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Originally released in 1988, the Nike Air Jordan 3 is an iconic pair of sneakers, as they’re the ones Michael Jordan wore during his first MVP season as a shooting guard with the Chicago Bulls. And now, the sports apparel company has re-released them for a new generation of fans.

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Available for $200 on the Nike website, the Nike Air Jordan 3 Retro “cement grey” sneakers are lightweight and made for casual use, or for playing basketball on a hardwood or blacktop court, thanks to the shoes’ pronounced lines and classic silhouette. The sneakers drop on Saturday, Aug. 31, at 10 a.m. ET/7 a.m. PT.

The sneaker uppers are made from a blend of high-quality leathers for durability and shape, and even have strips of textured elephant print leather running around their toe caps, the heels and on their lace loops for style and a bit of flair.

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Nike

Nike Air Jordan 11 Retro “Cement Grey”

In addition, the sneakers also feature a fire red Jumpman logo on each tongue and a black logo on each heel with the “Air” moniker underneath. The design and silhouette are classic, while the style of the sneakers are very late ’80s basketball — one of MJ’s most iconic shoes and eras. These Nike sneakers come in a summit white, cement grey, black and fire red colorway.

If you want more from Nike, the sports and fashion apparel company also dropped new Air Jordan 11 Retro Low “Diffused Blue,” as well as Air Jordan 6 Retro “Reverse Oreo” sneakers.

Priced at $200, the Nike Air Jordan 3 Retro “Cement Grey” sneakers come in men’s and women’s sizes and are available at nike.com starting on Saturday, Aug. 31, at 10 a.m. ET/7 a.m. PT. The shoes also come in Big Kids’, Little Kids’ and Baby/Toddlers’ sizes starting at $75.

Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.

Swedish supergroup ABBA has asked Donald Trump to stop using their music at campaign rallies, but the Republican presidential nominee’s campaign says it has permission.
“ABBA has recently discovered the unauthorized use of their music and videos at a Trump event through videos that appeared online,” said a statement to The Associated Press from the band, whose hits include “Waterloo,” “The Winner Takes It All” and “Money, Money, Money.”

“As a result, ABBA and its representative has promptly requested the removal and deletion of such content. No request has been received; therefore, no permission or license has been granted.”

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A spokesman for the Trump campaign said it had obtained a license. “The campaign had a license to play ABBA music through our agreement with BMI and ASCAP,” the spokesperson told the AP.

ABBA joins a long list of performers who’ve objected to Trump using their songs. Ahead of the 2020 election, that included Bruce Springsteen, Rihanna, Phil Collins, Pharrell, John Fogerty, Neil Young, Eddy Grant, Panic! at the Disco, R.E.M. and Guns N’ Roses.

This cycle, Celine Dion has asked the candidate to stop using “My Heart Will Go On” and Beyoncé blocked Trump from using her song “Freedom” in a campaign video. In 2016, Adele asked Trump to quit playing her songs at political rallies.

Campaigns don’t need an artist’s express permission to play their songs at rallies as long as the political organization or the venue has gotten what’s known as a blanket license from the performing rights organizations ASCAP and BMI.

Swedish daily newspaper Svenska Dagbladet said its reporter in July attended a Trump rally in Minnesota where “The Winner Takes it All” was played. Universal Music in Sweden said videos had surfaced of ABBA’s music being played at at least one Trump event.

ABBA, who have scored 20 songs in the Billboard Hot 100, mostly in the 1970s and 1980s, released a comeback album, “Voyage,” in 2021.

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WWE takes the show to Deutschland with the Bash in Berlin this Saturday, (Aug. 31). The pay-per-view live event takes place at Uber Arena in Berlin, Germany, with a start time of 1 p.m. ET/10 a.m. PT.

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Want to watch WWE Bash In Berlin 2024 online? This PPV event is available to stream on the WWE Network on Peacock for Premium or Premium Plus subscribers only.

If you don’t subscribe to the streaming service, you can get access with a Peacock monthly subscription, which starts at $7.99 per month for the ad-supported plan, or $13.99 for the ad-free plan.

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Along with Bash In Berlin and the WWE Network, you can also watch original programming, such as Love Island USA, Bel-Air, The Traitors and others; hit movies, including Monkey Man, Abigail, The Holdovers, Oppenheimer and others; live sports from NBC Sports; live news from NBC News; and more than 50 streaming channels.

Check out the WWE Bash In Berlin 2024 match card below, and livestream the event here.

Match Card, 1 p.m. ET/10 a.m. PT

Gunther (champion) vs. Randy Orton (World Heavyweight Championship) — Main Event

Cody Rhodes (champion) vs. Kevin Owens (Undisputed WWE Championship)

The Judgment Day vs. The Terror Twins (Mixed tag team match)

CM Punk vs. Drew McIntyre (Strap Match)

The Unholy Union (champion) vs. Bianca Belair & Jade Cargill (WWE Women’s Tag Team Championship Match)

WWE Bash In Berlin 2024 is available to stream on Peacock on Saturday, Aug. 31, starting at 1 p.m. ET/10 a.m. PT.

Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.

In case you haven’t heard, Super Bowl winning Kansas City Chiefs tight end Travis Kelce is headed to the big screen. Adam Sandler confirmed last week that Kelce will have an unspecified role in the upcoming sequel to the comedian’s iconic 1996 sports comedy Happy Gilmore.
And on Wednesday (August 28), Kelce and his other brother, New Heights podcast co-star and retired Super Bowl champ Jason Kelce, teased the footballer’s cameo by recreating one of the iconic scenes from the golf goof. In the clip, Travis, 34, is on a golf course getting ready to haul off on a tee shot in run-up Happy fashion. “Hey Happy,” Travis says as Jason responds off screen with a quote from Sandler’s title character, “You too good for your home?”

Travis then takes a quick step-up to address the ball with maximum effort as the shot cuts to a scene from the original movie of the ball zooming through the air for way too long over a neighborhood before doinking an unsuspecting homeowner on the head as he shakes his fist, shouting, “you boys are gonna pay for that!”

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After getting properly beaned and stumbling about, Jason — whose head is superimposed on the moving company worker played by actor Will Sasso in the original movie — shouts, “You hit that guy!” Then, with Travis’ head plopped onto Happy’s movie body, he shrugs and says, “He shouldn’ta been standing there.”

Last week during a visit to the Tonight Show, Sandler confirmed that Kelce would have some role in the anticipated sequel. “Travis has… he mentioned it, so we have a nice something for Travis,” Sandler said of the gig that Kelce has publicly dreamed out. “He’s gonna come by. He’s a very nice guy. You guys would love him in real life. What a big, handsome guy. Funny and cool as hell. He’s a stud and he’s so funny.”

Kelce seemed to manifest the cameo in May on New Heights — which just scored a major nine-figure new distribution deal — when he said he was a “huge fan of the Sandman” and would do “anything” to get a role in the film.

Speaking to the brothers on New Heights this week, Sandler opened up about how the role came together. “The whole thing was to get to hang out with Travis!… We were talking about you playing my son while we were writing it literally like, six months ago,” Sandler said. “We were like, ‘Imagine if Travis was my first baby, how funny that would be.’” Travis also said he’s been working on the patented way Gilmore addresses the ball, promising that he thinks he’s “got the swing down” since going out to practice after seeing Sandler on the Tonight Show.

“The scene you’re doing is with so many great golfers,” Sandler teased. “It’s gonna be amazing. You’re gonna be funny as hell.”

Watch the clip and Sandler’s New Heights chat below.

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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. Labor Day weekend marks not only the end of summer and final opportunity to wear white, but a major savings opportunity […]

The world of Wizards Beyond Waverly Place is just around the corner!
The show will officially premiere two episodes on Tuesday (Oct. 29) at 8 p.m. ET on Disney Channel. The first eight episodes will be available on Disney+ and Disney Channel On Demand the next day.

Additionally, a press release confirmed that Disney stars Raven-Symoné (Raven’s Home) and Danielle Fishel (Girl Meets World) will direct episodes in season one.

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Selena Gomez and David Henrie, who played magical siblings Alex and Justin Russo on the original Wizards, will reprise their roles and serve as executive producers on the reboot. Along with Gomez and Henrie, former Disney Branded Television head Gary Marsh and director Andy Fickman are on board to produce, as are the pilot’s writers, Jed Elinoff and Scott Thomas. 

Henrie’s character will lead the majority of the show as Dad to sons Milo, played by Max Matenko, and Roman, portrayed by Alkaio Thiele. More than a decade after the original Wizards wrapped in 2012, Justin Russo is also a married man; his wife, Giada, will be brought to life by Mimi Gianopulos. The series lead, Billie, will be portrayed as Janice LeAnn Brown.

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According to the series description, Wizards Beyond Waverly Place, follows “an adult Justin Russo, who has chosen to lead a normal, mortal life with his family, Giada, Roman and Milo. When Justin’s sister Alex brings Billie to his home seeking help, Justin realizes he must dust off his magical skills to mentor the wizard-in-training while also juggling his everyday responsibilities — and safeguarding the future of the Wizard World.”

Following the premiere, two new episodes — including a Halloween-themed episode — will air Wednesday (Oct. 30) on Disney Channel. Beginning Nov. 8, episodes move to Fridays at 8 p.m. ET, with two episodes weekly.

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Wrangler is partnering with country singer-songwriter, Cody Johnson, to introduce a new collection of cowboy-inspired dress shirts released on Thursday (Aug. 29).

“A real work of heart,” reads a post on Wrangler’s Instagram account which Johnson reposted to his account. “Introducing the Wrangler x Cody Johnson collection. A collection that takes center stage while delivering style, comfort, and fit. Each piece-designed in partnership with Cody-draws on his experience as a cowboy and one of the biggest country music stars of his generation. Long Live Cowboys!”

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Shirts in the Wrangler x Cody Johnson Collection retail for $59.99 and are available in plaid, paisley and diamond prints. The single-pocket, button-down shirts designed come in various shades of blue and two burgundy colorways in sizes ranging from S up to 2XT.  

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Johnson, a longtime fan of Wrangler, personally chose the fabrics, patterns and details featured in the collection which are designed to be worn anywhere from the farmhouse to the stage and beyond.

“I put a lot of time into this collection. This is a shirt I designed specifically for you,” the Grammy winner shared in a statement on the Wrangler website.

Johnson is the latest country singer to partner with Wrangler joining fellow country stars Lainey Wilson and George Strait. Speaking of Wilson, Johnson teased a possible collaboration with the “Heart Like a Truck” singer during a recent interview.

“I’m going duck hunting with her boyfriend Duck [Devlin “Duck” Hodges]. I guess that’s how he got his name, because he’s really into hunting,” he explained. “I heard Loretta Lynn’s ‘Louisiana Woman, Mississippi Man.’ I called Lainey and said we should record that song together, and she agreed.  But we haven’t done it yet.”

As for his solo music, the country crooner is currently embarking on The Leather Tour in support of his 2023 album of the same name. The tour stops in South Dakota on Sept 6, Oklahoma on Sept. 13, Montana on Sept. 14 and Louisiana on Sept. 14. Get tickets here.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. Labor Day isn’t until Monday (Sept. 2), but that doesn’t mean you need to wait to start saving. You can get […]

Attending Burning Man is an investment. There’s the $575-plus needed for a ticket; more for the flight or long drive to Nevada’s remote Black Rock Desert, where the event takes place each August. There’s the money for food, outfits, a bike and the many other supplies needed to survive in the barren setting. Most attendees take time off from work, including a few days on the back end to get home and recover. It’s hot, dusty and often mentally, emotionally and physically draining. A lot of people love it; others say they’d never go, and some simply don’t have the resources to make it happen.
But while the Burning Man Project’s famous mothership event is happening this week (Aug. 26-Sept. 2), another 85 official global Burning Man events, called “Regionals,” have long offered people around the world a chance to Burn more locally. In 2023, 93,000 people attended these global Regionals. There’s Kentucky’s Singe City; Michigan’s Lakes of Fire; and events in Arkansas, Utah, Virginia and approximately 70 other U.S. sites. The biggest Regional, AfrikaBurn, draws roughly 10,000 to Cape Town, South Africa every April. Taiwan’s Turtle Burn launched in 2019. Each July, roughly 400 people gather in the Romanian forest for RoBurn.

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Burning Man 2024 has made headlines for not selling out for the first time in years, with tickets usually very difficult to get. (Sources close to the event estimate that roughly 10,000 tickets went unsold this year, bringing the attendance number down to approximately 70,000.) But while many Burners say the extreme heat of 2022 — when daytime temperatures reached 106 degrees — and the headline-making rain of 2023 are reasons many veteran Burners are taking this year off, Burning Man CEO Marian Goodell also points to the generally soft festival market, and to the Regionals.

“The goal has always been to decentralize this, because Black Rock City was never going to have the capacity,” Goodell says. “And with travel challenges, the cost, the heat — it isn’t for everybody. But when I meet people that tell me, ‘Are you f–king kidding me?’ [in regard to going to Black Rock City], I’m like, ‘Well, where do you live?’”

Goodell and Burning Man Project — the San Francisco-based 501(c)(3) nonprofit that produces Burning Man and supports the global Burning Man community — has been directing Burners to Regionals since 2007, when the first official offshoot launched. Regionals had been germinating since 1997, when representatives for Pershing County, where Burning Man is held, sent organizers a huge bill for county services at the end of the event. Groups of Burners offered to fundraise, including one based in Austin, Texas. The internet had just come online, so Goodell created austin@burningman.com to help facilitate the fundraiser, and the first Regional group was born.

“Then I did New York, Canada and Seattle,” she says. “The internet allowed people to leave Burning Man and say, ‘Where are the other Burners?’”

As it turned out, with the global Burning Man network growing in tandem with the growth of the main event, they were everywhere. Soon, groups of Burners were meeting up across the country, placing glowsticks on bar tables to identify themselves and, in doing so, living out the Burner philosophy that it’s not just an event, but a culture that can exist anywhere.

Argentina’s Fuego Astral

Courtesy of Ignacio Roizman

Ignacio Roizman has traveled to Black Rock City from his home in Buenos Aires, Argentina many times over the years. Wanting to help bring Burner culture back home, he co-organized Argentina’s Regional, Fuego Austral, in 2016, when two groups of Argentinian Burners who’d been gathering for meetups joined forces to put on a multi-day campout.

“It’s very expensive to get from Argentina to the U.S.; you need a visa, you need the supplies,” Roizman says. “It’s basically an economic and logistical challenge.”

The most recent edition of Fuego Austral, in February, brought roughly 1,000 people to a swath of verdant farmland four hours outside of Buenos Aires. Like in Black Rock City, there was art, music and the ritualistic burning of a man made from wood. (In the past, Israel’s Midburn has set fire to both a man and a woman.)

“The biggest difference between Regionals and Black Rock City,” Roizman continues, “is the intimacy you can create in a space where you have 1,000 people instead of 80,000. By the end of the week, everybody knows each other.” Most Fuego Austral attendees have never been to Black Rock City, although Burners from countries like Brazil, Israel and the U.S. have flown in to attend.

Representees from The Org (as Burning Man Project is called in Burner parlance) advise Regionals on how to organize, with a few primary requirements. One is that events start small, with Goodell saying that even 1,000 people is too big for an inaugural year. Organizers need to have gone to Black Rock City at least once. Like Black Rock City, Regionals must allow children.

“We have a team that decides if the intention is in the right direction and if the people are skilled enough to do it,” says Goodell. “We’ve taken permission away when events looked more like a rave.”

Aspiring Regionals must also abide by Burning Man’s 10 Principles, the social guidelines for existing at a Burning Man event; these rules were in fact created in 2004 as a response to the Regionals. When the Regional network was taking shape in the late ‘90s and early ‘00s, Goodell put groups on an email thread with late Burning Man co-founder Larry Harvey, who answered their questions. Over time, the Principles — which include radical self-reliance and leaving no trace — developed as, Goodell says, “a direct response as to what kind of guidelines would help facilitate a Burning Man event.”

“One of the first questions was, ‘Why can’t we do vending? We want to be a Burning Man event, but we want to sell hot dogs or whatever,’” Goodell recalls. Harvey’s response spurred a discussion that ultimately created the “gifting” and “decommodification” Principles, the latter of which states that “our community seeks to create social environments that are unmediated by commercial sponsorships, transactions, or advertising.”

The Org also offers practical support, helping Regionals write press releases or find an attorney if legal advice is needed. They step in if a death happens at a Regional (which has happened a handful of times over the years), provide advice on creating a business entity like an LLC and, Goodell says, “sometimes go in to help with drama.

“Different cultures deal with different problems differently,” she adds. “The folks in Sweden, for instance, lean towards more socialist solutions when making decisions. Parts of the United States might be more hierarchical.”

Argentina’s Fuego Astral

Courtesy of Ignacio Roizman

In a more obvious way, most Regionals look very different than Black Rock City, which is famous for its barren environment. For many, this singular landscape is what makes Burning Man Burning Man.

“We’ve asked ourselves that a lot,” Goodell says of whether the intensity of the desert defines the event. “When I first joined the organization, I asked Larry, ‘Why the Black Rock Desert?’ He said it was a practical thing; that when you’re in nature and forced to reflect on yourself and your role in nature, you can see how small you are. Plus [the environment] makes you band with others for your own survival.” 

The philosophy here is thus that Burning Man is not defined by being caked with a layer of dust, but being in the middle of nowhere. (To wit, Spain’s Regional, which takes place in the Monegros Desert, is called Nowhere.)

“Through the evolution of the Regionals, we’ve discovered you really should be as remote as you can, but it can be green rolling hills,” Goodell says. ‘You should not be walking to a store or gas station. To me, that’s more important than the weather being hard.”

A Las Vegas Regional she attended was visible from the road, which, she says, “was a negative.” Miami’s Love Burn, which takes place on the city’s Virginia Key, also has “a lot of challenges” given that attendees can Uber there and stay for a day. Goodell says these shorter experiences are “just not as transformative” as a multi-night event.

But Regional organizers do find ways to build in challenges. Fuego Astral requires attendees to be dropped off at the front gate and then walk across the sprawling site to get to their camp, which makes it so, Roizman says, people “have experienced that sense of overcoming a challenge.”

But while Black Rock City is remote, given that tens of thousands of people arrive there and build a bustling and often very noisy city, it’s not an ideal setting for those who prefer country life.

“Black Rock City has a culture that’s sometimes very urban,” Goodell says. “A lot of people will tell you they’d rather go to Michigan’s Lake of Fire that has 2,500 people instead of 80,000, because they live rural.”

A young Burning Man staffer recently attended Lake of Fire, which happens in Rothbury, Michigan, to help The Org figure out why young people aren’t going to Black Rock City in high numbers. “She feels like the cost is one of the reasons,” says Goodell, who teared up when seeing photos of lights reflecting on a lake at Lakes of Fire in a way that reminded her of Black Rock City. “You don’t have to go to Black Rock City to be touched, create new community, collaborate on art and be together.”

Goodell says for her it’s especially satisfying to see Regionals develop in places like the former Eastern Bloc, where creativity has often been stifled by socio-political circumstances. She says while the Russian and Ukrainian groups are both currently “a bit stunted” because of the war, people from these countries are in attendance this week at Black Rock City. Israel’s Midburn, the second largest Regional after South Africa, typically brings 10,000 people to the desert, but scaled down to about 1,500 this year due to the war. The Thai and South Korean Regionals are produced largely by expats, although Goodell says that “we really would prefer locals produce the Burning Man culture and not the traveling expats.”

The goal with the Regionals is simply to keep growing them. This past April, the European Leadership Summit Gathering happened in Talinn, Estonia and brought 30 staffers and 200 Burners from Europe and beyond together for panels and networking. Estonian Burner and Summit attendee Pille Heido says the experience provided the education and inspiration to “make sure people don’t just focus on that one event in the desert in August, which is great, but make sure there’s other things you can do outside of it as well.”

Goodell says additional funding for Burning Man Project would help spur the Regionals network, with South America and Asia being regions “that could use more encouragement.”

But where this money will come from is, she says, “the 10-million-dollar question.” While Burning Man Project raised $8 million in 2023 through ticket sales and philanthropy, “We’re absolutely at a point where we’re going to need to have a conversation about the longer-term method.” Goodell says a donation model “is the next bridge. Someone who doesn’t go to Back Rock City might still give $250.”

But while that evolution of that issue is yet to be seen, Goodell says Black Rock City being down in population this year is, in a way, a sign of health. “We’re proud of the fact that people are like, ‘I went to my Regional this year, so I’m taking a year or two off.” 

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Boost your skincare routine with Clinique’s Mini Moisture and auto-replenishing hydrator. This TikTok-approved gem offers an all-day glow and can help keep your skin feeling fresh. Its lightweight, oil-free and gel-based moisturizer aims to deliver deep hydration for up to 100 hours, leaving your skin plump and glowy. It’s also great for all skin types.

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“Moisture Surge goes on easy and stays on. My skin is still smooth and moisturized in the morning. I would definitely recommend this product for sensitive skin,” a Target customer said.

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According to the brand, this moisture is allergy-tested, paraben-free, phthalate-free and 100% fragrance free. Being allergy-tested helps ensure it’s gentle on the skin, reducing the risk of irritation. Plus, the absence of parabens and phthalates means you’re avoiding potentially harmful chemicals that can disrupt hormones.

One Ulta Beauty customer said, “Best moisturizer I have ever used … my skin feels so hydrated! Doesn’t feel heavy or greasy on the skin. Has great texture would definitely recommend!”

You can find this Clinique Mini Moisture at Target, Walmart, Amazon and Ulta Beauty.

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Clinique Mini Moisture Surge Auto-Replenishing Hydrator

Clinique’s mini moisture and auto-replenishing hydrator is available in three different sizes: 0.5 oz, 1 oz, and 1.7 oz. Its compact size also makes it easy to take with you wherever you go.

Customers love that it’s long lasting and easy to use. The brand recommends using it “morning and night on clean skin.” You can also use it over your makeup “as a dewy highlighter.”

For more product recommendations, check out ShopBillboard‘s roundups of the top 15 Under $15 budget-friendly beauty finds, this $15 face cream with snail mucin and these travel-friendly Olay Face cleansing melts.