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The Descendants franchise returns next month, and in a music video premiering exclusively on Billboard below, the latest Villain Kid is caught red-handed.
Descendants: The Rise of Red — coming to Disney+ on July 12 before making its Disney Channel debut on Aug. 9 — introduces Kylie Cantrall (High School Musical: The Musical: The Series) as Red, the daughter of the Queen of Hearts (Rita Ora) from Alice in Wonderland. The new video is for Cantrall’s signature song, simply titled “Red,” which sees her character evading the Wonderland soldiers (including Alex Boniello’s singing guard) protecting her queen mother as she skulks around in the shadows of the castle grounds.

“I’m on a path of destruction, this is gonna be fun,” Cantrall sings with a glint in her eye, wearing a bedazzled hood and red eye mask covered in hearts and throwing a red balloon filled with blood-red paint at a giant portrait of her tyrannical mom.

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“’Red’ is one of my favorite numbers in the film,” Cantrall tells Billboard of the original song. “It’s this explosive number – it’s bold and it’s fierce, kind of who Red is. It gives people a really cool look inside Wonderland and the trouble and mischief that Red gets up to when the lights go down and the village goes to sleep, she roams around the town and gets to be free and do her thing. The song shows who she is at her core and will give the audience a chance to really get to know her.”

In The Rise of Red — the fourth film in the Descendants franchise and the first since 2021’s The Royal Wedding — Cantrall’s Red teams up with Chloe (Malia Baker), the daughter of Cinderella (Brandy, reprising the role almost 30 years later), to travel back in time and try to prevent the Queen of Hearts’ evil reign.

In addition to the music video, fans can find “Red” on Spotify, Apple Music, Amazon Music and other digital platforms, and the film’s soundtrack is available for pre-order and pre-add via Walt Disney Records.

Descendants: The Rise of Red is directed by Jennifer Phang, with a script from Dan Frey and Russell Sommer, and executive-produced by Suzanne Todd and Gary Marsh. The movie is choreographed by Ashley Wallen (The Greatest Showman) with a score by Torin Borrowdale (Searching).

Watch the “Red” video premiere below before the movie hits Disney+ on July 12.

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Disney Jr. is ready to dive under the sea with its upcoming series, Disney Jr.’s Ariel, taking the curious and lively mermaid princess on a series of animated adventures that fans have never experienced before.

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Set in the Caribbean-inspired fairytale kingdom of Atlantica, the series follows young Ariel (Mykal-Michelle Harris) as she embarks on underwater fun with her family and friends, including King Triton (Taye Diggs), Ursula (Amber Riley), Flounder (Gracen Newton) and mermaid friends Fernie (Cruz Flateau) and Lucia (Elizabeth Phoenix Caro).

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“I can’t even begin to tell you the enthusiasm in our workspace about putting this show together,” the series’ executive producer Lynne Southerland tells Billboard. “Everyone is really bringing their A-game. We all feel really honored to be moving the magic Ariel into a new space, a new way of seeing her and a new audience.”

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As to how this version of Ariel differs from the princess seen in the original 1989 film and the sub-sequent 2023 live-action film, Southerland says that the Disney Jr. mermaid is young but sure of herself. “It was very important to me that Ariel exudes a sense of personal agency, that she already kind of knows who she is at eight years old and we’re just watching her continue to grow and expand that sense of self,” she says. “We started with a core element of Ariel, which is her beautiful voice — but what are the many ways that voice expresses? How we communicate with others, how we express our dreams, how we can express ourselves when we make a mistake. To show her as a full character who is able to speak out rather than be closed up, that was really principal to this character.”

Harris, the 12-year-old actress who plays Ariel in the show, agrees, adding that she was encouraged to put her own spin on the character. “In this version, we’re seeing Ariel younger than we’ve ever seen her before, so it was important for me to add some qualities that she might have had when she was younger,” she explains. “A few qualities that I brought into this version of Ariel was her love of singing, of course, and also she was definitely an empath in the feature films. She is also just a really curious, excited person that always wants to explore the world around her.”

She continues, “It’s such a dream come true, playing the role of Ariel. It’s just so fulfilling, because I’ve always loved Disney princesses. I mean, who doesn’t? I always loved to watch Ariel, Elsa and Anna, Aladdin — all those classic Disney stories. I always wished to be Disney princess when I grow up, and now I actually am! My wish came true!”

Another crucial element of Disney Jr.’s Ariel is the protagonist’s relationship with her father, King Triton. “It’s not often that we get to see Black fathers in strong roles,” Southerland says. “There can be a perception of Black fathers as being stern. It was really important that Triton, despite being king, when he’s with his kids he’s just a dad who understands and loves his children and want the best for them.”

Diggs, a father himself who plays the underwater king, adds, “I love that he listens to his child. It sounds very simple, but you’d be surprised how many parents think that it’s their job to talk at their kid instead of listening to them. He’s the kind of father who listens and that’s the kind of father I’m striving to be.”

To conclude, Harris chimes in with what she hopes young viewers will gain from watching the new series. “It’s OK to be yourself. It’s OK to love who you are, it’s OK to like what you like, and I think Ariel really shows that,” she says. “There’s so much diversity and inclusion in this series, that you’ll definitely be able to see yourself in one of the characters.”

In addition to the Disney Jr.’s Ariel premiere episode airing June 27 on Disney Junior and later on Disney Channel, an initial batch of eight episodes will be available on Disney+ the following day (Friday, June 28). Plus, a new series of two-minute shorts, called Disney Jr.’s Ariel: Mermaid Tales, were previously featured across Disney+, Disney Channel and Disney Jr. beginning earlier this month, to build excitement around the new show.

Sign up for Disney+ here. Regularly $7.99 monthly, you can get access to Disney+, Hulu and ESPN+ for one low price of $12.99. The so-called “Disney Bundle” gets you unlimited, on-demand streaming on all three services for under $13 total. It’s a savings of 50% versus paying for each streamer on its own.

After an extensive search, Disney has found the next Moana. Newcomer Catherine Laga‘aia will star as the titular character in the remake of the 2016 hit animated film. The 17-year-old actor hails from Sydney, Australia, and joins Dwayne Johnson in the feature, reprising his role as demigod Maui.
“I’m really excited to embrace this character because Moana is one of my favorites,” said Laga‘aia in a statement. “My grandfather comes from Fa‘aala, Palauli, in Savai‘i. And my grandmother is from Leulumoega Tuai on the main island of ‘Upolu in Samoa. I’m honored to have an opportunity to celebrate Samoa and all Pacific Island peoples, and to represent young girls who look like me.”

Laga‘aia picks up the role from Auli‘i Cravalho, who voice starred in the 2016 original and will executive produce the remake. She is said to be mentoring the younger actor in the role.

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She’s also joining the family business. Her father is actor and singer Jay Laga’aia, who played Captain Typho in the Star Wars prequel movies.

Other cast for the Moana remake include Auckland, New Zealand, actor John Tui as Moana’s father, Chief Tui; Samoan-New Zealand actor Frankie Adams as Moana’s mother, Sina; and Rena Owen, who hails from Bay of Islands, New Zealand, as Gramma Tala.

Thomas Kail, director of Broadway’s Hamilton, is at the helm of the feature, which bows July 10, 2026. He also recently directed episodes of the Hulu limited series We Were the Lucky Ones.

Said the filmmaker: “I am thrilled to have met Catherine, Rena, Frankie and John through this casting process. I am humbled by this opportunity, and I cannot wait to all be on set together. And there’s no better pair to be in a canoe with than Catherine and Dwayne—actually, trio: Heihei is ready, too.”

Moana is a cornerstone movie for Disney, as the 2016 feature has been among the most streamed films in the U.S. for several years. According to Nielsen, it was the most viewed streaming movie of 2023 in the U.S. (It was No. 4 in 2022, and No. 2 in 2021 and 2020). Disney also has a separate, animated sequel to Moana due out Nov. 27.

Johnson, Dany Garcia and Hiram Garcia are producing via their Seven Bucks Productions. Beau Flynn is producing via FlynnPictureCo. Moana songwriter Lin-Manuel Miranda is also producing after landing an Oscar nomination for the song “How Far I’ll Go.”

This article was originally published by The Hollywood Reporter.

There’s just no telling how far Moana 2 will go, but based on the success of the film’s new trailer, it’s going to go the distance. In just 24 hours, the highly anticipated sequel’s first look has become Disney‘s most-watched teaser ever for an animated film, racking up a whopping 178 million views across platforms […]

Richard M. Sherman, the Oscar-winning songwriter who partnered with his late brother to craft tunes for such Disney classics as Mary Poppins, Chitty Chitty Bang Bang and The Jungle Book, died Saturday. He was 95.
Sherman, who also co-wrote “It’s a Small World (After All)” — considered the most performed song ever — as well as “You’re Sixteen,” a chart-topper for Ringo Starr, died at Cedars-Sinai Medical Center in Los Angeles of age-related illness, Disney announced.

Members of the Songwriters Hall of Fame and recipients of the National Medal of Honor, Richard and his older brother, Robert Sherman, wrote an estimated 1,000 songs and music for 50 movies, and they were responsible for more movie musical songs than anyone in history.

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For their work on Mary Poppins (1964), the Sherman brothers made two victorious trips to the Academy Awards stage at the Santa Monica Civic Auditorium, accepting the trophies for best original score and best song (“Chim Chim Cher-ee”).

The pair, who were hired by Walt Disney himself and worked directly with the Hollywood legend for almost a decade, also were nominated for the songs “Chitty Chitty Bang Bang” from the 1968 United Artists film; “The Age of Not Believing” from Bedknobs and Broomsticks (1971); “The Slipper and the Rose Waltz (He Danced With Me/She Danced With Me)” from The Slipper and the Rose: The Story of Cinderella (1976) and “When You’re Loved” from The Magic of Lassie (1978). They received three other noms for their scores.

Their movie work also included The Parent Trap (1961) — which featured “Let’s Get Together,” their inventive “duet” performed by Hayley Mills — The Sword in the Stone (1963), Winnie the Pooh and the Honey Tree (1966), The AristoCats (1970), Snoopy, Come Home (1972), Charlotte’s Web (1973), Tom Sawyer (1973) and The Tigger Movie (2000).

In 1961, Richard and Robert separately watched British actress Julie Andrews perform two songs from her Broadway musical Camelot on The Ed Sullivan Show and knew immediately she would be ideal for the lead in Mary Poppins. In a savvy move, they had Disney’s secretary purchase tickets to Camelot for the studio head and his wife, and he saw the same thing in Andrews that they did.

Mary Poppins may have been inspired by the characters in the books written by P.L. Travers, but it was the brothers and their songs — also including the 34-word-long “Supercalifragilisticexpialidocious,” “A Spoonful of Sugar,” “Sister Suffragette” and the lullaby “Feed the Birds,” which was Walt’s favorite song — that shaped the film’s narrative.

“You don’t get songs like ‘Spoonful of Sugar’ without a genuine love of life, which Richard passed on to everyone lucky enough to be around him,” director and Pixar chief creative officer Pete Docter said in a statement. “Even in his 90s, he had more energy and enthusiasm than anyone, and I always left renewed by Richard’s infectious joy for life.”

In a wonderful 2011 interview with THR’s Scott Feinberg, Richard described how “the boys” — that’s what Disney affectionately called them — came to work on Mary Poppins.

“One day, he had just accepted one of our songs — I think for a Zorro episode or something —and he said, ‘You know what a nanny is?’ And we said, ‘Yeah, it’s a goat.’ We thought he was going to do a picture about a nanny goat that sang or something. So he says, ‘No, no, no, in an English nursery!’ ‘Oh, yeah, sure, in an English nursery there’s a nanny, that’s right.’

“So he says, ‘Well, I have a book. I want you to read this and tell me what you think.’ He did not say, ‘I have this book, I want you to write me a title song for it,’ or, ‘I have a situation I want you to write for this character to sing.’ He just said, ‘Read the book and tell me what you think.’ ”

In other words, Disney was searching for a plot.

In a 2013 interview, Richard described the brothers’ first meeting with Travers. “Her opening line to us was, ‘I don’t even know why I’m meeting you gentlemen, because in fact we’re not going to have music in this film and, in fact, we’re not going to have any prancing and dancing.’ We were completely dashed.”

Of course, Walt and the boys would change her mind, and in a memorable backstage photo taken at the 1965 Oscars, the trophy-bearing brothers are seen planting a kiss on the cheeks of Andrews, who is holding her own statuette, for best actress.

Disney also asked the Shermans to come up with a catchy, overarching tune for his “UNICEF Salutes the Children of the World” walk-through attraction at the 1964 World’s Fair. Before the brothers got involved, it featured the unpleasant cacophony of various national anthems sung by audio-animatronic dolls.

“But Walt, are we stuck with this title, ‘Salute the Children of the World?’ ‘UNICEF?’ It’s a mouthful,” Richard told Feinberg. “He said, ‘Yeah. Well, it’s the small children of the world who are the hope of the future — that’s what we’re trying to say.’ He kept saying, ‘Small children are the hope of the world,’ and we said, ‘Yeah, small … world. That’s it! And let’s not blow each other up!’

“Now, how do we say that? Let’s, after all, use our heads. ‘After all … small … after all.’ That rhymes. ‘Small world, after all.’ And that was the way we came up with the expression.”

Disney loved their take so much, he named the attraction after it, and “It’s a Small World After All” now plays at theme parks all around the world, thousands of times a day. Richard described the song as a “prayer for peace” and said it’s the one tune by the brothers that makes people want to “either kiss or kill them.”

Despite their overwhelming success, the siblings did not always get along, as was documented in The Boys: The Sherman Brothers’ Story (2009), produced and directed by their sons Gregory V. Sherman and Jeffrey C. Sherman.

“Bob was into his orbit; I was into mine,” Richard said. “I wouldn’t say it was anything but that his interests were different. I’ve always been kind of an extrovert; he’s always been an introvert. … Basically, one of the chemical things that worked with us was the fact that we both had a stereopticon look at things, so we could blend our thinking together, and success came that way.”

Robert died in March 2012 at age 86. B.J. Novak played him, and Jason Schwartzman portrayed Richard, in the Disney film Saving Mr. Banks (2013), about the making of Mary Poppins.

Richard Sherman was born in Manhattan on June 12, 1928, 30 months after his brother. Their mother was a Broadway actress and their father was Tin Pan Alley composer Al Sherman, whose song, “Potatoes Are Cheaper, Tomatoes Are Cheaper, Now’s the Time to Fall in Love,” was a favorite of Eddie Cantor’s. His tunes also were recorded by the likes of Maurice Chevalier, Louis Armstrong, Frank Sinatra, Peggy Lee and Cyndi Lauper.

The family moved west in the mid-1930s, and Richard attended Beverly Hills High School. He and his brother attended Bard College in New York (his major was music, while Roberts’ was English literature and painting), and Richard wrote what is now the school’s official song.

Challenged by their father — “You guys, I bet you couldn’t even write a song that some kid would give up his lunch money to buy on a record!” — the boys began writing, and their first song, “Gold Can Buy You Anything But Love,” was recorded in 1951 by the singing cowboy Gene Autry.

In 1958, they celebrated their first top 10 hit with “Tall Paul,” covered by Mouseketeer Annette Funicello. They wrote a number of hits for the teenager they called “our lucky star,” and Mr. Disney took notice. He gave the brothers various assignments, then offered them jobs as staff songwriters in the moments after telling them he loved their ideas for Mary Poppins.

They were named Disney Legends in 1990.

Most recently, Sherman wrote a song with composer Fabrizio Mancinelli for Andreas Deja’s 2023 animated short, Mushka. “Mushka’s Lullabye” was performed by soprano Holly Sedillos.

Survivors include his wife of 66 years, Elizabeth; his children, Gregory, Victoria and Lynda; five grandchildren; and three great-grandchildren.

Asked by Feinberg what were the best lyrics he ever came up with, Sherman touched on those he wrote for “A Man Has Dreams” from Mary Poppins.

“When it comes to writing what a man really feels — every man, every man — he dreams of doing something wonderful, of walking with the giants in his particular world,” he said. “An insurance guy wants to be the top man in the insurance business. I dreamed of being a top man in the music business, so it came out of my head.

“I said, ‘A man has dreams of walking with giants.’ I wanted to be with Gershwin. Who knows if I got there? I wanted to carve my niche in the edifice of time, so what I was saying — I was talking about myself, really.”

This article originally appeared on The Hollywood Reporter.

You know everything’s gonna be a breeze now that Selena Gomez and David Henrie’s Wizards of Waverly Place reboot is in production. Gomez announced at Disney Upfront on Tuesday (May 14) that the upcoming series will be called Wizards Beyond Waverly Place, and also shared the first-look images and the series logo. In the snaps, the cast is […]

Terrapin Station, a division of Sony Music Entertainment, is launching the fifth North American tour built around the successful Disney Jr. Live On Tour franchise, the company announced Monday (May 13).
The new tour, titled Disney Jr. Live On Tour: Let’s Play, is slated to visit more than 60 U.S. cities this fall thanks to aggressive routing, support from new presenting sponsor Walmart and an IP partnership with the extremely popular cable channel, Disney Jr.

The family entertainment industry is experiencing renewed growth in the post-pandemic era as families look for affordable experiences created for young children. But meeting that demand can be a challenge for smaller promoters, many of which struggle to license premium children’s content and compete for venue dates against larger competitors including Feld Entertainment, owners of Ringing Brothers and Barnum and Bailey Circus, and Round Room Entertainment, a New York-based family show production company that completed a management-led buyout from former owner Hasbro in 2022.

But Terrapin Station CEO Jonathan Shank has found repeat success in the space by partnering with the most prestigious brand in family entertainment and steadily growing the company’s market share. Since launching in 2018, the Disney Jr. Live On Tour has generated $30 million and sold more than 750,000 tickets since launch, he says, adding that Let’s Play has a gross potential of about $8 million.

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“Disney Jr. Live On Tour has continued to grow over the past five years and is now one of the biggest family touring franchises on the road,” said Shank in a statement. “We are thrilled to bring this all-new show to theaters across the country.”

New to the tour this year is the addition of the Little Mermaid-inspired Ariel from the highly anticipated new series Disney Jr.’s Ariel. The character will make her debut alongside Mickey, Minnie, Goofy and characters from other fan-favorite Disney Jr. series including Marvel’s Spidey and his Amazing Friends and SuperKitties. The tour will also feature the iconic clubhouse from Mickey Mouse Clubhouse.

Disney Jr. Live On Tour: Let’s Play kicks off Sept. 17 at Segerstrom Center for the Arts in Costa Mesa, Calif., and will make the franchise’s first-ever appearance at Los Angeles’ Peacock Theater Sept. 20. Additional stops include The Theater at Madison Square Garden in New York, The Opry House in Nashville and the Rosemont Theatre in Chicago.

Disney Visa card members can purchase tickets to Disney Jr. Live On Tour: Let’s Play before the general public starting Tuesday (May 14) at 10 a.m. through Thursday (May 16) at 10 p.m. local time. Additional presales will run throughout the week ahead of the general on-sale beginning Friday (May 17). VIP packages, including admission to the VIP pre-party interactive experience, are also available for purchase.

“We are very excited to introduce preschoolers and their families to our newest series, ‘Disney Jr.’s Ariel,’ with a musical segment starring our young little mermaid,” said Jennifer Rogers Doyle, senior vp of networks franchise management, integrated planning and licensing at Disney Entertainment. “We are also excited to announce that, for the first time, the iconic Clubhouse from ‘Mickey Mouse Clubhouse’ will be incorporated into our live show, ‘Disney Jr. Live On Tour: Let’s Play.’ This will bring the wonderment and delight of the Clubhouse experience to our youngest fans.”

For tour information and to purchase tickets, visit www.disneyjuniortour.com.

The Little Mermaid is back! Disney announced Wednesday (May 7) that its animated musical series Disney Jr.’s Ariel — inspired by the Halle Berry live-action Little Mermaid movie — will arrive on the platform at 9 a.m. ET/PT on June 27 and the next day on Disney+.
Additionally, Billboard can exclusively reveal the fun-loving, adventure-filled theme song for the series below. Set in the Caribbean-inspired fairytale kingdom of Atlantica, the series follows mermaid princess Ariel (Mykal-Michelle Harris) as she embarks on underwater fun with her family and friends, including King Triton (Taye Diggs), Ursula (Amber Riley), Flounder (Gracen Newton) and mermaid friends Fernie (Cruz Flateau) and Lucia (Elizabeth Phoenix Caro).

In addition to the TV show, Walt Disney Records will release a digital soundtrack on June 28. Music is in integral part of the series, with Anthony M. Jones (Tone), Sofia Quinn, Olivia Waithe, Chantry Johnson, Michelle Zarlenga and Rosemarie Tan all part of the songwriting team; Emmy winner Christopher Willis as composer; and Sean Skeete, a dean at Berklee College of Music, the Caribbean music consultant. Plus, show-inspired items including dolls, playsets, role-play, costumes, apparel, books and more from Disney Consumer Products will be available for purchase this summer.

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Also on Wednesday, Yvette Nicole Brown (Community), Melissa Villaseñor (Saturday Night Live) and Ron Funches (Undateable) were announced as recurring cast members on the series.

‘Disney Jr.’s Ariel’

Disney Junior

In addition to the premiere episode airing June 27 on Disney Junior and later on Disney Channel, an initial batch of eight episodes will be available on Disney+ the following day (Friday, June 28). Plus, a new series of two-minute shorts, called Disney Jr.’s Ariel: Mermaid Tales, will be featured across Disney+, Disney Channel and Disney Jr. beginning Wednesday, June 5, to build excitement around the new show.

The new series comes about a year after Bailey starred as the classic Disney princess in the 2023 Little Mermaid live-action film. In the movie musical, the spirited mermaid swims to shore (against her father’s wishes) and saves a prince from drowning, ultimately making a deal with sea witch Ursula to become human. Jonah Hauer-King played Ariel’s love interest, Prince Eric. Melissa McCarthy starred as Ursula and Javier Bardem played King Triton, Ariel’s father and Ursula’s estranged brother. Daveed Diggs, Awkwafina and Jacob Tremblay rounded out the cast as Ariel’s friends Sebastian, Flounder and Scuttle.

Ariel is executive produced by Lynne Southerland and is produced by Wild Canary in association with Disney Jr. Watch the opening credits and hear the theme song exclusively via Billboard below.

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North West has landed a high-profile gig as part of the cast of the upcoming Disney+ original special The Lion King at the Hollywood Bowl. The 10-year-old eldest child of Ye and Kim Kardashian was announced as the latest addition to the star-studded line-up of the live concert special that will be filmed over two […]

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All episodes of Lucasfilm’s Star Wars: The Bad Batch are now officially available to stream online through Disney+. After premiering in 2021, the animated series concluded May 1 with the third season’s 15th and final episode. No matter if you’re new to the show or want to binge-watch the show from the beginning, all seasons can now be watched online.

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Star Wars: The Bad Batch comes on the heels of additional Star Wars universe series including Andor and Ahsoka. The show follows a group of rebellious Clonetroopers as they look to reunite with Omega (an enhanced female clone created from Jango Fett’s genetic template) who is trapped in the Imperial’s scientific lab. As they navigate escaping the clutches of the Galactic Empire, the group must also figure out a way to rescue Omega and fight for freedom in a changing environment.

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Voice actors you can expect to hear include Dee Bradley Baker, Michelle Ang, Wanda Sykes, Jimmi Simpson, Noshir Dalal and Rhea Perlman.

Keep reading to learn the streaming options available to watch Star Wars: The Bad Batch online.

How to Watch Star Wars: The Bad Batch Online

Star Wars: The Bad Batch is a Disney+ Original series, which means it’s exclusive to the streaming platform. If you’re already a Disney+ subscriber, you can watch the animated series for free when you log into your account.

Don’t have a Disney+ membership? The streamer doesn’t come with a free trial, but does offer a mix of plans starting at $7.99 a month for an ad-supported experience or you can go ad-free for just $13.99 a month.

Along with Star Wars: The Bad Batch, subscribers will have access to the entire Disney+ library including content from National Geographic, Marvel and Lucasfilm. You can look forward to streaming TV sows and movies such as The Mandalorian, Secret Invasion, WandaVision, The Book of Boba Fett, The Beatles Get Back, J-Hope in the Box, SUGA Road to D-Day, The Prouder Family: Louder & Prouder and more.

If you want even more content options, you can bundle Disney+ with Hulu and ESPN+ starting at $14.99 a month.

And for live TV options, Hulu + Live TV can also be bundled with Disney+ and will provide you with more than 90 live channel options in addition to the Disney+ and Hulu on-demand library.

Is Star Wars: The Bad Batch in Chronological Order?

The series fits within the Star Wars timeline occurring sometime between Revenge of the Sith and before Solo: A Star Wars Story. Within the series, you can expect more context to the rise of the Empire as well as Order 66’s impact on the series’ character and society.

Check below to watch the trailer for Star Wars: The Bad Batch.

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