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Karol G and Romeo Santos have come up with a clever way of saying goodbye to an ex lover. “It didn’t work out, we gave it our all, so we’re leaving but before we leave, let’s do it one last time,” they sing in the newly-released “X Si Volvemos.”
Following the announcement of her her highly anticipated fourth studio album Mañana Será Bonito, the Colombian hitmaker dropped the track on Thursday with surprise collaborator Romeo Santos. The Ovy on the Drums-produced song marks the first time the two artists work together.
The sultry reggaeton bop finds the artists lamenting a failed relationship but leaving the door open because, “our relationship didn’t work, but we understand each other in bed.”
How the collaboration came about? According to a statement, Karol had already recorded the song on her own and uploaded a teaser on TikTok. Then she thought Santos would be a good collaborator for this song and called to invite him.
Check out the lyrics translated into English “X Si Volvemos” with Romeo Santos below:
We didn’t work out (We didn’t work out)
We gave it all, but it didn’t work out for us (No)
That’s why we’re leaving (We’re leaving)
But before we go
Let’s do it for the last time, baby (Baby)
Because not in love, but in bed we understand each other (Oh)
It’s porn, I love how we do it
I won’t delete your contact and I’ll be aware in case we make up
But if not (Hey)
The little shore takes care of itself (Ey)
But call when you want me to give you in bed attended
The sex games are not forgotten (Are not forgotten)
No one trustworthy is denied a farewell sex, ey
I’m down to repeat (Repeat)
You put the bed, I put the krippy (Krippy)
Now we hit it at beach in DR, Punta Cana (Ah)
In the window looking at the city
I know that in love we are a disaster (-aster)
I’m a bandit, and you’re a gangster
I don’t know how long you wasted trying something serious
I know I’m not what you thought (Eh-eh)
But since you kissed me
You became addicted with my malice
This is not healthy but
Let’s do it one last time, baby
Because not in love, but in bed we understand each other
It’s porn, I love how we do it
I won’t delete your contact and I’ll be aware in case we make up
But not like this
Our love is f—-d
But what a feeling when the messes end in bed
Could it be that sex with you is my addiction?
Toxic loves only work for —less
We are so explicit, but it came to an end (So nasty)
Say goodbye naked, with my phone I’m recording you
I tell you goodbye inside you
I save this video for when you need it
And you’re wet thinking of me
Let’s do it for the last time, baby (Baby)
Because not in love, but in bed we understand each other (We understand)
It’s porn, I love how we do it (How we f–k, how we f–k)
I won’t delete your contact and I’ll be aware in case we make up
But not like this
Baby, give me one night
That never ends
Today is a night of sex
Are you coming?
Haha, you knew
My Romeo, The King
With La Bichota
O-O-Ovy On The Drums
Karol G has teamed up with Romeo Santos for her track “X Si Volvemos,” which dropped Thursday (Feb. 2). The sultry reggaeton bop finds the artists lamenting a failed relationship but leaving the door open because, “It didn’t work out, we gave it our all so we’re leaving but before we leave, let’s do it one last time. Our relationship didn’t work but we understand each other in bed,” they sing.
Karol had already recorded the song, produced by Ovy on the Drums, on her own and uploaded a teaser on TikTok. Then she thought Santos would be a good collaborator for this song and called to invite him, according to a statement. He then told her that he had heard the song on TikTok and had made a video with the audio to upload to his social media, which he shared earlier this week.
“X Si Volvemos” drops just a week after the Colombian star announced the title of her upcoming fourth studio album: Mañana Será Bonito. The set will drop “soon” according to the sweet announcement made Jan. 25.
“Finally, finally,” she wrote on social media. “Today I announce a project that I’ve dedicated so much love and time to. I just know that for me and for everyone else, Mañana Será Bonito (Tomorrow Will Be Pretty).”
In the sweet, short clip, Karol G appears sitting in a car in Medellín when a little note drops on the windshield that reads: “If you’re sad, call me.” When she dials, a kid answers and suggests she write a letter to Santa Claus, perform at a show, or even record her own version of the hit song “La Jeepeta.”
Mañana Será Bonito is the name of her highly anticipated fourth studio album. It will follow her 2021 Grammy-nominated KG0516, which scored Karol her first No. 1 on Billboard‘s Top Latin Albums. The set earned the biggest week for a Latin album by a woman since Shakira‘s 2017 El Dorado.
Most recently, the “Provenza” singer nabbed the No. 1 spot on Billboard‘s 2022 year-end Top Latin Artists – Female chart for a fourth consecutive year. She was also No. 2 on the overall Top Latin Artists chart – the only female act in the top 10.
Listen to “X Si Volvemos” with Romeo Santos below:
Bizarrap and Shakira‘s “BZRP Music Sessions, Vol. 53” adds a second week at No. 1 on the Billboard Argentina Hot 100 chart (dated Jan. 28). It’s the fourth “Music Session” by the Argentinian producer to rule the ranking for at least two weeks, leading with the eight-week champ “BZRP Music Sessions, Vol. 52,” with Quevedo in 2022.
Luck Ra’s“Ya No Vuelvas,” featuring La K’Onga and Ke Personajes, holds steady at No. 2 for s third week. While Miley Cyrus secures her first top 10 as “Flowers” lifts 11-3. She bests her previous No. 40 high with “Midnight Sky” in 2020.
Cris Mj, Duki and Nicki Nicole’ “Marisola,” featuring Standly, drops 3-4; while TINI, La Joaqui and Steve Aoki’s “Muñecas” remains at its No. 5 high for a second week.
Elsewhere, Miranda!’s “Yo Te Diré,” with Lali, takes the Hot Shot Debut of the week, at No. 26. Previously the group scored a No. 40 high with “Don” last November.
Further, Bizarrap Duki, La T y La M’s “3 Estrellas en el Conjunto” notches the Greatest Gainer honors with a 26-position ascent, (100-71).
Lastly, three more songs debut this week, starting with Argentinian Lil Cake who scores his first entry as “Mercho,” with Migrantes, debuts at No. 78. Argentinian rapper Milo J clocks his firs chart appearance with “Milagrosa” at No. 92, while Quevedo and Ovy On The Drums secure a new entry with their latest collab “Sin Señal” at No. 98.
Who will win in the Latin categories at the 2023 Grammy Awards? Each year, Billboard offers its analysis of who will win, or who should win, in those categories, which include best Latin pop album, best música urbana album, best Latin rock or alternative album, best regional Mexican music album (including tejano) and best tropical Latin album.
Leading up to Sunday’s 65th annual Grammy Awards, we’ve gathered our Latin editorial team and embarked on a lively discussion, with educated guesses based on the marketplace and past voting behavior (not endorsements). Our participants are Leila Cobo, Billboard’s Chief Content Officer, Latin/Español; Jessica Roiz, Billboard‘s Latin assistant editor; Griselda Flores, Billboard‘s senior Latin writer; Ingrid Fajardo, social media manager & Latin’s staff writer; Sigal Ratner-Arias, Billboard Español’s deputy editor; and Isabela Raygoza, Billboard Español’s associate editor.
Hosted by Trevor Noah, the 2023 Grammy Awards will be held at the Crypto.com Arena in Los Angeles on Sunday (Feb. 5) and will air live at 8p.m. ET. on CBS. Here are our predictions for the Latin music categories:
Best Latin Pop AlbumAGUILERA, Christina AguileraPasieros, Rubén Blades & Boca LivreDe Adentro Pa Afuera, CamiloVIAJANTE, FonsecaDharma+, Sebastián Yatra
GRISELDA FLORES: The front-runners for me are Camilo, Christina Aguilera and Sebastián Yatra, because all three albums received both critical acclaim and had commercial success. Last year, Camilo was nominated for Mis Manos and it was a big upset that he didn’t win, so this time he might take the award. Having said that, Christina Aguilera’s AGUILERA was a big deal, as it marked her return to Spanish-language music. It’s a really solid album.
LEILA COBO: I think this is a really tough category. I agree that those are the front-runners, but out of those I’m leaning more toward Camilo and Yatra, who has gotten notoriety with Encanto and “Dos Oruguitas,” and now this song with Rita Wilson, “Til You’re Home.” Although it’s not a nominated song, it still has put him in the eye of the mainstream, which gives him a slight edge. But Camilo has been touring all over the states, he has a song with Camila Cabello, and he can be a favorite among the Latin voters of the Academy.
SIGAL RATNER-ARIAS.: Christina Aguilera’s album is a beauty. Sebastián Yatra just won his first Latin Grammy, so I’d love to see him win this one as well.
ISABELA RAYGOZA: I did like Christina Aguilera’s album. I thought that the way she utilized her bravado with rancheras translated beautifully in this album. She’s reclaiming her Latin roots, so for her to embrace that facet of herself, I definitely appreciate it. However, I want Sebastián to win, because I think he positions himself as Latin pop’s next heartthrob, following in the steps of Ricky Martin and Enrique Iglesias. And his album is great, it has symphonic arrangements and reggaeton, it was very poppy. I would like to see him continue to rise in 2023.
INGRID FAJARDO: To be honest, I didn’t love Camilo’s album from the get-go, but I got a different perspective when I saw him perform those songs live. It’s another level! I realized how profound those songs are, something I didn’t notice when I first listened to the album.
Likely winner: Camilo or Sebastián Yatra
Best Música Urbana AlbumTRAP CAKE, VOL. 2, Rauw AlejandroUn Verano Sin Ti, Bad BunnyLEGENDADDY, Daddy Yankee167, FarrukoThe Loe & Sex Tape, Maluma
JESSICA ROIZ: Isabela wants Rauw Alejandro to win. She’s going to make a case right now.
I.R.: I do! I think with TRAP CAKE, we can appreciate his foundation. He’s mentioned that it has his earlier Soundcloud vibes, like when he first started making music. My favorite song on there is “Gracias Por Nada,” because it starts off as a rock song with some guitars and suddenly it expertly transitions into this Latin drill song, and it’s so hooky. The whole album is great. I know it’s not going to win, but that was one of my favorite albums of the year.
J.R.: It was a good album. And he even said he was going to stick to trap because this was for his OG fans and ended up being edgy and innovative, fusing many different styles. But Bad Bunny is going to win.
S.R.A.: Bad Bunny has to win.
G.F.: The reality is that no other album had the same impact Bad Bunny’s did. It wasn’t just the Latin album of the year, it was the album of the year in general. It’s a no-brainer for me.
L.C.: If he wins album of the year and not this category, it will seem odd and signal a big disconnect. These are all good albums, and LEGENDADDY is a significant album because it’s Daddy Yankee’s “last album,” and Farruko’s La 167 has “Pepas.” But when you have an album that has broken all records like Bad Bunny has, and he’s in the running for album of the year, it’s hard to beat.
Likely winner: Bad Bunny
Best Latin Rock or Alternative AlbumEl Alimento, CimafunkTinta y Tiempo, Jorge Drexler1940 Carmen, Mon LaferteAlegoría, Gaby MorenoLos Años Salvajes, Fito PáezMOTOMAMI, Rosalía
L.C.: Rosalía has already won this award with El Mal Querer, and this was such an acclaimed album and she has such international recognition among voters of the academy that I cannot imagine anyone else would win it.
S.R.A.: 100%. There’s no other way.
G.F.: A contender for me is Jorge Drexler, since he won song and record of the year at the Latin Grammys, but how can Rosalía not win? I think people were already upset she didn’t score an album of the year nod, so she has to win this one. She totally deserves to win.
I.R.: Cimafunk and Jorge Drexler did release pretty great albums, but Rosalía blew it out of the water. She continued to showcase her musicianship in so many ways with that album. For her to do some reggaeton and experiment with jazz — each song has its own world, and her winning this category would be the right choice.
Likely winner: Rosalía
Best Regional Mexican Music Album (Including Tejano)Abeja Reina, ChiquisUn Canto por México – El Musical, Natalia LafourcadeLa Reunión (Deluxe), Los Tigres del NorteEP #1 Forajido, Christian Nodal Qué Ganas de Verte (Deluxe), Marco Antonio Solis
G.F.: It’s a long shot, but Chiquis could win this category and take home her first Grammy. She’s been on a winning streak these past two years at the Latin Grammys, winning best banda album in 2020 and 2022. I think she has a shot, especially with an album like Abeja Reina with lyrics that are so raw and modern, but she sticks to traditional styles such as banda and cumbia. I think voters will really appreciate that.
S.R.A.: Natalia Lafourcade is a Grammy darling, but I’d like to see Chiquis take this one home.
L.C.: Nodal is a great artist. He’s young and makes music that is exceptional. What he does and how he takes the genre but modernizes, it is so clever. The results are really interesting. I don’t see another artist like him at that age. This should be Christian Nodal’s year.
I.R.: Christian Nodal has modernized the genre, but still stayed true to his essence. We’ve seen the emergence of so much regional, but fusing it with external elements. He stays true to the essence of what the genre is, and that’s what I appreciate about him.
I.F.: Nodal is like the Vicente Fernández of our generation. The power of his voice is unmatched. He truly represents this genre, and he should win.
Likely winner: Christian Nodal
Best Tropical Latin AlbumPa’llá Voy, Marc Anthony Quiero Verte Feliz, La Santa Cecilia Lado A Lado B, Víctor Manuelle Legendario, Tito Nieves lmágenes Latinas, Spanish Harlem Orchestra Cumbiana II, Carlos Vives
L.C.: I have a soft spot for Cumbiana, even though Carlos Vives has done it before. I liked Victor Manuelle’s album, I thought it was cool, but I’m rooting for Vives here.
G.F.: I’d like to see Victor Manuelle win, because it was an interesting to see him live in that duality of salsa and urban. It was a fun listen. I appreciate his experimental nature but what I respected most is that he didn’t lose touch with who he is and what he represents in that album.
S.R.A.: I love Carlos Vives and I love how he’s been able to spotlight Colombian music. I think it’s spectacular. If he wins, I’ll be happy. But Victor Manuelle is also deserving. He has a good album.
I.R.: I think it’s Victor Manuelle’s year. He’s celebrating 30 years in music, and being honored at Premio Lo Nuestro. And his album is pretty cool! He’s always maintained his essence even while collaborating with other contemporary artists such as Miky Woodz, and he sounds great. He doesn’t sacrifice his signature style for the sake of jumping on the bandwagon.
J.R.: I feel Carlos Vives is going to win. He really did the leg work, so much research for this album, there’s a film component to this. But I agree that Victor Manuelle should win because he’s never done a concept album like this one and he sounds amazing.
Likely winner: Victor Manuelle
A year ago, Billboard predicted the trends we would see over the course of 2022 and 2023 in Latin music — including more urban, pop, and bachata fusions. With a growing number of Latin artists outside of the Bachata realm tapping into the Dominican-rooted genre, that’s turned out to be precisely the case.
Though we’ve seen these types of collaborations in the past, including Romeo Santos and Usher’s “Promise” in 2011 and Prince Royce’s “Deja Vu” with Shakira in 2017, many urban artists, as of lately, have experimented with Bachata and released their innovative tracks. Most of them have even achieved viral success and entered the Billboard charts.
In August 2021, for example, Bad Bunny hoped on Aventura’s “Volví” for a saucy collaboration that earned the renowned bachata group its first Hot Latin Songs No. 1 in over a decade. Three months later, Rosalía teamed up with The Weeknd for the all-Spanish “La Fama,” which debuted and peaked at No. 2 on Hot Latin Songs. The track recently topped both the Latin Airplay and Tropical Airplay lists on the May 14-dated ranking.
In 2022, Colombian urban-pop sensation Manuel Turizo also tested his luck with “La Bachata,” which snagged him his second No. 1 on Billboard’s Tropical Airplay chart — and first as a lead artist — on the Aug. 6, 2022-dated ranking.
Like Bad Bunny, Rosalía, and Turizo, who are predominantly urban and pop artists, acts such as El Alfa, Myke Towers, Natti Natasha, and Maria Becerra have also not shied away from tapping into the sultry, romantic genre.
Below, see 22 artists — spread across 18 songs — who have dropped their very own bachata jam in the past five years:
Bizarrap and Shakira’s “Bzrp Music Sessions, Vol. 53” hit No. 1 on Billboard’s Latin Airplay chart (dated Feb. 4). Their in-studio diss track has now topped nine U.S. Billboard charts, including Latin Digital Song Sales, Latin Pop Digital Song Sales, Dance/Electronic Streaming Songs, Dance/Electronic Digital Song Sales, Hot Latin Songs, Latin Streaming Songs, Latin Pop Airplay, Latin Pop Streaming Songs, and now Latin Airplay.
“Bzrp Music Sessions, Vol. 53” advances 5-1 in its second week on Latin Airplay after a strong 35% gain in audience impressions, to 10 million, earned in the week ending Jan. 26, according to Luminate.
The new coronation extends Shakira’s record among women, with 18 No. 1s. Bizarrap clocks his second after “Vol. 52,” with Quevedo, reached the top of the chart last November where it remained for four weeks.
Shakira, meanwhile, replaces herself at No. 1 as “Vol. 53” sends “Monotonía,” with Ozuna, to No. 5, after six weeks in charge, the most since Daddy Yankee’s “Con Calma,” featuring Snow, dominated the tally for eight weeks in 2019. Notably, it’s the first time a woman replaces herself at No. 1 since the chart launched in 1994.
Plus, the last time an act replaced itself at No. 1 on Latin Airplay was Farruko when “Pepas” dethroned his featured turn on Enrique Iglesias’ “Me Pasé” in October 2021.
As mentioned, “Vol. 53” continues its winning streak across Billboard charts. It remains at No. 1 on Dance/Electronic Streaming Songs, Hot Latin Songs, Latin Pop Airplay, and Latin Streaming Songs and Latin Pop Streaming Songs for a second week, while on Latin Digital Song Sales and Latin Pop Digital Song Sales, the track holds atop for a third week.
Over on the all-genre Billboard Hot 100, the track dips 9-13. Further, it holds steady at No. 2 on both Billboard Global 200 and Global Excl. U.S. charts.
Billboard‘s Latin & Spanish Artists to Watch Class of 2023 has been unveiled.
The 23 artists that comprise the wide-ranging list include Mexican artist Bratty, who will be performing at the 2023 Coachella Festival; Victor Cibrian, whose raspy voice is bringing a fresh take to the corrido movement; and Grupo Frontera, who since going viral last year, has become the only Regional Mexican act to achieve three songs on the all-genre Billboard Hot 100 chart, to name a few.
Representing Brazil is powerhouse performer Ludmilla, who has been rising to the top with her baile funk versatility that spans pop, trap, R&B and more. “I think of funk as an agent of change, especially in the lives of so many peripheral people who don’t have opportunities,” she told Billboard Español.
From Spain, there’s acts such as Rels B who’s monthly listeners on Spotify rose from 15.6 million in November to 17.6 million today, and placed two songs on Spain’s Promusicae year-end charts: the more urban “Mi Luz” alongside RVFV at No. 21 and his urban/pop “Cómo dormiste” at No. 86.
Every year, Billboard’s Latin staff compiles a list of artists to watch in the coming months. In honor of 2023, we are spotlighting 23 Latin and Spanish acts that cover a broad variety of Latin music genres, from pop to reggaetón to R&B, música Mexicana and rock.
We want to know which of 2023’s Latin & Spanish Artist to Watch is your favorite. You can check out the list here, and vote in the poll below.
Maria “Mechas” Mercedes Montejo has joined Sony Music Latin-Iberia as managing director of the Andean region (which includes Colombia, Ecuador, Peru and Venezuela), Billboard has learned. She replaces Adriana Restrepo, who has joined the leadership team of the International Federation of the Phonographic Industry, or IFPI.
Montejo will report directly to Damián Amato, who is overseeing Sony Music Latin’s now unified South American operations. The Buenos Aires-based executive, who’s been with Sony Music for the past two decades, was previously general director for the southernmost cone of the regional including Argentina, Chile, Uruguay and Paraguay.
“This new structure is part of our ongoing transformation efforts to make Sony Music the most dynamic, efficient and nimble organization that can respond quickly to the needs of a dynamic and ever-changing industry”, Afo Verde, chairman & CEO of Sony Music Latin-Iberia, said about the leadership shakeup.
Verde added: “I am very grateful to Adriana for all her efforts and contributions to this important part of our region, both artistically and commercially. Fortunately, we have a strong successor in Mechas, who has broad experience in the industry and the Andean region. I am confident that she will build upon the success and trajectory of the region. I’m also grateful to Damian for taking on this broader role. Without a doubt the artists, Mechas and the incredible Andean team will enjoy and benefit from his leadership.”
Before joining Sony Music, Montejo was the general manager for Warner Music Latin, where she “leveraged her experience and insight” of the Latin American music industry, according to a statement.
Producer Alex Garza and music executive Gerardo Vergara have joined Estrella Media Music Entertainment (EMME), the Los Angeles-based company tells Billboard.
In his role, Garza — who founded Arpa Music Publishing, where he represents artists such as Espinoza Paz, Horacio Palencia and Joss Favela — will oversee music production and publishing and serve as an in-house music producer.
As director, Vergara will manage the roster, catalog, and business opportunities for EMME, as well as new artist signings and development. Having worked in the industry for over 15 years, he’s helped develop the careers of regional Mexican music artists such as Gerardo Ortiz and Luis Coronel. He was previously gm of Green Dream, the management and social media company behind Pepe Aguilar.
“Adding Gerardo and Alex to EMME is the completion of our dream team,” said Eddie Leon, executive vp of radio programming and events for Estrella Media who also oversees EMME. “Both bring a wealth of knowledge and contacts within the music industry that will help in our development of the next Regional Mexican stars. In addition, they will be instrumental in managing Estrella’s IP from its numerous series, events, and awards shows. EMME will give artists, songwriters, and composers a unique and culturally relevant path to develop their talent, fan base and culture.”
The multi-platform media company’s music division launched in April with longtime radio programmer and television personality Pepe Garza as head of content development and A&R. EMME includes a label and publishing arm and aims to “develop the next generation of Latin music stars.”
Romeo Santos and Rosalía add new career No. 1s on Billboard’s Tropical Airplay chart as their first collaboration, “El Pañuelo,” rules the Feb. 4-dated ranking.
The song rises 3-1 with 9.9 million audience impressions, an 8% gain, earned in the U.S. in the week ending Jan. 26, according to Luminate.
Rosalía scores her third straight No. 1, and second through a bachata. Thanks to “El Pañuelo,” Santos becomes the fourth artist to accumulate at least 18 No. 1s since Tropical Airplay chart launched in 1994. He joins Marc Anthony, who leads with 35, followed by Victor Manuelle (29), and Prince Royce (22).
The new No. 1 also marks the 10th time a pair-up comprising a female and a male on lead role has reached No. 1 since the chart’s inception. Let’s look back:
Peak Date, Title, Artist, Weeks at No. 1
Aug. 15, 1998, “Corazón Encadenado,” Gisselle & Sergio Vargas, one
June 26, 1999, “No Me Ames,” Jennifer López & Marc Anthony, seven
June 18, 2016, “La Bicicleta,” Carlos Vives & Shakira, one
Dec. 31, 2016, “Olvídame y Pega La Vuelta,” Jennifer López & Marc Anthony, two
April 29, 2017, “Deja Vu,” Prince Royce & Shakira, 11
Oct. 26, 2019, “La Mejor Versión de Mí,” Natti Natasha & Romeo Santos, 15
May 29, 2021, “Víctimas Las Dos,” Victor Manuelle & La India, one
May 28, 2022, “Te Espero,” Prince Royce & Maria Becerra, four
Dec. 3, 2022, “Monotonía,” Shakira & Ozuna, nine
Feb. 4, 2023, “El Pañuelo,” Romeo Santos & Rosalía
Further, Santos also unlocks another achievement on the current chart: “Solo Conmigo,” his latest single, takes the Greatest Gainer award, rising 19-12 with a lofty 310% gain in audience, to 2 million. Plus, “Sin Fin,” with Justin Timberlake, holds at No. 9 for a second week (after its previous No. 1 debut last September), while “Siri,” with Chris Lebron, dips 18-22. All songs are on Santos’ latest album, Formula, Vol. 3, which crowned Tropical Albums for 15 weeks.
Beyond its Tropical Airplay coronation, “El Pañuelo” bests its previous Latin Airplay ranking with a 3-2 jump.
