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When a star is born, grab your sunglasses and step out the way.
Kate Cosentino, a 23-year-old talent from Kansas City, shone bright when she stepped onto NBC’s The Voice stage Tuesday night (March 14), for her Blind Audition.

It was a starry performance, judge Niall Horan would go on to say. He should know when he sees one.

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Cosentino covered Dionne Warwick‘s “I Say a Little Prayer,” doing so in her own pace, stripped down, and with an electric guitar. Though her outfit screamed “clown couture” (her words), Cosentino’s played with no fuss, going with a finger-picking jazzy style, and without overriding effects.

Kelly Clarkson turned first and led a domino effect, as Chance the Rapper and Horan swiftly fell for her charms.

“Amazing,” Chance said at the wrap. “You got such a cool vibe to you.” The hip-hop star paid tribute to her “full voice” which carries a “lot of joy that comes out of it.”

Clarkson moved. “You have such a pretty alto register,” said the country-pop star, “kind of like lullaby-ish. You really could go so many places.”

And with that, the sales-pitch was on.

Horan didn’t muck about. He opened strong: “Would you like to be on my team?” Her choice of song was an indication of high quality and standards. “You could go all the way. You’ve given us this really really famous massive hit that’s really tough to sing. There’s an already-made star in there. You’ve got this Italian confidence.”

Will this star being a shooting one, will it go supernova, or light the canopy for years to come

We’ll wait and watch. In the meantime, Horan will guide the artist into the next phase of the talent competition.

Watch below.

While Lil Nas X is well-known for being a comedic firebrand on social media, even the “Montero” rapper is ready to admit that a recent joke went a bit too far.

In a tweet posted on Wednesday (March 14), Lil Nas X offered an apology to the trans community after the rapper made a joke that he had transitioned. “apologies to the trans community i def handled that situation with anger instead of considering why it was not cool,” he wrote. “much love to you guys. sorry.”

The “That’s What I Want” singer was responding to critics of a since-deleted tweet, in which the rapper posted a photo of a woman bearing a slight resemblance to him. Captioning the post, Lil Nas appeared to claim that he had transitioned, writing, “The surgery was a success” next to a heart emoji. Many of the rapper’s followers quickly called out his post for being insensitive to a community that is currently being attacked by state legislatures around the U.S. with over 400 anti-trans bills currently in circulation.

While Lil Nas X officially apologized, he had choice words for one fan who asked him to do more. When told over Twitter that his apology was “fake as hell” and that he needed to show support for the community “in material ways that include money, sharing your platform to raise a [sic] awareness,” Lil Nas X quote tweeted the user, simply writing, “girl eat my a–.”

Representatives for Lil Nas X have not yet respond to Billboard‘s request for further comment.

The latest tweets come after a series of teasers from the star back in February, where he claimed that the follow-up to his debut album Montero could arrive as early as this summer. “it’s mostly planning now,” he wrote at the time. “i could easily just release music but i have to build moments around this s–t. i have to go bigger than before!”

Check out Lil Nas X’s apology tweet below:

apologies to the trans community i def handled that situation with anger instead of considering why it was not cool. much love to you guys. sorry— i am reading all that (@LilNasX) March 14, 2023

Good news, Arianators: The first part of Jon M. Chu’s Wicked adaptation will be premiering in theaters a month earlier than expected, the directorannounced on Tuesday (March 14).

Chu excitedly shared the news via Instagram, writing that he and his team were “deep into shooting WICKED here in London” before officially announcing the new release date. “Bring the family, bring your friends…it’s going to be a ride!!! appreciate all your support through this long production process. Shooting two movies at once is no small feat.”

The film version of the hit Broadway musical — which will star Ariana Grande as Glinda and Cynthia Erivo as Elphaba — was initially meant to hit theaters on Christmas Day of next year (Dec. 25, 2024). But in the spirit of giving thanks, Wicked Part 1 is now set to be released next Thanksgiving (Nov. 27, 2024), meaning that fans can catch the film one month sooner.

Sources told The Hollywood Reporter that the original release date was pushed up reportedly in order to help the film “build an audience over the year-end holidays,” while also remaining “beneficial from a consumer products standpoint.”

Michelle Yeoh, Jonathan Bailey, Jeff Goldblum, Keala Settle, Bowen Yang, Ethan Slater and others are also set to star in the film. Yeoh, who took home the Academy Award for best actress on Sunday (March 12), said earlier this year that she was “really looking forward” to getting to film alongside Grande and Erivo. “Those two are so adorable, so gorgeous, so talented,” she said.

See Chu’s announcement about ‘s new release date below.

A new contestant hit The Voice stage on Monday night’s episode (March 14) to prove that being hearing impaired doesn’t mean she can’t still rock the mic.

ALI, a 24-year-old hopeful from Walnut, Calif., chose to audition for the spinning chairs with a cover of Roberta Flack’s classic title track to her 1973 album Killing Me Softly. “I heard he sang a good song, I head he had a style/ And so I came to see him and listen for a while,” she sang, with her very first vocal runs at the end of the stanza earning an immediate chair turn from both Kelly Clarkson and Chance The Rapper.

However, it was only after she wrapped up her audition that the singer revealed her hearing loss to the coaches. “A fun fact about me is I am hearing impaired,” she said. “I wear two hearing aids, I was born deaf. I’m so blessed to be able to share this.”

“What!? Oh my god, that’s crazy,” Clarkson marveled, later telling ALI, “Your runs were so intricate and cool and different. That’s a gift.”

Though he didn’t turn his chair, Niall Horan agreed with his fellow coach, saying, “You were amazing. But the second they turned, I knew you were set up,” he said, before getting an unexpected catch in his throat. “You are incredible,” he continued after maintaining his composure. “Any sort of adversity that you’ve had in your life, you are just jumpin’ hurdles here and it’s incredible to watch. So I wish you the best of luck, ALI.”

Watch ALI’s audition and find out who she picked as her coach above.

Taylor Swift may have gotten “Kanye’d,” but she certainly wasn’t the only person performer who’s had her mic taken from her.
During a recent American Idol audition, contestant Amara Valerio revealed that she once had the mic stolen away from her during a performance — just like Kanye West‘s infamous interruption of Taylor Swift’s acceptance speech at the 2009 VMAs. But Idol hopeful got her revenge by nailing her tryout for judges Katy Perry, Lionel Richie and Luke Bryan.

While introducing herself to the panel of judges, the 20-year-old hopeful recalled the time she was asked to sing the national anthem at her high school’s commencement ceremony. According to Valerio, things went wrong when, as she started to sing and another girl — wearing a graduation gown — yanked the microphone away from Valerio and declared, “This is my senior graduating class, and I would like to sing.”

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“She just pulled a Kanye West!” exclaimed Perry in disbelief after she and her co-judges watched video footage of the interruption.

“I got Kanye’d,” Valerio agreed.

One of the judges was particularly angry on Valerio’s behalf, and even demanded that the young singer name names. “I need that f–king name,” Bryan said, ready with a pen and notepad to write down the culprit’s moniker. “I got Navy SEALs …”

Instead of bringing in the authorities, however, the judges decided to ask Valerio to channel her rage into her audition song: Jazmine Sullivan’s “Bust Your Windows.”

The approach paid off. The judges immediately sent Valerio on to the next round after hearing her gorgeous vocals. And, after some prodding, they got the aspiring star to give up the first name of her own personal Kanye. “Sarah!” Perry yelled into the camera, addressing the interrupter directly. “You’re finished messing with our girl.”

Watch Amara Valerio get her sweet revenge on American Idol above.

With each new season of RuPaul’s Drag Race comes the main challenge that some queens have been waiting all season for and that others have been dreading — the stand-up comedy routine.
On last week’s episode (aired Friday, March 10), the seven remaining contestants were tasked with performing in a Just For Laughs-style comedy festival. Grouped off into pairs (and one solo act), the girls came up with as many gut-busting bits as they could to wow the panel of judges and live to slay another day.

After expressing their respective desires to earn their second challenge wins of the season, Loosey LaDuca and Luxx Noir London rose to the occasion and put on a dueling comedy act to remember, taking home the top honor for this week’s challenge. Meanwhile, Anetra and Marcia Marcia Marcia found themselves flatlining on stage, landing them both in the bottom.

Performing in one of the most competitive lip syncs of the season, Anetra and Marcia (or “Anarcia” as the fans like to call them) pulled out every stunt they had for this high-octane performance to Doja Cat’s “Boss Bitch.” In the end, though, Anetra lived to walk that duck another day, sending Marcia packing.

Billboard caught up with Marcia following her elimination to talk about the queen earning the most consecutive “safe” placements in a single season, her reaction to the judges’ critiques about her makeup, and how she approached this episode’s climactic lip sync battle.

Before we get into it all, we have to talk about the near-constant critiques regarding your makeup — what did you think of the judges’ fixation on your face, which then led to a fixation from the fanbase?

Well, I am a theater kid — and in the theater industry, your entire job is basically being critiqued. Even when you have the job, you’re getting notes after every performance about what you could have done better. So, at the time, I was like, “This is just something for me to work on.” I always appreciated that, honestly, I’m always trying to improve myself. Even since we’ve wrapped, my drag and my makeup has changed so much. In the end, it helped me develop a more meaningful relationship with makeup. Before, it was always something where I was like, “Oh, whatever.” But now I see that it can make people very upset!

I don’t know if you know this, but you also broke a Drag Race record this season with the most consecutive “safe” placements in the show’s history. How do you feel about having that honor?

It’s like … the funniest award you could ever get for this show [laughs]. I will say, when you look at my track record with more detail, while I was safe the entire time, I excelled in a lot of the challenges, which is important to recognize. In a lot of ways, some of my accomplishments have been sort of eclipsed by my critiques. So while I am the “safe queen” of season 15, I think I had a lot of great high points. And hey, if I’m safe, I’m not in the bottom!

Yes, especially during a season where there have been a lot of on-air arguments about who got “second place” in a challenge, it’s worth pointing out that being safe is good. 

Especially out of 16 people, it’s an exhale that you get to have. And, our cast is truly one of the most well-rounded, gifted groups that the show has had in a very long time. 

Getting into this episode, you said in a confessional that this was the challenge you were dreading. What is it about the stand-up challenge that felt intimidating to you?

Well, I came into the competition being a gifted, comfortable seamstress. I also act, sing, dance, write, choreograph, and I’ve been doing that forever. This was sort of the one thing that I’ve kind of never done before. You hear comedians talk about their stand-up, or you watch shows like The Marvelous Mrs. Maisel, and you learn that you usually bomb at least a few times before you can get your “tight 10.” I was apprehensive, because I was like, “I don’t know how this is going to go.” 

Add onto that the fact that this is a duos challenge … in which you were the only solo performer.

Yeah … in a comedy challenge based on famous comedy pairs, to be alone is not the best starting point.

I love your runways, because I love a them, and you constantly bring out this sort of “injury chic” vibe with every look. How did that sort of “pretty-but-in-pain” idea become the staple of Marcia Marcia Marcia looks?

So, for Drag Race specifically, when I was approaching the looks, I made pretty much everything myself. I wanted to have a clear story, I wanted to do things that people weren’t going to think of and to approach it in a different way. I don’t know, I am personally very clumsy, and I think there’s something so funny about a really beautiful person with something like a cast on their arm. It’s just hilarious to me when people are really involved in their appearance and then have something go horribly wrong where they’re stuck with it for a long time. I just think it’s fun. So yes, I was always asking myself, “What’s the story? What are people not going to think of? How do I take something that may be simple or boring and twist it to make it a little weirder and funnier?”

I know it was controversial, but I was obsessed with your tie-dye look.

Thank you! I thought it was great — again, another thing that people simply did not agree with. 

We get to this lip-sync — first of all, after watching all of these wild lip syncs she’s performed in, what was going through your mind when you found out it would be you against Anetra?

When it was me and Anetra, first of all, I was like, “Great, another thing we can do together, Anarcia to the end.” I love Anetra, and I knew that she was absolutely going to give everything. They call it a “Lip Sync For Your Life,” and in the moment, I was like, “Oh, I’m going to lip sync for my actual life, because I know she’s going to do the same thing.” And I knew at the end of the day it was going to be a great show, so it was mostly like, “Work, let’s just do it and have fun — if I’m going out, I’m gonna do a great job and push for the only double save of the season.” 

I know that when you’re lip syncing, you’re completely focused on yourself and are largely unaware of what the other girl is doing — but you had to notice when Anetra literally leapt over your back-bent body, right?

I did not know that happened! 

You didn’t? How?!

No, someone told me afterwards that she did that! I was like “What? You’re joking.” But it’s like you said, when you’re in there, it feels like you have horse blinders on — you are so focused on doing what you’ve been able to think of in the last however many minutes before actually standing on the stage that you kind of block out the other person.

That’s wild, but it goes to show what an excellent lip sync this was, you both absolutely turned it out.

Thank you so much! It was just so much fun, and I truly love Anetra, as you’ve seen me sob about in Untucked before. I love her so much, and it was one of those things where it was like, if I’m going to be in the bottom with anyone and get sent home by anyone, I’m glad it was Anetra. 

While playing Wheel of Musical Impressions on Jimmy Fallon’s That’s My Jam on an upcoming episode, Sarah Hyland is put to the ultimate test — sing a Christina Aguilera song as if she were Avril Lavigne — and she passed with flying covers.

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In a preview video of the Tuesday (March 14 episode), the Modern Family actress started out a little nervous, especially when she saw the randomly generated pair of artists she needed to pay tribute to. “They’re my two favorites, I love them!” she exclaimed anxiously after receiving her prompt: perform “Genie in a Bottle” in the pop-punk style of Lavigne.

It took Hyland a moment to get comfortable singing with the show’s band accompanying her, but by the time she got to the song’s chorus, she was fully rocking out. “If you wanna be with me/ Baby, there’s a price to pay,” she belted as Fallon and fellow guests Darren Criss, Patti LaBelle and Billy Porter cheered her on.

“I’m a genie in a bottle/ You gotta rub me the right way,” she continued, fully embracing the challenge. “If you wanna be with me / I can make your wish come true.”

Released in 1999, “Genie in a Bottle” was the lead single off Aguilera’s self-titled debut album. It topped the Billboard Hot 100 for five weeks, marking the pop star’s first career No. 1.

Watch Sarah Hyland show off her Avril Lavigne impression while singing Christina Aguilera’s “Genie in a Bottle” above.

That’s My Jam airs Tuesdays at 10 p.m. on NBC.

Harry Styles is so hot right now. Like, smoldering, earth-torching hot. The former One Direction singer had the top single on the planet last year with “As It Was,” lifted from his hit third album Harry’s House, which bagged Grammy Awards, Brit Awards and No. 1s, pretty much everywhere.

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Oh, and he’s currently playing stadiums across the globe, and starring in feature films. That kind of hot.

Laura Littleton captured a little bit of that heat when she stepped onto The Voice stage on Monday night (March 13) for the Blind Auditions. A native of Dickson, Tennessee, Littleton, a “country girl through and through,” took that early solo Styles song “Sign Of The Times,” added some country tones and immediately won the hearts of three judges.

When Kelly Clarkson used her block on country star Blake Shelton, it was game on.  

As the performance wrapped, Clarkson praised the contestant’s energy. “I feel like you match mine,” she enthused. She also admitted she ought to have blocked Niall Horan instead, seeing as, you know, he played with Harry in 1D and, just maybe, Littleton is a Directioner.

Kelly lifted her sales pitch. “I feel like you’re gonna attract people from different genres. You just have all these cool, like, connections vocally. I was like, ‘this is like Dolly meets Florence and the Machine.’”

Horan took the mic and paid tribute to the “super unique” style of her voice, with its “natural shakes.” And, yes, he was into her song choice.

Littleton had a big decision to make. Go country, or go with a member of 1D?

In the end, she chose Horan.

Watch below.

After a six-year run, Ryan Seacrest is stepping down from his co-hosting slot on Live with Kelly and Ryan after a six-year run. However, Kelly Ripa will still be in good company, as her husband Mark Consuelos will be taking over co-hosting duties.

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Seacrest, Ripa and Consuelos all joined Vanessa Hudgens on the Oscars red carpet on Sunday (March 12), where Seacrest revealed how he’s feeling about the change. “It’s bittersweet,” he shared. “We have such a great relationship and friendship and working relationship. Mark is going to take over and he and I have the same kind of relationship. It’s going to be an exciting last few weeks.”

Ripa added with a smile, “Nothing will really change between the three of us. It’s just that Ryan will get to have his coffee later.”

To wrap things up, Consuelos revealed that he’s officially beginning his gig as co-host on April 17. “I couldn’t be more honored or excited,” he said.

In a statement announcing his departure last month, Seacrest — who will keep hosting American Idol, Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest, his syndicated On Air with Ryan Seacrest daily radio show and the American Top 40 countdown — said working with Ripa has been a “dream job” and one of the highlights of his career.

“She has been an amazing partner, friend, and confidant, and although we will always be a part of each other’s lives, I will miss our mornings together,” he said, also thanking the show’s executive producer Michael Gelman and the crew. “We’ve made memories to last a lifetime, met some of the most incredible people and had the warmest welcome into the homes of so many viewers across America. It’s been a memorable ride and now I’m excited to pass the baton to Kelly’s ‘real’ husband, Mark.”

Chance the Rapper stopped by Kelly Clarkson‘s talk show on Monday (March 13) to chat about his first season competing against her on The Voice.

Wearing a denim bomber jacket with a faux-fur collar and one of his signature ball caps, the rapper appeared more than confident about the team he’s assembled for season 23 of the NBC reality series. “Do I think I’m gonna win The Voice? I’m pretty sure I’m gonna win,” he told Clarkson. “Yeah! You know I’m gonna win The Voice. … Yeah, my team’s fire.”

Chance brings a producer’s mentality to the coaching panel, which Clarkson admitted was a source of intimidation for her. “I will say, that’s been my favorite part, watching you,” the original American Idol winner told him. “Because I don’t know if I’ve ever really done it with a full-on producer before. You know what I’m saying? You’re a rapper, a singer and a producer.

“And it was interesting to do the Blinds with you ’cause I was threatened,” she continued. “‘Cause I was like, ‘Oh wait, what? I can’t do that, like, what he just did.’ It was cool. You were, like, producing during the Blinds, like, that was part of your pitch.”

So far, Chance has added sister trio Sorelle, Idol favorite NOIVAS and R&B crooner Magnus to his freshman team to compete against Clarkson, Blake Shelton and fellow newbie Niall Horan. Season 23 of The Voice continues this week with another round of Blind Auditions on NBC.

Watch Chance and Kelly go back and forth about their coaching strategies below.