Dance

Pnau Drops ‘Murder on the Dancefloor’ Remix as Sophie Ellis-Bextor’s 2001 Original Hits 5th Week On Hot 100

As Sophie Ellis-Bextor‘s 2001 disco pop classic “Murder on the Dancefloor” continues its rise up the charts — sitting at No. 57 on the Billboard Hot 100 and No. 4 on Hot Dance/Electronic Songs — on the power of its Saltburn synch, the track is getting extra momentum Friday (Feb. 9) via a remix by Australian production trio Pnau.

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Their edit turns up the dial on the track’s soaring string section and adding a synth breakdown that’s extremely reminiscent of Daft Punk’s “Around the World” and which adds a full 30 seconds to the song. Pnau previously spent 36 weeks at No. 1 on Hot Dance/Electronic Songs with its remix of Elton John and Dua Lipa’s “Cold Heart.”

Ellis-Bextor will make her U.S. late-night television on Feb. 12, when she performs “Murder on the Dancefloor” on The Tonight Show Starring Jimmy Fallon. The British artist also recently shared a seven-track Murder on the Dancefloor EP, featuring the original song and its original B-side “Never Let Me Down,” along with extended versions and remixes that were all originally released in 2001, but are new to DSPs. She’ll also perform “Murder on the Dancefloor” at the 2024 BAFTA Awards on Feb. 18.

David Guetta is also getting in on the Saltburn action Friday, releasing his edit of Mason vs Princess Superstar’s “Perfect (Exceeder),” a 2006 dance track that’s also used in the film. The original is currently in its fifth week on Hot Dance/Electronic Songs, where’s its sitting at No. 18.

Listen to the Pnau remix of “Murder on the Dancefloor” below:



Substitution: Kaskade Will Replace Tiësto as First Super Bowl In-Game DJ

Kaskade will replace Tiësto as the Super Bowl’s first ever in-game DJ, with the latter producer dropping out of the gig earlier Thursday (Feb. 8), citing a “personal family emergency.”

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Hours after Tiësto dropped out, Kaskade — real name: Ryan Raddon — announced that he’d be subbing in, writing on X that “As a kid who grew up in Chicago watching the NFL Super Bowl every year with my family, this chance to actually be part of it is absolutely mind blowing.

Las Vegas has been my second home for the past decade, as an architect of creating a landscape that includes house and dance music residencies as part of its destination,” he continues. “To be able to be the first electronic musician to be part of the full game experience of the Super Bowl held in Las Vegas seems like coming home, and I’m beyond excited to represent my community.”

Kaskade will spin during Super Bowl 2024 game breaks, with portions of his performance to be featured during the Super Bowl LVIII broadcast on CBS this Sunday.

Upon announcing that he will no longer be playing the gig, Tiësto wrote that “Me and my team have been preparing something truly special for months, but a personal family emergency is forcing me to return home Sunday morning. It was a tough decision to miss the game, but family always comes first. Thank you to the NFL for the collaboration and looking forward to working with them to deliver something incredible together in the future!”

Exclusive Countdown 2023 New Years Eve Sets: Hear Nero, Maddy O’Neil & What Porter Robinson Played at Midnight

This past New Year’s Eve (Dec. 30-31) hordes of dance fans descended on the NOS Events Center in San Bernardino, Calif., for two days of traditional year-end partying. Highlights from the Insomniac Events-produced festival included Porter Robinson playing as the clocked ticked to 2024, a DJ set from British legends Nero, a space bass frenzy from Maddy O’Neal and much more.

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If your 2024 resolution is to listen to more music, dive in with these seven hours of exclusive Countdown 2023 sets.

Porter Robinson

The fan favorite was playing the festival’s mainstage during the 2023 to 2024 changeover. Hear him do a countdown starting at the 29-minute mark and playing his 2012 classic “Language” when the clock strikes midnight, ramping the song up to a place of frenzied, exuberant celebration before mashing it up with his more recent “Look At The Sky” then announcing “f–k it, it’s time to party” and pressing play on an edit of the Venga Boys’ “We Like to Party.”

Nero

Playing a DJ set the first night of the fest, Nero launched their set with their RL Grime collab “Renegade” and didn’t take their foot of the gas for 75 minutes, playing a pummeling set that included their own “Doomsday,” “Blame You” and all-time classic “Promises.”

Maddy O’Neil

Bass boss Maddy O’Neal took the audience to space and back with super low-end sounds that included a saxophone inflected take on Aaliyah’s “Are You That Somebody” and an extremely thick edit of “The Next Episode.”

Memba

“We came all the way from Brooklyn, New York to party with you guys, are you guys ready to do this?” the duo asked at the beginning of their set to an audience that clearly was, with the crowd audibly going wild for music including between dubstep, garage and beyond.

Juuku

Playing his first ever festival set in Southern California, the producer made quick work of showing the audience his prowess, playing a set falling largely into bass, house and crunchy experimental sounds.

Township Rebellion

German duo Township Rebellion took the crowd directly to melodic techno deep space with a lush, tough 90-minute set that remains captivating and thoroughly cool throughout.

Elements Festival 2024 Announces Phase 1 Lineup: Illenium, Kaskade, Liquid Stranger, BLOND:ISH & More

Pennsylvania’s Elements Festival will be back for 2024 with a lineup of more than 100 dance acts including future bass star Illenium, a redux set from Kaskade, psychedelic bass powerhouse Liquid Stranger, the ever vibey Bob Moses, house fav BLOND:ISH, along with Slander, Barclay Crenshaw, Wreckno and many more. See the complete phase one lineup below.

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The camping festival happens August 9-11 in Long Pond, Pennsylvania, roughly two hours from both Philadelphia and New York City. Tickets are on sale now.

The music will take place across four stages (each named after, naturally, an element), with the festival also offering art cars, theme camps, interactive performances, large-scale art installations and a wellness lineup featuring yoga, aromatherapy, dance, comedy, sound baths and workshops.

The independently operated Elements was founded by Brett Herman and Timothy Monkiewicz, with the first edition taking place in Brooklyn in 2013 before moving to another rural Pennsylvania location and ultimately landing in Long Pond.

“The genesis of Elements has always been to constantly evolve, becoming more grand, more weird, and more wild each year,” Herman says in a statement. “Fans can expect a number of revamped accommodation offerings and more opportunities to participate and become immersed in the experience.”

Elements Music & Arts Festival 2024: Phase One Lineup

5am Trio
Ahadadream
Austeria
Azzecca
Barclay Crenshaw
Blanke: ÆON MODE
BLOND:ISH
Bob Moses
Boogie T
Boogie T.Rio
Canabliss
Chris Lake b2b Cloonee
CloZee
Cool Customer
Dimension
Disco Lines
Dr. Fresch
Eli Fola
Excision
Illenium
INZO
It’s murph
Justin Martin
Kaskade (Redux)
Lee Reynolds
Lespecial
Lightcode
Liquid Stranger
LSDREAM
Marbs
Marvel Years
Matroda
Mikey Lion
Of The Trees
Porky
Rome in Silver
Saka
Slander
Slander Presents: Before Dawn
Space Wizard
Sub Focus
Sullivan King b2b Kayzo
SunSquabi
Tape B
The Floozies
Township Rebellion
TroyBoi
TVBOO
VNSSA b2b Nala
Walker & Royce
Wreckno
Zingara

The Grammys’ New Pop Dance Category Functioned Pretty Much Perfectly at the 2024 Awards

After years of of the dance community firing off hot takes on how the Grammys’ dance/electronic fields didn’t quite get the nominees — and occasionally the winners — right, the realm has been uniquely quiet since the close of the ceremony on Sunday.

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This general calm (minus a few predictable naysayers) suggests a mutual agreement that the 2024 Grammys finally, more or less, nailed dance/electronic music.

This success is largely due to the best pop dance recording award, newly introduced in 2024 to honor dance music that crosses over with pop, while also freeing up space in the dance/electronic recording category for more traditional thump-thump, womp-womp, boot-and-cats dance/electronic music.(Albeit more traditional dance/electronic music that’s still, most often, very commercially popular.)

You couldn’t have come up with two more apt figureheads for these factions than Kylie Minogue and Skrillex, with the former winning the pop dance Grammy for her culture-penetrating “Padam Padam” and the latter winning for his widely beloved bass bomb “Rumble,” a collaboration with U.K. grime MC Flowdan and Fred again.., who both also received awards for the win.

It is, of course, difficult to say what the nominee field would have looked like this year if pop dance hadn’t been introduced, but it’s almost certain it wouldn’t have represented the both sonic ends of the dance/electronic world thoroughly. (Racial and gender representation is a different matter: Flowdan was the only person of color nominated in the fields and Romy was the only female producer, encapsulating the dance category’s persistent issue with nominating mostly straight, white men. This issue was particularly acute in 2024, given the big four categories were dominated by women, including three winning queer women.)

Without the extra space provided to dance with the new category, it’s possible the dance/electronic recording category’s most left-of-center nominee, Aphex Twin’s “Blackbox Life Record 21F”, wouldn’t have made the cut. Or maybe only one David Guetta song instead of two would have been nominated.

It’s also possible that “Padam Padam” might have beat “Rumble,” the victory of which is particularly important given the spotlight it puts on grime, a sonic and cultural phenomenon in the U.K. but not yet a commercial force in the U.S. “I think you can put a bit more respect on the [grime] name,” Flowdan told Cracked Magazine following his win, “because in certain areas I feel that the music or the genre or the culture’s kind of downplayed as if it’s not something that’s really influential.”

What’s almost certain, though, is that like in so many years past, without pop dance, the nominee field would have likely ended up being just kind of odd, with dance-oriented pop stars like Minogue potentially up against an avant-garde electronic artist like Aphex Twin. This issue was vividly demonstrated last year, when Beyoncé was up against Bonobo, Kaytranada, Diplo, Rufus du Sol and ODESZA when her “Break My Soul” was nominated for (and won) best dance/electronic recording.

In the category’s early years, the nominee field commonly included artists like Minogue (who won the award in 2004), as well as fellow dance-leaning pop greats Madonna, Cher, Britney Spears and Justin Timberlake. It started more frequently rewarding electronic-world producers like The Chemical Brothers and Daft Punk in the late ’00s. A few years after that, the category was taken over by a new strain of pop-leaning dance music, EDM, for an era when mainstage bangers by artists like The Chainsmokers competed against more underground acts like Riton — exacerbating the issue that ultimately resulted in the addition of the new category.

Competition between such different artists may have been technically fair, but it never totally made sense. But this year, the pop dance category eradicated the strange-bedfellows phenomenon that’s plagued the dance/electronic recording category since it was introduced to the awards in 1998.

The pop dance category not only made a formal space for producers like Guetta, whose work generally has major crossover with pop, but, by awarding Minogue in particular, pulled off the neat trick of returning an artist like her — one whose work is so often inspired by and at home in the club world — to the dance field where she rightly belongs. Minogue is as much of a dance act as Skrillex, and this year, finally, they didn’t have to fight for space or recognition.

U2 Drop Pulsating David Guetta Remix of ‘Atomic City’ Following 2024 Grammy Awards Sphere Performance

U2 had a busy Sunday night (Feb. 4). In addition to giving most of the world the first extended glimpse at the eye-popping visuals from their ongoing residency series at Las Vegas’ Sphere during a remote performance on the 66th annual Grammy Awards, the Rock and Roll Hall of Famers also dropped a dancefloor-ready remix of their “Atomic City” single.

The track released in September to coincide with the kick-off of the veteran band’s first-ever Vegas stay-put gets the expected beat upgrade from Guetta, who adds an insistent thump and classic EDM drop to the bare-bones rocker. During the show, U2 performed the song in the Sphere, though the segment began outside the venue, with towering images of the Irish rockers beamed onto the globe-shaped exterior.

It was the first time cameras were allowed inside the venue that has quickly become one of the most-photographed spots on the Vegas strip. U2 were the first act to set up shop at the Sphere in September and their one-off “Atomic” single became their 14th No. 1 on Adult Alternative Airplay in November. After their Sunday set, U2 singer Bono presented the best pop vocal album nominees, which was won by Taylor Swift’s Midnights

U2 are booked to perform at Sphere through March 2. They will be followed by shorter runs from Phish — who will perform four gigs from April 18-21 — and the Grateful Dead spin-off group Dead & Co., who last week announced a 24-show run that will run from May 16-July 13.

Listen to the Guetta remix of “Atomic City” below.

Fred again..’s ‘Actual Life 3’ Wins for Best Dance/Electronic Album at 2024 Grammys

Fred again..‘s Actual Life 3 (January 1 – September 23, 2022) now has an actual Grammy, winning the award for best dance/electronic album at Sunday’s (Feb. 4) Grammy Premiere Ceremony in Los Angeles.

The British producer in fact quickly became a two-time Grammy winner, also getting an award for best dance/electronic recording for his work on “Rumble” with Skrillex and Flowdan before winning for best dance/electronic album. The producer is also nominated for best new artist, with that award being presented during the live telecast.

Fred again.. was not in attendance to accept the award, with the ceremony’s host Justin Tranter accepting on his behalf.

Actual Life 3 (January 1 – September 23, 2022) beat out some heavy-hitters, including James Blake’s Playing Robots Into Space, Skrillex’s Quest for Fire (on which Fred again.. has a number of credits), Kx5 by Kaskade and deadmau5 producing as Kx5 and The Chemical Brothers’ For That Beautiful Feeling.

Released in November 2022, Actual Life 3 — which marked the producer’s first ever entry on Top Dance/Electronic Albums — arrived amidst a massive run for Fred again.., with the artist playing hugely hyped performances earlier that year at Coachella before going on to headline Madison Square Garden with Skrillex and Four Tet in February 2023, closing out Coachella 2023 with the same two producers in April, playing headlining sets at festivals including Glastonbury and doing a historic residency at the Shrine in Los Angeles this past November.

Fred again.. is set to headline Bonnaroo 2024 this June. The artist currently has two tracks — “leavemealone” with Baby Keem and “Ten” with Jozzy — on Hot Dance/Electronic Songs.

Kylie Minogue’s ‘Padam Padam’ Wins 2024 Grammy for Best Pop Dance Recording

“Padam Padam” further cemented its juggernaut status Sunday (Feb. 4), winning the new best pop dance recording Grammy during the 2024 Grammys Premiere Ceremony in Los Angeles.

This year is the first time the category has been included in the awards, with “Padam Padam” now the category’s first-ever winner.

The song beat Calvin Harris and Ellie Goulding’s “Miracle”; David Guetta, Anne-Marie and Coi Leray’s “Baby Don’t Hurt Me”; Troye Sivan’s “Rush”; and Bebe Rexha and David Guetta’s “One in a Million.”

Minogue was not on hand, but “Padam Padam” co-writer Peter Rycroft (who produced the song as LostBoy) hit the stage to accept the award. “This is very surreal,” Rycroft said. “I just want to say thank you to the icon that is Kylie for believing in this record. It started in a tiny little studio in north London and she’s taken it around the world and I just want to give a big shout-out to Ina Wroldsen that I made the record with, means a lot. Thank you.”

Backstage at the Premiere Ceremony, Rycroft told Billboard that the weirdest place he’s heard the wildly popular song was at a funeral. “It’s quite dark… [It’s the kind of setting where if] you’re not laughing, you’re crying,” he said.

Speaking to Billboard at the MusiCares 2024 Person of the Year gala earlier this weekend, Minogue said that for her, “There’s pre-‘Padam’ and post-‘Padam’ … two different parts of my life. Who knew? We didn’t know it would become a viral sensation, and it reconnects me with a lot of people, but also a different generation, so they’ve put ‘Padam’ with ‘Can’t Get You Out of My Head,’ 20 years apart but [they] kind of live together.”

The win marks Minogue’s second Grammy victory, with the Australian superstar — who will receive the Icon Award next month at Billboard’s Women In Music event — taking home the award for best dance recording in 2004 for “Come Into My World.”

Skrillex, Fred again.. & Flowdan’s ‘Rumble’ Wins Grammy for Best Dance/Electronic Recording

Hear the victory?

Skrillex, Fred again.. and Flowdan‘s 2023-defining “Rumble” won the 2024 Grammy for best/dance electronic record at Sunday’s (Feb. 4) Premiere Ceremony in Los Angeles.

Taking the stage alone to accept the award, a sharp-dressed Skrillex noted that “for anyone out there that wants to make music, the best advice I’ve ever gotten is that success is something you attract, not something that you try to chase or catch.

“The other thing I want to say, for all the young people,” the producer continued, “I know the world is crazy right now, I really hope that we can actually start listening to each other and that everyone on the other side of the aisle or anyone with a different perspective, we realize that they’re not enemies and I really hope we can start listening to each other and having conversations and that last thing I want to say is of course big love to Fred again.., big love to Flowdan. Flowdan is one of the biggest inspirations in underground music in my life [sniffles], excuse me I have a cold right now, and to have a Grammy with those guys, my best friends making music that we just love, not trying to make a hit, not trying to do anything but push music forward, this is for those guys, and thank you everybody.”

The win marks Skrillex’s ninth Grammy victory, the first win for Flowdan and the second win for Fred again.., whose Actual Life 3 also won the 2024 grammy for best dance/electronic album during Sunday’s Premiere Ceremony.

Dom Dolla Talks First Grammy Nomination, Hopes to Bring His Mom to the Ceremony: ‘I Enjoy Sharing These Moments With Family’

After a breakthrough year, Dom Dolla received his first-ever Grammy nomination for best remix recording of his remix of “New Gold” by the Gorillaz and Tame Impala, and to celebrate, he sat down with Billboard‘s Katie Bain to discuss how he found out about the nod.

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“I was in bed, I woke up, checked my phone and started swearing,” he recalls with a laugh. “It was a weird morning. Honestly, back home in Australia, it’s the only award that all of my Australian friends and family understand is the highest national honor of music. It’s been the coolest part. I was back home in Australia and all my friend and family were bugging out.”

He continued, “I was thinking of inviting my mom over and bringing her to the Grammys. I enjoy sharing those moments with family.”

As for where he gets inspiration to create music, Dom says that it’s very personal. “A lot of the time, it’s turning my phone off, having a coffee, going through — I have a folder of inspiration of things that I love, whether that’s moods or vocals that I like or certain tones or sounds that I really enjoy,” he explains. “It’s just every song that I ever listened to that I was a fan of growing up put into a blender that in my brain and spat out the other side.”

The 66th annual Grammy Awards will air live on Sunday (Feb. 4) on CBS at 8 p.m. ET. Watch Billboard‘s full interview with Dom Dolla above.