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Fans all know what the finished product of Daft Punk‘s studio time sounds like, and now they know more about what it sounds like to be inside the studio with the French icons.
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“The Writing of Fragments of Time,” a new release from Daft Punk released Wednesday (March 22), is a more than eight-minute audio recording of Daft’s Thomas Bangalter and Guy-Manuel de Homem-Christo in the studio with American DJ-producer-vocalist Todd Edwards more a decade ago, while the trio were working on the track “Fragments of Time.”
The song was featured on Daft Punk’s 2013 album Random Access Memories, which is getting an expanded release in May. “The Writing of Fragments of Time” is the first release from this expanded edition and features audio on which you can hear Bangalter and Edwards (who first collaborated with Daft Punk on 2001’s “Face To Face”) working out the song’s lyrics.
This audio was taken at the Henson Recording Studios in Los Angeles on Feb. 29, 2012, with a tape running for the full session.
“There are certain parts I’m getting choked up, because it’s so damn emotional just putting these three weeks into words, it’s really intense. I’ve never felt anything like this,” Edwards says toward the end of the new track.
“It’s making it forever,” Bangalter adds.
“I worked two weeks in L.A. with Daft Punk for their Random Access Memories album,” Edwards told Billboard in 2021. “I called my mom during that first week; she could hear the calm and happiness in my voice and said, ‘You need to be out there. There’s nothing for you in New Jersey. I’ll miss you when you go, but I’d feel worse if you stayed.’ That summer I packed up a truck with all my gear and drove across country to move to L.A.”
The new edition of Random Access Memories — which won the Grammy for album of the year in 2014 — will include 35 minutes of additional material across nine tracks, including unreleased demos and studio outtakes like the one out now. Fans will have their choice of two different formats for the project: a double CD or a vinyl set with three LPs. The CD set will include a 20-page digital booklet, while the vinyl set will include a special Lose Yourself to Dance poster and 16-page booklet. For the first time ever, an Atmos mix of the original album will be made available on streaming.
Check out “The Writing of Fragments of Time” below:
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Beyond being a globally beloved dance music producer, Martin Garrix can also really shred on the guitar. It’s a skill the Dutch artist been putting to work with AREA21, his live project alongside Detroit-born rapper-singer-producer Maejor.
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Now the citizens of Earth can experience more from the group via the upcoming debut of Live on Planet Earth. This performance film from AREA21 will feature Garrix and Maejor playing with a full band on elevated scaffolding ensconced by dazzling pyrotechnics. Live on Planet Earth will expand the AREA21 backstory, exploring the duo’s journey to Earth and adjacent alien themes. (And yes, they perform in space suits.)
This 46-minute show is premiering April 5 on Hulu in the United States, Star+ in Latin America and Disney+ under the Star banner in all other territories.
‘’We’ve always been dreaming of having AREA21 on stage with a band,” Garrix said in a press release. “The music on the album has been made with a lot of live instruments like real bass, real drums, so it’s amazing to be able to put that into a full live performance now.’’
“This is the beginning of an evolution of the music and sounds of AREA21,” added Maejor. “It’s a great opportunity to show different sides of the project and introduce people to things they haven’t seen from us yet.”
The film will come alongside the Live on Planet Earth album, released on all streaming platforms in tandem with the premiere and featuring the music heard in the performance. The projects follow AREA21’s 2021 debut album Greatest Hits Vol. 1.
Elsewhere in the Garrix universe, the producer will play Ultra Music Festival in Miami this weekend and continue his Las Vegas residency at Omnia and Wet Republic through the summer, in addition to other global dates.
Watch Billboard‘s exclusive preview of Live on Planet Earth below:
Every week, Billboard Dance gives you a look at the newest tracks you need to know about for the dancefloor days and nights to come. These are the five recently released tracks keeping the beat going as we ease back into the workweek.
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Aluna & TSHA, “Killing Me”
The Artists: Scene queens Aluna & TSHA.
The Label: Mad Decent
The Spiel: The first single from Aluna’s forthcoming sophomore album — coming later this year — is a collab with U.K. star TSHA. Lyrics about the struggles of love showcase Aluna’s ever-exquisite vocals (with hers being one the defining voices of dance music over the last decade) and also juxtapose them against an effervescent production.
The Artist Says: “Having been a huge admirer of TSHA’s production I was so thrilled to get the opportunity to work together,” says Aluna, “but what came out surprised us both — it’s a catchy bop, but it’s still wonky and fresh with that distinctive originality that TSHA has [that has] us all in a choke hold. It took a while with us throwing the song back-and-forth and even in the trash at one point, but our joint obsession pulled us through and finally it’s ready to join the world!”
The Vibe: Your romantic relationship is presenting challenges, but you’re kind of enjoying it.
Moon Boots, “On & On (Effortless)”
The Artist: New York genre veteran Moon Boots.
The Label: Anjuandeep
The Spiel: Coming from Moon Boots’ just out (and altogether excellent) LP Ride Away — the DJ/producer’s first album since 2019 — this one is slick and funky, disco-flavored dance music with an R&B twist via vocals from Toronto singer/songwriter Dope Earth Alien, who’s previously collaborated with artists including HoneyLuv.
The Vibe: Lovey living room dance party for two.
Manic Focus, “Introverted”
The Artist: Longstanding Denver-based bass producer Manic Focus.
The Label: Manic Focus Music
The Spiel: On his seventh studio album, Never Not Blue, bass favorite Manic Focus gives insight behind his artist name via an album that explores the thoughts and emotions — from extreme confidence to detachment to mania — of Bipolar I disorder, which the artist born was diagnosed with in 2007 and which has long informed his creative output.
The Artist Says: “This album is very special to me,” says the artist born John McCarten. “It will take you on a journey through many of the emotions I experience in a manic episode – from the confidence, through the chaos, to the euphoric states, but ultimately ending on a positive note.”
The Vibe: Swaggering power, with a celestial slant.
Francis Mercier & Black Uhuru, “Welcome to Dinner”
The Artist: Swiftly rising Haitian producer Francis Mercier and Jamaican reggae outfit Black Uhuru.
The Label: Insomniac Records
The Spiel: The latest production from Francis Mercier — his second release with Insomniac Records — is a warm-vibed jam featuring breezy guitar work reminiscent of Amadou & Miriam, an always-inviting vibe paired here with loads of hand percussion and a delicious reggae vibe courtesy of longstanding Kingston-based reggae outfit King Uhuru.
The Artist Says: “During my teenage years in Haiti, I was a big fan of Black Uhuru,” says Mercier. “I was listening to them quite often, and they would always uplift me with their incredible reggae sound. Fast-forward 20 years, to now be officially collaborating with one of the greatest reggae groups to ever exist, it is truly a full-circle life moment for me.”
The Vibe: A beachside sunset dinna party — emphasis on the party.
Kx5 feat. Richard Walters, “Eat Sleep”
The Artist: Dance kings deadmau5 and Kaskade in tandem as Kx5, along with British singer Richard Walters.
The Label: mau5trap Recordings
The Spiel: While deadmau5 and Kaskade’s collaborative work largely veers into transportive and pretty progressive house, “Eat Sleep” (from the just out and eponymously titled debut Kx5 album), takes that style and makes it a bit more challenging, with verses falling into their well-trod sonic territory juxtaposing a chorus wrought from solely from mechanical percussion.
The Artist Says: “Ryan excels as a songwriter and in arrangement and structure, where I suppose I excel in mastering, engineering and the more technical components of sound versus the idea,” deadmau5 said in Billboard‘s recent Kx5 cover story. “He’s got his wheelhouse, I’ve got mine, and we don’t overlap a lot. Like, I would sooner shoot myself in the leg before I’m like, ‘Here, Ryan, master this.’ ”
The Vibe: Like being on the inside of the equipment this one was made with.
It’s nearly 9:30 p.m. in Austin, Texas and Kx5 — the electronic dance music supergroup of Kaskade and deadmau5 — quietly take the stage. They hardly go unnoticed, though, as the fans packed on the lawn at the Moody Amphitheater at Waterloo Park begin to scream for the legends.
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“Austin!” Kaskade yells into his mic, showing the city some love before returning his full attention back to his deck, as he and deadmau5 perform with precision a steady stream of syrupy and hypnotic hits beginning with set opener “Bright Lights.”
With lyrics like, “There’s a place… we can go… for a feeling…” the pair set the tone for the third and final night (Saturday, March 18) of Billboard’s South By Southwest concert series. And together, the two deliver a much-needed communal dance party to cap off what was, for most, a nonstop week.
The headlining set could not come at a better time for Kaskade and deadmau5, either, as just 24 hours earlier Kx5 released its self-titled debut album — over a decade after the two first partnered up. Rightfully so, the night is a celebratory culmination of all of the above.
Throughout the set — which clocks in at just over an hour long and utilizes over 50 lights and frequent fog blasts — Kaskade and deadmau5 deliver sky-high drops tailor made for roller coaster enthusiasts — especially on new track “Eat Sleep,” which blends into a snippet of an industrial, deconstructed remix of “Harder, Better, Faster, Stronger.”
Later, during the atmospheric album cut “When I Talk” deadmau5 lights up — creating his own personal mini fog machine — while “Sacrifice,” which features Sofi Tukker, prompts Kaskade to yell “C’mon!” while reclining his upper body into a small standing backbend.
As the show reaches its halfway point, the soaring drops and bursts of fog seem to occur in more rapid succession as the show builds, The crowd reacts accordingly, with one devoted fan dancing along holding two circular press-down night lights that in this environment more resemble floating orbs.
To prepare for the set’s peak, the pair dive into “Escape,” a melodic daydream off Kx5 on which British singer-songwriter Hayla questions: “What if I escape?” For most in attendance, this show offered just that — even if only for a brief while.
During the song, deadmau5 shows Kaskade something on his phone, to which the two react with wide eyes and jaws dropped before honing in with laser focus for their final minutes on stage. And just then, the Kx5 logo that opened the show reappears onscreen, indicating they are indeed coming full circle.
The ride is ending.
But not before one final hit. The one, of course, that started it all: “I Remember.”
“This song is old enough to vote!” deadmau5 declares with a wide smile. He then hops down from the platform which has housed him and Kaskade for the last 60-plus minutes, bringing his beer with him, to take a well-deserved bow and applaud his partner, who stays glued to his deck until the last resounding note reaches the final row of fans.
And as the two begin to walk off the stage, the anticipated chant for an encore begins. But after a closer like that, Kx5 made sure to give a performance no one will forget.
Even so, one bawling fan could be heard telling friends: “I need to see this again.”
Two years after the release of their last new music, The Chemical Brothers are back.
The U.K. duo have today (March 17) released their latest single, “No Reason.” Their first song since 2021’s “The Darkness That You Fear,” the new output is classic Chemical Brothers — a textured and inventive (but never fussy) jam built around funk, bass, waves of percussion, and a precisely used voice shouting “whoo!” Jubilant and danceable, the song still maintains the hard edges the pair is known for. Watch the Smith & Lyall-created video for the track below.
The single comes ahead of the U.K.’s duo’s performances next month at Coachella, with The Chemical Brothers also playing shows in Santa Barbara, Calif. and Seattle, WA next month, along with festival sets throughout Europe for the remainder of the summer.
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The pair — Tom Rowlands and Ed Simons, have also been at work on a new album, which will be the followup to 2019’s No Geography. The album hit No. 3 on Dance/Electronic Albums and won the 2020 Grammy for best dance/electronic album. The guys have won seven Grammys in total during their nearly 30 year career, which launched with the 1995 release of their now classic Exit Planet Dust.
No Reason has also been mastered in Dolby ATMOS at Abbey Road Studios by Giles Martin, who has also previously overseen the remastering of The Beatles back catalogue. “No Reason” will also be available on April 28 as a limited edition red vinyl 12 inch with a previously unreleased b-side track, “All Of A Sudden.
The first collaborative single from dance music’s new favorite supergroup — Fred again.., Skrillex and Four Tet — is out. Released today (March 17) via Atlantic Records, “Baby, again..” was first heard during Fred again..’s Boiler Room set last July, a performance that has since been streamed 16 million times.
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Indeed, the hype around this one is major, with both Fred and Four Tet appearing on Skrillex’s new album, Quest For Fire, released last month after a week’s worth of buzzy New York pop up shows from the trio that climaxed with a sold out show at Madison Square Garden on February 18. “Baby again..” was, in fact, the song playing during the climactic moment when the house lights at MSG finally went off midway through the five-hour show.
The five-plus minute song heavily samples Lil Baby and Da Baby’s 2019 track “Baby,” accelerating the BPM and adding layers of ravey production in line with the trio’s other recent output, with the track elevating to new plane of dancefloor headiness around the 4:30 mark.
“Baby again..” is already steeped in dance-world mythology, have been created during an impromptu studio session in Pangbourne, England where Fred, Skrillex and Four Tet came together to make music in the remote English countryside. (The backstory has earned the now apparently inseparable trio the nickname Pangbourne House Mafia among fans.) The song has since been a staple of all three artists’ sets. Listen to it below.
Meanwhile, Skrillex’s Quest For Fire (which, naturally, features Four Tet and Fred) is currently at No. 8 on Dance/Electronic albums, where it previously peaked at No. 2. Five Quest For Fire singles (including its lead single “Rumble” featuring Fred) are currently on Dance/Electronic albums, where Fred also currently has a pair of other singles “Mike (Desert Island Duvet)” and “Delilah (Pull Me Out Of This).”
Stream “Baby again…” below.
Daft Punk‘s influence on electronic music is undeniable and unparalleled. Now, a cavalcade of artists will share their takes on the French legends’ sound and legacy.
The forthcoming book After Daft: The Rewiring of 21st Century Culture will include interviews with an A-list lineup of electronic artists, including Porter Robinson, Kevin Saunderson, Disclosure, The Blessed Madonna, DJ Minx, Madeon, Pedro Winter, Peaches, Junior Sanchez, Girl Talk and many more. See the complete list below.
Coming in March 2024, the book will be a deep dive into the Daft Punk universe, exploring the duo’s inner-workings and mass appeal. A press release notes that the book will go “deeper than ever before on the creative vision which established the French duo’s legend and the factors that precipitated their split. The project also takes a wide-angle lens to the past 30+ years of technological changes and musical evolution, with insight drawn from over 100 artists, DJs, studio specialists, filmmakers, designers, record labels and concert promoters who helped propel dance & electronic music’s surging influence within pop culture.”
After Daft is being written by Gabriel Szatan, a music and culture journalist whose work has appeared across publications including The Guardian, Pitchfork, DJ Mag and Dazed. (Szatan has also contributed to Billboard.) He formerly served as Tidal’s head of dance & electronic and Boiler Room’s formereditor-in-chief and senior curator.
“We went into the project wondering: what if there was a fresher and more compelling way to frame this transformative age in culture?” Szatan says in a press release. “That’s why After Daft is artist-led, to tell an authentic story through the eyes of those who shaped it: musicians from different backgrounds and disciplines whose lives interacted in fascinating ways, undersung creatives who oil the industry machine, as well as countless artists that thrived as the ceiling was raised on dance & electronic music’s creative possibilities and immense global popularity.”
Meanwhile, Daft Punk announced that an expanded edition of their 2013 classic Random Access Memories is coming this May. The project will include 35 minutes of additional material across nine tracks, including unreleased demos and studio outtakes
Morgan Hislop
DJ/producer John Summit and singer Hayla jump onto Billboard‘s Hot Dance/Electronic Songs chart (dated March 18) at No. 9 with “Where You Are.” The first top 10 for both acts, “Where” starts with 1.9 million streams and 1,000 in download sales in the United States March 3-9, according to Luminate.
The collab amounts to Summit’s eighth total appearance, a run that began with “Deep End” (No. 26 peak, December 2020). Until now, that song and “Human,” featuring Echoes (March 2022), were tied as Summit’s highest-peaking tracks.
“Where” brings the second appearance for Hayla, the featured vocalist on Kx5’s “Escape” (No. 11, last June).
Concurrently, “Where” enters at No. 4 on the Dance/Electronic Digital Song Sales chart, matching the high of “Escape” last year. Summit scores his second and top-charting top 10, following “La Danza” (No. 10, March 2022).
On Hot Dance/Electronic Songs, “Where” debuts between two other newly-arriving collabs: Marshmello and Manuel Turizo‘s “El Merengue” (No. 6) and Oliver Tree and David Guetta‘s “Here We Go Again” (No. 10). The former, as previously reported, marks Marshmello’s first entry on a Billboard Latin chart.
“Here” is Oliver Tree’s second top 10, following “Miss You,” with Robin Schulz (No. 4, November). “Here” is Guetta’s landmark 20th top 10, the fourth-most among all acts since the chart premiered in January 2013; Kygo leads with 24, followed by The Chainsmokers (22) and Calvin Harris (21).
The track also extends Guetta’s record for the most Hot Dance/Electronic Songs hits overall to 75 (ahead of Kygo, with 61). “Here” bows with 1.8 million U.S. streams.
Further on Hot Dance/Electronic Songs, a fourth notable team-up, Martin Garrix and JVKE‘s “Hero,” leaps 33-17. The track earns top Streaming Gainer honors with 872,000 streams, up 48%, in the wake of the March 3 release of new remixes by DubVision and Space Ducks. The rank is the closest that “Hero” has been to its No. 13 best in two months.
Every week, Billboard Dance gives you a look at the newest track you need to know about for the dancefloor days and nights to come. These are the five recently released tracks keeping the beat going as we ease back into the workweek.
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REZZ, “Suffer In Silence”
The Artist: Veteran bassmonger REZZ.
The Label: HypnoVizion
The Spiel: The Canadian queen of mid-tempo womp, Isabelle Rezazadeh delivers her second single of the year with “Suffer In Silence,” which (in the grand tradition of her catalog) pummels and transfixes with ominous swagger.
The Artist Says: “‘Suffer In Silence’ has been a consistent track in my shows over the last year,” says Rezazadeh. “I made it while experiencing severe insomnia that lasted almost six full days. It creeped me out while I was working on it, but I knew I had to finish it to encapsulate that period of time.”
The Vibe: Hallucinatory and vaguely disturbing, like not sleeping for almost six full days.
Nicole Moudaber, “Intentionally”
https://open.spotify.com/album/6BZvZr6rHBJEOFABiAjqxz
The Artist: Lebanon-born techno globetrotter Nicole Moudaber.
The Label: MOOD
The Spiel: If techno is your thing, you cannot go wrong with “Intentionally,” a six-minute sonic portal built on an insistent bordering on aggressive kick, upon which Moudaber layers high hat, squiggly synth and other layers, ultimately building to something surprisingly celestial. The track comes alongside a sharp-edged remix by Moudaber’s longtime friend, Carl Cox.
The Vibe: You’ve been at Space Miami for 36 hours and have no current plans to leave.
Gorgon City, “Voodoo”
The Artists: U.K. stalwarts Gorgon City
The Label: Astralwerks
The Spiel: Call it a hot streak. After dropping one of our favorite tracks of 2022 with “Sidewindah” and following that up with the slightly more low-key but similarly weighty garage anthem “Rumblah” earlier this year, the Gorgon City guys get decidedly more celestial with “Voodoo,” an anthem about the alchemy of romance that balances prismatic vocals with a heady, sort of celestial progressive house production.
The Vibe: Falling in love on the dancefloor, again.
Jamies Jones, “Lose My Mind”
The Artist: The indisputable club king, Jamie Jones.
The Label: Helix Records
The Spiel: Spring has sprung, y’all. The clocks are an hour ahead, the days are longer and we’re now just weeks away from opening weekend in Ibiza. Naturally, one of dance’s most reliable vibe shepherds Jamie Jones, is setting the tone for the season with a disco-tinged house anthem as pleasant as a warm breeze off the Mediterranean.
The Artist Says: “I really wanted to continue on the vibe that my song ‘My Paradise’ brought last year,” says Jones, “but this time I wanted a full original vocal track. This song is inspired by the early 2000’s filtered disco house era.”
The Vibe: Champagne and sunshine.
Nora En Pure, “Indulgence”
The Artist: South African-born, Switzerland-based deep house fav Nora En Pure.
The Label: Enormous Tunes
The Spiel: Nora En Pure drops her first single of the year with the achingly pretty, piano-flecked “Indulgence,” which grows much weightier when she drops some heavy, almost fuzzy synth slabs into the mix. Listen for it during her Coachella sets next month.
The Vibe: You’re indulging, but like, on green juice and pure bliss.
Warner Records is stepping further onto the dancefloor.
On Monday (March 13), the label announced the launch of its first-ever flagship dance label, Major Recordings. The label is led by executive Sam Mobarek, a longtime figure in the global dance music scene.
The label’s first signing, in partnership with Parlophone’s FFRR, is PARISI. The duo’s recent work includes behind-the-scenes production with Fred again.. and Swedish House Mafia and an official collaboration with Buy Now, the project from Swedish House Mafia’s Steve Angello and Sebastian Ingrosso. PARISI’s signing to Major Recording marks the launch of their artist project. (“They’re the producer’s producers,” says Mobarek.)
The launch of Major Recordings expand on Warner’s recent marquee successes in the dance realm, with label trio RÜFÜS DU SOL winning the best dance/electronic recording Grammy in 2022, producer Illenium earning a Grammy nomination that same year and David Guetta and Bebe Rexha‘s “I’m Good (Blue)” becoming a major 2022 hit, with the song reaching No. 4 on the Hot 100, where it’s currently in its 27th week.
With Major Recordings, Mobarek will take this momentum and focus it on the ground level of the dance music scene by discovering, signing and developing talent that reflects the breadth, depth, diversity and roots of the sonically sprawling genre.
“I don’t want to sign a bunch of things just because they’re going to give us streams,” she says. “I want to create something focused on community and good music.” Mobarek plans to achieve this goal by creating an artist-friendly label with personality and emotion, one that’s strongly tied to the underground, which has a strong network of artists and fans, and that’s not simply driven by bottom lines.
“Term-wise,” Mobarek says, “that means being fair and exploring how to be inventive about how we do our deals. We want everyone to make money, but because it’s dance music we’re not just gunning for hits; we’re gunning for cultural importance.” Additional signings will be announced in the coming months, with these to include both full artist signings and one-off singles, in order to create flexibility. Music signed to the label will represent the wide spectrum of dance music — a genre that offers a subgenre to fit every conceivable emotion or time of day.
“It will definitely be all over the place in that someone can come to us and be like, ‘What am I in the mood to do? Am I in the mood to sleep? Am I in the mood to rage? There’s [going to be] something here for all of those moods,” says Mobarek.
The label’s focus on authenticity aligns well for Mobarek, who’s been in dance music for nearly two decades. Her previous experience includes Ultra Music — where she led the marketing department and helped propel artists like Calvin Harris and Steve Aoki during the height of the EDM boom — the digital download store Beatport and her own marketing agency, Mob Creative, where clients included house music legend MK.
This on-the-ground experience, combined with Mobarek’s genuine love for the genre, have given her a deep understanding of sounds, trends and how to break artists and tracks not just across radio and streaming, but into the furthest corners of clubland.
“It’s not just about hiring a DJ servicing company and pushing music out via them,” Mobarek says of her strategy. “It’s about using the relationships I have with artists directly, timing things correctly, knowing who would care about [new music], knowing the difference between what Diplo’s Revolution and BPM would play [on Sirius] and which DJs are playing what.” In addition to signing acts and music, she’ll also work with Warner Music Group’s director of global strategy for electronic music, Anton Partridge, to identify dance acts signed to Warner in other territories and break them in the States.
“There’s a whole roster of Warner acts that I’ve been able to be like, ‘I know what to do with them here,” she says.
Such a nuanced understanding of the scene was key in making Mobarek the right fit for this new role. “With Major Recordings, we’re doubling down [on our strong presence in the dance music community], putting renewed energy and dedicated focus on supporting even more acts from around the world,” the label’s co-chairman & COO Tom Corson and co-chairman & CEO Aaron Bay-Schuck say in a joint statement. “Sam will be the driving force behind our success, helping us ensure that this music and these artists make a true global and cultural impact.”
“I can feel it in my stomach; we’re on the cusp of something,” Mobarek says of the energy behind dance music in the U.S. at the moment. “There are all these signs that point to it coming like [David Guetta and Bebe Rexha’s success and Skrillex, Four Tet and Fred again..’s sold out Madison Square Garden show].”
“I’m not going to try and predict what it looks like,” she continues, “but I’m going make sure people see it.”