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Manuel Turizo’s “La Bachata” spends an eighth week at No. 1 on the Billboard Argentina Hot 100 chart (dated Oct. 29). The song enters a tie with Bizarrap and Quevedo’s “Bzrp Music Sessions, Vol. 52” for the second-most weeks at No. 1 in 2022, trailing only Tiago PZK’s “Entre Nosotros,” with LIT Killah, Nicki Nicole and Maria Becerra, which ruled for nine weeks this year (16 weeks overall).
Shakira and Ozuna earn the highest debut of the week as their first partnership, “Monotonía,” debuts at No. 7. While the former earns her second top 10, the latter collects his ninth. Meanwhile, Wisin & Yandel clock their first top 10 as a duo with their latest single “Besos Moja2” with Rosalía, which lifts 11-8. The Spaniard adds a sixth top 10 to her career board.
Argentinians DJ Tao and Callejero Fino earn their highest debut since both scored their first entry in 2021 as “DJ Tao Sessions #723” bows at No. 21.
Taylor Swift scores six debuts on the current chart, all stemming from her latest No. 1 album, Midnights. It’s the most simultaneous entries for a non-Spanish-speaking artist since the chart launched in 2018 (among all acts Bad Bunny continues to lead with a mammoth 17 entries on the same week). Swift’s “Anti-Hero” leads the pack at No. 40. Meanwhile, “Lavender Haze” starts at No. 70, “Snow on The Beach,” with Lana Del Rey, follows at No. 84, “Midnight Rain” at No. 94, “You’re on Your Own, Kid” at No. 98, while “Maroon” arrives at No. 100.
Back up the tally, Negro Dub claims his first entry as “El Último Romántico,” with L-Gante and Dt.Bilardo, opens ta No. 43.
Further, Maluma takes the Greatest Gainer honor of the week as “Junio” rallies 67-49.
Elsewhere, two South Korean groups score their first entry: (G)i-Dle’s “Nxde” bows at No. 52, while girl group Le Sserafim arrives at No. 74 with “Antifragile.” Plus, Estelares notch its second chart entry as “Encantan, featuring Enjambre,” opens at No. 79.
Meanwhile, Coldplay benefits from its Buenos Aires tour dates with a debut and a re-entry: “Yellow” arrives at No. 81, while “My Universe”, with BTS, rebounds at No. 86, after its No. 36 high in Oct. 2021.
The week’s other debuts include Coral’s “Mejor Que Tu Amor,” featuring Jorge Serrano, at No. 91, and Ozuna’s “Hey Mor,” featuring Feid, at No. 96.
Taylor Swift is out here breaking records with her 10th studio album Midnights, released Oct. 21 via Republic Records, including becoming the first artist in Billboard history to dominate the entire top 10 on the Hot 100 songs chart in a single frame. Additionally, Midnights debuted at No. 1 on the Billboard 200 albums chart, marking the biggest week for any release in seven years.
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In celebration of her historic streak, Billboard Latin has compiled a fan poll, asking readers to vote for which Latin artist she should collaborate with.
Though Swift has shared the stage with artists such as bestie Selena Gomez, Jennifer Lopez and Camila Cabello, who opened her Reputation Tour and would come out to help sing “Shake it Off,” she’s yet to collaborate with a Latin artist.
The poll includes everyone from Bad Bunny (who has teamed up with Drake and Dua Lipa), to Natti Natasha (who has collabs with the Jonas Brothers and Meghan Trainor) to Ozuna (who has dropped tracks with Doja Cat and Swift’s very own BFF Selena Gomez), plus more. We also highlight some of Latin pop’s biggest names, who we think would have great musical chemistry with Swift, such as Camilo, Sebastian Yatra and Pablo Alboran.
Below, vote for which Latin artist Swift should collaborate with.
Following his debut album Hecho en Medellin, Blessd (real name: Stiven Mesa Londoño) presents his sophomore set Siempre Blessd out Thursday (Nov. 3) via Warner Music Latina and JM World Music – Cigol.
Home to 13 tracks, including the previously-released “Instagram (Remix)” with De La Ghetto and Darell, and “Tendendia Global” with Myke Towers and Ovy on the Drums, Siempre Blessd continues to consolidate the artist’s status as Colombia’s breakthrough performer.
The set navigates from songs that will inspire aspiring artists from the barrios to dream big (such as “Barrio Antioquia”), to songs about embracing solitude after a failed relationship (such as the Ñengo Flow-assisted “Solitario”) to songs inspired by him discovering the world (such as “Europa”).
But beyond all, it’s fully charged with certified club bangers — including edgy reggaetón songs, raw trap bangers, and infectious collaborations with other renowned acts and newcomers, including Dalex, Rvssian, Amaro, Pirlo, and Philip Ariaz. It also demonstrates Blessd’s ability to freestyle, sing, and pen his own music.
“This album fills me with great pride because it is an album that I can call mine,” the Colombian artist, who appeared as a panelist at 2022’s Billboard Latin Music Week, says in a statement. “With this album, I want to connect with all my fans and take my career to another level.”
Siempre Blessd drops with the focus single “Que Duro,” which the artist produced himself and further demonstrates the album’s connectivity with its audience. Below, he elaborates on the focus track, and also breaks down other essential tracks.
When Alessandra Alarcón was named president of SBS’ entertainment division in 2019, she became, at 31 years old, the first woman to ever lead the Latin media company’s very lucrative live events division.
“We have a sweet little nickname at corporate for my division,” she says with a laugh. “They call us the ‘profit center.’”
“The profit center,” as Alarcón calls it, puts together SBS Entertainment’s many highly regarded and successful music events, including Los Angeles’ Calibash, the urban fest that takes place every January. In the three years since Alarcón took over, Calibash has gradually pared down the number of acts and emerged with a more star-studded lineup. “I thought the audience would be okay, because I would be okay with there being less acts but more quality sets. And I’m happy to report that I was right,” she says.
Garnering success was especially important for Alarcón given that she’s the granddaughter of SBS founder Pablo Raúl Alarcón and one of the daughters of SBS Chairman Raúl Alarcón.
In this episode of the Billboard podcast “Latin Hitmaker,” Alarcón, in her first in-depth interview since being appointed to her post, spoke about the importance of legacy, the new U.S. Latin market and balancing work and motherhood. Below you can find some highlights from the conversation.
On bringing a bilingual, bicultural perspective to a Spanish-language media company: “It gives me a very unique perspective on business and how business is done. There are a lot of deep relationships [in Latin] and there’s a certain way of thinking of how things have to get done, because that’s the way it was always done. And I think that being born in L.A., and then [living] in New York and raised in Miami […] and having that more bicultural view of business and how things get done has certainly helped me accomplish a lot of things and not getting lost in the noise, which sometimes happens.”
On her negotiating style: “I’m definitely more of a velvet hammer. This is a very male-dominated industry. Women are making strides, but it is a very male-dominated industry. There’s a time and a place to be tough, but I always like to come in, hearing someone out, making them feel heard and respected. But certainly there’s a hammer that has to come down every once in a while.”
On work advice from her dad: Raúl Alarcón always imparted on his daughter the importance of being respectful to others. “He said, ‘There’s nothing worse than having an enemy that works for you. The solution is going to come to you, but you’re not going to get it by berating someone or making them feel bad about themselves.’”
On balancing work with her six and four-year-old children: “This [is a] piece of advice I got from my aunt. She worked and she had two children and she said: ‘You can have it all, just not at the same time.’”
On her advice to those new in the business: “The obstacle is the way. There is a way through anything. There’s a solution to every problem. It might not be the exact thing that you want, and that’s where the humbling and the flexibility comes in. You know, you have to be limber and ready to adapt because if you don’t adapt, you die. You have to pivot.”
Listen to the full episode of Latin Hitmaker here:
Loud And Live, the Miami-based entertainment, marketing, media and live events company, has committed to making a $1 million dollar donation to the Latin Grammy Cultural Foundation, the company tells Billboard.
Marking the largest single donation in the foundation’s history, the money will be donated over the next five years to advance the foundation’s mission to further international awareness and appreciation of the contributions of Latin music and its makers to global culture via college scholarships, grants and educational programs, according to a press release.
The donation builds on Loud And Live’s culture of giving and philanthropic commitment.
“We’ve been fortunate to have great success in this industry, and for us, we feel it’s an obligation to give back to the community that we’re a part of,” said Loud And Live CEO Nelson Albareda. “Our history partnering with the Latin Recording Academy goes back to 2003, and we can’t think of a better partner to channel and make a meaningful impact with this donation, than the Latin Grammy Cultural Foundation.”
For nearly two decades, Loud And Live has supported the Latin Grammy Cultural Foundation by donating time, services and resources, including a private fundraising event that featured an intimate conversation with Cuban-American superstar Pitbull. Most recently, the foundation has benefited from various tours produced by Loud And Live, including those by Camilo and Carlos Vives, both of whom pledged to donate $1 from each ticket sale on their respective tours to the foundation.
“We are grateful for the generous donation of Loud And Live, a longtime partner of the Foundation,” added Becky Villaescusa, vp of strategic planning & corporate development at the Latin GRAMMY Cultural Foundation. “Together we have the ability to continue creating opportunities, have a positive impact on our communities, and preserve the legacy of Latin music and Latin music creators.”
Both Bizarrap and Quevedo can check off a new career milestone as “Bzrp Music Sessions, Vol. 52” hits No. 1 on Billboard’s Latin Airplay chart (dated Nov. 5) — the first No. 1 for both acts. The new achievement lands after their team-up led both, the Billboard Global 200 chart (six weeks) and the Global Excl. U.S. chart (four weeks) starting the July 30-dated rankings.
“Bzrp Music Sessions, Vol. 52” advances to the top slot in its seventh week on Latin Airplay thanks to an 8% gain, to 9 million, earned in the U.S. in the week ending Oct. 30, according to Luminate.
With the move, Bizarrap and Quevedo join four other acts who have notched their first champ through their first showing on the list in 2022. Here are this year’s new winners:
Artist, Title, Accompanied Artists, Peak DateVictor Cárdenas, “El Incomprendido,” with Farruko & DJ Adoni, Jan. 29DJ Adoni, El Incomprendido,” with Farruko & Victor Cárdenas, Jan. 29Lisa, “SG,” with DJ Snake, Ozuna & Megan Thee Stallion, April 2Megan Thee Stallion, “SG,” with DJ Snake, Ozuna & Lisa, April 2Bizarrap, “Bzrp Music Sessions, Vol. 52,” with QuevedoQuevedo, “Bzrp Music Sessions, Vol. 52,” with Bizarrap
The collaboration between Argentinian Bizarrap and the Spaniard Quevedo outs another pairing, Romeo Santos and Justin Timberlake’s “Sin Fin,” after its one-week command.
Meanwhile “Vol. 52” leads Latin Rhythm Airplay for a second week.
Elsewhere, “Vol. 52” steps 12-11 on the multi-metric Hot Latin Songs chart despite a decline in both streams and sales. The song dips 5 in U.S. streams with 4.1 million logged in the week ending Oct. 27. It also falls 7% in downloads sold in the same period.
For an artist who says music is his passion and the music of others is his hobby, it’s no surprise why Puerto Rican salsa icon Gilberto Santa Rosa released a conceptual album called Debut y Segunda Tanda. Both the Vol. 1 and a deluxe version were produced by his label B2B Music and distributed by Believe.
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The “Debut” part of its title, as he explains to Billboard, represents three of his original recordings, such as “Cartas Sobre La Mesaz” — while “Segunda Tanda” pays tribute to emblematic tracks recorded by his colleagues, such as Willie Chirino, Mucho Manolo and Carlos Vives’ “For Sale,” to name a few.
“The first song that was created was ‘Cartas Sobre La Mesa,’ and that’s the one that sparked the concept of my album,” he says of his first set in two years. “This album came at the perfect timing.”
Below, read 20 questions with El Caballero de la Salsa, where he opens up about his new album, being from Santurce, Puerto Rico, the movie that makes him cry and more.
1. This is your first album in two years — what’s the concept behind Debut y Segunda Tanda?
It’s simple. My new songs are the ones debuting and the second part is the covers. Half of the songs were originally recorded by me and the other half are songs that other artists lent me for the album.
2. On this album, you pay homage to your colleagues Willie Chirino, Mucho Manolo, Septeto Acarey, Grupo Bahia, Carlos Vives and Alejandro Sanz. Which of these covers was most challenging for you to interpret?
Truthfully, I identify with all of them, even if they’re not my songs. But I would have to say “Cartas Sobre La Mesa” because it was originally recorded as an urban song. I’ve done tropical and romantic covers, but it’s the first time I did something urban. Even though salsa and urban have a lot of things in common, starting with their origin, this song was the most peculiar for me.
3. Of your original tracks on the album, which is your personal favorite?
Without a doubt “En Defensa Propia.” It’s a very well-written song, very Santa Rosa. It’s a song made for expression and it gives the album a special touch.
4. Which song from Debut y Segunda Tanda are you most excited to perform live?
I like all of them! Since I select the songs for my shows, I would like to perform them all, because it’s an album I really want my fans to discover.
5. Why did you decide to release this album in two parts?
The album was divided because I went into the studio and got excited. I realized I had a lot of songs, and we decided to work on the first eight. Besides, time passes by very fast, and a lot of music gets lost in the way. That’s when we had the idea of releasing it in two parts.
6. What’s at the top of your professional bucket list?
I don’t really have a bucket list. Who knows if in a couple of years I’ll focus on that list? But for the time being, I don’t have anything.
7. Who made you realize you could be an artist full-time?
I was six years old. There was a teacher in my school who unfortunately passed away very young, her name was Yenny Diaz. She was a science teacher, but she also led the music classes. She taught us to play the guitar. She encouraged me and taught me a lot. I remember her with great affection. She was the only person, of all the people who gave me a lending hand, who did not see me develop my career.
8. Which would you say is the most emblematic song of your career?
“Conciencia” and “Perdóname.” They are two songs that I have definitely had to sing in all the places since I recorded them.
9. What was the first concert you ever saw?
I started singing very young, so I had access to see almost all the artists for free. But, the first concert I went to which my uncle paid for the ticket was Las Estrellas de Fania — and the first concert that I paid for, where I worked and saved, was to see a great Cuban singer named Roberto Ledesma, a spectacular romantic singer.
10. What artist, dead or alive, would you like to see in concert?
Well, it’s going to surprise you, because I’ve seen almost every artist. But I would like to see John Legend, Alicia Keys, or Justin Timberlake, if possible.
11. How did being from Santurce, Puerto Rico shape your art?
Totally. A large number of musicians and singers who excelled in salsa music came from Santurce. At one time, the heart of entertainment was there including radio and television stations. The atmosphere in general is a very happy sector with a lot of music. I always remember my grandmother’s house, when you went out to the balcony and there was music everywhere, and you were nourished by all that. Being from there helped me with my training, of course.
12. What was the last song you listened to?
When I prepare for my concerts, I like to listen to music by other artists. Last night I was listening to a song called “Adolorido” by a Cuban singer named Tito Gomez who has already passed away.
13. What song or movie always makes you cry?
There is a movie that has it all! It has tears, it has suspense, and even quite a lot of violence but very well used. The first Godfather movie, I’ve seen it like 900 times. I always find something that I didn’t see the previous time. That movie talks about family, and loyalty, it goes beyond being a mobster movie. There are many interesting and deep messages.
14. Do you recall your first job ever?
I’ve always worked in music. I thank music for sustaining me all my life. But, the very first job I had was delivering newspapers for two weeks. The other time, I was a model for a car show. I had to drive one, but I’m usually not a good driver, so it didn’t go very well for me. Those were the last times I worked on something other than music.
15. Besides music, what’s another passion of yours?
I can be a bit boring because I’m passionate about music and nothing else. My work is music and my hobby is the music of others. In the last few years, however, I wasn’t much into going to the studio. For me, the recordings were very tedious, but about five years ago, I began getting involved and visiting the studio every once in a while to record things. That’s why I have many songs for this album.
16. What’s your all-time favorite vacation spot?
Las Vegas. I love going there for the entertainment lifestyle. It’s a city where there is always something new going on. I’ve seen almost every artist in the residences. I have a good time even if it’s on a bench drinking coffee. It is an interesting desert.
17. Describe 2022 in one word?
Spectacular!
18. With a more-than-40-year career, what’s one piece of advice you would give to younger salsa artists?
A genuine vocation and the stamina to move forward are important. It is not an easy road — life, in general — is not, but today, there is a contrast between all the advances that exist. And that seems to be an advantage, but sometimes it is not, because the competition is even stronger. It is more difficult for people to focus on an artist. So, you have to have the stamina and character to be able to fulfill a dream. There is always a door that opens, there will always be an opportunity, and there is always a person who helps you — but we cannot give up on the first failure or the first “no.” It is hard to start a project and defend it.
19. What’s the one word you always use?
Everyone knows me because I use the phrase “Caminalo!” At first, it started out as a strictly rhythmic phrase, but today for me it’s almost a philosophy. It suggests going forward, not stopping, the future, and movement.
20. What do you hope to accomplish or experience in 2023?
We are going to start promoting both volumes of Debut y Segunda Tanda, and in 2023, we will begin planning the new tour that we hope will take us to Europe again.
Shakira and Ozuna’s “Monotonía” rallies 25-3 on Billboard’ Hot Latin Songs chart (dated Nov. 5) after its first full tracking week. The track was released Oct. 19 via Sony Music Latin, and debuted in the top 30 a week ago with five days of airplay (during the Oct. 17-23 tracking week).
“Monotonía” pushes to No. 3 with gains in all metrics. It earned 9.4 million U.S. streams, up 205%, in the week ending Oct. 27, according to Luminate. That yields a No. 3 debut on Latin Streaming Songs. Sales, too, assist its position increase, with 2,000 downloads sold — up 38% — during the same period. (The song holds strong at No. 1 on Latin Digital Song Sales.)
Meanwhile, on the radio front, “Monotonía” generated 6 million in audience impressions, up 106%, earned in the week ending Oct. 30, which prompts a 36-13 surge on the all-genre Latin Airplay. On Tropical Airplay, the song lifts 8-4.
Further, “Monotonía” breaks up a Bad Bunny monopoly of the top three on Hot Latin Songs — the entire top three has been occupied by nothing but Benito’s songs since the May 21-dated chart, where he has ruled with songs from his Un Verano Sin Ti album.
“Monotonía’s” move earns Shakira her 32nd top 10. She continues to hold the record for the most top 10s among women since the tally launched in 1986. Ozuna adds a 28th top 10 to his career count.
Elsewhere, “Monotonía” also enters the all-genre Billboard Hot 100 chart at No. 65. It becomes Shakira’s highest debut since “Empire’s” No. 58 arrival in 2014.
On Global territory, Shakira secures her third top 20 title on the Billboard Global 200 ranking as “Monotonía” debuts at No. 18. Ozuna, meanwhile, captures his third top 20 on the Billboard Global Excl. U.S. survey, as the song soars 174-4 in its second week.
Music is an essential part of the Día de los Muertos (Day of the Dead) celebration. For this reason, many Latin artists have lent their voice to showcase the traditional melodies of this Mexican festival, which mixes indigenous roots with Christian traditions from the Spanish colonial era, but also to bring to the forefront more recent songs such as those included in the 2017 Disney-Pixar movie soundtrack, Coco.
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According to this tradition, every Nov. 1 and 2, the dead and alive are reunited when they return from Mictlan, as the ancient Mexicans called the Underworld.
In honor of Day of the Dead, Billboard compiled five heartfelt songs. Listen to them below:
“La Llorona,” Various Artists
“La Llorona” is one of the best known tracks in the Mexican popular songbook and has its origin in the region of the Isthmus of Tehuantepec, Oaxaca. The most famous version is performed by the late singer of Costa Rican origin Chavela Vargas. Other popular interpreters include Mexican artists Lila Downs, Aída Cuevas, and Natalia Lafourcade.
In recent years, the timeless song has positioned itself among the young generations thanks to Ángela Aguilar, who recently performed it before thousands of people in the Zócalo of Mexico City during the closing of the mega-parade dedicated to the Day of the Dead.
This year, there is also a new version performed by another young regional Mexican artist, Carolina Ross, who accompanies her singing with a TikTok where she is transformed into a Catrina skull.
“La Nostalgia,” Julieta Venegas
Mexican-American singer-songwriter Julieta Venegas pays tribute to the Mexican tradition with “La Nostalgia,” which premiered Sunday (Oct. 30) exclusively on her Facebook page. The song is part of her seventh album, Tu Historia, set to be released on Nov. 10. In this song, Venegas captures her memories of Mexico and is strongly inspired by the Day of the Dead.
“Las Flored del Camposanto,” Lupita Infante
The Mexican-American singer (granddaughter of the emblematic Mexican actor and singer Pedro Infante), released a majestic mariachi version of this song written by Luis Rosado Vega and performed in 1986 by the late Mexican singer-songwriter and musician Óscar Chávez. Infante recorded the piece to pay homage to those who are no longer with us and to the place where they rest, the cemeteries.
“Flores y Tierra,” Danny Felix
Phoenix-based singer Danny Felix, one of the pioneers of the corrido tumbao genre, also released new music in honor of Day of the Dead. On Nov. 1, he shared a video on his YouTube account announcing “Flores y Tierra,” which he states is “dedicated to loved ones who are no longer with us.” An accompanying music video shows Felix performing the song at a cemetery during the day.
“Recuérdame,” Natalia Lafourcade, Carlos Rivera
“Recuérdame” is the main theme song from the Disney Pixar film, Coco. Many versions of this heartfelt track exist, including one by Carlos Rivera, who recorded the version in Spanish for Latin America, and “Remember Me” in English recorded by Miguel Natalia Lafourcade. The song was also performed by renowned Latin actor Gael García Bernal during the 2018 Oscars ceremony, where it took the award for the best original song.
After nearly a five-year break, Yuridia returns to a Billboard albums chart as her latest full-length, Pa’ Luego Es Tarde, debuts at No. 7 on the Regional Mexican Albums chart (dated Nov. 5). It’s her first entry and first visit to the upper region there.
“The truth is I did not expect to receive this news,” Yuridia tells Billboard. “I am very excited to be able to enter the top 10 on a Billboard chart, and obviously I am going to celebrate the news by toasting with a big cold ‘caguama’ (loggerhead), hahaha.”
Pa’ Luego Es Tarde was released Oct. 20 via Sony Music Latin. The Eden Muñoz-produced effort is the first taste of the Hermosillo-born artist within the regional Mexican genre. The 14-track set starts with 2,000 equivalent album units earned in the U.S. in the week ending Oct. 27, according to Luminate. Most of the album’s opening sum derives from streaming equivalent album units. That equates to 3.8 million on-demand official U.S. streams generated for the songs on the album.
“Eden and I clicked from the get-go,” Yuridia adds. “We drank beer, played and sung songs through the night; tunes that are not on the album but that are part of the soundtrack of our lives and that is how we became the best of friends. It’s something I will never forget.”
Pa’ Luego, Yuridia’s seventh studio album, marks her comeback to a Billboard albums chart; Primera Fila debuted and peaked at No. 12 on Latin Pop Albums in 2017. Pa’ Luego was preceded by six other sets, all of which have secured an entry on Top Latin Albums and Latin Pop Albums. On the latter, the six albums reached top 10, dating back to La Voz de Un Ángel, a No. 8 high in 2006.
Elsewhere, Pa’ Luego debuts on Top Latin Albums at No. 39, becoming Yuridia’s return since 6 debuted and peaked at No. 7 in 2015.
Two Pa’ Luego album cuts preceded the set on Regional Mexican Airplay: “Y Tú, ¿Qué Ganas?” peaked at No. 32in July, while ¿Y Qué Tal Si Funciona?,” with Banda MS, peaked at No. 11 on the Oct. 29-dated ranking.
About the songs Yuridia adds: “I really like all of them, but right now I am very excited to be able to sing live on tour for the first time a song I composed with Eden Muñoz called ‘Brujería’ because we are going to dance a lot to it.”
Yuridia’s Pa’ Luego Es Tarde U.S. Tour kicks off this Friday, Nov. 4 in Laredo, Texas. The 24-date (thus far) tour will conclude at Rancho Mirage in California on Feb. 25.