Country

Kelsea Ballerini Defends Beyoncé’s Country Grammy Nominations: ‘It’s Amazing’

Kelsea Ballerini believes there’s room for everyone in the country world.

While visiting SiriusXM’s Fierce: Women in Music, the “Peter Pan” star shared her support for Beyoncé, who shifted into the country music space with her Billboard 200-topping album Cowboy Carter and faced unnecessary controversy for her decision to do so. The project is nominated for multiple Grammy Awards on Sunday (Feb. 2), including album of the year, and Ballerini is in support of it.

“That category, to me, represents what country music has been this year, and that’s what the album of the year category should represent,” Ballerini shared. “What has happened in country music has been successful and groundbreaking this year. I don’t really understand the other opinions other than like, it’s amazing to have huge, respected artists and other genres come in and celebrate ours.”

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She continued, “I don’t understand why that would be anything but great. You don’t have to be a country artist to make a country record. Those don’t have to exist in the same plane.”

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Bey is nominated for 11 awards at this year’s Grammy ceremony, with Cowboy Carter up for album of the year and best country album. The project’s lead single “Texas Hold ‘Em” is nominated for song of the year, record of the year and best country song. Meanwhile, “Ya Ya” is up for best Americana performance, “16 Carriages” is nominated for best country solo performance, “Levii’s Jeans” with Post Malone is up for best pop duo/group performance, “II Most Wanted” with Miley Cyrus is nominated for best country duo/group performance, “Spaghettii” with Linda Martell and Shaboozey is up for best melodic rap performance and, lastly, “Bodyguard” snagged a best pop solo performance.

The star was noticeably snubbed at the 2024 CMA Awards, receiving zero nominations despite Cowboy Carter‘s critical and commercial success.

Shaboozey Remains TouchTunes’ No. 1 While Ella Langley & Riley Green Score Top Debut

Inaugural leader, biggest song of 2024 and now the final No. 1 of the year: Shaboozey’s “A Bar Song (Tipsy)” takes the top spot of the TouchTunes Frontline Chart for the fourth quarter of 2024.

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The TouchTunes Frontline and Catalog charts for the fourth quarter of the year track the most played music on TouchTunes jukeboxes from Oct. 1 to Dec. 31, 2024, with the Frontline ranking inclusive of music released in the last 18 months, followed by the Catalog tally for any music that was released more than 18 months ago. TouchTunes has jukeboxes in over 60,000 locations worldwide. TouchTunes data is not factored into other Billboard charts.

Since the TouchTunes Frontline and Catalog charts’ existence (beginning with the second quarter of 2024), “A Bar Song” has been No. 1 on the Frontline ranking, as well as the top song on TouchTunes across its entire playable catalog.

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Its reign coincides with the song’s standing as the top-played tune on TouchTunes jukeboxes for 2024, the first song since Chris Stapleton’s “Tennessee Whiskey” to be the platform’s most-played song in a year that was considered a frontline (18 months old or less) release at the time.

“A Bar Song” also sports 19 weeks at No. 1 on the Billboard Hot 100 between July and November 2024, tying Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus, for the lengthiest rule in chart history. It appears at No. 4 on the latest survey, dated Feb. 1.

The aforementioned “Tennessee Whiskey” retains its hold on the TouchTunes Catalog Chart, and it’s also the second-most-played song on the platform overall. Like “A Bar Song,” “Tennessee Whiskey” has reigned on its respective chart for all three quarters since both rankings were launched.

It does, however, have somewhat of a challenger in Teddy Swims’ “Lose Control,” which graduates to the Catalog list after previously being part of Frontline. It enters Catalog at No. 2 after appearing at No. 3 on the third-quarter Frontline tally.

Toby Keith’s “I Love This Bar,” Garth Brooks’ “Friends in Low Places” and Brooks & Dunn’s “Neon Moon” round out Catalog’s top five, giving “Lose Control” the distinction of the ranking’s first non-country song.

That said, the Frontline Chart’s top five is all country, with Post Malone’s “I Had Some Help,” featuring Morgan Wallen, holding its No. 2 rank, followed by Ella Langley’s “You Look Like You Love Me” (featuring Riley Green), Wallen’s “Cowgirls” (featuring ERNEST) and Zach Top’s “I Never Lie.”

Of those, Langley and Top are debuts, marking the top new entries of the quarter. “Cowgirls,” meanwhile, reaches a new peak, lifting 5-4.

Kendrick Lamar’s “Not Like Us” represents the highest-ranking non-country song on Frontline, dropping three spots to No. 7.

With the holiday season falling within the fourth quarter, the Catalog Chart also sees a seasonal classic in Mariah Carey’s “All I Want for Christmas Is You,” which enters the tally at No. 19.

And once again, it’s Wallen who boasts the most appearances across both rankings, with six songs – as a lead act or featured – on the Frontline ranking and one on Catalog. Jelly Roll follows with four total (two on each).

See both 25-position charts below.

TouchTunes Frontline Chart

1. “A Bar Song (Tipsy),” Shaboozey (=)
2. “I Had Some Help,” Post Malone feat. Morgan Wallen (=)
3. “You Look Like You Love Me,” Ella Langley feat. Riley Green (debut)
4. “Cowgirls,” Morgan Wallen feat. ERNEST (+1)
5. “I Never Lie,” Zach Top (debut)
6. “Lies Lies Lies,” Morgan Wallen (+5)
7. “Not Like Us,” Kendrick Lamar (-3)
8. “Pink Pony Club,” Chappell Roan (+9)
9. “Beautiful Things,” Benson Boone (=)
10. “Too Sweet,” Hozier (-3)
11. “I Am Not Okay,” Jelly Roll (+8)
12. “Last Night,” Morgan Wallen (-6)
13. “Ain’t No Love in Oklahoma,” Luke Combs (+3)
14. “White Horse,” Chris Stapleton (+1)
15. “Love Somebody,” Morgan Wallen (debut)
16. “Whiskey Whiskey,” Moneybagg Yo feat. Morgan Wallen (-4)
17. “The Door,” Teddy Swims (debut)
18. “Espresso,” Sabrina Carpenter (debut)
19. “Pour Me a Drink,” Post Malone feat. Blake Shelton (-1)
20. “Get It Sexyy,” Sexyy Redd (debut)
21. “Hot To Go!,” Chappell Roan (debut)
22. “Miles On It,” Marshmello with Kane Brown (debut)
23. “Million Dollar Baby,” Tommy Richman (-10)
24. “You Proof,” Morgan Wallen (=)
25. “Wild Ones,” Jessie Murph with Jelly Roll (-2)

TouchTunes Catalog Chart

1. “Tennessee Whiskey,” Chris Stapleton (=)
2. “Lose Control,” Teddy Swims (debut, previously No. 3 on Frontline)
3. “I Love This Bar,” Toby Keith (-1)
4. “Friends in Low Places,” Toby Keith (-1)
5. “Neon Moon,” Brooks & Dunn (-1)
6. “Son of a Sinner,” Jelly Roll (-1)
7. “I Think I’ll Just Stay Here and Drink,” Merle Haggard (+5)
8. “Fat Bottomed Girls,” Queen (-2)
9. “Copperhead Road,” Steve Earle (=)
10. “Drinkin’ Problem,” Midland (-3)
11. “Don’t Stop Believin’,” Journey (-1)
12. “Save Me,” Jelly Roll with Lainey Wilson (debut, previously No. 10 on Frontline)
13. “Rockstar,” Nickelback (+1)
14. “Whiskey Glasses,” Morgan Wallen (-6)
15. “Family Tradition,” Hank Williams Jr. (=)
16. “Simple Man,” Lynyrd Skynyrd (-3)
17. “Something in the Orange,” Zach Bryan (-6)
18. “Higher,” Creed (+4)
19. “All I Want for Christmas Is You,” Mariah Carey (debut)
20. “Fast Car,” Luke Combs (debut, previously No. 8 on Frontline)
21. “The Joker,” The Steve Miller Band (-5)
22. “Thunderstruck,” AC/DC (-3)
23. “Sweet Child o’ Mine,” Guns N’ Roses (=)
24. “In the Air Tonight,” Phil Collins (re-entry)
25. “Brown Eyed Girl,” Van Morrison (-5)

10 Country Artists Who Have Brought Their Talents to Musical Productions

Country music artists have long had ties to musical theatre — and it seems natural, given that both country music concerts and the electrifying shows of Broadway share similarities. Both are built around stories and tales that connect with human emotions, and both feature teams of people intent on combining music, songwriting, performance, lighting and production to convey a message and experience that fans take with them for years to come.

Country artists have brought their musical and performance gifts to musicals–whether on Broadway, off-Broadway, touring or on television–in several ways. Most recently, Dolly Parton revealed that she wrote the book and music for the upcoming project Dolly: An Original Musical, which will premiere in Nashville this summer at Belmont University‘s Fisher Center for the Performing Arts, before heading to Broadway in 2026. Parton previously had crafted the music and lyrics for the musical version of the movie 9 to 5, based on the 1983 film which starred Parton, Jane Fonda and Lily Tomlin.

In 2022, singer-songwriter Brandy Clark worked with songwriter-producer Shane McAnally to craft the musical Shucked, which earned nine Tony nominations (Shucked cast member Alex Newell won in the best featured actor in a musical category). “King of the Road” and “Dang Me” hitmaker Roger Miller wrote the music for the Tony Award-winning musical Big River. Meanwhile, Kenny Rogers co-created the holiday musical The Toy Shoppe (the musical also starred another country singer, “Only Here for a Little While” hitmaker Billy Dean).

More often, though, country singers including Reba McEntire, Jennifer Nettles, Larry Gatlin and Mac Davis parlayed their talent for entertaining audiences into key roles in an array of musicals throughout the years. Below, we look at several country artists who have had roles in musicals, whether on Broadway, in touring productions or on television.

Jelly Roll to Make Acting Debut on CBS Series ‘Fire Country’

There is no slowing down Jelly Roll.

The singer-songwriter-entertainer is set for an acting role in the CBS series Fire Country, with Jelly Roll’s episode set to air April 11.

Jelly Roll previously made a cameo as himself in the series Tulsa King, but in this new Fire Country role, the Tennessee native will be portraying a character, a hospital orderly named Noah.

A new promo video for the episode features Jelly Roll and series star/creator Max Thieriot. In the video, Jelly Roll said, “From the stage to the fire line, it’s time to see if I can keep up,” later turning to Thieriot, and saying with a chuckle, “Man, this is tougher than the Grammys.”

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Jelly Roll isn’t the first country artist to portray a role in Fire Country. In 2023, Kane Brown made his acting debut in Fire Country, portraying Robin, a train hopper who comes to the aid of injured patients on the scene of a crash.

Musically, Jelly Roll continues to operate at the top of his game. He recently wrapped his headlining Beautifully Broken Tour with a sterling homecoming show at Nashville’s Bridgestone Arena. He’s earned six No. 1 Billboard Country Airplay hits, and his current single “Liar” is in the chart’s top 5. He was nominated for the 2024 CMA entertainer of the year honor at November’s ceremony, and saw his album Beautifully Broken debut at No. 1 on the all-genre Billboard 200 chart last year.

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Jelly Roll also recently took part in the recent FireAid concert to raise money for those impacted by the wildfires that devastated parts of the greater Los Angeles area, and is slated to headline his own benefit concert at the Rose Bowl to show support for first responders who have battled the wildfires’ flames.

See the promo clip below.

Lainey Wilson Sets Whirlwind World Tour Dates, Featuring Ernest, Muscadine Bloodline & More

Lainey Wilson‘s career whirlwind will continue surging this year, when the 2023 CMA entertainer of the year winner launches her Whirlwind World Tour in March.

The nearly 50-date trek will feature openers Maddox Batson, Kaitlin Butts, Ernest, Zach Meadows, Drake Milligan, Muscadine Bloodline and Lauren Watkins at various shows. The Whirlwind Tour, which takes its name from Wilson’s 2024 album, will play across Europe, Canada and the United States, hitting London’s O2 Arena, Los Angeles’ Kia Forum, Nashville’s Bridgestone Arena and New York’s Madison Square Garden along the way.

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Wilson revealed the tour in a comedic skit with openers Ernest and Muscadine Bloodline’s Charlie Muncaster and Gary Stanton that plays with the tour’s title. Wilson portrays a meteorologist, who is telling viewers about a powerful whirlwind that is ripping through (tour stop) cities across the U.S., while Ernest and Muscadine Bloodline portray fellow newscasters/weathermen impacted by the whirlwind.

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Wilson’s album Whirlwind is currently nominated for best country album at the upcoming 67th annual Grammy Awards, which are this Sunday (Feb. 2).

See the full list of tour dates below.

March 4: Zurich, CH (X-TRA)~

March 6: Antwerp, BE (De Roma)~

March 8: Rotterdam, NL (Rotterdam Ahoy)

March 9: Berlin, DE (Uber Eats Music Hall)

March 12: Copenhagen, DK (Vega Main)~

March 14: London, UK (O2 Arena)

March 15: Belfast, N. Ireland (SSE Arena)

March 16: Glasgow, Scotland (The SSE Hydro)

March 18: Kingston upon Thames, UK (Banquet Records)

March 19: Paris, FR (Elysée Montmartre)~

May 30: Panama City Beach, Fla. (Pepsi Gulf Coast Jam)

May 31: Lexington, Ky. (Railbird Festival)

June 6: Myrtle Beach, S.C. (Carolina Country Music Fest)

June 20: Wildwood, N.J. (Barefoot Country Music Fest)

June 26: Milwaukee (Summerfest)

June 27: Cadott, Wis. (Country Fest)

July 12: Cavendish, PEI (Cavendish Beach Music Festival)

Aug. 14: Phoenix (Footprint Center) *

Aug. 15: Albuquerque, N.M. (Isleta Amphitheater)*

Aug. 16: Denver (Ball Arena) *

Aug. 21: Bend, Ore. (Hayden Homes Amphitheater)*

Aug. 22: Sacramento, Ca. (Golden 1 Center)*

Aug. 23: Los Angeles (Kia Forum)*

Aug. 28: Calgary, AB (Scotiabank Saddledome)*

Aug. 29: Edmonton, AB (Rogers Place)*

Aug. 30: Saskatoon, SK (SaskTel Centre) *

Sept. 11: Baton Rouge, La. (Raising Cane’s River Center) †

Sept. 13: Bossier City, La. (Brookshire Grocery Arena)†

Sept. 18: Austin, Texas (Moody Center) ‡

Sept. 19: Fort Worth, Texas (Dickies Arena)‡

Sept. 20: Houston (The Cynthia Woods Mitchell Pavilion presented by Huntsman) ‡

Sept. 25: Toronto, Ontario (Budweiser Stage) §

Sept. 26: Clarkston, Mich. (Pine Knob Music Theatre) §

Sept. 27: Grand Rapids, Mich. (Van Andel Arena) §

Oct. 2: Nashville, Tenn. (Bridgestone Arena) ||

Oct. 3: Noblesville, Ind. (Ruoff Music Center) §

Oct. 4: Cleveland, Ohio (Blossom Music Center) §

Oct. 9: Columbia, Md. (Merriweather Post Pavilion) §

Oct. 10: New York (Madison Square Garden) §

Oct. 11: Mansfield, Ma. (Xfinity Center) §

Oct. 16: St. Louis, Mo. (Hollywood Casio Amphitheatre) ||

Oct. 17: Rosemont, Ill. (Allstate Arena) ||

Oct. 18: Saint Paul, M.N. (Xcel Energy Center) ||

Oct. 24: Knoxville, Tenn. (Thompson-Boling Arena at Food City Center) #

Oct. 25: Charlotte, N.C. (Spectrum Center)#

Nov. 7: Tampa, Fla. (Amalie Arena) #

Nov. 8: Orlando, Fla. (Kia Center) #

~with special guest Zach Meadows

*with special guests ERNEST and Kaitlin Butts

†with special guests ERNEST and Maddox Batson

‡with special guests Muscadine Bloodline and Drake Milligan

§with special guests Muscadine Bloodline and Lauren Watkins

||with special guests Muscadine Bloodline and Maddox Batson

#with special guests ERNEST and Drake Milligan

New Country Airplay Top 10s for Cody Johnson & Carrie Underwood, Dylan Scott

Cody Johnson and Carrie Underwood’s “I’m Gonna Love You” climbs three spots to No. 9 on Billboard’s Country Airplay chart (dated Feb. 8). It gained by 11% to 17.3 million audience impressions Jan. 24-30, according to Luminate.

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The team-up was authored by Kelly Archer, Travis Denning and Chris Stevens. It’s from the deluxe version, released in November, of Johnson’s 2023 album Leather. The set reached No. 5 on Top Country Albums, becoming his fifth top five title.

Johnson, from Sebastopol, Texas, adds his fifth Country Airplay top 10. His latest follows “Dirt Cheap,” which reached No. 5 last September; “The Painter” (No. 1 for one week, March 2024); “Human” (No. 8, June 2023); and “‘Til You Can’t” (No. 1, two weeks, March-April 2022).

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Underwood earns her 31st Country Airplay top 10 and first since “Ghost Story,” which peaked at No. 6 in October 2022. In between, she banked two top 20 hits: “Out of That Truck” (No. 18, April 2024) and “Hate My Heart” (No. 20, May 2023). She notched her 16th and most recent No. 1 with “If I Didn’t Love You,” with Jason Aldean, for three weeks in October-November 2021.

Underwood boasts the second-most Country Airplay top 10s among women dating to the chart’s 1990 launch. Reba McEntire leads the category with 37.

‘Good’ News

Dylan Scott scores his seventh Country Airplay top 10, and his fifth in succession, as “This Town’s Been Too Good to Us,” which he co-wrote, lifts 11-10 (17 million, up 9%).

Meanwhile, Scott claims concurrent top 10s for the first time, as “Boys Back Home,” with Dylan Marlowe, ranks at No. 6 after reaching No. 2. Scott’s active top 10 streak is rounded out by “Can’t Have Mine,” which led for a week in December 2023, becoming his third No. 1; “New Truck” (No. 1, one week, August 2022); and “Nobody” (No. 2, June 2021).

More ‘Love’

Meanwhile, Morgan Wallen’s “Love Somebody” rules Country Airplay for a second week (35.4 million, up 5%). Of his 16 chart-toppers, his newest marks his eighth to lead for multiple weeks.

Rascal Flatts, Jonas Brothers Team Up For Heartbreak Anthem ‘I Dare You’

Two musical trios have joined forces for a harmony-drenched new song about heartbreak, with country group Rascal Flatts and sibling pop trio the Jonas Brothers blending their vocal talents on the new track, “I Dare You.”

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Flatts’ Gary LeVox launches the first verse of the song that dropped on Friday morning (Jan. 31), opening a lyrical arc of someone dreaming of a lifetime of love with the one he adores, before realizing that they’re holding back. LeVox is soon joined by his Flatts bandmates, Joe Don Rooney and Jay DeMarcus, bringing in their signature pristine harmonies to the country-leaning pop track.

The Jonas Brothers helm the second verse, as the song builds into a spotlight for both groups’ vivid harmonies, conveying both hopefulness and determination as the song’s protagonist aims to convince a significant other to overcome past heartbreak to give love another shot.

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“I Dare You” was written by the Jonas Brothers’ Nick Jonas, along with Dan + Shay’s Shay Mooney and co-writers Dewain Whitmore Jr. and Tommy English.

“We’re so excited to kick off this next chapter of Rascal Flatts with this single, working with Kevin, Joe and Nick is such a blast, they’re class acts,” Rascal Flatts’ Jay DeMarcus said in a statement. “I think this song fits perfectly into our catalogue while also showing off something new and exciting, and we can’t wait to share it with our fans on the road!”

As Rascal Flatts releases this new music, they are also gearing up for their 25th anniversary Life Is a Highway Tour, which launches in February and features openers Lauren Alaina and Chris Lane.

Listen to “I Dare You” below:

Jelly Roll Delivers an Emotional ‘I Am Not Okay’ & Propulsive ‘Hollywood Nights’ at FireAid Concert

Jelly Roll didn’t write “I Am Not Okay” specifically about the Los Angeles fires, but like many of the songs performed during the Thursday (Jan. 30) FireAid benefit concert, it took on added meaning given the emotional upheaval Los Angelenos have gone through the past month as fires have ravaged parts of the county.

Striding out on the Intuit Dome stage sporting an L.A. Dodgers cap, he declared he was “going to bring some country music” to the evening before launching into the song, whose refrain — “I’m not OK, but it’s all going to be all right” — struck the perfect chord for the evening. The song’s message of resilience and Jelly Roll’s confident, sympathetic delivery felt like a reassuring promise.

After he finished the tune, which Jelly took to No. 1 on Billboard’s Country Airplay chart last year, he introduced himself to the audience calling himself Jason “Jelly Roll” Deford, before adding, “I think it’s important while I’m on this stage to sing a song about one of my favorite cities in America, but I can’t do that without someone from Los Angeles. I would like to bring my big brother Travis Barker out to play tonight.”

With that, the Blink-182 drummer settled in behind the drum kit and the band barreled through a propulsive, driving version of Bob Seger & the Silver Bullet Band’s “Hollywood Nights,” Seger’s 1978 classic about a Midwest guy who gets lost in the excesses of the Los Angeles hills and in the allure of one particular woman, as he who wonders after it all goes south, if it’s too late to go back home.

Jelly Roll was one of more than two dozen performers — including Stevie Nicks, John Mayer, Rod Stewart, P!nk and No Doubt — who took over the Intuit Dome and Kia Forum for the benefit, which is raising money for victims of the fires and for future fire prevention.  

Ben Vaughn, President/CEO of Warner Chappell Nashville, Dies at 49

Ben Vaughn, president/CEO of Warner Chappell Nashville, died on Thursday (Jan. 30). A cause of death was not disclosed. He was 49.

The much-beloved Vaughn, who was Billboard‘s Country Power Players executive of the year in 2020, joined Warner Chappell Nashville (WCN) in 2012 and was promoted to president in 2017, adding the role of CEO in 2019. The Belmont University alumnus was honored with Belmont’s Music City Milestone Award in 2015.

Warner Chappell Music co-chairs Guy Moot and Carianne Marshall released the following memo to Warner Chappell Music staffers that read in part, “It is with broken hearts that we share the unthinkable news that Ben Vaughn, President & CEO of Warner Chappell Nashville, passed away this morning. Our deepest condolences are with his family and many friends.”

Under Vaughn, WCN had consistently dominated the country music publishing market. In 2024, they were crowned ASCAP Country Music and BMI Publisher of the Year (for the fifth time) and marked their third consecutive quarter at No. 1 on Billboard’s Country Airplay publisher rankings. Apart from Q3 of 2022 to Q3 of 2023, Warner Chappell Nashville had held the quarterly top spot, dating back to the first quarter of 2017. In November 2019, ASCAP, BMI and SESAC all named WCN their country publisher of the year — only the third time a publishing company has been honored as such, and a first for WCN.

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Among the singer/songwriters Vaughn worked with were Thomas Rhett, Zach Bryan, Chris Stapleton, Riley Green, Warren Zeiders, Hunter Phelps, Bailey Zimmerman, Jessi Alexander, Liz Rose, Josh Phillips, Thomas Rhett, Nicolle Galyon and Randy Montana.

The father of three was extraordinarily passionate about songwriters, especially developing ones, and relished helping young singer/songwriters find their voice and their first record deal. “There’s so many people that want that record deal, so helping someone get to that spot is one of the hardest things in the music business,” Vaughn told Billboard in 2020. “So the job is to take away the nos and help that person get to a place where you get a yes.”

Tributes poured in quickly. Jon Platt, chairman/CEO of Sony Music Publishing, who worked with Vaughn at EMI and then brought him over to Warner Chappell in 2012, said in a statement, “I am deeply saddened by the passing of my friend Ben Vaughn, and united in grief with the entire songwriting community.  Ben dedicated his life to songwriters.  As an exceptional leader and mentor, he leaves an indelible mark on the music business. I extend my deepest condolences to his loved ones and all who were touched by his spirit. I feel privileged to have known Ben and shared a close relationship with him. He was the best of the best and I will miss him greatly.”  

“Ben was warm, welcoming, and always someone that supported and elevated the American songwriter,” says Lucas Keller, president/founder of Milk & Honey. “The world will not be the same without him – this is a loss most cannot process today.  We met 15 years ago on my first trip to Nashville when he was at EMI, and I’ll never forget him.”

“Our hearts are heavy today in learning about the passing of longtime ACM Board Member and former ACM Board Chair, and good friend to all of us, Ben Vaughn,” added Damon Whiteside, CEO of the Academy of Country Music. “Ben was a champion of the country music genre and strong advocate for songwriters and good songs. He served as board chair of the Academy in 2018 and was the first music publisher to serve as chairman in the Academy’s history, in addition to serving on the ACM Lifting Lives board. On behalf of the ACM Board, ACM Lifting Lives Board, and the ACM staff, we send our condolences to Ben’s family, friends, coworkers, and all of those who crossed his path and were lifted up by his passion. His memory will live on forever through the great music he made happen.”

Vaughn grew up in the tiny community of Sullivan, Ky., and comes from “a proud tradition of coal miners, teachers and mechanics,” he told Billboard. As a high school student, he got a job as a weekend DJ at country radio station WMSK-FM, which set him on a path to Nashville. “I would devour the vinyl and read all the publishing and writer credits,” he told Billboard. “I thought, ‘I want to go where these people are.’ ”

That led him to Nashville’s Belmont University and an internship at WCN in 1994 under then-executive vp Tim Wipperman, who taught Vaughn the intricacies of publishing. While there, he got to know producer Scott Hendricks, whose Big Tractor publishing company had a partnership with WCN. Hendricks was so impressed with Vaughn that he eventually asked him to run Big Tractor — while Vaughn was still a college student. “He said, ‘I’m going to give you six months to see how it goes, but if you quit school, I’ll fire you,’ ” recalls Vaughn.

Through the decades, Vaughn remained in wonderment of songwriters and the new worlds they created. “It is awe-inspiring how much talent it takes to create something out of nothing that literally can make the whole world sing,” he said. “The most sacred responsibility is to help connect writers’ dreams to their goals. The fact that as publishers we are trusted to hold that space for them is everything.”

Moot and Marshall’s full memo to WMG:

To everyone at WMG,

It is with broken hearts that we share the unthinkable news that Ben Vaughn, President & CEO of Warner Chappell Nashville, passed away this morning. Our deepest condolences are with his family and many friends.

Ben has led our Nashville team since 2012, and we know that many of you around the world got to know him over the years. Anyone who had the pleasure of working with him will be as shocked and saddened as we are.

First and foremost, Ben was an extraordinary human being. He met everyone with enthusiasm, warmth, and generosity. His smile was huge, and his sense of humor was infectious.

He was always a passionate advocate of songwriters and a topflight music publisher. The Nashville community has lost one of its greatest champions, and he will be profoundly missed by so many across our company and the entire industry.

We are planning to visit the Nashville team very soon and thank you all for helping support them through this awful tragedy.

With love,

Guy & Carianne

This is a developing story.

Jordan Davis, Wife Kristen Share They’re Expecting Baby No. 4 With ‘Full House’-Inspired Video: Watch

Jordan Davis and his wife Kristen are expecting their fourth child in June.

The five-time Billboard Country Airplay chart-topper revealed that his family is growing by posting a humorous video that opens with Davis standing by a pool and sipping on a beer, as the theme song to the TV series Full House plays in the background.

“Well, this is a dude, well a dad. Three beautiful children,” he says in a voiceover. “What’s better than three? What’s better than three is four.” Meanwhile, the video shows footage of some of his older children crying, and one of them rolling a toy truck into a balcony wall.

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“That’s where we’re gonna be at come June. Baby Davis No. 4,” he adds. “Look out! Now you may be thinking, ‘How’s this dude gonna do it?’ … But, the dude abides. 2025’s gonna be a big one. Namely because, we’re gonna be welcoming a brand new baby. Love to meet you, baby Davis — I’m gonna need a few more of these things.” Davis then takes a long swig of his drink.

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“Let’s keep the party going,” he says as the clip concludes.

Davis captioned the video with a humorous note, writing, “To contribute to the Baby Davis #4 diaper fund, please stream my music and buy tickets.”

The couple wed in 2017, and are parents to Eloise (5), Locklan (3) and Elijah (19 months).

Davis’s upcoming shows for 2025 include stops at iconic Texas venue Billy Bob’s, as well as a performance at Tortuga Music Festival. Meanwhile, his current single “I Ain’t Sayin’” is in the top five on the Country Airplay chart. Last year, Davis’s song “Next Thing You Know” won song of the year at the Academy of Country Music Awards. He wrote the track with Chase McGill, Greylan James and Josh Osborne.

See Davis’ reveal video below: