Dance
01/21/2025
The list reflects data collected at the Ibiza club, where a total of 8,251 unique tracks were identified by KUVO Powered by DJ Monitor during the 2024 season.
01/21/2025
During the 2024 season, tracks by 4,680 unique artists were played at the Ibiza clubbing institution Hï. Of that dizzying number, 50 artists were played more than all the others, and now we know who. Leading the list of the top 50 artists whose music was played most during last year’s Hï season is David […]
This week in dance music: Tom Rowlands of the Chemical Brothers scored a new series about Benito Mussolini, a woman who accused Diplo of disseminating revenge porn dropped the lawsuit (for now) after a judge ruled she must use her real name, Tate McRae’s “It’s OK, I’m OK” topped Billboard‘s inaugural Hot Dance/Pop Songs chart, Boiler Room was acquired by Superstruct Entertainment, L.A. Gives Back announced a show benefitting victims of the Los Angeles wildfires, Brunch Electronik cancelled their L.A. event scheduled for Jan. 18 amid the ongoing fires, the family of late Crazy P vocalist Danielle Moore revealed her cause of death and Skrillex was added to the 2025 Ultra Music Festival lineup.
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And yes, there’s more. These are the best new dance tracks of the week.
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John Summit feat. Cloves, “Focus”
It’s boilerplate dance world jargon to say a DJ “shows no signs of slowing down” — but in the case of John Summit the statement appears factually sound. Fresh off shows in Central and South America, Summit today (Jan. 17) released “Focus” with Australian singer-songwriter Cloves, with the pair together creating a lush, urgently emotive anthem that melts house and tech house into a real 21st century banger. The track is out on Experts Only/Darkroom and comes ahead of a looong list of upcoming Summit shows in Europe, North America, India and beyond.
Jungle, “Keep Me Satisfied”
Does anything brighten a day like a fresh Jungle track? The U.K. trio drop their first song of the year with “Keep Me Satisfied,” which essentially argues “why fix what ain’t broken?” by extending the group’s signature brightly lo-fi and stoney throwback live electronic sound. The video, of course, is one of Jungle’s signature single-take dance clips, with this one (like the rest of them) directed by the masterful J Lloyd and filmmaker Charlie Di Placido. Out on Caiola Records, “Keep Me Satisfied” comes ahead of Jungle shows in the U.S. and Europe this spring.
DJ Koze feat. Ada “Unbelievable”
Fresh DJ Koze output is always coze for celebration, so today we dance (or like, stand and nod with our eyes closed) upon the release of the German’s producer’s latest, “Unbelievable.” The track — which comes with a video directed by Koze himself, and features vocals from Ada, whose own 2011 album Meine zarten Pfoten was released Koze’s Pampa Records — is psychedelic electronica laced with doo-wop, and comes from his forthcoming album Music Can Hear Us, the follow-up to 2018’s beloved Knock Knock. “For some time now, I have been working on the idea of revolutionising aerospace tourism in specific: traveling without moving,” the producer writes of the album. “This is the closest I’ve ever come to it.” Consider us enticed.
Ela Minus, DÍA
The mighty Colombian producer today releases her second album, DÍA, the followup to 2020’s acts of rebellion. The album is an altogether excellent, no-skips project that further demonstrates Minus’ ability to fuse futuristic and in moments headspinningly complex IDM with deep (and deeply personal) lyrics about love, life on earth, the expectations has one’s for one’s self and what it’s like when they’re not met. (“I want to be better, I thought I was better” she sings on “I Want to Be Better,” “but I just seem to keep acting like a little kid.”) The project is out on Domino and comes ahead of an expansive world tour this spring.
Butcher Brown, “Ibiza”
The sound of modern day Ibiza is a lot of oontz oontz and womp womp and there’s absolutely nothing wrong with that. But a new song named for the Spanish isle by Virginia outfit Butcher Brown also serves to remind us all that the island’s soundtrack is also a wavelength of groovy jazz laced with sex appeal and the exact right amount of sax. “Ibiza” comes from the group’s forthcoming Letters From The Atlantic, out March 28 via Concord Jazz, and due to dose up our earholes with a fusion of jazz, rock, funk, R&B, soul, bossa nova and more.
Skrillex is joining the lineup for Ultra Music Festival 2025. The festival confirmed the news Friday (Jan. 17) by adding the artist’s name to the festival lineup poster on its website.
This news follows Skrillex and Ultra teasing the appearance on X this past Wednesday (Jan. 15), when the producer responded to a tweet from the festival’s account reading “Happy birthday Skrillex, we miss [hands raised emoji]” with a message on the platform of his own reading, “See you in March.”
The performance will mark the first time the artist, who turned 37 on Jan. 15, has played the festival as a solo act since 2015. He last appeared at Ultra Music Festival Miami in 2019 as part of Dog Blood, for which he plays alongside Boys Noize. Skrillex also played Ultra’s debut festival in Abu Dhabi in March of 2023.
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Ultra Music Festival is happening at Miami’s Bayfront Park March 28-30. The previously announced lineup includes Four Tet, Gesaffelstein, Armin van Buuren, Carl Cox, Afrojck, Tiësto, Martin Garrix and Hardwell, along with pairings including John Summit and Dom Dolla playing as Everything Always, Anyma b2b Solomun and Knife Party playing both solo and b2b with Deadmau5, with the latter artist also performing his first ever career-spanning “retro5pective” set, which will see the producer playing his classic hits.
On Jan. 15, Skrillex also posted a note to his social accounts reading, “If you like my music leave me your email at Skrillex.com/FUS and I’ll send you some things.” The note was signed with the producer’s real name, Sonny Moore. An email submission to this address on Jan. 15 has not yet yielded a response.
Skrillex first teased new music last fall, writing on X in November that “I’ve never felt more inspired and in lockstep with my intentions as an artist. As I’m nearing completion of my next work and my final project for Atlantic Records I can’t help but feel very existential about it all… I’m thrilled to get this out and focus on more release[s] in 25 as an ‘independent’ artist. But ‘independent’ is such a strange term because I still depend on my team as well as all the other creatives and executives to do what I do.
“But now I’m able to rethink/relook at how the structures are designed,” his posts continued. “I want to find ways to simplify [disseminating] music and art.” The producer’s last albums, Quest for Fire and Don’t Get Too Close, came out within days of each other in February of 2023.
The artist, who’s originally from Los Angeles, also recently used X to respond to the ongoing fires in L.A., writing on on Jan. 10: “We’ve been devastated here in Los Angeles. My phone has been unmanageable so to all my friends, I’m safe and bless you for checking in. So many close ones have lost their homes so being there for each other has never been this critical.”
The L.A. edition of dance event Brunch Electronik has been postponed amid ongoing fires in the city. Originally scheduled to happen Saturday (Jan. 28) at Expo Park, the one-day festival is now on the calendar for Saturday, June 28. A portion of revenue from the rescheduled event will be donated to the California Fire Foundation. […]
The family of late British singer Danielle Moore, the vocalist for dance band Crazy P, has released a statement revealing her cause of death. Moore died by suicide on Aug. 30.
In the statement, her family said, “Whilst we will never fully understand why Danielle took her life, we know that how she died bears no relation to who she was in life.
“Danielle cared deeply about the well-being of others and the world in which she lived,” the statement continued. “She was pained by social injustice and the impact of consumerism. She was an empath, instinctively compassionate and loyal, nurturing the truest of connections with the people in her life. The image of human kindness and generosity of spirit.
“We also know that Danielle would never have wanted her outcome for anyone else. She overcame two periods of significant mental ill health in the distant past and was so grateful that she did. With support and treatment, Danielle came through what had seemed, at those times, to be intolerable and wanted to keep on living.
“We would like to take this opportunity to highlight the prevalence of neurological and psychiatric symptoms during the perimenopause; something which is well known within the scientific community, but little talked about outside it. They say that to be forewarned is to be forearmed, so if any good can come from Danielle’s death, perhaps it will be increased awareness and understanding of the impact that the perimenopause can have on women’s mental health.
“We would like to thank everyone who came to see Danielle perform over the years and enabled her to do what she loved. She was as captivated by you as you were by her. We would also like to thank everyone for their words of kindness since Danielle’s death. The outpouring of love and support has been overwhelming.”
The disco house group was formed in the mid-1990s by artists Chris Todd and Jim Baron while they were attending the University of Nottingham, with the duo releasing their debut album, A Nice Hot Bath With… in 1999 on Paper Recordings. In 2002, Moore and keyboardist Mav Kendricks joined the band — which also included bassist Tim Davies — and they released their sophomore effort, The Wicked Is Music.
They released seven more albums over the years. Their most recent, Any Signs Of Love, was released this past November 29, almost exactly three months after Moore’s death.
If you or someone you know is in crisis, reach out to the Suicide & Crisis Lifeline by dialing 988 or visiting the website for free, confidential support 24/7.
A group of Los Angeles’ key promoters and venues are coming together to raise money in the wake of the fires that have devastated the city over the last eight days.
L.A. Gives Back: Fire Relief will happen Jan. 29 at The Bellwether in downtown Los Angeles. The show is being organized by IHEARTCOMIX, Brownies & Lemonade, Another Planet Entertainment (which owns The Bellwether) and Teragram.
The show — the lineup for which will be announced in the coming weeks — will raise money to support victims of the fire, along with first responders and animals. One hundred percent of the funds raised will go to charity.
The Jan. 29 show marks a special edition of L.A. Gives Back, which typically takes place during the holiday season to raise money for charitable causes in the city. Previous editions have featured artists including Zedd, Bonobo, Madeon, Flying Lotus, Tokimonsta, Boys Noize, A-Trak, JPEGMafia, Louis the Child, Tim Heidecker & Weyes Blood, Eric André and more. The event series has collectively raised over $250,000 for L.A.-based charities and initiatives.
This show is a new addition to a growing list of benefit shows to support victims and first responders of the wildfires, which have claimed at least 25 lives, killed countless animals and destroyed or damaged roughly 12,300 structures in the city since Jan. 7.
“There’s nothing the IHEARTCOMIX team and I care about more than our Los Angeles community — it’s what made us who we are,” IHEARTCOMIX founder Franki Chan says in a statement. “Over the past few days, it has been extremely painful to witness so many close friends, family members and colleagues lose their homes. Even more heartbreaking is knowing the road to recovery will be long. In moments like these, we believe it’s our duty to channel our best talents to support those in need. L.A. Gives Back has always been that vehicle for us, so we hope this event will make a meaningful contribution in providing some relief to our community.”
“The devastation Los Angeles has endured the past week from these wildfires made it clear we had to do something,” the organizers of electronic dance events company Brownies & Lemonade say in a joint statement. “L.A. Gives Back has been our longstanding event series focused on providing aid to our city and we’re so happy to bring it back for this crucial moment to provide wildfire relief for our city.”
“Los Angeles is home to a vibrant independent creative community,” adds Casey Lowdermilk of The Bellwether. “We’re proud to open our stage in support of our neighbors who lost everything in this disaster.”
LA Gives Back Fire Relief
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Boiler Room, a longstanding event and streaming series, has been acquired by European festival organizer Superstruct Entertainment. A representative for the company declined to disclose the terms of the deal.
Boiler Room was previously owned by ticketing platform Dice, which acquired it in 2021. Dice will remain Boiler Room’s official ticketing partner.
A statement on the deal notes that Boiler Room’s team will remain responsible for leadership of the business under Superstruct, “and it will retain its identity with active support for theirdevelopment through Superstruct’s global resources and expertise.”
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A representative for Superstruct confirms that Boiler Room will continue generating revenue through brand partnerships (Boiler Room has had long-term deals with Pernod Ricard and Ballantine’s), along with ticketed events and its apparel brand. While Boiler Room videos regularly rack up millions of streams on YouTube, Boiler Room makes almost nothing from this YouTube content, as it doesn’t own any rights to the music.
“As we turn 15 and enter our next stage of growth, we’re excited to be partnering with Superstruct for this chapter,” Boiler Room founder Blaise Bellville said in a statement. “We feel in good company with their roster of brands, they offer us new opportunities to grow, whilst understanding the importance of staying true to the authenticity that, at its core, is what makes Boiler Room special.”
“We are proud to welcome the talented team at Boiler Room, who have managed to consistently grow the platform over the last fifteen years whilst maintaining a distinct cultural approach,” added Superstruct Entertainment CEO Roderik Schlösser. “This partnership perfectly aligns with Superstruct’s mission to celebrate and amplify cultures through creativity, collaboration, and live entertainment. Boiler Room is in the best position it has ever been and we are excited to support them in their promising future ahead.”
In June, Billboard reported that global investment firms KKR and CVC had agreed to acquire Superstruct Entertainment from Providence Equity Partners. Superstruct — which has a portfolio of more than 80 events including the electronic festivals DGTL, Mysteryland, Parookaville, Brunch Electronik, along with Sziget, one of the largest music festivals in Europe, and the world’s largest heavy metal festival, Germany’s Wacken Open Air — was founded in 2017 by Providence and James Barton, a former Live Nation executive who also founded the Liverpool-based night club Cream. The terms of that deal were not disclosed, though the Financial Times reported that Superstruct sold for around €1.3 billion ($1.39 billion).
Billboard’s Hot Dance/Pop Songs chart (dated Jan. 18) premieres this week led by Tate McRae’s “It’s OK I’m OK” at No. 1.
As previously announced, the 15-position chart ranks the most popular current dance/pop titles, featuring titles with dance-centric vocals, melody and hooks by artists not rooted in the dance/electronic genre, ranked by streaming activity by online music sources tracked by Luminate; radio airplay audience impressions as measured by Mediabase and provided by Luminate; and sales data as compiled by Luminate.
“It’s OK I’m OK” tops the chart thanks to 22.3 million radio airplay audience impressions and 4.7 million official U.S. streams in the Jan. 3-9 tracking week.
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Charli XCX follows at Nos 2, 3, 4 and 6 with “Apple,” “360,” “Guess” (featuring Billie Eilish) and “Sympathy Is a Knife” (featuring Ariana Grande), respectively, all from her album Brat.
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Rounding out the top 10 of the inaugural Hot Dance/Pop Songs chart, The Weeknd and Anitta’s “Sao Paolo” ranks at No. 5, Betsy and Maria Yankovskaya’s viral “Sigma Boy” starts at No. 7, bbno$’s “Two” places at No. 8, Katy Perry’s “I’m Him, He’s Mine” (featuring Doechii) ranks at No. 9 and Kesha’s “Joyride” is No. 10.
Billboard’s revamped Hot Dance/Electronic Songs chart also takes effect this week. The 25-position list ranks the most popular current dance/electronic songs, billed to DJs, producers and long-standing core artists in the dance/electronic genre, with an emphasis on electronic-based production.
Marshmello and Kane Brown’s “Miles On It” rules Hot Dance/Electronic Songs for a 35th week, with 16.7 million radio airplay audience impressions, 7.3 million U.S. streams and 1,000 sold. It’s the fourth longest-leading No. 1 in the chart’s 12-year history, after Marshmello and Bastille’s “Happier” (69 weeks at No. 1 in 2018-20); David Guetta and Bebe Rexha’s “I’m Good (Blue)” (55 weeks, 2022-23); and Elton John and Dua Lipa’s “Cold Heart (Pnau Remix)” (36 weeks, 2021-22).
Elsewhere in the top five: Guetta, Alphaville and Ava Max’s “Forever Young” (No. 2), Chrystal’s “The Days” (No. 3), Adam Port and Stryv’s “Move” (featuring Malachiii; No. 4) and Snow Strippers’ “Under Your Spell” (No. 5).
Meanwhile, on the Top Dance Albums chart (whose name switches from Top Dance/Electronic Albums as of this week), Charli XCX’s Brat spends a 31st week at No. 1 – encompassing its entire run on the ranking – with 20,000 equivalent album units.
A woman accusing Diplo of sharing “revenge porn” has dropped her lawsuit against the DJ, just weeks after a federal judge ruled she would need to reveal her identity if she wanted to proceed with the case.
In a court filing on Monday (Jan. 13), attorneys for the unnamed “Jane Doe” asked the judge to dismiss the lawsuit — a case that claims the DJ (Thomas Wesley Pentz) filmed sexual encounters without the woman’s knowledge and shared them on Snapchat.
The motion asked the judge to dismiss the case “without prejudice” — meaning the woman could still refile it at some point in the future. Her attorneys did not immediately return a request for comment on the decision to drop their case or whether they plan to refile it.
The move came two weeks after Judge Mónica Ramírez Almadani ruled that the Doe must use her real name to keep pursuing her accusations against Diplo. The judge acknowleged that the allegations were “sensitive and of a highly personal nature,” but said the accuser had failed to legally show that she needs to remain anonymous.
“Those using the courts must be prepared to accept the public scrutiny that is an inherent part of public trials,” the judge wrote, quoting from another old ruling. “Plaintiff has not sufficiently demonstrated that this case warrants an exception.”
At the time, Doe’s attorneys vowed to appeal that ruling, saying revealing her name “risks permanently linking a survivor to their trauma.” The status of any such appellate effort is unclear after Monday’s voluntary dismissal.
Diplo’s attorneys did not immediately respond to a request for comment on the voluntary dismissal of the case against their client. In previous statements, they have strongly denied the lawsuit’s allegations, calling it an “obvious shakedown attempt.”
In a complaint filed in June, Diplo’s accuser alleged she’d had a consensual sexual relationship with the DJ from 2016 to 2023, and that she occasionally “gave defendant Diplo permission to record them having sex.” But she said she later learned that he had sometimes secretly recorded them and then shared footage on the internet “without plaintiff’s knowledge or consent.”
“Plaintiff brings this action to recover for the emotional and physical injuries she endured because of Diplo’s actions and to make sure no one else is forced to suffer the privacy invasions and physical and mental trauma she felt and continues to feel to this day,” Doe’s attorneys wrote.
The lawsuit accused Diplo of violating the federal Violence Against Women Act, which was amended in 2022 to ban the sharing of “intimate” images without the consent of those depicted in them. The case also cited an earlier revenge porn law enacted by the state of California.
The abrupt dismissal of the Jane Doe case came a week after lawyers for Diplo announced a deal to resolve a messy legal dispute with Shelly Auguste, another former romantic partner of the DJ/producer, as reported by Rolling Stone.
In that case, which had been set to go to trial this month, Diplo accused the woman of stalking, trespassing and releasing revenge porn of him. She had also leveled her own set of legal claims against him, including sexual battery and assault.