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Eminem

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Eminem has been very clear about his devotion to Detroit and has always paid homage to the city where he began his career as a battle rapper. Now a seasoned veteran, Eminem enlisted the services of Detroit’s younger generation of artists Big Sean and BabyTron to join him on the track “Tobey” and also appeared in a video with (the former?) Slim Shady.
The track “Tobey” is the second single from the upcoming The Death of Slim Shady (Coup de Grâce), the 12th studio project from Eminem that drops Friday (July 12). Produced by Em, Cole Bennett, Car!ton, Daniyel, Marvy Ayy, and John Nocito, “Tobey” opens with a verse from BabyTron who delivers a strong verse followed by the pyrotechnics of Big Sean before both yield the anchor verse to Eminem.

Check out the video below.
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Photo: Getty

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Is Eminem strapped for cash?? We truly doubt it as the man has moved millions of records throughout his illustrious career. But when we heard he was collaborating with White Castle to move some new merchandise we were shocked and couldn’t help but wonder if this was a quick money grab endorsement for the GOAT white rapper.

The truth is Eminem has a brand new album titled The Death of Slim Shady (Coup de Grâce) releasing this Friday (July 12). And to hype up his 11th studio album (12 if you count his very first project, Infinite), Eminem and White Castle have teamed up to release some exclusive tees and trucker hats that are sure to be a hit amongst his day-one fans.

Featuring the White Castle logo and colorway, the tees and hats are branded with the terms “White Rapper” (LOL) and the tagline “Buy ‘em by the ‘Sack.’”
Adding another nod to the iconic rapper, the back of the tee reads, “Established In 1972,” which happens to be the year that Marshall Bruce Mathers III (Eminem) was born. White Castle itself was established in 1921.
>While we’re not hating on the Eminem x White Castle collaboration, we’re low-key surprised Em didn’t take the opportunity to do such a collaboration with his restaurant, Mom’s Spaghetti. Sure, some people say the food is atrocious and the restaurant itself should probably be shut down, but Lord knows it could use the kind of promotion and marketing that only Slim Shady himself can provide. Just sayin’.
Check out the Eminem x White Castle collection, and let us know if you’ll be checking your local White Castle joint for the pieces in the comments section below.


Photo: Getty

Eminem has finally revealed the tracklist for his forthcoming album, The Death Of Slim Shady (Coup De Grâce), set to release this Friday, July 12.
The album, which promises to be a deep dive into the psyche of Eminem‘s notorious alter ego, Slim Shady, features 19 tracks that explore themes of rebirth, inner turmoil, and resolution.

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The tracklist was unveiled by Apple Music on July 10, just two days prior to the album’s release. It comes following Eminem’s reveal of the album’s cover art, which features Slim Shady’s head emerging from a body bag in what seems to be a metaphor for the end of one era and the beginning of another.

Trending on Billboard

The Death Of Slim Shady (Coup De Grâce) tracklist reads as follows:

Renaissance

Habits

Trouble

Brand New Dance

Evil

All You Got (skit)

Lucifer

Antichrist

Fuel

Road Rage

Houdini

Breaking News (skit)

Guilty Conscience 2

Head Honcho

Temporary

Bad One

Tobey (featuring Big Sean and BabyTron)

Guess Who’s Back (skit)

Somebody Save Me

One standout track that’s bound to get longtime fans excited is “Guilty Conscience 2,” a sequel to the 1999 hit that featured Dr. Dre. With Dre having previously confirmed his involvement in Em’s latest project, expectations are high for this fresh take on a classic collab.

In the lead-up to the album, Eminem has dropped two singles that have sparked conversations and fueled anticipation. “Houdini,” released on May 31, debuted at No. 1 on the Billboard Global Charts and quickly became a topic of discussion for its intricate lyricism and controversial references.

The track samples the Steve Miller Band’s “Abracadabra” while addressing hot-button issues such as the 2020 Megan Thee Stallion shooting incident and cancel culture.

The second single, “Tobey,” featuring Big Sean and BabyTron, was released on July 8, after initially being slated for July 5. The track marked Em’s first collaboration with Babytron and his fourth with Big Sean, following their team-up in 2017 on I Decided’s “No Favors,” Detroit 2‘s “Friday Night Cypher” and ShadyXV‘s “Detroit Vs. Everybody.”

As the release date rapidly approaches, both fans and industry insiders are filled with anticipation, eager to delve into the journey through the mind of one of rap‘s most iconic figures.

The Death Of Slim Shady (Coup De Grâce) is out July 12.

Eminem has once again demonstrated his enduring influence in the rap game with the release of his highly anticipated music video for “Tobey” on Monday (July 8). The track, featuring fellow Detroit natives Big Sean and BabyTron, has received major attention since its release and received the visual treatment that fans have been waiting for. […]

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Source: Amazon Music / Amazon Music
When Biggie Smalls asked, “What’s Beef?” he posed the question at the height of the East Coast/West Coast rap rivalry, which would ultimately result in the death of the Brooklyn MC—as well as Tupac Shakur.

But, does beef always have to end in death? Most Hip-Hop fans would hope not. The very nature of the culture is competitive, and rivalries can be thrilling and entertaining when they stay on wax. 

The recent rivalry between Kendrick Lamar and Drake has been one of those quarrels that has reenergized the culture and entertained Hip-Hop fans in a way not seen in years. 

SlotsUp online casino and Media Lab Insights recently prepared and shared statistics that detail the legacy of rap beef—by breaking the statistics and songs into eras which are marked by a major event. 
“These timelines were used to better understand the development of conflicts, success, and the demand for performance in the hip-hop industry,” the report notes. “Their comparison is focused on three main points: the technical aspect (the average tempo of the tracks (which can be calculated by the amount of bars, and the length), the profitability (the amount of platinum albums), and the risks involved (death rate).” 
Researchers at SlotsUp commented on the study. “Until our current era, the more beef was around, the more successful the artists were. Our current era is going against this pattern, with the same amount of deaths and diss tracks as the first era, but with more platinum albums. Over the years, Hip-Hop became less technically demanding, especially after 2004.  This study shows that conflicts aren’t always profitable, and violence can be avoided.” 
The first era was marked by what the researchers called “The Roxanne Wars” in the mid-1980s. Two of the most significant songs were “Roxanne, Roxanne” and “Roxanne’s Revenge.” However, cultural commentators say that there were up to 30 songs related to the beef. The only major death to come out of that era was Scott La Rock—whose murder has not been directly attributed to the beef. The clear winner of this battle was Roxanne Shante, who went on to a lengthy career and is credited as one of the foundational female MC’s.

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The second era was one of the most deadly. Lasting from 1992 to 1997, the beef sparked the true rise of the diss track. The research shows that diss tracks and deaths more than doubled while platinum albums skyrocketed to 35. The era saw 10 deaths, with three being the most prominent—Eazy E, 2Pac, and The Notorious B.I.G. The winner of this era could be seen as the recently disgraced Sean “Diddy” Combs as his Bad Boy imprint saw some of its biggest success following the death of B.I.G. This era also marked Hip-Hop’s biggest foray into the pop genre with an increase in record sales that would last for more than a decade—before the proliferation of streaming.
The third era, lasting from 1998-2004, featured the beef between Jay-Z and Nas. This era was also the most financially successful with more than 50 platinum albums. “Eminem was significant in this era,” as the study shows that the Detroit rapper released nine diss tracks. The winner of this era continues to be debated. However, the culture benefited from the end of the beef with Jay and Nas making several concert appearances together. 
Source: Bethany Mollenkof / Getty
The fourth era: 2005-2008, is one largely of peace—kicked off by the end of the beef between Jay-Z and Nas—two New York rap titans. Also worth noting is the average length of rap songs would begin to get shorter with many getting under the 4-minute mark. The fifth era from 2009-2012, was marked by the release of Kendrick Lamar’s Good Kid, M.A.A.D City. It would be the second era that Eminem would be involved in numerous beefs including with Benzino and Mariah Carey. It was during this era that beef would escalate in southern states with one significant death being that of Slim Dunkin. 

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Era number six was from 2013 to 2019. The most significant beef was between Drake and Meek Mill. However, the two would eventually collaborate (again, since they were cool prior to Meek’s Twitter fingers) on “Going Bad.” This era is also marked by continued financial success with more than 40 platinum albums. The murder of Nipsey Hussle would mark the end of this era. 
Our current era began with the coronavirus pandemic, which affected the entire world but also highlighted the significance of “beef,” with the good-natured but often tense musical battles as part of the Verzuz series. But without question, Kendrick Lamar’s “Not Like Us,” is thus far the most powerful diss song of the era—but whether or not it’s over is still up for debate, and Drake. Fortunately, K. Dot did his victory lap by bringing gang members together on one stage as a show of unity at the conclusion of his pop out concert on Juneteenth. 

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Eminem is currently gearing up for his 12th studio release, The Death of Slim Shady (Coup de Grâce), and teased the “end” of his shock lyric persona of Slim Shady not long ago. On the new track “Houdini,” the Detroit wordsmith harkened back to his earlier days with a familiar bop but sparked criticism for making Megan Thee Stallion the butt of one of his jokes in rhyme form.
The track “Houdini, ” produced by Eminem and longtime collaborator Luis Resto, takes its sampling cues from the Steve Miller Band’s “Abracadabra” hit along with Slim’s tracks, “Without Me”, “My Name Is” and “Just Lose It.”
In one portion of the track’s first verse, Megan Thee Stallion has her name inserted with Em connecting her shooting incident using a layered simile as he’s known to do.
From “Houdini”:
And I don’t gotta play pretend, it’s you I make believeAnd you know I’m here to stay ’cause meIf I was to ever take a leave, It would be aspirin to break a feveIf I was to ask for Megan Thee Stallion if she would collab with meWould I really have a shot at a feat? (Ha!)
It’s obvious where Em was going with the ending bar, referencing the Houston rapper’s foot injury after she was shot by Tory Lanez in 2020 after a star-studded party event. The line didn’t go missed by the Hotties and other observers who felt the swipe at the expense of a Black woman’s pain was over the top.
Eminem, in his Slim Shady persona, has never spared anyone’s personal business when it comes to his rhyme schemes and this time is no different. However, Megan Thee Stallion is one of the most beloved stars of her time so the reactions to the lyric came in hot.
We’ve got reactions from X, formerly Twitter, below.
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Photo: Christopher Polk / Getty

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Source: Icon Sportswire / Getty / Eminem
For his next trick, lyrical magician Eminem resurrected Slim Shady for his new single, “Houdini,” but some folks—mainly the Hotties—believe the rapper went too far trying to be clever.
After months of speculation, Eminem returned to the music scene with “Houdini,” the lead single off his 12th studio album, “The Death of Slim Shady (Coup de Grâce).”
The 51-year-old Rock & Roll Hall of Famer uses the melody of Steve Miller Band’s 1982 hit “Abracadabra” in his new track and visual, reminiscent of his 2002 hit single “Without Me.”
In it, we see Eminem brings back characters like “Rap Boy,” his classic Slim Shady blonde hair, and even hops back in the Lamborghini for a rare appearance from his mentor, Dr. Dre, in the cameo-rich music video.
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As for the lyrics in the song, those familiar with Eminem’s style will not be shocked as the Detroit native aims at himself, Dr. Dre, and even his children on the track that reflects on his life in the 90s and current times.
In the song, he raps, “Sometimes I wonder what the old me would say if he could see how (expletive) is today.”
But one particular bar did raise eyebrows. In a clear but what many are calling shady way, Eminem mentions Megan Thee Stallion rapping, “If I was to ask for Megan Thee Stallion if she would collab with me, would I really have a shot at a feat?”
This is an obvious reference to Tory Lanez shooting Megan Thee Stallion, which he was found guilty of and is currently serving time in prison for.
Social Media Debates Eminem’s Megan Thee Stallion Bar
The double entendre stirred up Thee Stallion’s loyal fanbase, the hotties, and others. Fans of Eminem point out that this is something he always does, and no one is off-limits.
“This is trash on so many levels,” political commentator and slayer of Mayor Eric Adams, Olayemi Olarin, said in a post on X, formerly Twitter.
Journalist Dee Barnes, whom Eminem’s homie, Dr. Dre, was charged with physically assaulting, also chimed in on the matter, saying, “Proving at that big age you’re only young once… but you can be immature forever.”

Some see no issues with Eminem’s Megan Thee Stallion bar. “Anyone calling this a “diss” didn’t listen to Em growing up,” one person wrote on X.
“I need yall to learn the difference between dissing and referencing… yall make my ass itch,” another post on X read.
Lover of all things Hip-Hop and NBA champion LeBron James loves the song, writing on X, “And just like that, HE’S BACK bruh!” @Eminem Houdini is too good!”

Of course, Bron Bron’s approval of the song also spurs reactions, with some wanting him to take back his positive critique of the single.

So, did Eminem diss Megan Thee Stallion? You can be the judge of that.
We are curious to see if Megan Thee Stallion says anything about it. She is currently on her Hot Girl Summer tour with GloRilla, selling out arenas.
Hit the gallery below for more reactions.

2. Hmmmm, points were made

3. Lol, damn

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Source: Paramount+ / Paramount+
A new documentary on the unknown story behind the rise of digital piracy produced by Eminem & LeBron James debuts in June.
Source: Paramount+ / Paramount+

One of the more obscured stories behind the rise of digital piracy and how it transformed the music industry into what it is today, is on display in a new documentary series, entitled How Music Got Free. The two-episode series is based on the best-selling 2016 book by Stephen Witt. Eminem and LeBron James are executive producers along with Maverick Carter, Paul Rosenberg, and Steve Stoute. The series is directed by Alexandria Stapleton, a veteran who recently was at the helm of the Amazon Prime documentary Reggie, about New York Yankees Hall-of-Famer Reggie Jackson.
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How Music Got Free focuses in part on the life of Dell Glover. Glover, a man from Shelby, North Carolina, worked at the Universal Music compact disc pressing plant and used his access and ingenuity to leak music as part of the disruption that upended the music industry in the late 1990s and early 2000s. The series shows how his efforts and others led to the rise of Napster and other downloading sites. As Stapleton expresses in the press release, “The real visionaries, rebels, and anti-heroes of the era were a ragtag group of young people hidden behind online aliases. They leveraged tech and proved to the world how fans really wanted to consume music in the 1990s, 2000s, and beyond. The music industry was too busy raking in profits from CDs to see the digital tsunami that was about to swamp them. When the flood came, the industry didn’t build better boats, they blamed the pirates riding the wave and tried to put them in federal prison.”
How Music Got Free is narrated by Method Man, and features interviews with Eminem, 50 Cent, Steve Stoute, Timbaland, Jimmy Iovine, Rocsi Diaz, Rhymefest, and more. Also involved in the series’ production is Warner Bros. Unscripted Television/Telepictures, in association with SpringHill, Interscope Films, and Shady Films. How Music Got Free will make its premiere on Paramount Plus on June 11.

Source: Paramount+ / Paramount+

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Eminem has several accomplishments to boast about, including record sales, awards, and his ongoing sobriety. As a father, Eminem has reached the pinnacle of Dad Status after seeing the apple of his eye, Hailie Jade, get married in a lavish setting in Michigan.
Eminem, 51, was on hand for the wedding of Evan McClintock and his daughter Hailie Jade Scott at the Greencrest Manor in Battle Creek, Mich. this past Saturday (May 18). Dad was decked out in a tuxedo with dark shades and as TMZ shared in its report, Eminem did the traditional Dad-and-Daughter dance.

The new Mrs. McClintock met her husband at Michigan State University where they both attended and have been reportedly dating since 2016. The pair announced their engagement in 2023 and the news was shared on Mrs. McClintock’s popular Instagram page where she details her life as a podcaster and media figure.
Also according to TMZ, the wedding was attended by some of Eminem’s famous friends including Dr. Dre, 50 Cent, and Jimmy Iovine, among others. It wasn’t a large affair as the event only included family and their closest friends.
Congratulations to Evan and Hailie Jade McClintock, and Eminem for seeing off his baby girl the right way.

Photo: Getty

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Eminem burst onto the scene in the 1990s and employed his Slim Shady persona to allow the zanier parts of his brain to come forth. After teasing the so-called death of the character, Eminem published an obituary for Slim Shady in a Detroit newspaper in a leadup to a new album according to reports.
As spotted on Detroit Free Press, Eminem, 51, shared the fake obituary feature as an advertisement, and it seems like the artist born Marshall Mathers is serious about letting the persona go as he preps a new summer album.

From Detroit Free Press:

Under the label “OBITUARIES,” the blurb is headlined “Slim Shady Made Lasting Impressions,” with the subtitle “Fans ‘Will Never Forget’ Controversial Rapper.”
The piece goes on to remember Slim Shady as “a rogue splinter in the flourishing underground rap scene” who was introduced to the wider world on the 1999 hit single “My Name Is.” The ad describes the character’s “complex and tortured existence” and his “sudden and horrific end.”
On April 25, Eminem shared a cinematic clip on the NFL Network during this year’s NFL Draft stylized as a true crime drama featuring 50 Cent, which cleverly announced the title of his upcoming album, The Death of Slim Shady (Coup De Grace). No date for the project has been announced.
Check out the spot below.
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Photo: Icon Sportswire / Getty