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Chris King, the rapper who was close friends with Trippie Redd and Justin Bieber and started the label Snotty Nose Records, was fatally shot in Nashville early Saturday morning. He was 32 years old.
According to Nashville homicide detectives, King (real name: Christopher Cheeks) was with friends at 2:30 a.m. CT when three suspects attempted to rob the group. Both King and his 29-year-old friend were struck by gunfire. After running in separate directions, the 29-year-old victim was located and treated, while King was pronounced dead at Vanderbilt hospital.
On social media, there was an outpouring of love for the late rapper, who was born in Fontana, Calif. King briefly lived with Bieber, who took to his Instagram Story on Saturday to write, “Love you bro,” with a broken-heart emoji over a photo of the pair hugging. “This one hurts. Please keep his family in your prayers. See you in paradise, brother.”
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On Saturday, Redd — described as King’s best friend — posted a carousel of photos of the late rapper along with the caption “I am so hurt rn I can’t even think I love you bro come back!!!!!” He posted a longer tribute to Instagram on Sunday, writing, “Original 1400 I love you until we meet again twin! I would not be where I am today without @whoischrisking.” In the caption, Redd credited King with introducing him to 10K Projects CEO Elliot Grainge as well as Create Music Group founding partner Milo Stokes. “He had the best energy always. He had so many friends and it shows. I love you guys for supporting one of my best friends ever my brother.”
Machine Gun Kelly responded in Redd’s comments, writing, “chris was rare.”
Keke Palmer also shared a tribute to King on Instagram, posting a photo of the two talking on Facetime. “Chris King! I wish I had more photos but it’s actually perfect because this is exactly how it began,” she wrote. “iChat sessions with you and Marcel back in the 2Much days. Wow. I can’t believe I’m saying rest in peace. This is terrible. I really don’t know what to say. I just want to share that I loved you and I remember all the city walk, grove moments. That was my high school. When we were babies before everyone knew you was a real rockstar. We were kids! And you always knew how to make everyone laugh. Your kindness was present no matter what room you were in, everybody was and wanted to be your friend. We will miss you until we meet again, rest heavenly brother.”
On April 8, King released his final music, a song called “Seeing Double Seeing Double.” The rapper was in Tennessee to perform Friday night at the Nashville Cannafest.
See some of the tributes to King below:
Michael Cuscuna, the three-time Grammy winner, Mosaic Records co-founder, historian and archivist who produced hundreds of jazz reissues and studio sessions during his career, has died. He was 75.
Cuscuna died Saturday of cancer at his home in Stamford, Connecticut, Grammy-winning recording artist Billy Vera, a longtime friend, announced.
Cuscuna produced the 1970 album Buddy & the Juniors, featuring Buddy Guy, Junior Wells and Junior Mance, for Vanguard Records, and 1972’s Give It Up, Bonnie Raitt’s lone gold album during her time at Warner Bros.
He produced reissues and studio sessions for Impulse, Atlantic, Arista, Muse, Elektra, Freedom, Novus and virtually the entire Blue Note catalog.
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“Plainly stated, Blue Note Records would not exist as it does today without the passion & dedication of Michael Cuscuna,” execs from the label wrote on Instagram.
Readers of Blues & Rhythm magazine know his work in the blues field, which included box sets on T-Bone Walker, Amos Milburn, Charles Brown and the Otis Spann/Lightnin’ Hopkins Candid sessions.
Nominated nine times in all, Cuscuna received his Grammys in 1993, 1999 and 2002, respectively, for producing box sets of music from Nat King Cole, Miles Davis and Billie Holiday.
Born on Sept. 20, 1948, in Stamford, Connecticut, Cuscuna played drums, saxophone and flute while working in a local record shop. He was drawn to R&B before jazz became his greatest love.
As a radio DJ, his theme song was the novelty tune “Rubber Biscuit” by The Chips, later covered by the Blues Brothers. When asked what was his favorite kind of music, he always answered, “Atlantic singles and Blue Note albums.”
He culled the Blue Note vaults for unissued treasures by such label masters as Thelonious Monk, John Coltrane, Dexter Gordon, Horace Silver, Art Blakey and Jimmy Smith as well as lesser-known performers including Quebec, Hank Mobley and Tina Brooks.
Also for Blue Note, he uncovered gems by Lester Young, Sonny Criss and Art Pepper, and his work on Michael Ruppli label discographies from company files was invaluable.
In later years, he gained ownership of Blue Note’s vast photographic library, licensing shots to books and films.
Without Mosaic — which he founded in 1982 with Charlie Lourie — the complete Roulette recordings of Count Basie, the complete Capitol Duke Ellington sessions and countless other gems might still be hidden away or lost forever, Vera noted.
Survivors include his wife, Lisa, children Max and Lauren and grandchildren Nicolas and Penelope.
“Michael and I were close friends for nearly 60 years,” Vera, who had a No. 1 song with “At This Moment” in 1987, said in a statement. “When back east, I stayed at his home, annoying Lisa, who put up with our often-sarcastic sense of humor. Our many lunches with [producer-discographer] Bob Porter were legendary for our obscurest dives into musical esoterica. The three of us adamantly refused to accept any dividing line between blues and jazz.
“In 1989, Blue Note chief Bruce Lundvall asked us to produce Lou Rawls. We gathered legends like Richard Tee, Cornell Dupree, Hank Crawford, David Newman, Benny Golson, Stanley Turrentine, George Benson, Ray Charles and Lionel Hampton, reviving Lou’s career with the No. 1 jazz album At Last, followed by two more that landed in the top five. It was the greatest fun we ever had.”
This article was originally published by The Hollywood Reporter.
Jean-Paul Vignon, the romantic French vocalist and actor who impressed audiences on both sides of the Atlantic during an eight-decade career, died March 22 of liver cancer in Beverly Hills, his family announced. He was 89.
Performing a repertoire of contemporary pop and American standards, Vignon debuted in the U.S. in 1963 at the famed New York supper club The Blue Angel, where he opened for stand-up comic Woody Allen.
Ed Sullivan would soon showcase him on his Sunday night CBS variety show in eight appearances — including one in which he sang a duet with young Liza Minnelli — and he became a regular guest on Johnny Carson and Merv Griffin’s programs.
Signed to Columbia Records, Vignon released his first U.S. album, Because I Love You, in 1964. Three years later, he had a supporting role opposite William Holden and Cliff Robertson in the World War II film The Devil’s Brigade.
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In a 1994 profile in the Los Angeles Times, reporter Robert Koehler noted, “Vignon fulfilled the American image of the romantic, singing Frenchman. Ironically, rather than compare his voice to such renowned Gallic crooners as Maurice Chevalier and Gilbert Bécaud, Vignon says that he has a Bobby Darin kind of voice, able to sing fast and passionate or gentle and slow.”
He continued to play some of the top rooms in New York, Miami, Los Angeles and other major cities into the early 1970s, and in ’74 he recorded a single, “You,” with Farrah Fawcett, then a relatively unknown young actress and model.
Changing audience tastes stalled his career, but he did host a Canadian TV show produced by Dick Clark called The Sensuous Man, which ended each week with him reclining in a bathtub. And for a Playgirl centerfold in 1973, he sported a sweater once worn in a famous photo shoot by Marilyn Monroe and little else.
Born on Jan. 30, 1935, in the port city of Dire-Daou in the colonial territory of French Somaliland (later known as Djibouti), Vignon was schooled in Avignon, France. He briefly studied medicine in Marseille and law at the Sorbonne in Paris but decided to pursue music full time.
He was in his early 20s when, on the recommendation of Belgian singer-actor Jacques Brel, he secured a prestigious cabaret job in Paris that would launch his career.
The baritone debuted in front of the cameras as the star of the 1956 feature Les Promesses Dangereuses, then followed with a performance opposite Francoise Arnoul in the romantic drama Asphalte (1959).
Meanwhile, he had signed as a vocalist with France’s Disques Vogue, which aimed to develop him as an artist along the lines of such balladeers as Charles Trenet (his idol), Yves Montand and Charles Aznavour. His first album was 1957’s autobiographical Djibouti.
His career in France began to lag after he served 17 months of compulsory military service, but after opening for Edith Piaf and performing on board the French liner Liberté before such ocean-going celebrities as Ernie Kovacs, Edie Adams and Carol Burnett, he decided to try his luck in the States.
As he wrote in his 2018 memoir, From Ethiopia to Utopia, “My adventurous spirit was telling me, ‘Marco Polo did not hesitate to go to China, Henry Morton Stanley did not hesitate to presume exploring Central Africa and find Dr. Livingston, Christopher Columbus did not hesitate to sail west to discover America … so it is your turn to discover the United States.’”
After years of career ebbs and flows, he returned to the L.A. cabaret scene in 1993, encouraged by such pop vocalists as Harry Connick Jr., Michael Feinstein and Tony Bennett and the smash success of “Unforgettable,” which paired the late Nat King Cole and his daughter Natalie. He would remain active into his 80s with appearances at Feinstein’s at Vitello’s and the Catalina Jazz Club.
Along the way, he would also appear on such shows as The Rockford Files, Hotel, Falcon Crest, L.A. Law, Columbo, Days of Our Lives and Gilmore Girls; voice one of the Merry Men in Shrek (2001); and narrate the romantic comedy 500 Days of Summer (2009).
Meanwhile, his company, Côte d’Azur Productions, provided French audiences with translations and overdubs of Scarface and other American films.
Survivors include his longtime partner, Suzie Summers; daughters Marguerite Vignon Gaul (from his marriage to late American actress Brigid Bazlen) and Lucy Brank; and granddaughters Leah and Hannah.
This article was originally published by The Hollywood Reporter.
Eric Carmen, the hitmaker behind ’70s and ’80s smashes like “All By Myself” and “Hungry Eyes,” has died at age 74, his wife Amy confirms.
“It is with tremendous sadness that we share the heartbreaking news of the passing of Eric Carmen,” a message posted to his website, Facebook and X account reads. “It brought him great joy to know, that for decades, his music touched so many and will be his lasting legacy. ‘Love Is All That Matters…Faithful and Forever,’” the message concludes, signed by Amy Carmen, his wife of eight years.
Over his decades-long career — starting in earnest during his college years at John Carroll University in his home state of Ohio, when he joined a band called Cyrus Erie — Carmen scored three top five hits on the Billboard Hot 100: the No. 2-peaking “All By Myself” in 1976, followed by the Dirty Dancing soundtrack standout “Hungry Eyes,” which peaked at No. 4 in 1988, and “Make Me Lose Control,” a No. 3 hit, also in 1988. His highest-charting album was his self-titled solo debut, which peaked at No. 21 in 1976.
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In addition to scoring a hit on the Dirty Dancing soundtrack, Carmen also co-wrote “Almost Paradise… Love Theme from Footloose” (performed by Mike Reno and Ann Wilson) for the Footloose soundtrack, earning him his lone Grammy nomination for best album of original score written for a motion picture or a television special.
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Before his blockbuster solo career, he recorded four albums with The Raspberries from 1972 to 1974. They scored a No. 5 hit from their debut album called “Go All the Way” in 1972 and a top 20 hit with the ironically titled “Overnight Sensation (Hit Record),” which peaked at No. 18 in 1974.
Many of Carmen’s songs have endured thanks to new placements in pop culture, including Celine Dion’s Hot 100 No. 4-peaking cover of “All By Myself” in 1997; “Go All the Way” being featured on the Guardians of Galaxy: Awesome Mix Vol. 1 soundtrack in 2014; and his co-written “Almost Paradise” serving as the theme song to The Bachelor spin-off Bachelor in Paradise in 2014.
Steve Lawrence, the charismatic Grammy- and Emmy-winning crooner who delighted audiences for decades in nightclubs, on concert stages and in film and television appearances, died Thursday (March 7). He was 88.
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Lawrence died in Los Angeles of complications from Alzheimer’s disease, publicist Susan DuBow announced. He partnered with the late Eydie Gormé, his wife of 55 years, in the very popular act Steve & Eydie.
With his boyish good looks, silky voice and breezy personality, Lawrence broke into show business when he won a talent competition on Arthur Godfrey’s CBS show and signed with King Records as a teenager. The singer chose to stay old school and resist the allure of rock ‘n’ roll.
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“It didn’t attract me as much,” Lawrence once said. “I grew up in a time period when music was written by Irving Berlin and Cole Porter and George and Ira Gershwin and Jerome Kern and Oscar Hammerstein and Richard Rodgers and Lorenz Hart and Sammy Cahn and Julie Stein. Those people, I related to — what they were writing — because it was much more melodic.”
Lawrence’s smooth stylings were heard on dozens of solo albums, starting in 1953 with an eponymous LP. In 1963, he topped the Billboard Hot 100 for two weeks with the Gerry Goffin-Carole King pop ballad “Go Away Little Girl.” The single became the first in history to reach No. 1 by two different artists, after Donny Osmond recorded his chart-topping version in 1971.
Lawrence also made the top 10 with 1959’s “Pretty Blue Eyes” (No. 9), 1960’s “Footsteps” (No. 7) and 1961’s “Portrait of My Love” (No. 9).
On Broadway, Lawrence starred as Sammy Glick in the long-running What Makes Sammy Run?, a musical adaptation of Budd Schulberg’s novel, and received a best actor Tony nomination in 1964. A year later, he hosted a short-lived CBS variety program, and in the 1970s, he was a semi-regular on The Carol Burnett Show, appearing on more than 2 dozen episodes.
Many will remember Lawrence for his portrayal of manager Maury Sline in The Blues Brothers (1980). When Jake (John Belushi) and Elwood (Dan Aykroyd) need to quickly raise money to save their childhood orphanage, they turn to Maury to book a gig. Lawrence utters one of the film’s most memorable lines when he hears how much they’re looking for. “Five-thousand dollars?” he sputters. “Who do you think you are, The Beatles?”
He reprised the character in the 1998 sequel Blues Brothers 2000.
Lawrence also played a pal of Steve Martin‘s greeting card writer in The Lonely Guy (1984); was Morty Fine, the father of Fran Drescher‘s character on CBS’ The Nanny; and guest-starred on other series including Night Gallery, Sanford and Son, Murder, She Wrote, Frasier, Hot in Cleveland and Two and a Half Men.
At the height of their popularity in the 1960s and ’70s, Lawrence and Gormé were one of show business’ hottest couples. If a variety show was on TV, it was only a matter of time before Steve & Eydie would be booked for it.
They won an Emmy in 1979 for their NBC special Steve & Eydie Celebrate Irving Berlin and had fun on game shows, appearing on What’s My Line?, I’ve Got a Secret and Password All-Stars, to name a few.
When they weren’t shining on the small screen, they were wowing fans in concert and at top nightclubs throughout the country. They were a staple in Las Vegas, headlining Caesars Palace, the Sands, the Sahara and the Desert Inn, and the Las Vegas Entertainment Awards honored them four times as Musical Variety Act of the Year.
In 1981, Lawrence realized a lifelong dream when he and his wife performed a series of sold-out concerts at Carnegie Hall.
“They are both confident, full-throated singers who show the kind of assured stage presence that can come from years of playing to Las Vegas audiences,” John S. Wilson wrote in his review for The New York Times. “Mr. Lawrence, like so many singers who work in that milieu, uses singing mannerisms that owe a great deal to Frank Sinatra; Miss Gormé has a smoky voice with a powerful projection that enables her to belt out torch songs with a figure that brings such legendary singers as Sophie Tucker up to date.”
Steve Lawrence was born Sidney Liebowitz in Brooklyn on July 8, 1935. The son of a cantor, he grew up singing in synagogue choirs. Music was always a part of his life, but he didn’t know what direction it would take him until the day he listened to his first Frank Sinatra record.
“I must’ve been 15 years old when I heard him. I think I knew [then] what I wanted to do with the rest of my musical life,” he said. “His influence — not only on me, but everyone who came after him — was so indelible, so powerful.”
(Lawrence would hang around with Sinatra and the rest of the Rat Pack, and later, Steve & Eydie opened for Ol’ Blue Eyes on his Diamond Jubilee World Tour. For almost a year starting in 1990, they visited 13 countries for 41 sold-out performances that culminated with a concert at New York’s Madison Square Garden.)
Lawrence attended Thomas Jefferson High School, but books weren’t a priority. He would skip classes to spend his days in Manhattan at the Brill Building, hustling to make connections and pick up some cash singing demos. It was at the songwriting mecca that he first met Gormé; he was entering the building as singer Bob Manning, an acquaintance, was leaving with her.
“Bob said, ‘I want you to meet Eydie Gormé,’” Lawrence recalled in a 2014 interview with the Los Angeles Times. “She had her hair in a ponytail, and her ponytail hit me in my face.”
In 1953, they met again when they were each booked to sing on the Steve Allen-hosted Tonight!, a forerunner of The Tonight Show. They started doing duets and two years later collaborated on their first single together: “(Close Your Eyes) Take a Deep Breath”/ “Besame Mucho.”
Lawrence and Gormé were wed at the El Rancho Vegas hotel in December 1957. A few months later, they filled in for Allen with a summer replacement variety series that ran for eight weeks on NBC.
After he spent two years in the U.S. Army, they released three albums in 1960, including Steve & Eydie We Got Us, which won them a Grammy for best performance by a vocal group.
In 1968, they headed to Broadway to star in the original musical Golden Rainbow, and that played for more than 380 performances. (Lawrence closed the first act by singing “I’ve Gotta Be Me,” later made popular by Sammy Davis Jr.)
Though they each enjoyed success as a solo act, audiences seemed to prefer Steve & Eydie together. And they did so until Gormé died of an undisclosed illness in August 2013. “Eydie has been my partner on stage and in life for more than 55 years,” Lawrence said then. “I fell in love with her the moment I saw her and even more the first time I heard her sing. While my personal loss is unimaginable, the world has lost one of the greatest pop vocalists of all time.”
A year after Gormé’s death, Lawrence released the solo album When You Come Back to Me Again. He had recorded it when she was ill and put it on hold when she died. When it came time to turn his attention back to music, Lawrence thought it only appropriate to dedicate the album to his wife and release it on Valentine’s Day.
“Eydie heard that album, and she thought it was terrific,” Lawrence said. “We were attached at the hip — Steve-and-Eydie. It was like we were one person, to be married that long.”
It was more than two years before Lawrence would return to the stage. On Valentine’s Day in 2016, he performed a selection of Sinatra tunes at the McCallum Theatre in Palm Desert.
Survivors include his son, David, a film and television composer whose credits include the High School Musical films; daughter-in-law Faye; granddaughter Mabel; and brother Bernie. Another son, Michael, died of heart failure in 1986 at age 23.
Donations in his memory can be made to Alzheimer’s Los Angeles here.
This article was originally published by The Hollywood Reporter.
Wayne Kramer, the co-founder of the protopunk Detroit band the MC5 that thrashed out such hardcore anthems as “Kick Out the Jams” and influenced everyone from The Clash to Rage Against the Machine, has died at age 75.
Kramer died Friday (Feb. 2) at Cedars-Sinai hospital in Los Angeles, according to Jason Heath, a close friend and executive director of Kramer’s nonprofit Jail Guitar Doors. Heath said the cause of death was pancreatic cancer.
From the late 1960s to early 1970s, no band was closer to the revolutionary spirit of the time than the MC5, which featured Kramer and Fred “Sonic” Smith on guitars, Rob Tyner on vocals, Michael Davis on bass and Dennis “Machine Gun” Thompson on drums. Managed for a time by White Panther co-founder John Sinclair, they were known for their raw, uncompromising music, which they envisioned as the soundtrack for the uprising to come.
“Brother Wayne Kramer was the best man I’ve ever known,” Rage Against the Machine guitarist Tom Morello wrote via Instagram on Friday. “He possessed a one of a kind mixture of deep wisdom & profound compassion, beautiful empathy and tenacious conviction. His band the MC5 basically invented punk rock music.”
The band had little commercial success and its core lineup did not last beyond the early 1970s, but its legacy endured, both for its sound and for its fusing of music to political action. Kramer, who had a long history of legal battles and substance abuse, would tell his story in the 2018 memoir The Hard Stuff: Dope, Crime, the MC5, and My Life of Impossibilities.
Thompson is now the band’s only surviving member.
Kramer and Smith had known each other since their teens and played with various other musicians around Detroit before the core lineup was in place, in the mid-1960s. At Tyner’s suggestions, they called themselves the MC5, short for Motor City Five, and emulated The Rolling Stones, the Who, and other hard rock bands of the era.
By 1968, they had built a substantial local following and were influenced by Marxism, the White Panthers, the Beats and other social-political movements. The MC5 was more radical politically than most of its peers, and otherwise louder and more daring. They were virtually the only band to perform during the infamous 1968 Democratic National Convention, in Chicago, where police were beating up anti-war protesters.
“Kick Out the Jams” was their most famous song, peaking at No. 82 on the Billboard Hot 100 and marking their only appearance on the chart, and opened with an unprintable call to arms: “Kick out the jams mother—-er!” A live album of the same name peaked at No. 30 on the Billboard 200 in 1969, their highest-charting release. They also released the studio albums Back in the USA and High Time before breaking up at the end of 1972.
Kramer would lead various incarnations of the MC5 over the following decades, and perform with Was (Not Was) among other groups. But for a time he sank into the life of what he called “a small-time Detroit criminal.” He was arrested on drug charges in 1975 and sentenced to four years in prison. Jail Guitar Doors is named for a Clash song that refers to his struggles: “Let me tell you ’bout Wayne and his deals of cocaine.”
Survivors include his wife, Margaret Saadi, and son, Francis.
Groundbreaking Los Angeles-based disc jockey Jim Ladd, whom Tom Petty & The Heartbreakers immortalized in their 2002 song “The Last DJ,” died suddenly Sunday of a heart attack. He was 75.
A Los Angeles fixture, Ladd worked up and down the Los Angeles radio dial, including stints at KNAC, KMET and KLOS. He was considered the last freeform DJ in the country, allowed to pick his own song selections.
After leaving KLOS in 2011, he was quickly picked up by SiriusXM’s Deep Tracks channel, where he appeared until his death. Over the decades, he was well known for his interviews with such artists as John Lennon, Pink Floyd, Stevie Nicks and Led Zeppelin.
The Doors drummer John Densmore paid tribute to Ladd on social media, posting on X, “’The Last DJ’ has crossed the tracks. There wasn’t a more soulful spinner of music. The songs he played were running through his blood, he cared so much for rock n’ roll. Irreplaceable… a very sad day, which can only be handled by carrying his spirit forward.”
Densmore’s Doors bandmate Robby Krieger also posted, “Rest in peace, Jim Ladd. He was the best friend in radio The Doors ever had. Even when people forgot about us in the late ‘70s, he kept playing our music.“
Ladd started his career at Long Beach, Calif.’s KNAC in 1969 as FM radio was burgeoning and quickly established himself as one of Southern California’s leading rock voices. In an undated interview with Michael Simone, he said of his mentors and being at the forefront of FM radio, “We were inventing this thing as we were going along, so what I would say in radio [for role models], it is pretty much everybody that I’ve worked with that I’ve learned from or borrowed from. … As far as role models in my life, Martin Luther King would be one, and certainly when I was growing up, John Lennon and Jim Morrison were two others who had a great influence on me, as well as [Roger] Waters.”
Waters and Ladd had a long friendship, with Ladd playing a rebel DJ on Waters’ 1987 Radio K.A.O.S. album and touring with Waters on the Radio K.A.O.S. On the Road outing.
From KNAC, Ladd moved to KLOS in 1971 and then had stops at Los Angeles stations KMET, KMPC and KLSX before returning to KLOS in 1997, where he stayed for 14 years. As Billboard reported in 2011, when he was let go from KLOS after Cumulus bought the station, he signed off with Pink Floyd’s “Shine On Your Crazy Diamond.”
Ladd inspired “The Last DJ” song, which Petty told journalist Jim DeRogatis was “about a DJ who becomes so frustrated with his inability to play what he wants that he moves to Mexico and gets his freedom back.”
Flowers will be placed on Ladd’s star on the Hollywood Walk of Fame at 11 a.m. on Tuesday. He received his star in 2005. “His legendary voice and unparalleled contribution to the world of radio have left an indelible mark on the industry,” Ana Martinez, producer of the Hollywood Walk of Fame star ceremonies, stated in a statement. “Jim’s passion for music and his unique ability to connect with his listeners will always be remembered fondly.”
SiriusXM is airing tributes to Ladd, who is survived by wife Helene, on Deep Tracks as well as other classic rock channels.
Brazilian gospel singer Pedro Henrique died at age 30 after collapsing onstage during a performance Wednesday night. His record label, Todah Music, released a statement Thursday morning (Dec. 14) confirming the news. The cause of death is not yet known. “There are very difficult situations in life for which we have no explanation,” the label […]
Nigerian rapper Oladips has died at 28, his management team confirmed in a statement shared to Instagram on Wednesday (Nov. 15). A cause of death for the rapper was not revealed publicly. “We are saddened to inform the general public that Oladipupo Olabode Oladimeji aka OLADIPS has passed away on Nov. 14 Tuesday evening at […]
Aaron Spears, who worked as a drummer for Usher, Lady Gaga, Ariana Grande, Britney Spears, Miley Cyrus and countless other music stars, has died at age 47, his family announced Monday (Oct. 30).
The drummer was nominated for a Grammy for his work on Usher’s 2004 album Confessions and had just turned 47 last week.
“It is with a heavy heart and overwhelming sadness that I share the news of the passing of my beloved husband, Aaron Spears,” Spears’ wife, Jessica, said in an Instagram post. “Aaron was not only an incredibly accomplished drummer, admired by many for his unparalleled talent and passion for music, but he was also a devoted father to our precious son, August. His love, guidance, and warmth were the pillars of our family, and his absence leaves a void that words cannot describe. We were blessed to have him in our lives, and his legacy will live on through the beautiful rhythms he created and the love he shared with us. We appreciate all the thoughts and prayers during this difficult time. Please remember Aaron for the incredible person he was and the amazing music he brought into our world. At this time we ask for privacy as we work our way through this.”
The many artists who worked with Spears shared an outpouring of condolences to social media.
Along with a photo of Spears, Grande shared this message to her IG Story: “I can’t wrap my head around this. We were all so incredibly lucky to know Aaron. The absolute brightest light of a human being. Always the kindest, always smiling. I am so honored and thankful that our paths crossed and to have spent so much very special time together. Thank you for your utter brilliance, for our laughs, and for your kindness always. I will miss your hugs. You are so, so loved and will be so very missed.”
“It’s been a painful season for all of us,” Justin Bieber wrote in an Instagram post, adding in his Story: “We lost a beautiful man and inspiration to all of us drummers. @aspears prayers for your family and loved ones you will be remembered and celebrated.”
Blink-182 drummer Travis Barker commented on Jessica’s post, “I have no words. I love you so much my brother and will miss you. This doesn’t seem real. Praying for you Jessica and August.”
The Roots’ Questlove shared a video of Spears drumming along with a heartfelt message about his fellow drummer on Instagram. “The world lost a legend today. Husband, father, producers music director, leader drumgod & just a Cotdamn BEAST in Aaron Spears. You’ve seen Aaron drum prolly 5-10 times in your life if you attend concerts & sometimes without knowing. That’s how much in demand his services were. … Condolences to his wife, family, community and all who loved him and were given joy through his musical contributions. This is devastating … rest in melody brother.”
See Jessica’s announcement below: