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Wicked is dominating pre-Thanksgiving weekend at the box office.
Universal’s live-action adaptation of the Broadway musical, starring Ariana Grande and Cynthia Erivo, debuted at No. 1 with an estimated $114 million domestically, according to The Hollywood Reporter.

That figure makes it the third-biggest opening of the year, behind Deadpool & Wolverine and Inside Out 2, the Associated Press reports. It also sets a new record for a Broadway musical adaptation and ranks among the biggest opening weekends ever for a big-screen musical.

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Directed by Jon M. Chu, Wicked has grossed $164.2 million globally.

Meanwhile, Paramount’s Gladiator II, the sequel to Ridley Scott’s Oscar-winning 2000 film, is projected to open domestically with $55.5 million, according to THR. Starring Paul Mescal, Denzel Washington, Pedro Pascal, Connie Nielsen and Fred Hechinger, the movie has already earned $165.5 million internationally.

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There was speculation that the two major releases might recreate the Barbenheimer effect, referencing the simultaneous box office success of Barbie and Oppenheimer in 2023. Nicknamed “Glicked” (a blend of Gladiator II and Wicked), the two films didn’t quite reach the domestic openings of Barbie ($162 million) and Oppenheimer ($82.5 million), but still performed strongly.

With Erivo starring as the green-skinned Elphaba and Grande as her pink-loving counterpart, Galinda (aka Glinda the Good), Wicked has already earned praise from critics, particularly for the performances of its lead actresses in these iconic roles. Part two of the adaptation is slated for release in November 2025.

Accompanying the film’s release is Wicked: The Soundtrack, which includes the movie’s 11 songs as well as a new orchestral track. The second half of the musical’s songs will be released with part two in 2025.

Khalid is opening up about his sexuality — even if it’s not something he originally intended to talk about. In a series of posts to his X on Friday (Nov. 22), Khalid officially came out as gay, simply posting a rainbow flag emoji and asking his fans to move on to the “next topic please […]

11/22/2024

From K-pop gossip to the star-studded afterparty in West Hollywood, here’s what Billboard learned and overheard during the first-ever MAMA Awards ceremony in the States.

11/22/2024

When director Jon M. Chu shared that Ariana Grande and Cynthia Erivo had been cast as Galinda and Elphaba, respectively, in the long-awaited movie adaptation of Broadway’s smash musical Wicked back in Nov. 2021, reactions were mixed. No one doubted Erivo’s thespian credentials: She’d won a Tony (lead actress, musical) for The Color Purple in 2016 and been nominated for a best actress Oscar in 2019 for playing abolitionist Harriet Tubman in Harriet. But Grande? Well, Ari’s pop career was unimpugnable – she’d released the acclaimed, Billboard 200-topping Positions a year prior to the announcement and topped the Billboard Hot 100 just months earlier on a remix of The Weeknd’s “Save Your Tears” – but her acting credits were a different matter entirely.

It wasn’t that her résumé was slim. Between Victorious and Sam & Cat, Grande had been a consistent presence on Nickelodeon in the first half of the ‘10s. During the second half of that decade, Grande – who by then had earned her spot on pop music’s A-list – continued to flex her acting chops in small parts, getting killed in 2015’s Scream Queens, co-starring in Hairspray Live!, hosting Saturday Night Live and making a cameo in Zoolander 2 (all 2016).

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So it wasn’t that audiences hadn’t seen her act – it was that we hadn’t seen her act too far afield of the bubbly, ditzy Cat Valentine of her Nickelodeon days. A month after the Wicked casting was revealed, Grande showed a bit more range in the love-it-or-hate-it Netflix comedy Don’t Look Up, but considering that she was playing a pop star, it didn’t exactly assuage Wicked fan fears that Grande wasn’t qualified for one of the most beloved, sought-after roles in modern musical history.

Yes, Galinda/Glinda (the “Ga” is silent by the end of the musical) is both giddy and scatterbrained – two traits Grande excels at portraying – but Kristin Chenoweth’s iconic, Tony-nominated work in Wicked established that to play the role, you needed depth, layers and razor-sharp comedic timing. No one with ears could question Grande’s pipes, but based on her acting credits, we simply didn’t know if she was capable of filling Chenoweth’s small but mighty heels.

Well, having seen Wicked: Part 1 in theaters, I can say without exaggeration that Grande isn’t just a good witch – she’s sinceriously astonishing. From her first scene – when she descends from the sky to tell the overjoyed Munchkins that the Wicked Witch of the West is dead – it’s abundantly clear that Grande has figured out how to make the role her own.

This isn’t Grande the impressionist recreating Chenoweth’s Glinda for the big screen; this is a fresh interpretation delivered with nuance and pathos. As a traditionally beautiful pop star, it’s no surprise that Grande captures Glinda’s more-perfect-than-perfection aura; and as a Nickelodeon veteran, Grande can milk the humor of the Ozian mispronunciations (“confusifying,” etc.) without batting an eyelash. But when a Munchkin confrontationally inquiries about Glinda’s past friendship with the Wicked Witch, forcing the Good Witch to literally burst her own pink bubble, Grande is a revelation.

Caught off guard by the question, Grande’s Glinda falters, struggling to deliver a PR-acceptable reply without betraying a deeply felt kinship with the so-called Wicked Witch. Forcing a smile to cover up the pain and haunted loneliness in her eyes, Grande demonstrates from the go that she knows exactly what makes the Glinda character work: It’s not just about satirizing her superficiality — it’s conveying the sense that the experience of knowing Elphaba has fundamentally changed Glinda’s unthinking faith in institutions, public opinion and people in power. Glinda is a gently tragic figure in many ways, ultimately getting exactly what she wants while simultaneously realizing how hollow it all is.

As with the stage musical, the Wicked film plays out primarily as one lengthy flashback, which takes us back to a pre-epiphany Galinda: narcissistic, ambitious, a bit cruel, self-promoting and unhindered by one iota of self-awareness. Wicked touches on weighty themes, yes, but it’s not a Shakespearean tragedy, so all of that is naturally played for laughs, and Grande eats up every syllable, hair flip and vapid smile. She soars in the vocal showcase “Popular” – nailing some hair-raising high notes toward the end while putting her own stamp on Chenoweth’s best-known song – but more importantly, she delivers the laughs. Like a Golden Era Hollywood pro, Grande is luminous onscreen while balancing choreography and comedy, alternately subtle and silly in her performance of this winking celebration of conformity. When Wicked hits streamers, expect viewers to hit rewind more than once on this scene.

Any successful staging of Wicked needs a push-pull chemistry between the two leads, and Erivo’s Elphaba exudes a potent mixture of warmth, longing and self-loathing in the role. (It goes without saying that Erivo sings the absolute hell out of every song.) From bristling irritation to empathy and affection, her feelings toward Galinda evolve in a way that feels real and relatable — even in a musical with talking goats and Winkie princes.

When it’s time for Elphaba’s signature song, “Defying Gravity,” Erivo is stunning, overcoming disillusionment to find her self-confidence and purpose while giving the film it’s pounding, wounded heart. Grande provides deft, subtle support; these characters are on the same page morally but wired too differently to follow the same path, and that tension is magnificently acted. (Grande obviously knows “Yes, And?” as more than just a song title.)

Skeptics of Grande’s acting abilities might insist that while she soars in this role, it’s more a case of perfect casting than impressive acting. But from the opening scene to the climatic finale, Grande goes so much deeper than just playing a shallow, popular girl for laughs – she takes us on a journey that reveals the hopes, disappointments, compromises and realizations of a surprisingly three-dimensional character. Some pop stars turned actors acquit themselves competently on the big screen, but like Lady Gaga in A Star Is Born, this performance signals the arrival of a formidable cinematic talent with a lot more to show us.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. There’s little to compare to the feeling of joy you get when you see a fully stuffed stocking. Besides stocking up […]

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
With Thanksgiving just around the corner, if you’ll be spending the day with friends and family eating turkey and watching plenty of NFL action, then Sling TV has got a deal for you.

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NFL Thanksgiving 2024 happens on Thursday, Nov. 28 at 12:30 p.m. ET/9:30 a.m. PT.

How to Watch the NFL Thanksgiving on Sling TV

A subscription to Sling TV Blue — which comes with Fox and NBC for NFL Thanksgiving — gets you access to live TV, local and cable channels, starting at $22.50 per month for the first month of service ($45 per month afterwards).

You can watch local networks such as ABC, while you can also watch many cable networks, including NFL Network, FS1, Lifetime, FX, AMC, A&E, Bravo, BET, Cartoon Network, Fuse, CNN, Food Network and many others. However, CBS isn’t available on Sling TV.

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Please note: Prices and channel availability depends on your local TV market.

What NFL Teams Are Playing on Thanksgiving?

There are three games scheduled for Thanksgiving Day on Thursday, Nov. 28. Scroll down for the matchups, below:

Chicago Bears vs. Detroit Lions at Ford Field in Detroit, Michigan (12:30 p.m. ET/9:30 a.m. PT, CBS)

New York Giants vs. Dallas Cowboys at AT&T Stadium in Arlington, Texas (4:30 p.m. ET/1:30 p.m. PT, Fox)

Miami Dolphins vs. Green Bay Packers at Lambeau Field in Green Bay, Wisconsin (8:20 p.m. ET/5:20 a.m. PT, NBC)

NFL Thanksgiving 2024 broadcasts on CBS, Fox and NBC, while most of the games are also available to livestream with Sling TV on Thursday, Nov. 28.

Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.

With Thanksgiving just around the corner, why not give some thanks to some of your favorite queer artists this week? Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

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From Cynthia Erivo & Ariana Grande’s long-awaited Wicked songs to Lil Nas X’s latest single, check out just a few of our favorite releases from this week below.

Cynthia Erivo, Ariana Grande “Defying Gravity”

Sure, we could put the entirety of the new Wicked soundtrack on this list, but there is something to Cynthia Erivo’s performance of the undisputed queer anthem “Defying Gravity” that just deserves some special recognition here. Her voice is incredible, her acting is off the charts, and she sells every second of this song alongside Grande’s gorgeous supporting vocals. Especially in the song’s famous final minute, Erivo gives her all for “Defying Gravity,” making this an absolute must-listen for theater fans and skeptics alike.

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Lil Nas X, “Need Dat Boy”

As he proved on Montero standout “Sun Goes Down,” Lil Nas X is phenomenally good at stripping things back to get to the personal core of a song. “Need Dat Boy” starts out in that exact contemplative mode, with Lil Nas showing off his consistently-growing vocals as he croons about looking for inspiration. And when the bridge kicks in, Lil Nas turns the heat up as he lets the object of his desire know exactly what he’d like to do to him. It’s a fitting amalgamation of the rapper/singer’s multitude of talents, packed into a 3-minute track you’ll want to hear.

Omar Apollo feat. Trent Reznor & Atticus Ross, “Te Maldigo”

Give Omar Apollo a guitar and a microphone and he will make sweet music for you. On “Te Maldigo” (which translates to “I Curse You”) from the upcoming Luca Guadagnino film Queer, Apollo sings a lonesome ballad of heartbreak and betrayal, asking why his former flame couldn’t show him the love he deserved. “My heart, without you, does not beat,” he sings in Spanish on the song’s second verse. “What a cruel world/ Where you don’t love me.”

Various Artists, Transa

In a time when trans people everywhere are scared for the future, Red Hot decided to give the community something hopeful. Transa, the organization’s expansive new compilation album, pairs trans icons and allies throughout its massive three and a half hour journey, reflecting on the nature of transness itself. With featured stars like Adrienne Lenker, Moses Sumney, Anohni, Sam Smith, Beverly Glenn Copeland and dozens more, Transa makes sure to never boil down the trans experience into a single, simplistic message — just like the community it serves, this album is as expansive as the universe itself.

Rahim Redcar (Christine and the Queens), “It’s Okay to Cry (Hôtel Pour SOPHIE)”

It would have been easy for Rahim Redcar (the newly-adopted stage name for Christine and the Queens) to offer a simple, largely-unchanged cover of legendary producer SOPHIE’s classic song “It’s Okay to Cry.” But that wouldn’t be like him, after all. Instead, Redcar takes the affirming track and strips it down to its molecular level, building it back up into something completely new that still manages to honor the legacy of the iconic artist who brought it into the world in the first place.

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:

11/22/2024

Family friendly tunes from Rudolph, the Grinch and more.

11/22/2024

Eleven days. More than 300 shows. The 20th annual New York Comedy Festival offered a Golden Corral-style buffet of laughs. It was impossible to see them all, but here are the top seven performances — in no particular order — that Billboard witnessed.

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1. Zarna Garg

Garg, who closed the festival with a sold-out show at Town Hall in Midtown Manhattan on Nov. 17, took an unlikely path to stand-up comedy. Raised in Bombay, she escaped an arranged marriage by leaving home, immigrating to the United States and attending law school before becoming a multi-hyphenate in the comedy business: stand-up, screenwriting, podcasting and a memoir. She first headlined at Caroline’s on Broadway in 2020 and, according to her manager, the Town Hall appearance was one of her biggest headlining shows to date.

A lot of Garg’s comedy is steeped in Indian culture and stereotypes — “You are Indian, your pronoun is doctor!” she said during her performance —but judging from the composition of the crowd on Nov. 17, she has clearly crossed over. Garg got big laughs saying her bindi was the same kind of sticker that Macy’s uses to mark down clothes, and implied that she occasionally uses hers to snag a bargain. “You know I’m doing it!” she said. And she elicited a huge roar from the crowd after telling a story about keeping her comedy work from her parents. When her mother found out, instead of disowning her daughter, she told her that if it would help with her career, “May you tell your audience that your father likes to do it doggy style.”

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2. Jeff Arcuri

The Michigan-raised, Chicago-based comic opened the festival on Nov. 7, when he brought his Full Beans Tour to the Beacon Theater on Manhattan’s Upper West Side, and proved how he has blown up over the past year: with crowd work, which has gone viral on social media. Arcuri is so lightning-quick and scalpel-sharp that attempting to take notes of his back-and-forth banter with audience members — done with a big, wicked smile — is a fool’s errand. So, check out this video and note that, unlike other comics who single out members of their audience, Arcuri practices largely cruelty-free comedy.

3. Jordan Jensen

The Ithaca, NY-born former contractor — she called her company Lady Parts Carpentry, because her name was often misconstrued as male — Jensen is a tattooed bomb cyclone of funny, who became the first woman to win the festival’s New York’s Funniest competition in 2021. Her act is seeded with the wins and losses of womanhood and dating, growing up with a lesbian mother and an estranged weed-loving father, and her battles with OCD and intrusive thoughts. As one of Jeff Arcuri’s openers at the Beacon Theater, Jensen had the crowd screaming with laughter over a wild bit on the realities of menstruation.

4. New York’s Funniest

The winner of the festival’s annual joke-off — which catapulted the careers of Jensen and Michael Che, among other comics — was New York-based stand-up Jamie Wolf, who delivered a polished set that closed with a killer, seemingly new bit on why he’s pretty sure God is a woman. “Picture dicks and balls,” he said. “They’re so first draft.” It got better from there but go see Wolf to hear it firsthand. As they say in the business, it’s all in the telling.  

Wolf was one of 10 comics who competed at the Hard Rock Hotel on Nov. 16, and two in particular brought to mind a comment Chris Distefano made in an interview with Billboard last week, in which he talked about his comedy originating as a “defense mechanism” that arose from his parents divorce.

The competition’s opener, Soo Ra, who is Korean, was born missing fingers on one hand and adopted as an infant after she was found in a box that had been left outside a police station. A devastating story, but Ra, whose delivery is could be described as cheerfully deadpan, got a lot of laughs out of it, telling the crowd she might have been abandoned when her real mother looked at her unformed hand and decided, “This baby cannot fix Samsung phones.” She also said that when people ask her which Korea she is from, she replies, “The one you can get out of.”

Next up was Nick Viagas, who used his stutter to land a lot of laughs. He told the crowd that if he didn’t make it in comedy, “I can always get a job as a turn signal.” And that when he was put in charge of the countdown at a New Year’s Eve show, “That was the longest year.”

5. Ricky Velez

One of Judd Apatow’s favorite comics — he even made Velez a producer on The King of Staten Island New York City in which he co-starred with best friend Pete Davidson — the Queens-bred smart-ass repaid the kindness with a charged set for Judd Apatow and Friends at the Beacon Theater on Nov. 9. In addition to compelling storytelling — check out his Dominican drug dealer in the bit online — Velez likes to rile up the politically correct, and in his addressing the influx of migrants into New York, he told the audience, “I like migrants a lot because they’re fucking up the white-woman agenda. That makes me very happy. [In] 2017 white women canceled cat-calling in New York City. Well, guess what. Venezuela never went through a #MeToo Movement. So, good luck telling Papi that ass ain’t fine, Mami.”

He also welcomed more crime in the city, which he said was “the war on gentrification,” adding that he recently saw “three men eating croissants on the corner.” Declaring such a brazen act of refined tastes “crazy,” Velez had the crowd wheezing when he said, “This is New York City. That can’t happen. Those men need crime,” adding: “Croissants and tote bags. If you’ve got a tote bag as a man. Time to move, bro. We back.”

6. Chris Distefano

Distefano did back-to-back-to-back shows at three outposts of the New York Comedy Club, which is owned by his manager, Emilio Savone — in part to re-record classic bits he did on Netflix and other comedy platforms so that he could reclaim ownership. He dubbed them “Chrissy’s Version” in homage to Taylor Swift. But he also riffed on the results of the presidential election and some of his successful friends’ reactions to it. “I will say this. If you made a post crying about the president, you’re a p—y” Distefano said. “You gotta be an adult here.”

He further explained that a number of friends he met through comedy “do big things. They host TV shows. I took the bus here.” Some of those famous friends “are crying,” he said. “I’m like, relax. You’re a multimillionaire making believe. You live in America. Shut the f—up. Everybody’s just got to take a deep breath. It’s gonna be fine. Now, do I know for sure? No. I went to Nassau Community College.”  

7. Stand Up For Heroes

Year after year, this benefit for military veterans brings out top-shelf talent to raise tens of millions of dollars. This year, Bruce Springsteen, Norah Jones, Jon Stewart, Jim Gaffigan, Jerry Seinfeld and Mark Normand put on a really big show, which you can read more about here (and watch a video of The Boss performing “Long Walk Home”).

Cynthia Erivo had some gratitude to share on Friday morning (Nov. 22) as she and Wicked co-star Ariana Grande reached the end of an exhaustive, full-court-press media tour promoting the first part of the Broadway-to-big-screen musical.
“This journey has been long, and paved with bright, yellow brick. We have laughed and cried, held hands and walked side by side, our lives intertwined, and because of that, we were irrevocably changed for good,” the Emmy, Grammy and Tony-winning singer/actress wrote in an Instagram post about the yearslong process of bringing the beloved Broadway re-telling of The Wizard of Oz onto movie screens.

With the film finally opening on Friday, Erivo opened up about the transformative experience of slipping into Elphaba’s green makeup and round glasses, confiding that this was more than just a role for her. “We gained more than a movie. We gained a love letter to love, friendship, the celebration of the things that make us different, special, and beautiful, and the bravery it takes to change your mind,” she said before offering targeted shout-outs to the movie’s key players, including her own character.

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“Elphaba, Thank you for the gifts you have brought me,” she wrote before heaping praise on Grande’s Glinda. “Galinda/ Glinda/ Ariana Grande-Butera, I love you. You are the truest, kindest, human being. It has been an honor to share this experience of a lifetime with you,” she added; Grande is credited with what she’s called her “little girl name” in the movie’s credits, which is how she was referred to when she first saw the Wicked musical on Broadway as a 10-year-old.

She also thanked her “dear captain,” director Jon M. Chu, for “your trust and your belief, your heart and imagination. You lead us with love and it is all over that screen.” And, as for the many fans who’ve been waiting three long years for the movie — which has been in development with a variety of directors and actors attached to it for nearly 15 years — to open after several delays, including one caused by the COVID-19 pandemic, Erivo wrote, “Wicked is now yours, from us with love. Your Elphie.”

The post included a number of photos from set, a time-lapse video of the intensive Elphaba makeup process, choreography rehearsals and moving behind-the-scenes snaps, including one of Erivo laying her head on Grande’s shoulder.

The second part of Wicked is slated to open on Nov. 21, 2025 and a Wicked sing-along is slated to his theaters this Christmas.

Check out Erivo’s post below.