Dance
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About two fortnights after it first dropped, Taylor Swift‘s The Tortured Poets Department lead single is getting a makeover. The 34-year-old pop star teamed up with Canadian DJ BLOND:ISH to release a club-ready remix of “Fortnight” featuring Post Malone Wednesday (May 22). The revamped version speeds up Swift’s moody original, adding a dance-inducing beat and […]
A new venue in Brooklyn is set to bring large-scale cultural events to an industrial area of the city.
Announced Tuesday (May 21), Brooklyn Storehouse is a 104,000-square-foot warehouse that’s been taken over as a venue for culture-spanning programming involving fashion, art, music and more — with an emphasis on electronic events.
Brooklyn Storehouse is a partnership between two longstanding independent promoters: New York City‘s TCE Presents, the parent company of event producer Teksupport, which was founded by Rob Toma and has produced electronic music events in pop-up (and often industrial) spaces around the city since 2010, and Broadwick Live. Founded by Simeon Aldred in 2010, Broadwick Live is a U.K. live events company that operates 30 venues and event spaces including Drumsheds and the former Printworks London. Housed in a former Ikea and a converted newspaper printing facility, respectively, Drumsheds and the now-defunct Printworks London fit squarely into Broadwick Live’s focus on repurposing industrial buildings.
Together, TCE Presents and Broadwick Live have leased the Brooklyn Storehouse from the Brooklyn Navy Yard, with the warehouse space existing amid a 300-acre industrial waterfront complex. The building was first used for shipbuilding during World War I and II, and its structure maintains its original industrial aesthetic. Much of the Navy Yard is currently being developed for industrial use by clean energy and climate solutions companies. As such, it’s unlikely that the area will be built out with housing units, allowing Brooklyn Storehouse more leeway when producing live (and often late-night) events.
“One of the problems we have in the U.K. is that nearly every space we open, two years later someone’s building condos right on our back door, and it becomes a constant pressure,” says Aldred. “One of the things that’s very attractive about the Navy Yard is that it’s protected for jobs, and it’s going to be like that for a long time.”
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The founders — who launched the endeavor with “50/50 our own money,” says Aldred — soft-launched Brooklyn Storehouse last September with a fashion show by Ralph Lauren. The venue can host a maximum of 7,000 people.
Brooklyn Storehouse
Phillip Reed
The partnership brings Toma and his team’s strengths— “promotions, marketing, bookings, licensing, opening doors, breaking down operations, community outreach” says Toma — along with the company’s ability to, Aldred says “immediately supercharge this [space] with 30 to 40 shows.” Over the next few months, Brooklyn Storehouse is set to host performances from Justice, Charlotte de Witte, Dom Dolla, John Summit, Swedish House Mafia, Alesso, James Hype and Meduza and four parties from Ibiza-based party brand CircoLoco later this year.
Toma adds that a lot of those artists are “coming to us because we don’t only focus on selling tickets on the dance floor. They know the spaces we do are involved with fashion [and other cultural programming], and they know this is that.” Toma also says artists are drawn to performing shows in special locations, with Brooklyn Storehouse thus offering “an advantage over our competitors.”
Toma adds that the key to making the space work is “the balance of not only having programming in terms of cold hard tickets. It’s more about figuring out how to position it in a way where we’re also bringing in several different industries, from film to fashion.” The founders hope it can be a space where orchestras, musicians and other groups can set up extended creative residencies. It will be also used for corporate gatherings.
Brooklyn Storehouse is the first of several venues Broadwick Live and TCE Presents plan to operate in the United States, with the partners also currently looking at former industrial spaces in Boston, Miami, Los Angeles and Sao Paulo, Brazil.
“In America at the moment we’ve got 25 to 30 [conversations ongoing],” says Aldred. “Five to 10 of those are in the money part of the talk, so they’re becoming quite real.”
In these industrial spaces, the partners see a particularly timely expansion opportunity, with Aldred predicting that many such facilities will open up as the power grid converts to clean energy.
“These spaces were used for kind of dirty work,” he says. “In the next 5 to 10 years, you’re gonna see them coming offline from being dirty and developers not knowing what to do with them. You’re not going to bulldoze a hundred-year-old power station with amazing architecture. It’s not easy to put retail in them. It’s not easy to put housing into them.”
But as is the hope with Brooklyn Storehouse, parties, fashion shows and DJ sets will be just the right fit.
Steve Angello is bringing his selector skills to SiriusXM. The producer and Swedish House Mafia member is launching a new program, “Size Sound System,” on the SiriusXM station Diplo’s Revolution starting Monday night (May 20) at 9 p.m. ET. Hosted by Angello and the producer AN21 (who is also Angello’s younger brother, Antoine Josefsson), the […]
Tonight, one of the world’s major destinations for dance music, EDC Las Vegas, begins at the Las Vegas Motor Speedway. The three-day festival, produced by Insomniac Events, famously begins each day at sunset and then goes until dawn, with performances from several hundred DJs filling the nocturnal hours in between. Explore Explore See latest videos, […]
This week in dance music: San Francisco’s Portola festival announced a massive 2024 lineup, we looked at why artists are moving their TikTok remixes off of Spotify, Marshmello and Kane Brown made chart history with their track “Miles On It” becoming the first track to hot the top five of both Hot Dance/Electronic Songs and Hot Country Songs, Chicago announced citywide celebrations for the 40th anniversary of house music, Paramount+ announced that a documentary about the Nova Music Festival massacre will be coming to the platform and French electronic pioneer Jean-Michel Jarre performed with Queen’s Brian May in Slovakia.
Explore
See latest videos, charts and news
See latest videos, charts and news
And of course, here are the best new dance tracks of the week.
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Peggy Gou, “Lobster Telephone”
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Weeks ahead of the release of her debut album, I Hear You, Peggy Gou has delivered the project’s fourth single, “Lobster Telephone.” Gou’s favorite song from the 10-track album (according to a press release) the dreamy house production also function as the project’s spiritual and aesthetic center, fitting squarely in the wheelhouse of the album’s heavy ’90s dance music influence. In her recent Billboard cover story, Gou said that I Hear You (out June 7 via XL Recordings) will be a success to her if people listen to it and “get a feeling.” Emanating warmth, this one feels a lot like the summer season ahead.
Bebe Rexha, “Chase It (Mmm Da Da Da) “
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Bebe Rexha debuted her latest track “Chase” last month at Coachella, and today delivers the song in its most fully realized format, via a slick (and quite sexy) racing-themed video filmed between the L.A. river and a mechanic’s garage. The clip features Rexha and a crew of dancers demonstrating the pop-lock-and-wiggle potential of the song, which was produced by Chris Lake and Sammy Virji (who released their own collaboration “Summertime Blues” late last month), along with Punctual and Marco Straus. This dance-focused project is no surprise, given that Rexha has one biggest dance hits of the last few years with her David Guetta collab “I’m Good (Blue),” which spent 55 weeks at No. 1 on Hot Dance/Electronic Songs.
Shygirl feat. Danny L. Harle, “Encore”
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“Buy a drink, take a shot/ Spill a bit/ Lick it up,” purrs Shygirl on her latest, “Encore.” The track whips up a spirit of hedonism with both these and other mature-themes lyrics in tandem with a thick, skittering electro production that’s well-matched with a music video capturing the type of late night behavior the song is designed to soundtrack and elicit. A collaboration with British producer Danny L. Harle, “Encore” comes from Shygirl’s forthcoming Club Shy Rmx EP, a collection of remixes of her 2024 Club Shy project by artists including VTSS, Logic1000, X-Coast and Fedde Le Grand. (Both projects are out via Because Music.) The London-based artist is on tour in the U.S. and Europe this summer and will go on the road with Charli XCX and Troye Sivan for their ravey 21-date Sweat tour starting in September.
John Summit & Sub Focus feat. Julia Church, “Go Back”
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On his latest, “Go Back,” John Summit takes the progressive house style that’s coming to define his growing catalog and injects it with a dose of d’n’b via the help of U.K. genre star Sub Focus. Together, the guys — along with South Africa-born, London-based vocalist Julia Church — create a track with the same sort of ecstasy-laced emotiveness of other Summit hits like “Where You Are,” with this one getting a slightly harder, higher BPM treatment via a final third that’s fully dancefloor d’n’b. Out via Summit’s own Experts Only label, the song will surely be heard during his set EDC Las Vegas this weekend, with this stop coming amid a heavy summer tour schedule and a sold out show at Madison Square Garden on June 29.
Fatboy Slim feat. Dan Diamond & Luca Guerrieri, “Role Model”
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The 500th release on Fatboy Slim’s Southern Fried Records is, appropriately, a Fatboy Slim track. Spicy and psychedelic in the style of any given Fatboy Slim set, “Role Model” is all scintillating percussion, cowbell, sirens and a tongue in cheek vocal from Dan Diamond about behaviors that could be considered role model material, depending on the type of person you are. Altogether, it’s high-quality dancefloor fare with an absurdist attitude, classic Fatboy Slim output. Celebrating its 30th anniversary this year, Southern Fried Records was launched to release music by Fatboy Slim’s alias Mighty Dub Katz and over the years has released an eclectic mix of music by artists like Armand van Helden and Crookers.
A documentary chronicling the murderous terror attack on the Nova Music Festival in Israel on Oct. 7, 2023 will debut on Paramount+. The streamer announced on Thursday (May 16) that the See It Now Studios Original Documentary We Will Dance Again will get a worldwide premiere in the fall, a year after the surprise assault […]
40 years ago, a style of new music was emerging from Chicago. The sound was made for dance floors and played at clubs around the city including the Warehouse, a space after which the nascent genre — house music — was named.
Four decades later, house music is a global phenomenon heard in underground clubs, at massive music festivals and — via Beyoncè’s 2023 Renaissance tour — on stadium speakers.
This summer, the genre’s hometown of Chicago is celebrating house music’s anniversary and global impact with an official event series, House Music 40. The new run of parties and parades begins on May 29 with a free daytime party at Chicago’s Daley Plaza that will feature sets from hometown heroes Derrick Carter and DJ Heather. The event will be hosted by Mother Diva, a Chicago scene mainstay and the self proclaimed “Madam Ambassador of House.”
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Starting at 12 p.m., this lunch break party is co-sponsored by ARC Music Festival, which launched in 2021 as a platform to celebrate Chicago house and all varieties of the genre that came in its wake.
“I was raised on house music here in Chicago. It’s one of those rare global movements where we can still show our love and appreciation to a lot of the original pioneers and innovators,” ARC co-founder John Curley said in a statement. “House Music 40 understands that after everything those DJs have given us, it’s important for us as fans to give back. It’s impossible to fully thank someone for the gift of house music, but in every action we take with ARC we aim to keep letting them know that ARC is a living monument dedicated to them and house music everywhere.”
House Music 40 is a non-profit that aims to raise awareness of the contributions of Chicago house artists to the global dance scene and raise money for members of the Chicago house scene that are experiencing health issues.
Additional anniversary events this summer include the Chicago House Music Conference on May 31, the Chicago House Music Festival on June 2, the Inaugural House Music Parade and Festival on August 31 and other citywide celebrations.
ARC Music Festival returns to Chicago this Aug. 30-Sept. 1 at the city’s Union Park. The lineup includes Carter and DJ Heather, Marshall Jefferson, Dennis Ferrer, Armand Van Helden, Disclosure, Chicago-born star Honey Dijon, genre icons Carl Cox playing b2b with Green Velvet, German techno pioneer Sven Väth, a redux set from Kaskade, current phenom Dom Dolla, grime veteran Skepta and many more.
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Marshmello and Kane Brown combine for a first on Billboard’s Hot Dance/Electronic Songs and Hot Country Songs charts (dated May 18) with the arrival of their new collaboration, “Miles On It.”
The single becomes the first to hit the top five of both Hot Dance/Electronic Songs – where it soars in at No. 1 – and Hot Country Songs. (The surveys have coexisted since the former launched in January 2013; the latter list became country music’s all-encompassing genre songs chart in October 1958.)
“Miles On It,” released May 3, drew 11.3 million official streams and 7.6 million in radio airplay audience and sold 4,000 in the U.S. in the week ending May 9, according to Luminate. It also debuts at No. 30 on the Country Airplay chart – where Brown boasts 11 career No. 1s, while Marshmello makes his first appearance – and No. 40 on Pop Airplay.
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Marshmello earns his fourth Hot Dance/Electronic Songs No. 1, tying Calvin Harris and Zedd for the most in the chart’s decade-plus archives. Among all acts, only The Chainsmokers have more leaders (six). Marshmello previously reigned with “Happier,” with Bastille, for a record 69 weeks in 2018-20; “Silence,” featuring Khalid (one week, 2017); and “Wolves,” with Selena Gomez (11 weeks, 2017-18).
Brown leads with his first Hot Dance/Electronic Songs entry.
“Miles On It” is Marshmello and Brown’s second chart-topping team-up, as they become the only pair with a shared No. 1 on both Hot Dance/Electronic Songs and Hot Country Songs: they crowned Hot Country Songs with “One Thing Right” (which did not appear on Hot Dance/Electronic Songs) for a week in October 2019.
Harris Extends Dance/Mix Show Airplay Record
As for another notable No. 1 collaboration, also by acts known for different core styles and who previously recorded together, Calvin Harris and Rag‘n’Bone Man’s “Lovers in a Past Life” ascends to the top of the Dance/Mix Show Airplay chart.
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Harris scores his record-padding 15th No. 1 on the tally (which began in 2003).
Most No. 1s on Billboard’s Dance/Mix Show Airplay Chart:
15, Calvin Harris
13, David Guetta
12, Rihanna
8, The Chainsmokers
7, Madonna
6, Anabel Englund
6, Ellie Goulding
Rag‘n’Bone Man rules Dance/Mix Show Airplay in his second visit to the chart, both made with Harris: their single “Giant” hit No. 17 in 2019. The former has reached multiple Billboard rock charts since breaking through with his worldwide hit “Human,” which marked his sole airplay No. 1 prior to “Lovers in a Past Life,” as it led Adult Alternative Airplay for five weeks in 2017.
San Francisco’s Portola festival is coming in hot with its year three lineup. On Monday (May 13), the fest has released a bill lead by Justice and Gesaffelstein — both coming off buzzy Coachella 2024 appearances — along with fellow big font names Disclosure, M.I.A., Rüfüs du Sol, Fisher, Four Tet and Jamie xx. The […]
This week in dance music: We shared images of the earliest days of The Chemical Brothers taken from the duo’s new retrospective book, Paused in Cosmic Reflection, Charli XCX spoke about writing music for Britney Spears and Hot Since 82 shared a terrifying story about being chased by gunmen in Brazil.
Explore
See latest videos, charts and news
See latest videos, charts and news
And of course, these are the best new dance tracks of the week.
Trending on Billboard
TroyBoi, “Híbrido”
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London’s TroyBoi has always been especially adept at fusing harder bass with the softer, more sensual side of low end, with that latter element arguably never stronger in his catalog than on his latest, “Híbrido.” Made for that cool down part of the night, the track brings together a hypnotic vocal sample, a sultry melody, spare, crisp percussion and a restrained, mature build and release. The track follows TroyBoi’s Coachella 2024 set at the Do Lab stage and comes from his 4 on the Floor EP coming in June.
“I love to combine different genres together into my work,” the producer born Troy Henry says. “After completing the song, I listened to it and realized I fused elements of baile funk, house, U.K. garage, R&B and funk all together. It truly sounded like a hybrid track and that’s how I came up with the name ‘Híbrido’.” Henry’s other summer dates include EDC Las Vegas, HARD Summer and Ubbi Dubbi.
Anna Lunoe & Totally Enormous Extinct Dinosaurs, “Right Here”
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Two of the scene’s most cerebral producers unite for a predictably excellent house production, “Right Here.” Out through Nina Las Vegas’ NLV Records, the track is pure uplift, winding to a place of blissful abandon but maintaining heft and power through it’s acid-influenced bass and percussion. The track comes ten years after the duo’s first collaboration, “Feels Like,” with Lunoe calling this new one “a sassy anthem to remind you who the main character is in your life… (you!)”
Alesso, Hypnotize
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You might call remixing Corona’s “The Rhythm of the Night” (which celebrates its 30-year anniversary this year), messing with perfection. But Alesso makes it work. His take on the classic turns up the gothic drama dial with a very Hans Zimmer Interstellar-style intro, before transitioning into a full on deep house production that still maintains the size and grandiosity that’s defined so much of the producer’s work over the last 10-plus years. “The Rhythm of the Night” comes from Alesso’s new three-track Hypnotize EP, with this project officially marking his transition into club-focused productions coming via his new label, Body Hi.
DJ Seinfeld, “If U Like Me”
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Coming off a pair of sets at Coachella last month, Sweden’s DJ Seinfeld drops his first new solo music since 2022 with “If U Like Me.” Out via Ninja Tune, the track is a 2-step club song that balances lyrics about club-style love (“yeah I can’t wait to find out if I’m leaving with you”) with a dash of woozy, minor key melancholy. Seinfeld upcoming dates include a flurry of European festivals and DC10 in Ibiza on May 20.
Hot Since 82 feat. Ron Carroll, “Preach”
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While Hot Since 82 hit a very rough patch last week with the aforementioned situation in Rio de Janeiro where he was pursued by a car full of gunmen, this week ends on a much brighter note with the release of “Preach.” Out as part of Defected Records’ Together series — which pairs talent from the past and present of the U.K. label — this song finds the English artist working with Chicago legend Ron Carroll on a soulful, slow-burn, big-build, huge-payoff house production. The track features a vocal sample from power-lunged Chicago house singer Shawn Christopher, who wails (quite appropriately in this case) that while everything in life has its ups downs “if you turn to the music, everything is going to be alright.”