2IM,” said A2IM chief James Burgess in making the announcement. NYC-based McCourt will report to Melissa White, the director of membership, and focus her efforts on label relations and membership engagement strategies. She arrives from hi-res music streaming service Qobuz, where she was a music merchandiser. Prior to that, she worked in Beggars Group’s sales department. McCourt can be reached emmaline@a2im.org.

The Chamber Group promoted Edwin Tetteh to associate director of public relations, and announced the return of former senior director Kerry Smalls as head of brand strategy, at the boutique PR and marketing agency. Tetteh joined TCG in 2021 following stints at Williamson PR and The Lede Company. Smalls returns to the Chamber after building a PR division at iONE Digital/Urban One. He also led PR strategy at BCW Global, where he worked with Hennessy, Hellman’s and more brands. Both report to CEO Chris Chambers. “I’m happy to have witnessed both Kerry and Edwin’s growth over the years, becoming the young executives that we see today,” Chambers said. “They have both earned their rank through dedication, hard work and building effective PR and branding campaigns for our clients.”

Nettwerk Music Group promoted Sameer Sadhu to senior vp of A&R. The NYC-based exec joined Nettwerk in May 2015 in a management role, and he rose to vp of A&R two years ago. Sadhu’s roster includes Vacations, Andrew McMahon and the Wilderness, Superfan, Miami Horror, Miya Folick, renforshort, Wafia and Wild Rivers, among others. He’s also a partner at the Singapore-based label services and publicity firm Secret Signals, where he works with artists on business development and public relations in Asia.

L-Acoustics, the French loudspeaker specialists and makers of other pro sound systems, hired Amber Mundinger for the newly created role of global director of artistic engagement. She’ll zero in on strengthening the brand’s awareness and bond with elite artists, musicians, DJs, producers, creative directors and other stakeholders. Mundinger will remain in NYC but work closely with L-Acoustics colleagues in Paris, London and Los Angeles. She most recently served as the COO and creative producer at Artists Den Entertainment, where she helped produce such shows as Live from the Artists Den on PBS and Monumental: An Artists Den Experience with Amazon Studios. Prior to ADE, Mundinger held various leadership roles at Billboard parent Penske Media Corporation. “Her deep knowledge of the music business and ability to build meaningful relationships with artists will help elevate awareness with major artists and creatives, and together with our partners, explore new concepts to bring elevated audio experiences to life,” said Laurent Vaissié, CEO at L-Acoustics.

Veteran artist manager Michele Harrison launched her own independent management company MPH Collective, with a rollout roster including R&B singers UMI and Healy, and pop duo Beau. Harrison was most recently partner at Range Music, where she oversaw the careers of Healy, UMI, Justin Tranter and producer KaiGoinKrazy (also now with MPHC). She got her start in music at Virgin Records and Hollywood Records, before spending 15 years at Monotone, Inc., where she cut her indie rock teeth with The Shins and Vampire Weekend, as well as not-indie-rock-at-all Jamie Foxx. In 2018, she became co-head of management of Friends At Work, where she managed Alanis Morissette, before joining Range.

Music industry veteran Tierney Stout officially launched SAUS HAUS, a music strategy and branding agency based in Los Angeles. Stout gets the ball rolling with an impressive client list that includes Dr. Martens, Levi’s and Marshall. Prior to going into business for herself, Stout was director of global music marketing at Vans for over five years, and prior to that she developed artist relations at musical instrument maker Gibson Brands. Earlier in her career, she was director of interactive marketing at The Orchard and worked as a publicist for indie rock favorites such as The Walkment and Passion Pit.

Crowdfunding and distribution platform Angel Studios hired Ryan Svendsen as head of music. In this newly created role, Svendsen will join Angel’s global distribution team helmed by chief distribution officer Jared Geesey, and lead music strategy, creative, licensing, production, and partnerships for the firm’s scores, songs and soundtracks. Svendsen was previously head of music at Millennium Media, where music supervised Expend4bles, The Bricklayer and Till Death, among other films. Before Millennium, Svendsen was director of film and TV music at Lionsgate. He also moonlights as a session musician and his trumpet playing is credited on tracks including “Industry Baby” by Lil Nas X and “Lil Boo Thang” by Paul Russell. Find more on Angel Studios at their website, the very succinct angel.com.

Republic Live, known for producing Canada’s Boots and Hearts Music Festival, is launching a new management division, RLive. Casadie Pederson steps into the role of director of artist management and development to lead the company’s expansion beyond festival events and into management and artist development. RLive will be based in Nashville, while Republic Live has offices in both Nashville and Toronto. The first signing to the RLive management division is Tyler Joe Miller. –Jessica Nicholson

Seminole Hard Rock, which operates hotels and casinos in Florida, promoted Keith Sheldon to president of entertainment and brand management for Seminole Gaming and Hard Rock International. In this new and expanded role, Sheldon will be responsible for oversight of brand management, consumer marketing, brand partnerships, and sponsorship revenue generation. He’ll also continue doing the programming and talent buying for the music venues at the Hard Rock locations, which are in Hollywood and Tampa. Seminole Gaming also owns and operates four other casino locations throughout the Sunshine State.

ICYMI:

Kakao Entertainment nominated two prominent executives to serve as co-CEOs … Nuria Andreu joined the GTS and is now manager of Spanish singer-songwriter Aitana … Veteran NFL and ESPN exec Gil Beverly (pictured) is now chief business officer of the Academy of Country Music … Jennifer Koester is joining Sphere Entertainment as president of business operations, effective Feb. 5 … BMG promoted Jon Loba to president of frontline recordings in North America and Thomas Scherer as head of global recorded catalog … SONA announced new leadership roles for Erin McAnally, Kellie Brown, Linda Bloss-Baum and Camus Celli … and Warner Chappell Music upped Lázaro Hernández to senior vice president of A&R, U.S. Latin & Latin America.

Last Week’s Turntable: Norwegian’s New Music Cruise Captain

The Academy of Country Music has added Gil Beverly to its leadership team, as executive vp and chief business officer. Beverly joins the Academy following more than four years with the Tennessee Titans, where he served as the NFL team’s chief marketing and revenue officer.

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In his new role Beverly will supervise and manage the Academy’s business operations and manage all revenue streams, as well as play a key role in shaping the Academy’s growth strategy by identifying and evaluating business opportunities, and will work with the CEO to oversee and manage staff, all while supporting the Academy’s mission of connecting the industry, artists and fans.

During Beverly’s time with the Nashville-based Titans, he helped revitalize the team’s brand through lifestyle marketing and activations in music, art, fashion and fitness, as well as advertising and social media campaigns. Beverly also served as executive project lead for the preliminary stages of the new Titans stadium plan.

Prior to joining the Titans organization, Beverly served as vp of partnership solutions at Learfield Sports in Plano, Texas, after a 13-year stint at ESPN, where he oversaw the go-to-market strategy for multimedia sales and sponsorships for the launch of the College Football Playoff as vp of college sports marketing.

“Gil Beverly is a proven leader who has ushered in new levels of success for numerous category-leading organizations, and we can’t wait to tap his exceptional expertise, passion, and drive at the Academy of Country Music to help us continue to innovate, grow, and succeed, particularly as we look ahead to our landmark 60th anniversary awards show celebration in 2025,” Damon Whiteside, CEO of the Academy of Country Music, said in a statement. “In his role, he will play an integral part in shaping the future of the Academy from financial, strategic, and organizational standpoints, and Gil exemplifies all the traits that power the ACM to reach new heights and support our industry. On behalf of our Board of Directors and Officers, as well as our Members and staff, I couldn’t be more excited to welcome him to team ACM!”

“I am extremely honored and excited to join Damon Whiteside and his team at the Academy of Country Music,” Beverly added. “The Academy has proven to be a visionary organization through its premium content and events and groundbreaking partnerships with Amazon and the Dallas Cowboys, among others. I believe the organization is poised for significant growth and will continue to be a powerful leader in the music industry in the future.”

It’s time for another quick whirl around the Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music.
The National Association of Music Merchants (NAMM) launched a search for its next executive director of the NAMM Foundation, following a recent decision by longtime leader Mary Luehrsen to step down by Sept. 30. In addition to her director role at the foundation, Luehrsen is senior advisor for public policy at the music trade organization, which stages its 2024 event next week in Anaheim. The foundation’s key activities include school and career resource programs such as Careers In Music and GenNext, as well as Best Communities for Education, which gives props to schools for committing to music education. In her legendary and impactful 22-year run at NAMM, Luehrsen’s “visionary ideas and leadership have resulted in thousands of music educators, college students, community nonprofit music service leaders and international partners meeting, learning and networking at [the] NAMM Show,” the trade org said. She also expanded NAMM’s connection with other domestic and international music orgs and worked to shape public policy toward making music integral to education.

“Her passion, intellect, and relentlessly positive efforts have laid a strong foundation for our future success and we are so grateful she has lent us her talent, mentorship and creativity, all of which have joyfully impacted millions of next-generation music makers,” said NAMM CEO John Mlynczak.

Russell Reynolds is leading the search for Luehrsen’s replacement. All prospective candidates are invited to reach out directly to the Russell Reynolds Associates team at NAMMFoundationED@russellreynolds.com.

Meanwhile …

Sixthman has a brand-new captain. Norwegian Cruise Line tapped Jeff Cuellar to succeed Anthony Diaz atop — or should we say aboard — its floating music festival subsidiary, which is coming off its “most successful year to date.” Cuellar’s been with Sixthman since October 2021, first as vp of partnerships and later vp of events, marketing and community — all during the backdrop of the boat-rocking COVID-19 pandemic. Prior to Sixthman, he was vp of strategic partnerships at festival promoter AC Entertainment, where he worked on Bonnaroo, Forecastle, Railbird and many more. As CEO, Cuellar will keep pushing for growth and work to solidify Sixthman’s place as the entertainment cruise king. Sixthman hosted over 45,000 guests over the course of 18 cruises in 2023, including the massive EDSea electronic music festival aboard the big ol’ Norwegian Joy. This year’s dock-et includes events hosted and/or curated by Kevin Smith, Yellowcard, Sister Hazel and Joe Bonamassa, among others. “In the short time Jeff has been at Sixthman, he’s made a significant impact,” said outgoing CEO Diaz, who is staying on as an advisor until June. “He played an integral role in the success of 2023, leading the strategy and outreach to strengthen and develop new artist relationships and debut first-for-the-brand festival concepts across all genres.”

Warner Chappell Music Germany promoted Natascha Augustin to managing director, reporting to WCM co-chair and CEO Guy Moot. The move means outgoing Germany MD Lars Karlsson will now be able to solely focus on his other gig, leading WCM Scandinavia. Augustin joined WCM in mid-2010 and was most recently vp of creative and head of A&R. She also helped launch Atlantic Records Germany, where she was head of strategy, but will now focus on WCMG. “I see myself as an advocate for songwriters and artists, fighting for their rights in a rapidly changing world full of new challenges,” she said. The company noted that Augustin will spend time in all three German hubs for WCM — Berlin, Hamburg and Munich. “Germany is such an important global market, and home to some of the world’s best writers, producers and artists,” added Moot. “We’re the number one domestic publisher there thanks to the support that Natascha has given a generation of songwriters under Lars’s expert guidance.”

Staying in Deutschland, BMG promoted Johannes von Schwarzkopf to senior vp of corporate development — marking a title fist-bump in a department he has led since its formation last year. Von Schwarzkopf joined BMG in 2021 as senior director of board projects and was promoted for the first time in 2023. In his vp-of-cd role, he’ll continue developing new business opportunities for the world’s fourth largest music company, and spearhead initiatives to accelerate growth in areas like partnerships and GenAI. He reports directly to BMG CEO Thomas Coesfeld and is based in the company’s Berlin headquarters. “Johannes has a proven track record of analytical rigor and thought leadership, and has played a pivotal role in developing and implementing our new strategy over the past year,” said Coesfeld. “His entrepreneurial mindset and commitment to the team make him a great leader.”

Black Music Action Coalition co-founder Binta Niambi Brown has joined Manatt, Phelps & Phillips, LLP as entertainment partner in the legal and consulting firm’s NYC office. Brown has worked in a number of industries: as a corporate lawyer for top firms like Cravath Swaine & Moore and Kirkland & Ellis, as a member of Chance the Rapper’s management team at Nice Work, and more recently as head of operations and strategy at Keep Cool Records/RCA. She is also an adjunct professor at the Clive Davis Institute of Recorded Music at NYU Tisch. At Manatt, Brown will work within the creator economy and advise global mogul-level clients on how to build, innovate, expand and protect their businesses and brands, the firm said. “Binta has a tremendous reputation as a corporate dealmaker, talent manager and artist advocate, making her incredibly invaluable to talent-side clients who are increasingly building their businesses and taking ownership of their personal brands in today’s exploding creator economy,” said Manatt entertainment leader Jordan Bromley.

David Barbis is the new head of promotion at Big Loud Rock, the label home of HARDY, Blame My Youth, Jaguar Twin and other alt-rock acts. Barbis will spearhead all promotional matters at the Los Angeles-based label and report up to BLR president Greg Thompson. He joined from C3 Management, where as vp of promotion he worked on campaigns for wide slate of artists, including White Reaper, The Head and the Heart, Modest Mouse and Chevelle, among others. Prior to C3, Barbis held roles at Polygram, Dreamworks and Capitol Records. “Dave is a true music man and one of the most outstanding promotion executives I have ever known,” Thompson said. “His passion for his artists is unparalleled, and we are beyond thrilled to have him join the Big Loud Rock team.” Barbis can be reached at daveb@bigloud.com.

Primary Wave Music added Agnes Kacicki to its executive team as head of corporate development. Working closely with Primary Wave’s founder and CEO Larry Mestel, Kacicki will focus on big-fish catalog and business acquisitions, as well as forming portfolio-expanding partnerships on the international scale. Based in Los Angeles, Kacicki will also work closely with Bill Cisneros, president of IP investment management, and Ramon Villa, the company’s COO, to assist with investor relations. Kacicki comes from RBC Capital Markets, where she served as director in the investment banking division and specialized in advisory and capital raising activities across various entertainment sectors, including Primary Wave’s bailiwick: music publishing. “Agnes has been a close adviser to Primary Wave for many years in her senior role at RBC, she will make a very significant impact on our ability to increase our acquisition capabilities, and service our partners,” noted Mestel.

Sony Music UK hired Brooke Salisbury to fill the newly created position of senior vp of international marketing and digital partnerships. In the role, Salisbury will oversee the various teams working on cross-border marketing and partnership with digital services like Spotify, Apple Music and YouTube. She arrives at Sony from Warner Music’s ADA UK, where she was general manager of the distribution and label services division. Prior to ADA, Salisbury held senior roles at Domino, where she rose to head of marketing in the UK market and worked with rock favorites Arctic Monkeys and Franz Ferdinand, among others. She reports up to Sony Music UK & Ireland chairman and CEO Jason Iley, who remarked of being “delighted to welcome Brooke to her new role where she will help bolster our service for both artists and digital partners.”

Global management company IMG Artists promoted Sam Snook to head of vocal, London. Snook has clocked 17 years in the classical musical industry, including positions at the Lyric Opera of Chicago, Santa Fe Opera and Opera America. He first joined IMG Artists in 2009, working closely with evp and global head of vocal Matthew A. Horner. “Sam’s move to London is a very positive development for IMG Artists,” Horner said. “With the complicated nature of our business, and the best artists needing true worldwide representation, I see this move by one of my most trusted colleagues as a fruitful venture for all of us in vocal.”

BOARD SHORTS: Music community startup We Are Giant added AEG Presents COO of global touring David Rappaport to its board of directors. He’ll lend his expertise on event execution, artist relations and more at the freshly launched plaform for hosting licensed listening parties, live streams, chats and more on its site and app … Hipgnosis Song Fund’s board of directors have a plan to attract bidders — and satisfy concerned shareholders. Learn all about it here.

Deluge Music founder David Robkin has launched two new record labels. Robkin worked with Johnny Gates and Austin Luther to ideate East Music Row Records — “with a goal of blending the hip, innovative sides of Nashville’s new indie rock and alt-country music with the musicianship, professionalism, and ingenuity of Music Row classists.” Robkin then took inspiration from Sun Records and Motown for Deluge Records Nashville, which is modeled in the tradition of a classic collaborative music incubator. “DRN wasn’t created to extract all the worth possible out of its artists, instead, the team chose to foster relationships between artist and label, creating a home in which equitable recording deals aren’t rarities,” the company said. DRN was born through a relationship between Robkin, songwriter Sam Grow, and Grow’s manager Brad Austin.

Breanne Hoke joined Joie Manda’s Encore Recordings as executive vp, head of business and legal affairs. Prior to Encore, she spent five years with Interscope’s business and legal affairs team, rising to vp in October 2021. She got her start in music as a legal fellow at the NMPA before joining Warner Records as an attorney-then-associate director in its B&LA department. Manda, a longtime executive at Interscope Geffen A&M, launched Encore Recordings in 2021 with a goal of “pushing culture forward.”

CAA promoted Jenna Powell to communications executive. She joined the agency in early 2018 as assistant to then-COO Michael Mand before rising through the communications ranks to her current position, which is based in Nashville and supports CAA’s music touring, digital media, theatre and gaming divisions.

Garrett Ream has joined Position Music as vp of artist strategy and promotion, a move announced by president and CEO Tyler Bacon. Ream previously served as vp of rhythm promotion at Republic Records, where he worked on radio and promo campaigns for a murderers’ row of stars including Taylor Swift, Drake, The Weeknd, Arianna Grande, Post Malone, Pop Smoke and Greta Van Fleet. Ream will report directly to J Scavo, general manager of recorded music at Position. “Garrett is a key hire for us as we continue to build our frontline artist roster and label marketing team,” said Bacon. “In addition to bringing major label promotion experience, he also has an indie drive and entrepreneurial approach to identifying and developing artists that is in lockstep with our company ethos.”

Ten2 Media appointed “avid technologist, hacker and maker” Mike Flynn as chief technology offcer of the upstart company, which works with clients on strategies and then distributes, markets and monetizes that video content on YouTube. Flynn was previously CTO of Studio71, where he spearheaded the development of numerous technology platforms during an 11-year tenure. “”Mike’s track record of success and his passion for leveraging technology to drive business growth align perfectly with our vision for the future of Ten2 Media,” glowed Ten2 Media co-founders Donna Budica and George Karalexis.

Music industry veteran Bob Reeves opened the private venture Excelsior Music, which will focus on management, artist development, radio/tour marketing and promotion. Reeves’ first client is Nashville-based country singer-songwriter Orlando Mendez. Mendez, a second-generation Cuban-American from South Florida, appeared on NBC’s The Voice in 2022, and is currently working on his debut project. Reeves previously held posts as vp and national director with Warner Music Nashville, Sony Music, Monument Records, Epic Records and most recently, Riser House Entertainment. –Jessica Nicholson

Tom Stingemore, who spearheaded Hipgnosis’ sync efforts until his departure over the summer, launched ALLOY Sync Distro as part of an ambitious effort to modernize the music biz’s sync licensing and approvals process. ALLOY is described as a “state-of-the-art, industry-wide platform that significantly streamlines the sync licensing process, while allowing labels & publishers to retain full control of their sync rights,” according the announcement. Stingemore, who has also previously held senior sync roles at UMG and BMG, said the licensing process has been “arduous, disjointed and fractured” for too long and is collaborating directly with industry stakeholders to develop a “gamechanging commercial solution for the entire music business.”

ICYMI:

Phill Bauer was named president of DistroKid … Alvaro Rizo joined Carlos Vives’ Gaira Musica Local label as managing director … the National Music Publishers’ Association (NMPA) hired former Mitt Romney staffer Chris Barkley (pictured) as its senior vice president of government affairs … YouTube laid off 100 in its content and creator teams … and Condé Nast gutted Pitchfork as part of a restructuring that folds the esteemed music criticism site under men’s style and fashion bible GQ.

Last Week’s Turntable: Resnik Makes It Raines

The National Music Publishers’ Association (NMPA) has hired Chris Barkley as its senior vice president of government affairs. The NMPA’s new hire has two decades of experience working on Capitol Hill, including roles in the House of Representatives and the Senate. Most recently, Barkley served as deputy chief of staff for policy for Sen. Mitt […]

Alvaro Rizo has been named Gaira Música Local’s new MD, the company tells Billboard. Rizo will be based in the record label’s headquarters in Bogotá, Colombia. The label, which was founded in 1993 by Carlos Vives, is rooted in highlighting Colombia’s musical heritage with a roster that includes artists such as Gusi, Estereo Beat and […]

Leading indie distributor DistroKid has named COO Phil Bauer as its new president, the company announced Thursday (Jan. 11), where he will lead day to day operations. As part of the new leadership structure, founder and CEO Philip Kaplan is transitioning into the role of chairman moving forward. Bauer has served as COO of the […]

It’s time for another quick spin around the Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music.
Deezer appointed veteran tech and media executive Ivana Kirkbride as chief commercial officer, with an eye on boosting commercial partnerships and fueling further global expansion at the Paris-based streaming service. Kirkbride recently co-founded Creators.org, a non-profit advancing creator rights, and since June 2023 had been an advisor at Emirates Capital, with a focus on tech. Prior to that she was director of product marketing at Meta and a decade ago was a lead strategist for original programming and acquisitions at YouTube. Based in Deezer’s Paris headquarters, Kirkbride will report to the company’s CEO, Stéphane Rougeot.

“Ivana has an excellent track record in leadership roles across business development, sales and product innovation in tech and media, which makes her a fantastic addition to Deezer,” said Rougeot. “We are aiming for significant growth and Ivana is exactly the right person to take the lead as we expand our partnership business.”

Elliot A. Resnik joined Raines Feldman Littrell LLP (Raines) as partner in the firm’s entertainment and media group. Resnick, a regular honoree in Billboard‘s list of top music lawyers, was most recently partner and chair of entertainment at Masur Griffitts Avidor, where his clients included Run The Jewels, Killer Mike, National Independent Venue Association (NIVA), Yotto and more. That roster, which also includes producers Dave Sardy and Keith Harris, Giant Step Marketing and Convicts Agency, comes with him to Raines. Earlier in his career, Resnik spent more than a decade at Herbsman, Hafer, Weber & Frisch, where he rose to senior counsel, and in the early oughts he was an in-house attorney at TVT Records. Elliot will be based in Raines’ New York office. “I’ve known Elliot since he was a feisty newly-minted lawyer just entering the music business and watched him and his client base grow throughout the course of his career,” said Andy Tavel, chair of media & entertainment. “He has now become an innovative and collaborative lawyer, negotiating cutting-edge deals at the highest levels.”

Atlantic Records went and promoted three vp-level execs. Jason Davis, who oversees media campaigns for Jack Harlow, Ed Sheeran, Lil Uzi Vert and others, and oh-by-the-way has been at the label for 14 years, was promoted to senior vp of media engagement and strategy. Ring-a-ding, Brittany Bell got a bump to vp of media relations and will continue handling media rollouts for a roster that includes Roddy Ricch, Don Toliver and Bruno Mars. Finally, Jordan Chalmers is promoted to vp of custom activations and emerging technology, which means he’ll work with outside creators, tech partners and platforms on developing cool marketing efforts for Atlantic acts. To date, Chalmers has worked on bespoke campaigns for A Boogie wit da Hoodie and Lil Uzi Vert, among others.

Arista Records brought in a couple industry pros to amp up its New York office. Sharon Timure, a 20-year veteran of Island Records, will oversee all marketing efforts at the label as — you guessed it — head or marketing. During her Island time, she worked across multiple marketing spaces and focused on building the careers of superstars like The Killers, Demi Lovato and up-and-comers Bon Jovi. Over in the publicity department, Kelsey Hession joined from Glassnote Records to be Arista’s new publicity lead. Prior to G-note, where she worked with Phoenix, CHVRCHES and the like, she put in time at Live Nation, SONGS Music Publishing and Hiltzik Strategies. Both report to president and CEO David Massey and general manager Veronica Sanjines. “Sharon brings an incredible prowess to developing artists with a progressive marketing strategy and Kelsey’s forward-thinking approach to media will be a driving force to build buzz around our roster,” glowed Massey.

Warner Music India promoted Sujal Parekh to general manager of operations in the emerging market. It’s a big move for Parekh, who joined WMI as finance director in February 2021. In his new role, he’ll co-pilot the business with managing director Jay Mehta and work to drive growth across digital operations, artist management, publishing, live events and strategic M&As, among other duties. Prior to joining team WMG, Parekh spent 10 years at Bigtree Entertainment’s BookMyShow, where he rose to associate vp of finance. “We believe in empowering our team by offering greater responsibilities and nurturing leaders within the organisation,” said Mehta. “This marks a pivotal moment as Sujal’s leadership will help guide many aspects of our business. His expertise will be vital as we strategically expand our local operations and empower our artists and partners to leverage Warner Music’s global resources to deliver unparalleled success.”

Endurance Music Group promoted Lauren Funk to the newly-created role of vp of publishing. Funk joined EMG in 2021 and has been instrumental in signing/retaining writers including Jordan Schmidt, Scooter Carusoe and Jake Rose. Funk will continue to manage the company’s relationships with its roster of hitmakers including Matt Stell and songwriter-producers Seth Alley and Paul Sikes, as well as identifying and signing new talent. –Jessica Nicholson

Gibson Brands put a ring on it with Luke Ericson, the iconic instrument maker’s interim chief operating officer since last May. As permanent COO, Ericson will continue his efforts to reorganize the business around manufacturing, planning and enterprise solutions to shape Gibson’s global strategy. Ericson joined the Les Paul maker from equity firm KKR, where he was an operating partner. Prior to KKR, he did some turnaround consulting — helping business recover from cash flow problems — at AlixPartners and around his native Australia. He reports to Cesar Gueikian, president and CEO of Gibson, who says “Luke’s overall experience as an operations expert, successfully serving in multiple leadership roles, uniquely positions him to drive operational excellence for Gibson. I have full confidence in Luke’s ability to lead our office of the COO, and Gibson, into the future.”

Indie distributor TuneCore named Akhila Shankar as the company’s new head of South Asia markets. The Mumbai-based executive will work to grow and manage TuneCore’s roster in the region, plus eye partnership opportunities and deliver innovative marketing campaigns for the company and its artists. Shankar arrives from Luminary, where she served as director of international. Earlier in here career she spent more than seven years at music streamer JioSaavn, rising to director of brand, communications and marketing. She will report to Tash Shah, TuneCore’s vp of international, as well as Vivek Raina, a regional managing director at TuneCore parent Believe. Shankar’s appointment follows the departure of former head of TuneCore, South Asia, Heena Kriplani.

ICYMI:

Jack Sussman is stepping down as evp of specials, music, live events and alternative programming for CBS Entertainment. While, Mackenzie Mitchell has been upped to vp of specials and Mitch Graham is now evp of alternative … Columbia promoted Joe Gallo (pictured) to general manager … Beatport bumped Matt Gralen to president and Helen Sartory to CRO … former Bosstone-ian Nate Albert was appointed president of Giant Music … and Utopia Music has hired its third CEO in a year and brought in a new COO.

The Academy of Motion Picture Arts and Sciences promoted Teni Melidonian to chief Oscars officer. In this newly created position, Melidonian will lead strategy, talent relations, special events and production teams for all awards programs and events throughout Oscars season. She’ll collaborate with the Oscars producers and show host; the Oscars’ broadcast partner, Disney/ABC; and Academy leadership, and oversee the teams involved in developing and executing the Oscars. Melidonian was most recently executive vp of Oscars Strategy. She began her Academy career in 2005 as a publicist, advancing to head communications and publicity and overseeing brand strategy and marketing before moving over to lead the Oscars Strategy team. She’ll continue to report directly to Academy CEO Bill Kramer. In addition, MaryJane Partlow has been upped to evp of awards production and special events. Partlow will report to Melidonian. Partlow joined the Academy in 2013 and most recently held the position of senior vp of awards production and special events. –Paul Grein

London-based live music agency One Fiinix Live hired rock-steady Bex Wedlake as its newest agent, effective immediately. Wedlake, who’s based in the US but will work alongside the UK crew, brings a roster that includes Black Stone Cherry, GWAR, Halestorm, Tiny Dancing Parts, Dance Gavin Dance, The Subways and who can forget Hoobastank. “Not only does she bring with her an incredible wealth of experience and a fantastic roster that aligns perfectly with our aspirations, but Bex has time and again spotted and developed new talent with a remarkable hit rate,” said One Fiinix Live founder and CEO Jon Ollier, who personally books the company’s biggest client, Ed Sheeran. Reach her at bex.wedlake@onefiinix.com.

Board Shorts: Sylvia Coleman resigned as independent non-executive director of Hipgnosis Songs Fund Limited, effective immediately. HSFL chairman Robert Naylor thanked Coleman, who was appointed in 2019, for helping as the board “has transitioned and reshaped itself” … The Copyright Alliance announced Richard James Burgess, president and CEO of A2IM, and Shannon Sorensen, senior vp of legal & business affairs at NMPA, as its newest at-large board members. Both will be serving two-year terms … Eight new patrons have joined Music Venue Trust, the UK charity backing grassroots music venues. They include singer/songwriters Jamie Webster, Hamish Hawk and Hannah White, DJ Jeff Automatic, bands Reverend and the Makers, Noah & The Loners and CHROMA, and Minister for Creative Industries John Whittingdale … PRS Foundation‘s board chair Nitin Sawhney will vacate that spot to become the UK music charity’s first patron, a role that will see him “work tirelessly in supporting talent development, management and promotion” … Speaking of patrons, Patreon hired Block veteran Paige Fitzgerald as the creator subscription platform’s new chief operating officer.

MSG Entertainment promoted Jessica Tuttle from senior to executive vp of productions. In this elevated role, Tuttle will continue to oversee operations for the legendary — and highly lucrative — Christmas Spectacular starring the Radio City Rockettes, which had its highest revenue run ever in 2022. She joined MSGE back in 2010 and has held roles in various sides of the business, including ticketing and touring of family productions. Tuttle will continue to report to James Dolan, executive chairman and CEO. “Throughout her tenure at MSG Entertainment, Jessica has been instrumental in growing our productions business by focusing on revenue-driving strategies, strategic partnerships, and brand growth,” said Dolan. “I am confident she will continue to develop new opportunities for the Rockettes and Christmas Spectacular brands in this expanded role.”

Brooklyn arts and media institution BRIC appointed Saidah Blount as executive director of its flagship live event program, BRIC Celebrate Brooklyn!. The annual performing arts series, which lives at the Lena Horne Bandshell in the Olmsted-and-Vaux designed Prospect Park, turns 46 this year. Blount and co. will focus up on bridging BCC! Into the digital space. She was previously global marketing director at Sonos, where she helped develop the audio tech company’s music service, Sonos Radio.

Fair Trade Services promoted two executives: Darren Elrod has been elevated to president, while James Rueger has been upped to chief creative officer. Both will report to FTS founder and CEO Jeff Moseley. Elrod joined FTS three years ago as COO, and previously served as COO at Provident Music Group. Rueger joined FTS in 2005 as an A&R manager, rising to his most recent role of svp of A&R before being named CCO. –JN

Music Will, a New Jersey-based non-profit that “equips educators to teach, students to learn, and lives to be transformed through music education,” appointed Mike Wasserman to chief executive officer, effective Jan. 16. In his new role, Wasserman will prioritize widening the organization’s already considerable reach — its teachers currently serve over 500,000 students in more than 600 cities throughout the U.S. He’s coming to Music Will from the Constructive Dialog Institue, where he serves as vp for growth and development. “In every conversation I’ve had with members of the Music Will community, that same passion for music feels so present,” says Wasserman. “It’s energizing and inspiring.”

Genesis Garcia joined music PR agency Orienteer as a publicist. She brings Teezo Touchdown to an Orienteer roster that includes 100 Gecs, BADBADNOTGOOD, Clams Casino, Dave, Earl Sweatshirt, King Krule, Hudson Mohawke and dozens more. Garcia arrives from RCA, where as associate director of publicity she was pivotal in the careers of Teezo, Steve Lacy and Victoria Monet, a seven-time nominee at the upcoming Grammy Awards, including best new artist and record of the year. Prior to RCA, Garcia worked in artist relations and A&R during a four-year stint at Def Jam Recordings.

Josh Posner is AMIBA Consulting‘s new vp and head of music and brand development. Formerly head of biz dev at Proof Holdings, Posner is better known in music circles as founder of JP Bookings, which has booked live shows featuring Diplo, Big Sean, Alesso and others. “Amiba specializes in providing brands access to talent – representing music artists, actors, creators, and more,” Posner noted in a LinkedIn post announcing his new gig. “What interested me most about the company is their groundbreaking work brokering deals between talent and startups, while working directly with talent to create new brands and businesses from their IP.”

Full-service entertainment agency EastCoast Entertainment promoted Kaitlin Sweeney to managing partner. She joined ECE as an agent in 2014 and assumed the role of manager of their Philadelphia location in 2017. “We are elated to add Kaitlin to our ownership team,” said ECE president John Wolfslayer. “Her passion, leadership and commitment to our artists, clients and employees exemplifies our vision and goals as a company.”

The U.S. Patent and Trademark Office appointed Sharon Israel as chief policy officer and director for international affairs. In her role, Israel will lead U.S. delegations to the World Intellectual Property Organization (WIPO), head the USPTO’s Office of Policy and International Affairs (OPIA) and play a vital role in U.S. copyright diplomacy in countries around the globe. “RIAA is enthusiastic about the Office’s continued trajectory under Ms. Israel’s leadership and we are very much looking forward to partnering on creative community priorities such as safeguarding copyright protection in the context of AI, including in the US pursuant to the recent Executive Order, as well as in multilateral work in the G7, OECD and other forums,” says RIAA Chairman & CEO Mitch Glazier. “We are equally eager to work together with the OPIA Director to push back against highly-concerning text-and-data-mining exceptions to copyright overseas, including in Japan and Singapore.”

Last Week’s Turntable: DICE Pays Piper to Handle Communications

LONDON — Less than three months after installing a new CEO, Utopia Music has once again reshuffled its executive ranks, appointing Michael Stebler to lead the Swiss-based company. Stebler, who represents the majority shareholder group behind Utopia Music, succeeds Alain Couttolenc, who has been in the top post since October.
Couttolenc switches to deputy CEO and chief commercial officer, while Drew Hill, who runs Utopia’s U.K.-based physical distribution businesses Utopia Distribution Services and Proper Music Group, has also been named deputy CEO in addition to his ongoing role as chief of distribution.

Pedro Lima, a former Swiss-based executive at global data and analytics company NielsenIQ, joins the firm as chief operating officer.

All appointments are effective immediately and were communicated to Utopia staff in an internal memo sent by the board of directors on Thursday (Jan. 11).

Michael Stebler

Courtesy Image

Speaking exclusively to Billboard, Stebler says his extensive experience in the banking and financial industry will bring stability to the troubled firm and help steer it towards growth.

“We believe that the combination of Utopia’s strategy, our network and our financial support will bring the company to the next level,” he says.

Stebler’s appointment as CEO is his first executive post with Utopia, although he has held close ties with the company for several years through his role as managing director of Investment Advisors Zug AG, which operates on behalf of the majority shareholder group. Like Utopia Music, Investment Advisors Zug AG is headquartered in the scenic Swiss town of Zug, located close to Zurich.

Financial details around the size of investment or identities of investors are confidential says Stebler, but he does confirm that the investor group he heads recently increased its shareholding through a successful Series C funding round. Billboard understands that the investor group led by Strebler covered between 40-60% of the first tranche. A second tranche of C-round funding is underway.

The funds will be used to drive commercial growth, enhance product development and strengthen the company’s balance sheet, says the newly appointed CEO, who steps down from his role with Investment Advisors with immediate effect to focus on Utopia..

“We decided to invest further money into the company and we want to have control in the execution,” says Stebler, adding that “intense due diligence” was carried out by the group before increasing their investment.

“What we saw is a really strong backbone, a strong product and service offering, and great USP with the distribution business in the U.K.,” he says. “Otherwise we would have never made a further commitment and gone into a management position.”

FROM RAPID GROWTH TO SNAP DOWNSIZING

Utopia’s latest structural reorganization comes on the back of a highly turbulent few years for the tech company, which delivers financial services for labels, publishers and distributors and first made waves in the music industry by embarking on a frenetic buying spree of 15 companies between 2020 and 2022, including Lyric Financial, a Nashville-based provider of royalty-backed cash advances; and Proper Music Group, the United Kingdom’s leading independent physical music distributor.

Utopia’s period of rapid hyper-growth was followed by a just-as-quick downsizing, beginning with the axing of around 230 jobs in late 2022. More layoffs followed soon after, along with multiple executive departures, office closures, legal action over a stalled acquisition deal, late payments to staff, and the offloading of three of its businesses — Absolute Label Services, U.S.-based music database platform ROSTR and U.K.-based publisher Sentric.

As a result of those divestments and cost-cutting measures, the firm’s global workforce has been trimmed from approximately 1,200 staff to around 440.

“Today, we are in a much better position,” says Utopia co-founder and executive chairman Mattias Hjelmstedt. He says yearly cash burn has been reduced by 84 million Euros as a result of the changes and calls the new injection of C-round funding into the business “paramount” to getting Utopia on a stable footing.

Going forward, Hjelmstedt and Stebler say there are currently no plans to sell any of Utopia’s remaining businesses or to make further staff layoffs, but say that the firm will continue to evolve and finetune its offering to clients across the music industry.

“We believe that we are able to grow with our [current] head count and achieve profitability by mid or end of 2025,” says Stebler. “From an investor perspective, we prefer to invest more in substantial growth instead of cutting costs.”

One way that Utopia will look to do that is by rolling out its advance finance service, which provides music labels and clients with cash advances, to international markets, including the U.S., Continental Europe, Australia and New Zealand.

The company’s executive team is also looking to grow its core tech offering to clients across the music business. Those product services include cross-platform analytics, an AI-powered recommendation engine targeted at DSPs and streaming services, and Utopia’s royalty processing and payments system, TrackNClaim, which tracks music consumption on digital platforms and helps identify conflicts and unclaimed mechanical royalties.

THE PATH TO PROFITABILITY

Utopia’s other core businesses include its two U.K.-based physical music distribution entities: Proper Music Group, which provides distribution services for over 5,800 indie labels and service companies, and Utopia Distribution Services (formerly Cinram Novum), whose clients include Universal Music Group, Sony Music Entertainment and [PIAS].

According to its most recent accounts, Proper Music Group recorded revenue of £30.1 million ($38 million) for the nine-month period ending Dec. 31, down from £42 million ($53 million) in the prior 12-month accounting period, and a £1.9 million ($2.4 million) net loss in 2022. The company said lower sales and increased operating costs were behind the disappointing figures, while accounts for Utopia Distribution Services are yet to be filed in the U.K.

Deputy CEO Drew Hill, a long serving veteran of the U.K. physical distribution industry, says Proper is on track to return to profitability in 2024 as a result of significant investments Utopia has made in the sector.

They include last year’s opening of the U.K.’s biggest distribution warehouse for physical music and home entertainment — a 25,000-square meter facility in the town of Bicester with handling capacity of up to 250,000 units per day — as part of a £100 million ($125 million) long-term deal with international logistics company DP World.

“With the new facility we’ve been able to show all of our labels and clients just what Utopia can do,” says Hill. “From here, we can concentrate on selling Utopia’s services and products to our existing client base, which was always the plan, and use Proper and Utopia Distribution Services as funnel to those people. We’ve shown what we can do, built some amazing relationships. Now people are going to see what the true Utopia product is.”

At present, Proper and UDS generate the bulk of Utopia’s revenue but Strebler is confident that the structure is in place to help grow the firm’s other income streams so that it moves closer towards a 50/50 split between physical distribution and tech/financial services.

He declines to discuss revenues, but confirms Utopia’s two biggest markets are the U.K. and U.S. (Last year, Hjelmstedt told Billboard the firm generates over €100 million [$110 million] in global revenue a year, but this was prior to it offloading Sentric and Absolute.) The company says it nis focused on strengthening its balance sheet and is currently working through its outstanding debt and tax obligations.

“We have never been about disrupting or taking over the industry,” says Hjelmstedt. “It’s always been about helping the industry be better and grow. And the more that we have been able to talk to the different parts of the industry, and the more that they are now trusting us to solve those problems, the more likely we are to succeed with that mission.”

Nate Albert has been appointed president of Giant Music, the independent record label launched in 2022 by Irving Azoff and his son Jeffrey Azoff.
A recording artist and creative A&R executive with major label experience, Albert joins the team at Giant which includes co-founder Shawn Holiday, Matt LaMotte and Charles Hamilton, Billboard can reveal.

When Giant Music was established as part of the Azoff Company, Holiday ran the venture’s day-to-day operations.

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“Partnering with Nate at Giant is the next step for us in building a world class label,” Holiday explains in a statement, issued Thursday (Jan. 11). “As an artist himself, he understands how to help artists achieve their dreams and that is what we do at Giant.”

Albert is co-founder, guitarist, songwriter and co-producer in ska punk band The Mighty Mighty Bosstones, which split in 2022 after more than 30 years, 11 albums and 10 EPs. Six of the band’s LPs cracked the Billboard 200, with 1997’s Let’s Face It peaking at No. 27 and logging 50 weeks total weeks on the chart.

He comes to Giant Music from Warner Records, where he developed and signed best new artist Grammy Award nominee Omar Apollo, Teddy Swims, and others. Before that, Albert was an A&R executive at Capitol Records and Republic Records, where he signed The Weeknd and Maggie Rogers, and worked on projects with Dua Lipa, Marshmello, Roddy Ricch, Troye Sivan and more.

“I am thrilled to help build a new label from an artist’s and manager’s perspective in 2024,” he comments on his new role. “Irving and Jeffrey have a sterling reputation as defenders of artists’ rights and that spirit and point of view will continue to thrive at Giant Music.”

The goal, he continues, “is not just to create another option for the creative community, but to create a place for the creative community to call home.”

Giant Music revives the Giant name for the Azoffs, with the elder Azoff launching Giant Records in 1990 as a joint venture with Warner Bros. Records. The label went on to work with artists including MC Hammer and Color Me Badd.

Based in Los Angeles, The Azoff Company’s portfolio includes Full Stop Management, Global Music Rights, Oak View Group, Iconic Artists Group, and Giant Music, which boasts the motto: “Creativity, transparency, and passion.”

Giant’s roster includes Ayleen Valentine, Cash Cobain and Fendida Rappa.