Country

Tim McGraw Returns With Self-Reflective New Single ‘Standing Room Only’

Tim McGraw returns with an introspective new song, “Standing Room Only.”

“I wanna live a life … like a dollar and the clock on the wall don’t own me,” McGraw sings on the new track, with a live-life-to-the-fullest message similar to that of his 2004 hit “Live Like You Were Dying.” The lyrics to “Standing Room Only” elevate forgiveness and human connection — or as the song goes, “Live a life so when I die/ There’s standing room only.”

“Standing Room Only” was written by Craig Wiseman, Tommy Cecil and Patrick Murphy, with production from Byron Gallimore and McGraw. Wiseman also co-wrote “Live Like You Were Dying,” which spent seven weeks atop Billboard‘s Country Airplay chart.

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McGraw recently talked about “Standing Room Only” on The Bobby Bones Show, saying, “Lyrically, there’s not a wasted line anywhere in this song. It’s such an impeccably written song, and then the melody I love. When you get into the studio to record, you’re scared to death that you are going to go in and screw up a song. ‘Humble and Kind,’ I had that song for a year before I recorded it, because when you hear [“Humble and Kind” songwriter] Lori McKenna sing with just an acoustic guitar, it just doesn’t get much better than that.”

McGraw added, “It’s rare to find a song that has this much lyrical content and this much meaning, it says so much, but still have this sort of high energy. It’s rare to find that combination of not quite a ballad, not quite an up-tempo, but still deep, lyrically.”

The song is the title track to McGraw’s upcoming 17th studio album, set to release on Big Machine Records.

“I’m finishing up the album now, all the final mixes,” he said during his visit to The Bobby Bones Show. “I cut around 30 [songs] probably. That’s hard, too, because I don’t take anything in unless I like it, so to cull them down to the ones that don’t make the record — I always leave stuff on the floor that I love.”

Watch his interview with Bobby Bones below:

Kacey Musgraves, Reese Witherspoon Talk Country’s Global Reach in First ‘My Kind of Country’ Trailer

In the first trailer for the upcoming Apple TV+ series My Kind of Country, executive producers Kacey Musgraves and Reese Witherspoon break down the reason they decided to hop into the reality singing competition lane.

“When we got together a long time ago we were talking about how country music should stop limiting people and start opening doors… it’s music brought over from all over the world,” Witherspoon says in the two-minute sneak peek that dropped on Friday morning (March 10). “The bluegrass, the folk, the gospel. There’s so many threads woven through country music,” Musgaves adds.

The series that will pit 12 contestants against each other in a bid to become the next country star will feature a diverse group of singers from around the world trying to impress ground-breaking country stars Jimmie Allen, Mickey Guyton and Orville Peck. Each scout has picked a diverse roster of up-and-coming acts who they think have that special something and invited them to Nashville to showcase their unique sound.

In keeping with that theme, each artist’s team is packed with acts that span the globe, with Allen’s featuring singers from Mexico, India, North Carolina and South Africa, while Guyton’s squad has two Nashville and South African performers and Peck’s players from India, South Africa and California.

The winner of the competition will receive what is described as a “life-changing” experience from Apple, which will include global exposure across the Apple TV+ and Apple Music platforms.

My Kind of Country will debut on March 24.

Check out the trailer below.

First-Ever People’s Choice Country Awards Coming to NBC & Peacock This Year

 

The People’s Choice Awards is expanding with the announcement of the first-ever People’s Choice Country Awards airing in September across NBC and Peacock, live from the Grand Ole Opry stage in Nashville.  

The two-hour telecast will give NBC a country awards show to compete with the CMA Awards, which have aired on ABC since 2006; the CMT Music Awards, which have aired on CBS since 2022; and the  ACM Awards, which have streamed on Prime Video since 2022.

NBC aired the CMA Awards from 1968-71 and the ACM Awards from 1979-97 but hasn’t been in the country awards game for years.

“We’re excited to partner with the Grand Ole Opry to bring the year’s biggest celebration in country music to Nashville,” Cassandra Tryon, senior vice president, live events, NBCUniversal Television & Streaming, said in a statement. “Country fans are passionate about their music and there’s no better place to host this event than from country music’s biggest stage.”  

As the show’s name implies, the winners will be chosen entirely by the fans, though several honorary awards will also be bestowed.

The People’s Choice Country Awards will extend to social platforms with All-Access Live bringing fans at home behind the scenes as well as interactively connecting country’s most popular stars with their biggest fans.  

The telecast will be produced by Den of Thieves with Jesse Ignjatovic, Evan Prager and Barb Bialkowski serving as executive producers 

The People’s Choice Awards aired on CBS from 1975-2017 and was highly rated for many years. E! acquired the show in 2017; it aired on that channel for the first time in 2018. NBC joined E! in airing the show in 2021.

The People’s Choice Awards has long included country categories and performances. At the most recent People’s Choice Awards, which aired Dec. 6, 2022, Shania Twain performed a four-song hit medley. Carrie Underwood was voted the country artist of 2022, beating Kelsea Ballerini, Kane Brown, Luke Combs, Miranda Lambert, Maren Morris, Thomas Rhett and Morgan Wallen.

The 2022 People’s Choice Awards bucked industry trends with year-over-year ratings growth on the broadcast network, and delivered 173 million total engagements across linear, digital and social platforms, according to an NBC statement.  

This new project is an example of collaboration resulting from NBCUniversal’s equity investment in Opry Entertainment Group alongside Atairos, which was finalized last year.  

The upcoming awards show is the latest in a series of moves from Ryman Hospitality Properties and Opry Entertainment Group. This week, OEG revealed a minority investment in country music lifestyle brand Whiskey Riff. In 2022, Ryman Hospitality Properties closed on its purchase of Block 21, a property that includes ACL Live at Moody Theater, the home venue of the television program Austin City Limits. 2020 saw the launch of Circle Network, a joint venture between OEG and Gray Television that featured Grand Ole Opry performances and more.

Jessica Nicholson assisted in preparing this story

Morgan Wallen’s ‘One Thing at a Time’: All 36 Tracks Ranked From Worst to Best

We won’t officially know until Sunday (March 12) how big Morgan Wallen’s new album, the super-sized One Thing at a Time, will debut on the Billboard 200, but we know the 36-track set is already a blockbuster.

As of Wednesday (March 8), the 36 tracks have accumulated 315 million on-demand streams, already the biggest week for any 2023 album, according to Luminate. In its first four days, OTAAT surpassed the 240 million tally hit by Wallen’s 2021 album, Dangerous: The Double Album, in its first full week.

The album, which features collaborations with Eric Church, HARDY and ERNEST, was culled from 42 songs to its final 36 tracks.

“The songs just kind of naturally came in,” Wallen previously told Billboard. One Thing at a Time producer Joey Moi added, “It seemed like the more we cut, the more songs would show up. So it just kept piling up.”

Moi also noted Wallen’s involvement in the studio has become deeper with each album release.

“The first record, in a budding career [from a] new artist is weird, you kind of get stripped of all your time to make the record, so we really panicked our way through that one,” Moi said. “He was on tour, and then we would cut the songs together in the studio, and then he’d go off on tour. I’d squirrel away and work on the music getting ready for him to come back. He’d sing like six songs in one day. It was that process. Second record, we were able to engineer the calendar a little better but he was still heavy in obligations [but] he was present for way more than the first record. This one I feel like we nailed the calendar, and he was there for every moment of it. It was amazing having him in the room the whole time with me.”

Upon the album’s March 3 release, we picked the top 10 tunes, but now we’re back to rank all 36 songs on the Moi-produced set, from the least to the greatest.

The Cadillac Three Members Launch War Buddha Label With Warner Records

The Cadillac Three members Jaren Johnston and Neil Mason have teamed with Warner Records via a joint venture to launch the Nashville-based label War Buddha Records.

The first signing to the venture is Los Angeles-based singer-songwriter Rett Madison, who recently wrapped a run of shows with St. Paul & The Broken Bones and is slated to play during SXSW 2023.

“As artists ourselves, we created War Buddha first and foremost as a home for artists,” Johnston said via a statement. “In partnering with our longtime friend Aaron Bay-Schuck, alongside Tom Corson and the stellar Warner Records team, we saw the opportunity to mix our dirt with Warner’s power to create a venture fostering both creative expression and commercial success.”

“We want the label to offer a platform for artists with unique perspectives who fit out, not in, and feel unafraid to tell their stories unapologetically,” Mason added. “Rett is the perfect first signing for the label: an artist with the incredible ability to capture life experiences in songs that make the listener feel they are in those moments with her. We’re so grateful to Aaron and Tom for the chance to build this label together.”

Nashville natives Johnston and Mason, along with their The Cadillac Three cohort Kelby Ray, have released albums via Big Machine Records including 2016’s Bury Me in My Boots, and a pair of 2020 projects, Country Fuzz and Tabasco and Sweet Tea. As songwriters, Johnston has written songs recorded by artists including Tim McGraw (“Southern Girl”), Keith Urban and Eric Church (the duet “Raise ‘Em Up”). Mason has written songs recorded by artists including Miranda Lambert (“Old Sh*t”), and Jake Owen (“Days of Gold”).

“For as long as I have known Jaren and Neil, they have never taken a conventional path,” said Bay-Schuck, co-chairman & CEO of Warner Records, via a statement. “They’ve been fearless in their pursuit of great art, never compromising any integrity or authenticity in their approach to their own artistry or collaborations as songwriters and producers for other artists. As we continue to build the Warner Records brand as one that is always a safe and encouraging place for artists who dare to be different, take risks, and have a point of view, it made total sense to partner with War Buddha on their mission to do the same. We are very excited to welcome Rett Madison as the first artist from this partnership and we can’t wait to see what other unique and amazing talent Jaren and Neil discover.”

“I couldn’t be more thrilled to be joining the Warner Records family with War Buddha!” Madison said. “I’ve felt such genuine enthusiasm from Neil and Jaren in regards to my music and their total support of me sharing my most authentic, artistic voice feels refreshing. I can’t wait to see what we all build together.”

Opry Entertainment Group Makes Investment in Whiskey Riff Lifestyle Brand

Opry Entertainment Group (OEG) has made a minority investment in country music lifestyle brand Whiskey Riff in an effort to draw a younger audience to its properties.

OEG, which counts the Grand Ole Opry, Ryman Auditorium, WSM Radio and the Blake Shelton-inspired Ole Red slate of restaurants/music venues among its portfolio, plans to use the alignment with Whiskey Riff to reach a younger demographic, attract new audiences to its brands, develop a stronger digital presence and further support emerging artists.

“They have created a really compelling brand, one that has built an incredibly loyal following,” says Mark Fioravanti, president and CEO of Ryman Hospitality Properties of Whiskey Riff. “They attract a younger demographic, and this gives us another way to connect our brands and the artists we support with younger fans.”

Fioravanti declined to comment on the specific percentage invested in Whiskey Riff or if OEG plans to increase its ownership stake in Whiskey Riff in the future.

Created by Steve Gazibara and Wes Langeler in 2015, Whiskey Riff has become a destination website for consumer country music news and content, as well as for outdoors and lifestyle content that resonates with the country music audience.

Across the Whiskey Riff brand umbrella as a whole, including Whiskey Riff social media accounts as well as @RIFFOutdoors, @WhiskeyRiffShop and @WhiskeyRiffRaff, the company says the sites have collectively drawn over 3.3 million social media followers. Over half of Whiskey Riff viewers are between the ages of 18-44.

Gazibara tells Billboard of launching Whiskey Riff, “I just thought, ‘If you are a college kid sitting in class, you don’t have a place to go to get a playlist, a podcast, a funny story, an outdoors thing, music stories and maybe a funny t-shirt if you want to get it for a concert.’”

“We share a certain segment of fans with Opry Entertainment, but we also have different fans in certain capacities,” Langeler adds. “The Opry does a great job of promoting rising artists that are independent and then they also bring on seasoned veterans, [Country Music] Hall of Fame members. I think we can really just help each other grow and continually bring new fans to each other.”

One element the Whiskey Riff co-founders insist won’t change is the site’s distinctive voice.

“The Opry knows we’re gonna have opinions,” Gazibara says. “They don’t have a say in the content, obviously, but of course you want to amplify their content that fits with our audience—and there is plenty of that from their end.”

Currently, OEG supports emerging artists in multiple ways, including Grand Ole Opry debut performances, as well as the “My Opry Debut” series, which runs on television network Circle, OEG’s joint venture with Gray Television. Additionally, new acts garner support through the Opry NextStage program, and performances at various Ole Red locations (Ole Red is set to add a Las Vegas location later this year).

OEG and Whiskey Riff are considering a range of collaborative options, including podcasts and cross-promotional retail/branding opportunities. “You might see some of their brand of products in our brick and mortar locations,” Fioravanti says. “We are just starting to have those discussions, but it’s an opportunity to collaborate with our retail capabilities.”

Gazibara and Langeler envision further amplifying Whiskey Riff’s lifestyle content, including food, hunting, fishing and other sports. Meanwhile, the Colorado-based Whiskey Riff will soon have a full-time Nashville presence; the site’s operations manager will relocate to Nashville, while the site’s Nashville-based assistant editor will move to a full-time role.

“They will have access to go backstage [at the Opry], talk to people, maybe get some fun, rapid-fire content before artists go onstage, or show the jam band-kind of thing that often happens backstage,” Langeler says. “We want to give fans an inside look at stuff they maybe wouldn’t have seen.

“The Opry is the greatest country music institution in the world,” Langeler adds. “I think we will be a machine going forward, pumping out content, giving fans that access and telling great stories. Country music is such a rich storytelling fabric and we will be able to help the Opry amplify that, and they will be able to help us to be able to tell these stories.”

HARDY and ERNEST Discuss Their Hitmaking Collaboration With Morgan Wallen & If They’d Ever Form a Supertrio

In recent years, a trio of Big Loud-signed artists — ERNEST, HARDY, and Morgan Wallen — have become country music’s ultra-collaborative hitmaking machine, churning out an array of hits for themselves and other artists.

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Earlier this month, ERNEST, HARDY and Wallen were all honored during the Country Music Association’s Triple Play Awards, which honors songwriters who have written three No. 1 songs within a 12-month span. To date, Wallen has been a co-writer on several Jason Aldean-recorded songs, including “Make It Easy,” as well as Keith Urban’s “Brown Eyes Baby” and Corey Kent’s “Wild as Her.” HARDY has been a contributor to Wallen’s “Sand in My Boots,” Blake Shelton’s “God’s Country,” Michael Ray’s “Holy Water,” LOCASH’s “One Big Country Song” and Breland’s “Praise the Lord” (featuring Thomas Rhett). ERNEST’s Triple Play-earning contributions this year are Wallen’s “Wasted On You,” Sam Hunt’s “Breaking Up Was Easy in the ‘90s” and Kane Brown’s “One Mississippi.”

While Nashville is no stranger to hitmaking songwriter trios — such as the Peach Pickers (Ben Hayslip, Dallas Davidson and Rhett Akins) and the Love Junkies (Liz Rose, Lori McKenna and Hillary Lindsey) — it is additionally notable that over the past year, Wallen, HARDY and ERNEST have each issued albums representative of country music’s expansive soundscape. ERNEST’s March 2022 release Flower Shops (The Album) and subsequent deluxe album Flower Shops: Two Dozen Roses this February incorporated a throwback, traditional country sound, while this January saw HARDY issue his country/metal amalgam The Mockingbird & The Crow, reaching No. 4 on the Billboard 200 albums chart.

This month, of course, the two sets are followed by Wallen’s juggernaut, 36-track project One Thing at a Time (Big Loud/Republic/Mercury)– which has already earned 315 million official on-demand U.S. streams in its first four days of release (March 3-6). It’s not only the biggest week of any album so far this year (and larger than its predecessor, 2021’s Dangerous: The Double Album, which opened at 240 million in its first full week), it’s also already the biggest streaming week any country album has ever posted.

“Everybody just truly does such different things, and we all bring out the creativity in each other,” HARDY tells Billboard of the trio’s fruitful collaboration. “Ernest might say something that would sound like something I would never think of, and that would spark a lyrical direction maybe they wouldn’t think of. We do what we do, and bring out the best in the rest of the triangle.”

ERNEST notes a common thread that runs through each of their respective projects: the production work of Joey Moi (Florida Georgia Line, Nickelback).

“I think about how many country music acts Joey Moi has helped craft into a sound, and how different all of those sounds are,” ERNEST tells Billboard. ”My sound is a little more traditional, like [an] Opry band. HARDY’s got the rock stuff, and Morgan’s down to go the 808s route. But Joey is able to make it sound really f–king good every time.”

ERNEST first met Wallen in 2015 at a party thrown by Big Loud co-founder and hit songwriter Craig Wiseman. They followed each other on Instagram and discovered they had competed against each other on opposing high school baseball teams — Knoxville’s Gibbs High School (Wallen) against Nashville’s David Lipscomb High School (now Lipscomb Academy) (ERNEST).

“They beat us and went on to win State [in 2010] and then we beat them for State [in 2011],” ERNEST recalls. “So, technically we met in 2015, but we had been rivals before we were friends.”

HARDY and ERNEST met on a writers’ bus on a Florida Georgia Line tour around 2017, when ERNEST was a rapper still going by the name Snow. HARDY and Wallen also began writing together in 2017.

“He came to my little apartment in Green Hills [in Nashville] and we just started writing. Me, Morgan and Jameson Rodgers wrote a song and then ate Martin’s BBQ after,” HARDY recalls of his first writing session with Wallen.

The trio’s collaborative efforts were apparent even on Wallen’s 2018 debut Big Loud album If I Know Me. Wallen, HARDY and ERNEST co-wrote the title track, alongside co-writer Ryan Vojtesak. HARDY and Wallen each contributed to around half of the songs on that album. Wallen’s follow-up, 2021’s record-breaking Dangerous: The Double Album features more songs from the trio: they all contributed to “Somethin’ Country” and “This Bar,” as well as “More Than My Hometown,” which became a No. 1 hit on Billboard‘s Country Airplay chart before the album’s release in 2020.

“I remember being very difficult that day,” HARDY recalls with a laugh of writing “More Than My Hometown.” “I had a vision for the song, and so did Morgan. I was just being very picky because I could feel that the song was going somewhere and we really dug into that lyric. We always make the joke that Ern accidentally went to Midtown and got really drunk before that song, so he wasn’t really much help — but he contributed as good as he could. I just remember we really dug into the lyrics hard that day. The leadup to the hook changed so many times and we finally settled on those [lyrics].”

The trio have also traded features on each other’s albums, with Wallen appearing on the track “Red” from HARDY’s The Mockingbird & The Crow, as well as on two tracks from HARDY’s Hixtape, Vol. 1: “Turn You Down” and “He Went to Jared,” which has become a fan-favorite in concert. Meanwhile, Smith co-wrote another song from Hixtape, Vol. 1, “Redneck Tendencies.”

Wallen also teamed with ERNEST for “Flower Shops,” the traditional-minded top 20 Country Airplay hit. Meanwhile, Wallen’s Dangerous: The Double Album features seven tracks cowritten by HARDY and 11 contributions from Smith (including two tracks, “Dangerous” and “Wonderin’ About The Wind,” written by Wallen and Smith).

ERNEST contributes to 11 songs to Wallen’s sprawling One Thing at a Time, while HARDY contributed writing to three tracks. HARDY and ERNEST also lend their voices to respective features: HARDY on “In The Bible” and ERNEST on “Cowgirls,” a track he also wrote with Rocky Block, Ashley Gorley, James Maddocks and Ryan Vojtesak.

“A few months after we wrote it, I sent it to Morgan,” ERNEST says. “When I was singing and freestyling it, I thought, ‘Morgan’s gonna sound sick on this.’ Then, I think, with like eight hours left on the clock before they had to turn the album in, I was at the No. 1 party for Jelly Roll’s ‘Son of a Sinner’ [ERNEST is a co-writer on the Country Airplay chart-topper] and Morgan called me to sing a verse on ‘Cowgirls.’ I was like, ‘I thought you’d never ask’ — so I had to get my award and then run to the studio to put my vocal on ‘Cowgirls.’”

A similar situation led to HARDY’s vocal on “In The Bible.”

“The day the record was supposed to be done, Morgan texted me to ask me to sing on it,” he explains. “[Wallen] said the record had to be done by midnight that night. I listened and it fit me perfectly. If it was something stupid, I wouldn’t have done it — and I won’t ever send him a song that doesn’t sound like him.”

The trio’s camaraderie extends far beyond the writing rooms and recording studios. HARDY and ERNEST will open on Wallen’s international One Night at a Time tour, kicking off later this month. In 2022, HARDY opened shows on Wallen’s The Dangerous Tour, while ERNEST filled in the opening slot for a few shows after a tour bus carrying HARDY was involved in an accident.

“If any of us are going through anything on a personal level, any of the other ones would be there for them in a heartbeat in real life — and you’d never even know about it on Instagram,” adds ERNEST. “We are blessed to have these careers with our friends and get to cheer each other on.”

“I talk to either Morgan, ERNEST or both almost every day,” HARDY says. “We’re buddies, even outside of music. We’re always sending memes. I Facetimed Morgan on the way to this [Country Music] Hall of Fame event I did yesterday and I just worked out with Ernest this morning.”

Given their ultra-prolific songwriting and solid camaraderie, HARDY says it’s not out of the question that he, Wallen and ERNEST could at some point add to country music’s storied canon of collaborative albums — such as Wanted! The Outlaws, the Trio albums from Dolly Parton, Emmylou Harris and Linda Ronstadt, the Parton/Tammy Wynette/Loretta Lynn album Honky Tonk Angels, or projects from The Highwaymen, Pistol Annies, The Notorious Cherry Bombs, Chicks With Hits and more.

“We’ve definitely talked about it,” HARDY confirms. “I think it would be awesome. I think it would do really well, and would set up a tour perfectly. I don’t think anybody in our little trio would be opposed to that. It would be fun.”

Kelsea Ballerini Jokes About Rumors Her Romance With Chase Stokes Is ‘Probably PR’

Kelsea Ballerini is laughing off rumors about her relationship with Chase Stokes.

In a since-expired Instagram Story from Tuesday (March 7), the country star joked about her romance by posting a photo hand-in-hand on the Outer Banks actor’s lap backstage at Saturday Night Live, quipping, “idk seems staged. probably pr.” (Earlier in the week, she had shared another snap with her new love from Studio 8H, writing simply, “Hi chase stokes” — a cheeky reference to his Instagram handle.)

On the March 4 episode of NBC’s late-night sketch series, Ballerini performed two songs — “Blindsided” and “Penthouse” — off her new divorce-centric EP Rolling Up the Welcome Mat and its companion short film, which tell the singer’s side of her split from ex-husband Morgan Evans.

In the wake of that divorce, Ballerini revealed in a sit-down with the Call Her Daddy podcast that she met Stokes the old-fashioned millennial way: by sliding into his DMs. “I was ready to open back up,” she said. “I just felt, why not? I’ve never really dated; I don’t know how it works. I’m like, ‘Let’s just put ourselves out there — let’s just vibe.’ And it’s been fun.”

For his part, her ex recently addressed the former couple’s split with his own song “Over for You,” which Ballerini called “really opportunistic” in the same interview. “I felt really used in that moment,” she said at the time. “And again, his healing journey is his healing journey, I respect that. But publicly exploiting it feels a little nasty to me, before it’s final.”

Ballerini has previously addressed speculation that her romance with the actor is for publicity. The singer mentioned the rumor on TikTok by showing a screenshot of a message sent to gossip account DeuxMoi claiming her recent appearance with Stokes at a college football game a “PR play.”

“I know, I know. Stop reading, stop looking,” Ballerini says in her TikTok, gesturing to the message. “But what is happening, guys? What? Let’s not do this, you know?”

BMI to Honor Gospel Music Greats David & Tamela Mann, Dr. Bobby Jones

Gospel music luminaries David and Tamela Mann, as well as Dr. Bobby Jones will be honored during the upcoming 22nd annual Trailblazers of Gospel Music Awards on March 30.

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The event, to be held at Flourish Atlanta, will be hosted by BMI president/CEO Mike O’Neill and BMI vice president, Creative Catherine Brewton.

“BMI is thrilled to be back in Atlanta celebrating the best in Gospel music,” said Brewton via a statement. “We’re extremely proud to honor powerhouse couple Tamela and David Mann for their incredible contributions to the Gospel community, the enduring legacy of Dr. Bobby Jones and the songwriters and publishers behind the top Gospel songs of the previous year. Through song and praise, they deliver inspirational messages of hope, faith and goodwill to music lovers around the world. We feel truly blessed to bring these trailblazers together in fellowship and celebrate their creative works.”

In the 1990s, Tamela and David toured the world as part of the gospel group Kirk Franklin and the Family, before launching solo careers and joint ventures, creating Tillymann Entertainment in 2005 as a base for their various entertainment projects. In 2018, they released Us Against the World, their first collaborative album as a duo. A companion book to the album earned the couple a NAACP Image Award for outstanding literary work, while the album launched the hit “Ups & Downs.” The Manns also launched the Overcomer Family Tour, with their son David Jr. and their daughters La’Tia and Tiffany.

Beyond music, the Manns have appeared in several Tyler Perry plays, films and movies, and starred in their own sitcom, Mann & Wife, and the docuseries It’s a Mann’s World. As a solo artist, Tamela has issued six studio albums and earned a Grammy, BET Award, Billboard Music Award and multiple NAACP, GMA Dove and Stellar Gospel Music awards.

Singer, television host and radio broadcaster Jones will be honored for his more than four decades in entertainment. For more than 35 years, he served as the host of Bobby Jones Gospel on BET, and is credited with giving artists including Yolanda Adams, Kirk Franklin and Mary Mary their first national television exposure. In 1984, Jones earned a Grammy for best soul gospel performance by a duo or group for “I’m So Glad I’m Standing Here Today” with Barbara Mandrell. He has also received recognition from the GMA Dove Awards, and the Stellar Awards, and was inducted into the Black Music & Entertainment Walk of Fame earlier this year.

Throughout the ceremony, BMI will also recognize the songwriters, producers and music publishers of the past year’s 25 most performed gospel songs in the United States. The BMI gospel song, songwriter and publisher of the year will also be named during the event.

Which Is Your Favorite Song From Morgan Wallen’s ‘One Thing At a Time?’ Vote!

With only three months into the new year, Morgan Wallen‘s new album, One Thing At a Time, has outperformed every other album released so far in 2023 — and just three calendar days after its release.

Continuing the format of his second album, Dangerous: The Double Album, One Thing At a Time is a triple LP that contains a total of 36 songs from the country singer. The set, released on March 3 via Big Loud and Republic Records, so far has released four singles: “You Proof,” “Thought You Should Know,” “Last Night” and the album’s title track, “One Thing At a Time.” Each of them hit the Billboard Hot 100 following the album’s release, with “Last Night” and “You Proof” peaking within the top five (Nos. 3 and 5) while the album’s title track and “Should Know” settling within the top 40 (Nos. 12 and 37, respectively).

On March 3, Spotify revealed that Wallen’s One Thing At a Time earned a total of 52.29 million streams, setting the record for being the streaming service’s most-streamed country album in a single day by a male artist. Wallen has also topped the Billboard Artist 100 chart (dated March 11), becoming the top musical act in the U.S. for a seventh total week. While the data continues to pool for One Thing At a Time, the set is anticipated to perform well on next week’s Billboard 200 and Top Country Albums charts (dated March 18).

With so many songs to choose from, we want to know: Which of the 36 tracks from One Thing at a Time is your favorite? Vote in our poll below.