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Jelly Roll will be the subject of a new documentary by ABC News, the outlet shared on Tuesday (May 9).

Titled Jelly Roll: Save Me, the film promises to follow the country-rap sensation’s “journey of redemption in real time” as he works through his mental health and addiction struggles and grapples with his rising fame.

Leading up to his hometown show at Nashville’s Bridgestone Arena, the doc will chart the “Need a Favor” singer’s life story — including stints in the criminal justice system as both a teen and an adult before he broke out into the mainstream in with his 2022 single “Son of a Sinner.” Jelly Roll will also shine a light on his philanthropic work by visiting the juvenile detention center where he was incarcerated multiple times during his adolescence to share his story and attempt to make a meaningful impact on the current generation of at-risk youth.

Jelly Roll: Save Me is set to premiere May 30 exclusively on Hulu before the release of the rising star’s debut country album Whitsitt Chapel, which will arrive on June 2 via BBR Music Group.

In April, Jelly Roll swept the 2023 CMT Music Awards with the most awards of the night including male video of the year, male breakthrough video of the year and CMT digital-first performance of the year — all for “Son of a Sinner.” At the show, he couldn’t help but pinch himself after seeing Gwen Stefani perform No Doubt’s “Just a Girl” with Carly Pearce, revealing in an interview that the band’s live act was the second concert he ever attended in his life.

Check out Jelly Roll’s post announcing his forthcoming documentary below.

Fox Entertainment revealed on Monday (May 8) that it’s delving into Britney Spears‘ life since the end of her 13-year-long conservatorship in an upcoming special.

TMZ Investigates: Britney Spears: The Price of Freedom promises “details about her deeply troubled marriage, family estrangement, alarming behavior, failed intervention and how she continues to be an enduring force in the music industry,” according to a press release.

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The pop superstar has been open about how much she dislikes documentaries made about her life and conservatorship in the past. Most recently, in November, she took to Twitter to share a lengthy, since-deleted post about how she’s been portrayed, calling the documentaries “humiliating,” adding, “I am a person … I’m not a robot or a science experiment like they analyzed me in that place !!! I’m a valued soul … so for the documentaries that were done on me, they were trash and nothing more than trash … period !!!”

She also called out those who made “the trashiest docs I’ve ever seen in my life,” and noting that she felt as though there was “deception in claiming it was to help me !!!”

While she didn’t name any documentaries specifically, FX and Hulu’s Controlling Britney Spears, New York Times’ Framing Britney Spears and Netflix’s Britney vs Spears were three of the most popular documentaries released amid the Free Britney movement, which swept the country before the “Piece of Me” star’s conservatorship ended in November 2021.

TMZ Investigates: Britney Spears: The Price of Freedom airs on Monday (May 15) at 9 p.m. ET on Fox.

“This isn’t a documentary on a musician; I feel like it’s a documentary on grief,” Ed Sheeran says.
The singer-songwriter was at The Times Center in New York City on Tuesday night, wearing a simple white T-shirt and black leather moto jacket. He was seated alongside Gayle King, the moderator for the evening’s discussion, and the producers and director of his new Disney+ documentary, Ed Sheeran: The Sum of It All, which he had screened moments before for the first time to a plush room full of press, some famous faces and a few lucky Sheerios.

Out now on Disney+, the four-part docuseries offers fans a powerful, honest glimpse into the “Bad Habits” troubadour’s personal life, exploring the aftermath of three events that rocked his world in February 2022: his wife Cherry Seaborn’s cancer diagnosis at six months’ pregnant, the copyright lawsuit over his No. 1 smash “Shape of You,” and the sudden, tragic death of his best friend Jamal Edwards.

These three tragedies and obstacles were ultimately the catalyst of Sheeran’s sixth album – (Subtract), out Friday via Atlantic Records, but they weren’t initially what he was planning to bare for the cameras after being approached by the team at Fulwell 73 about the documentary.

“We had a call and I said, ‘Look, this is what’s been actually going on in my personal life and I don’t really want to make a documentary on this,’” Sheeran recalls. “And [executive producer] Ben Winston was like, ‘Let’s just film it and see.’”

That approach results in the kind of vulnerable portrait of the artist fans have likely never seen before while simultaneously touching on universal themes of love, loss and pain. “I never wanted to make a documentary that was like, ‘Sad pop star and feel sorry for sad pop star,’” Sheeran says. “And what I think is really great about the documentary is the themes that it explores. Everyone goes through the fear of sickness in the family. Everyone goes through grief. Everyone goes through ups and downs in their mental health.”

Sheeran worked with Winston and his producing partner Ben Turner — whom he first met while writing songs for early One Direction albums like 2011’s Up All Night and 2012’s Take Me Home — particularly to honor the memory of Edwards, an influential figure in the London music scene who gave Ed a platform for his start in the music industry on the popular YouTube channel SBTV. (Sheeran’s first single “The A Team” went positively viral on the channel — leading to his record deal, smash debut album + (Plus) and everything that’s come since.)

And while the Grammy winner is proud to send his best friend’s legacy out into the world with the doc, he acknowledges that Edwards’ death has left a void that can never be filled with fame, success or another No. 1 single.

“I don’t think you ever process it, really,” he admits. “I think your life builds itself around grief. And I think that’s one thing I’ve actually really liked about making this documentary, is that more people than knew Jamal are now gonna know Jamal, you know? … I don’t think you should process it. I think to respect the person you’ve lost, you just have to live with it and allow yourself to be sad sometimes. And allow yourself to laugh at the fun memories and stuff like that! But to erase someone from your memory to not feel sad, I think is quite disrespectful to the memory of that person. So I allow myself to feel sad when I want to feel sad.”

Viewers can also look forward to getting to know Seaborn across the four episodes. She and Sheeran, who grew up as schoolmates in Suffolk, England, have always been notoriously guarded about their relationship, marriage and two daughters, both to preserve their family’s privacy and maintain a healthy sense of normalcy. However, they made the decision as a couple to temporarily open up about her unexpected health struggles as a way to help viewers find commonality and community with their story.

“It’s something that I talk to Cherry a lot about, because this is our life,” Sheeran says, noting Seaborn in the audience and revealing she thankfully has a clean bill of health these days and is attending “regular checkups” with her doctor.

“This isn’t something that’s scripted; it’s not a reality show,” he continues. “This is something that we’ve kept private for a very, very long time, and rightly so. We are a couple; we’re not celebrities who want to be out there on the red carpet. So what I’m hoping is that this documentary goes out there and exists for what it should exist for — which is a snapshot of grief and mental health and depression — and that we can close the door again and get on with our life.”

And while The Sum of It All‘s release coincides with Sheeran finally unveiling Subtract as the fifth and final album is his long-planned cycle of mathematically titled studio sets, the superstar confesses he’s decidedly nonchalant about how the album will be received by the masses or how it performs on the charts compared to his past mega-hits like 2014’s x (Multiply), 2017’s ÷ (Divide) and 2021’s = Equals — all of which bowed at No. 1 on the Billboard 200 and went on to sell millions of copies worldwide. (He’s already released “Eyes Closed” and “Boat” as the first two singles from Subtract. The former has so far peaked at No. 26 on the Billboard Hot 100, far below the No. 2 peak of Equals‘ dance-infused lead-off “Bad Habits” or Divide‘s pair of career-defining No. 1s “Shape of You” and “Perfect.”)

“The album is my cathartic, therapeutic way of trying to make myself feel better,” he tells the audience. “I’m honestly putting it out because people think it’s good. But I wasn’t intending to put it out, I had a whole other album I was gonna put out. So I don’t really mind how it does. I’m just sort of like, ‘I’m gonna put it out and it will just exist and do its thing.’”

You can stream all four episodes of Ed Sheeran: The Sum of It All now on Disney+. In the meantime, revisit the trailer for the docuseries below.

While Ed Sheeran has been in the public eye for more than a decade, his personal life has remained relatively private. For the first time ever, the 32-year-old superstar has opened the doors to his world and his mind in his new Disney+ docuseries, Ed Sheeran: The Sum of It All.

The four-part series delves into topics of love, loss, focus and balance as viewers enjoy the highs and lows that have defined his global success, including his childhood, his unwavering work ethic, his marriage to Cherry Seaborn and her devastating cancer diagnosis, plus his friendship with the late music entrepreneur Jamal Edwards.

The Sum of It All arrives on Disney+ on May 3, just two days before Sheeran is set to reveal his highly anticipated new album, – (pronounced Subtract), on May 5 via Atlantic Records.

To celebrate the docuseries’ release, see below for its most captivating moments. Sign up for Disney+ here.

Every Aspect of His Career Was Planned

Quickly in the documentary, fans can see just how meticulous Sheeran is about his career. “I always knew that you just have to work harder than everyone else because there’s always going to be someone that wants it more than you,” he tells the camera, as flashback footage of a young Sheeran performing at small venues plays on the screen. “I looked at all my peers, and was like, ‘Well, you’re playing one show a week. I’m gonna do three shows a night.”

He even planned out his mathematical-themed albums. “When I first started out, I really wanted to make five albums,” he explains. “Plus (+) would be the addition onto all the EPs I had done up until that point. Multiply (x) would make it bigger. Divide (÷) would be a double album of acoustic and R&B and then equals would be the sum of all the parts. And then the fifth record is [Subtract].”

Jamal Edwards Is Honored Throughout the Series

Sheeran struggles with the loss of his best friend, Jamal Edwards, throughout The Sum of It All. The beloved entrepreneur died in February 2022 of cardiac arrest at age 31, and one of the most vulnerable parts of the documentary is when Sheeran attends his six-month memorial.

After feeling overwhelmed, the star takes a moment to breathe in the car, and breaks down in tears. “I know everyone should be having fun. That’s the whole point. I just feel so lost in there,” he says between sobs. “It’s still like very, very raw. I’ve never been to a burial […] Suddenly you’re putting dirt on your mate’s grave and it’s very, very real.”

Throughout the series, Sheeran honors his “best mate” through videos of the duo laughing together, and various tributes to Edwards, including the writing process of his recent single “Eyes Closed” and a performance of “Take Me Back to London” with Stormzy at London’s Wembley Stadium dedicated to his late friend.

Ed & Cherry’s First Date

One of the more lighthearted moment in The Sum of It All, was seeing how much Sheeran loves his wife. At one point in the series, the duo are seen in a Tuk Tuk vehicle, enjoying a beer and reminiscing on their chaotic first date boating in NYC’s Central Park.

““It was the busiest, busiest, hottest day of the year in New York,” Cherry recalls, before Ed takes over. “I was rowing and we got out to the middle of the lake and this boats just started surrounding us. All of these tourists, filming and taking pictures,” the singer says as the duo burst into laughter. “Chez goes, ‘Do you want me to row?’ And I was like, ‘Cherry, the last thing I need is a picture of you rowing me!’”

Cherry’s Cancer Diagnosis

Just before Edwards passed away, Sheeran was dealing with another tragic event. Six-month pregnant Cherry found a tumor in her arm, which turned out to be cancer. “The doctor was basically like, ‘This is really bad.’ And we were like, ‘Oh, OK,’” Sheeran recalled. “He was like, ‘But we’re not going to have results back for a month.’ So we just sort of wandered around London for the day.”

Cherry added that, thankfully, the “tumor came back a lot less severe than they originally thought,” and she was able to give birth to the couple’s daughter before receiving treatment.

Sheeran shared that after the cancer diagnosis, he wrote seven songs in four hours. He performed an acoustic version of one of the tracks, singing, “This week was heavy / I buckled under all the weight / What can you do but pray? / I count my blessings, it wasn’t any other way / Don’t leave it up to fate / Same problems, different options / Pain comes at a cost but we got this / Need respite, bleed time dry / She’ll be fine, she’ll be fine.”

Eminem Helped Sheeran’s Childhood Stutter

Before Sheeran took the stage with Eminem to perform “Stan” with him to celebrate the rapper’s induction into the Rock & Roll Hall of Fame, the “Perfect” singer and his father reminisced on how being an Em fan helped Ed recover from his stutter as a child.

“Learning all the Eminem raps because they were all really fast, choppy. I’d learn the entire thing back to back and that pretty much sorted it,” Sheeran said of owning Em’s 1999 album, The Slim Shady LP.

He continued, “Being a pop star for a very long time, people will be like, ‘Oh, it’s normal for him to go up and sing with Eminem.’ But this is literally the dream of mine as a kid to do this, and it’s not normal.”

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Ice Cube and his BIG3 basketball league will be the subject of a newly announced documentary series produced by him and a veteran awards producer.

According to reports, the veteran rapper will be producing the not-yet-named documentary series through his Cube Vision production company along with Jesse Collins Entertainment. Described as “Welcome to Wrexham and Cheer meets basketball”, the series will follow one of the teams from the three-on-three basketball league in addition to giving viewers a look at Cube’s path in creating and running a sports league from the ground up.

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Dionne Harmon and Madison Merritt also will serve as executive producers on the project with Cube, Kwatinetz, and Collins. Collins is best known for his company’s work in producing awards shows and television specials which include the BET Awards and Black Girls Rock! Jesse Collins Entertainment has a multi-year agreement with ViacomCBS Cable Networks and a first-look film agreement with Paramount Players and Viacom’s other film entities.
The BIG3 first launched in the summer of 2017 after it was first announced by Ice Cube and entertainment executive Jeff Kwatinetz in January of that year. The league would captivate audiences with innovations like the 4-point shot and the inclusion of former NBA stars and legends such as Mahmoud Abdul-Rauf, Julius “Dr. J” Erving, George “The Iceman” Gervin, Gary Payton, Stephen Jackson, Allen Iverson, and Clyde Drexler as players and coaches. The league also featured women greats such as Lisa Leslie and Nancy Lieberman as coaches. Drexler now serves as the league’s commissioner.
The series also promises to take a look at the league’s $1.2 billion lawsuit against Qatari investors that was filed in 2018. The suit turned into a rollercoaster situation that would see then-CEO Roger Mason Jr. fired and accused of bringing the aforementioned investors in to pay him and other executives while shortchanging the league. Mason would allege he was fired in retaliation for his own lawsuit against BIG3 claiming that Kwatinetz made racial remarks. Another wrinkle occurred when Ice Cube and the BIG3 took out a full-page ad in the New York Times asking then-President Donald Trump and his administration to side with them in their lawsuit. One investor, Ahmed al-Rumaihi, would eventually be given full diplomatic immunity that December.

Wynonna Judd is headed to Paramount+. On Tuesday (April 18), the streamer announced the country legend’s upcoming documentary Wynonna Judd: Between Hell and Hallelujah.

The feature, which premieres April 26, promises to give fans a vulnerable behind-the-scenes look at Judd’s life as she picks up the pieces, rebuilds her life’s work and embarks on cross-country tour to continue the legacy of The Judds after the tragic passing of her mother Naomi Judd last year. Along the way, country royalty and rising stars alike will make appearances, including Ashley McBryde, Brandi Carlile, Faith Hill, Little Big Town, Kelsea Ballerini, Martina McBride and Trisha Yearwood.

“It’s real and it’s raw. It’s celebration and sadness,” Judd said in a statement. “It’s all of the people who I leaned on during one of the toughest seasons of my life. I wanted the opportunity to tell my story in my voice. If doing so helps one person out there choose life, then I am grateful.”

Just days after its premiere on Paramount+, the documentary will be followed by CMT Presents The Judds: Love Is Alive – The Final Concert, which is set to air April 29 on CMT in the tradition of the mother-daughter duo’s classic farewell tour from the early ’90s.

Jason Owen, the CEO of Sandbox Productions who produced both Judd-centric specials, added, “The Judds will forever be one of country music’s most iconic and storied duos. Their original 1991 farewell concert was entertainment at its finest and being able to recreate that concert with Wynonna and so many talented artists is something I will cherish forever. Watching Wynonna fully embrace this tour to honor The Judds’ legacy was beyond inspiring, and I can’t wait for others to witness her strength in Between Hell and Hallelujah.”

Get a first look at the artwork for Wynonna Judd: Between Hell and Hallelujah below.

Wynonna Judd: Between Hell and Hallelujah

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Freaknik, one of the premier gathering events of the 1990s, will be examined in grand detail via an upcoming documentary on Hulu. Since the announcement of the Freaknik: The Wildest Party Never Told doc, folks from Generation X realize that there may be some explaining to do after this never-before-seen footage arrives on the airways.
Freaknik began in 1983 as an annual spring break party primarily for HBCU students in the Atlanta area. It occurred every third week of April each year after, growing in size and infamy after each gathering. In the mid-1990s, the event became less about celebrating Black college life and was a reported scene of sex, booze, drugs, and even assaults.
The actions that occurred at Freaknik were so out of control that elected officials, law enforcement, and business owners who frowned upon what the event morphed into collaborated on getting heavy police presence at the gathering. By 1999, the annual event was no more although attempts in recent times to revive Freaknik have occurred.
Past Freaknik participant and special guest Luther “Uncle Luke” Campbell of 2 Live Crew fame serves as an executive producer for the documentary along with Jermaine Dupri.
A date for the airing of the documentary has not yet been revealed by Hulu.
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Netflix unveiled the trailer for its new Lewis Capaldi documentary, Lewis Capaldi: How I’m Feeling Now, on Thursday (March 16).

The film promises a behind-the-scenes look at the Divinely Inspired to a Hellish Extent singer’s meteoric rise to fame with his No. 1 hit “Someone You Loved,” as well as the impact the success as taken on his mental health.

“I think I’ve never been more insecure in my life than I am now,” he admits in the supercut. “And I think that’s got worse the more successful I’ve got.”

Later, the singer confesses he felt a remarkable amount of “tension all the time” to deliver a worthy follow-up to his 2019 breakout album. (“You get your whole life to write your first album, and a year or six months to write your second … The clock’s ticking,” he points out.)

The rest of the trailer follows Capaldi on the journey to improve his mental health, all as he feels the weight of everyone depending on him to continue his career. “You can only be the next best thing for, like, a year,” he says. “Of course there’s pressure … I’ll probably f–k up, but we’ll have a good time while we do it.”

Earlier this month, the Scottish crooner was forced to postpone a pair of shows in Zurich and Milan due to a doctor’s orders that he take at least three days rest to recover from a case of bronchitis.

Lewis Capaldi: How I’m Feeling Now is slated to premiere on Netflix on April 5. Watch the full trailer below.

Louis Tomlinson is opening up more than ever on his upcoming documentary, All of Those Voices, and in a first look released on Tuesday (March 14), the “Two of Us” singer discussed how he insisted on writing songs as a member of One Direction.

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“It had always been in my mind that it’d be cool if we weren’t just the standard boy band who just got given songs and sang them. Like, maybe we should be writing our own songs,” he shared in the one-minute clip. “Once I got to feel stuff bubbling for us and I could see that we got people’s attention, I realized that we might be able to make a few of our own decisions.”

Tomlinson added that being a songwriter in the group was the first time he “felt ownership” in his career. “All of a sudden, I felt in control again. The first two and a half years, I just felt like I wasn’t in control of myself or certainly had an influence on the band,” he continued. “When I think about how proud I am of One Direction, I think of us as a collective. When I think about what makes me most proud as me as an individual in that band, is definitely having the most writing credits. That makes me feel important to the band, and that’s all I ever wanted when I was a lad.”

The now-31-year-old has writing credits on a number of One Direction hits, including “No Control,” “Night Changes,” “Perfect,” “Last First Kiss” and “History.”

The Charlie Lightening-directed All of Those Voices, out in theaters on March 22, will delve into Tomlinson’s life and musical journey, complete with never-before-seen home video footage and behind-the-scenes access to the star’s 2022 world tour.

Watch the first look below.

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Run-D.M.C. earned their place as one of Hip-Hop’s greatest groups but it appears that the surviving pair is calling it quits this year. D.M.C. shared in an interview that he and Run are in the midst of recording a documentary capturing their final moments as a group, which will conclude with a concert at New York’s Madison Square Garden.
Run-D.M.C. began as a trio with Joseph “Run” Simmons, Daryl “D.M.C.” McDaniels, and Jason “Jam Master Jay” Mizell. After the tragic shooting death of Jam Master Jay in 2002, the group disbanded with several reunion moments dispersed throughout.

In an interview with Rock The Bells, D.M.C. explains that while he maintains a friendship with Run, it’s time to move on beyond the Run-D.M.C. moniker and perhaps move into other arenas as separate entities.
From Rock The Bells:
In a recent interview with ROCK THE BELLS, Darryl “DMC” McDaniels emphatically stated: “Run-D.M.C. is over. The only way Run-D.M.C. gets back together is if The Beatles get back together. Can that happen?”

“The final show that we are ever going to do is going to be at Madison Square Garden in April,” McDaniels reveals. “It’s going to be the last episode of the documentary we’re doing. Run-D.M.C.’s last show ever. ‘Cause it’s time for Run to go be Paul McCartney and me to be John Lennon. We done did what we could do.”
Later in the chat, D.M.C. emphatically states that the group can’t continue on as a group without Jam Master Jay. Run didn’t offer any additional commentary in the interview.
Details regarding the last show for Run-D.M.C. are certainly forthcoming.

Photo: Bob Berg / Getty