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Three top Universal Music Group Nashville executives have exited their roles: executive vp of promotion Royce Risser, evp of A&R Brian Wright and senior vp of A&R Stephanie Wright, according to Country Aircheck. Representatives at UMG Nashville did not immediately respond to a request for comment.
Risser was promoted to evp in 2018. He began his career as an intern at MCA Records in 1991 and climbed the ranks as director, NE regional promotion, then director of national promotion and vp of promotion before assuming the role of svp of promotion for UMG Nashville in 2007.
Stephanie Wright joined UMGN more than two decades ago and previously served as vp of A&R. During her tenure with the label, Wright worked with artists including Kacey Musgraves, Luke Bryan and Sam Hunt, and was instrumental in albums including Musgraves’ Same Trailer Different Park and Hunt’s Montevallo.
Brian Wright also joined UMGN over two decades ago and was promoted to his evp role in 2018 and worked closely on albums including Jamey Johnson’s Lonesome Song, George Strait’s Troubadour and Chris Stapleton’s Traveller and From A Room Vols. 1 and 2.
The exits of the Wrights — who are married — and Risser come as Cindy Mabe officially began her role as UMG Nashville chairman/CEO on April 1, following former UMGN chairman/CEO Mike Dungan‘s retirement. Mabe was named president of UMGN in 2014 and with her rise to chairman/CEO, she becomes the first woman to serve as chairman/CEO of a Nashville-based major label group.
Earlier this year, Katie Dean left UMG after a two-decade tenure with the company; Dean had led MCA Nashville’s promotion team since 2015. In 2022, UMG Nashville’s Rachel Fontenot exited her role as vp of marketing and artist development, while vp of marketing Brad Turcotte left UMG Nashville to become partner at 615 Leverage + Strategy.
Meanwhile, former Arista Nashville artist Brad Paisley recently signed a deal with UMG’s EMI Nashville imprint.
After getting to know each other this weekend at the 2023 CMT Music Awards, country music legend Shania Twain said she’s totally down for a possible collaboration with rapper Megan Thee Stallion. The two got acquainted when Meg presented the Equal Play Honor to Twain at the show and Twain told ET Online that it got her thinking about how they might sound together.
“I love her… what a sweetheart!,” Twain said of the “Body” MC, who was seated near the country queen in the audience during the broadcast. She added that they got along “very well… I love her as a person.”
There is one question, however, Twain is very glad Megan didn’t ask her. “She is a great talent, I was just glad she didn’t ask me to twerk out there. I would had to have said no,” Twain said. “She was amazing and said so many sweet things and I was really flattered she was there for me.”
The bond was so immediate, Twain added, that she revealed she “was thinking” they might vibe in the studio as well. “I think that that would really work… I love her whole mind,” the singer said.
If it happens, it would mark a hip-hop crossover first for Twain, who has typically leaned into the country/pop vein in the past when it comes to sharing the mic, including songs with Orville Peck (“Legends Never Die”), Alison Krauss & Union Station (“I’m Gonna Get You Good”), Sugar Ray’s Mark McGrath (“Party For Two), her musical hero Anne Murray (“You Needed Me”), and, at this year’s Coachella, Harry Styles for a live run through her “Man! I Feel Like a Woman!”
It would also be a first for San Antonio-bred Megan, who has also mostly stayed in her lane, teaming up with Beyoncé for the “Savage” remix, Key Glock on “Ungrateful,” Juicy J for “Simon Says,” Dua Lipa for “Sweetest Pie” and, of course, Cardi B on their Billboard Hot 100 No. 1 smash “WAP.”
On April 4, 1998, Trisha Yearwood’s “Perfect Love” began a two-week run at No. 1 on Billboard’s Hot Country Songs chart, marking her fifth of five leaders.
The song was penned by Sunny Russ and Stephony Smith and produced by Tony Brown. It was released from Yearwood’s (Songbook) A Collection of Hits, which in September 1997 debuted as her first of four No. 1s on the Top Country Albums chart.
Yearwood was born Sept. 19, 1964, in Monticello, Ga. In 1984, she graduated from Young Harris College with an associate degree in business. Prior to signing with MCA Records in 1990, she worked various jobs in Nashville, including as a receptionist at MTM Records, and attended Belmont University.
Yearwood’s debut single, “She’s in Love With the Boy,” ruled Hot Country Songs for two weeks starting in August 1991. In 2021, a 30th anniversary surprise celebration was held at the Grand Ole Opry (where she was inducted as a member in 1999). She was presented with a special award by Carly Pearce revealing that the song ranked as the most-heard country song by a woman since Luminate began in 1990.
Now 58 and married to superstar Garth Brooks since December 2005, Yearwood is active in music, TV and writing, having authored a series of cookbooks.
Her most recent Hot Country Songs hit, a remake of Lady Gaga and Bradley Cooper’s A Star Is Born ballad “Shallow,” with Brooks, hit No. 27 in June 2021.
“You lose your filter … that’s not so good,” Yearwood, in 2019, told Billboard, with a laugh, about her current mindset at this point in her life and career. “But, you also lose your inhibitions. There’s a freedom that comes with time that allows you to just have fun.”
Kane Brown and Jelly Roll made history at the 2023 CMT Music Awards, which were presented on Sunday at Moody Center in Austin, Texas. The show aired on CBS for the second year in a row.
Brown became the first person in 20 years to both host or co-host the show and win the top award, video of the year. He co-hosted with Kelsea Ballerini for the third year in a row. He won video of the year for “Thank God,” his hit duet with his wife Katelyn Brown. The last person to accomplish this double feat was Toby Keith, who co-hosted the 2003 CMT Music Awards with actress Pamela Anderson and took the video of the year award for his post-9/11 song “Courtesy of the Red, White & Blue (The Angry American).”
This is the third year in a row that a collaborative video has won video of the year. “If I Didn’t Love You” by Jason Aldean and Carrie Underwood won last year. “Hallelujah” by Underwood featuring John Legend won two years ago.
Jelly Roll won both male video of the year and breakthrough male video of the year for “Son of a Sinner.” This marks the fourth time in the show’s history that someone has won the award for the year’s top male, female, group or duo video and a breakthrough award in the same year. In 2005, Gretchen Wilson took female video of the year for “When I Think About Cheatin’” and breakthrough video of the year for “Redneck Woman.” The following year, Underwood took both awards for “Jesus, Take the Wheel.” In 2013, Florida Georgia Line took breakthrough video and duo video of the year for “Cruise.”
Underwood didn’t add to her record-setting collection of 25 CMT Music Awards. She was nominated for video of the year for “Hate My Heart,” but lost to the Browns’ smash. She was nominated for female video of the year for “Ghost Story,” but lost to Lainey Wilson’s “Heart Like a Truck.” This marks the first time in 12 years that Underwood hasn’t won in at least one of those marquee categories.
Wilson, who led the pack with four nominations, won two: female video of the year for “Heart Like a Truck” and collaborative video of the year for her featured role on HARDY’s “wait in the truck.” HARDY and Wilson beat the Browns’ “Thank God” in the latter category, though there was a reversal of fortune in the video of the year category where the two videos again competed.
Zac Brown Band took group/duo video of the year for “Out in the Middle.” It’s their second win in the group video category, following a 2019 win for “Someone I Used to Know.” Rascal Flatts is the top winner in the category, with seven wins, followed by Lady A with five and Little Big Town with four.
Cody Johnson’s performance of “Til You Can’t” on last year’s CMT Music Awards won for CMT performance of the year. Johnson won male video of the year for the smash at last year’s show.
Megan Moroney’s “Tennessee Orange” won breakthrough female video of the year.
One last ride! The Voice unveiled a hysterical new promo on Monday (April 3) for a fake Blake Shelton biopic starring his fellow coach Niall Horan.
In the clip, the camera pans from the country singer’s signature outfit of boots, jeans and a simple black overshirt only to reveal that the former One Direction-er had stepped into his role as a coach. “This is my last season,” Horan says in a near-perfect imitation of Shelton’s Oklahoma drawl as he re-enacts contestant Grace West’s blind audition. “I’ve got somethin’ to say to Grace: People of America are gon’ love you. I would be honored to have you on the last Team Blake.”
The faux trailer also features coaches Kelly Clarkson and Chance the Rapper and longtime host Carson Daly as themselves, as well as Horan playing double duty — and switching accents — to play himself. (“It all comes down to this,” a narrator states to close out the trailer. “One last ride… Blake Shelton’s final season.”)
Of course, the parody is all in good fun, and Shelton finally appears to give Horan’s impersonation his stamp of approval, saying, “I do think Niall does a great impression of me, I gotta say. He’s got the accent down pretty good, but he’s got the words down perfectly. I’m kind of enjoying having this mini-me here, it’s flattering.”
The coaches are currently in the midst of overseeing the Battles of season 23 — whittling their teams down to groups of just six singers each to advance to the Knockouts.
Watch Horan’s spot-on take on Shelton in the latest promo for The Voice below.
Jelly Roll may have performed at the 2023 CMT Music Awards on Sunday night (April 2), but the performer he was most excited to see was none other than Gwen Stefani.
“My second concert ever was No Doubt,” he reveled to Entertainment Tonight on the award show’s red carpet. “We was at an amphitheater, it s–t storm rained, I mean just rain storm, we were mud sliding dancing to ‘Spiderwebs’ — it was awesome.”
Luckily for the rising country-hip-hop hybrid, he got a sneak peek of Stefani’s performance during rehearsals for the show, telling the outlet before her set, “I can’t say anything but I can say she looks like Gwen Stefani. What I seen was a real throwback.”
The throwback turned out to be the singer’s performance of No Doubt’s smash single “Just a Girl” from 1995’s Tragic Kingdom with help from Carly Pearce. For his own performance, Jelly Roll brought his song “Need a Favor” to the stage backed by a full gospel choir.
“This is my first everything,” he continued. “First live TV performance, first TV show performance, first award show nomination, first time I’ve done anything like this, this is a big night of firsts for me … I’m somewhere between nervous and cloud nine, so I’m just, I’m excited man. It feels so good, it’s like the return of the prodigal son, it’s like finally coming home, man.”
During the ceremony, Jelly Roll wound up taking home his very first awards show trophies as well, winning male video of the year, male breakthrough video of the year and the CMT digital-first performance of the year for “Son of a Sinner.”
Chase Stokes has definitely got the role of supportive boyfriend on lock. The Outer Banks star was captured on camera adorably rocking out to Kelsea Ballerini‘s performance at the CMT Music Awards Sunday (April 2) after the couple made their official red carpet debut at the ceremony.
In a clip posted by CMT’s official account, Stokes bops his head and claps his hands to the beat of “If You Go Down (I’m Goin’ Down Too),” which Ballerini performed during the ceremony alongside a handful of drag queens — an act of protest against the recent anti-drag laws in Tennessee. At one point, the 30-year-old actor pulls out his phone and starts filming a home video of the three-time Grammy nominee.
Rumors of the pair’s romance started back in January, with Ballerini eventually confirming the relationship in a February episode of the Call Her Daddy podcast. “I’ve never seen his show, but I just knew of him, and I just swan dove right on in,” she told host Alex Cooper at the time. “His handle is ‘@hichasestokes,’ and I said, ‘Hi, Chase Stokes.’”
In addition to performing and being nominated for video of the year and female video of the year, Ballerini also co-hosted the awards ceremony for the third year in a row. She devoted her opening remarks to those impacted by gun violence following the recent school shooting in Nashville. “Tonight’s broadcast is dedicated to the ever-growing list of families, friends, survivors, witnesses and responders whose lives continue to forever be changed by gun violence,” she said, also telling the audience about her own personal experience with the issue.
“I pray deeply that the closeness and the community we feel through the next few hours of music can soon turn into action, like real action that moves us forward together to make change for the safety of our kids and our loved ones,” she added.
The country star also subtly shouted out her beau in her opening monologue, celebrating country music from “Nashville and Austin to Yellowstone and the Outer Banks.”
Watch Chase Stokes dance along to his country star girlfriend’s CMT Music Awards performance below:
Darius Rucker releases a romantic new offering, Elvie Shane sticks up for the working class heroes, and newcomer Brittany Moore offers a stirring song about motherhood and the right to choose.
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Darius Rucker, “Fires Don’t Start Themselves”
The affable Rucker dips into sultry territory on this track, setting the scene with wine, some Conway Twitty records and effective use of the impressive vocal control and power in his lower register. This seductive toe-tapper of a track is rooted in crunchy, ’90s country-style guitar and is an early offering from Rucker’s upcoming album Carolyn’s Boy, out later this year.
Jenna Paulette, The Girl I Was
From the opening (and later, closing) notes of the classic “Home on the Range,” Paulette makes it clear on her debut album that much of her heart (and journey) resides under open skies and in spacious landscapes. A member of CMT’s Next Women of Country Class of 2022, Paulette fills this dozen-plus-song project with a step-by-step process of a woman unfurling the insecurities, hurt and pain of a past relationship and finding the freedom to fully express her own desires and perspective with engrossing candor (“I can’t believe I ever thought she wasn’t good enough/ I’m getting back to the girl I was,” she deadpans on the title track).
“You Ain’t No Cowboy” is a sure-footed kiss-off, while tracks like “Stop and Smell the Horses” and “Make the World a Small Town” brim with soft-hearted wistfulness, and “Fiddle and a Violin” cheers the common ground people of all kinds find in country music and a good libation. Paulette is a worthy contender in a new crop of artists weaving their unique perspectives and backgrounds into their music, reaching beyond country music’s well-worn path of ballcaps and pickup trucks.
Jesse Daniel, My Kind of Country Live at the Catalyst
Daniel gives fans a glimpse of his rowdy live show, with his first live project, recorded at the Catalyst Club in his hometown of Santa Cruz, California. For Daniel, performing on the club’s mainstage is the fruition of a long-held dream, as he cut his musical chops performing at the club’s upstairs bar and at one point worked as a stagehand and in security for the club. But on this album, he brings center stage his freewheeling brand of honky tonk country — soaked in steel guitar, sparse drums and fueled by Daniels’ more-grit-than-silk voice.
The project picks up fan favorites from Daniels’ three studio albums, with songs including “Lookin’ Back” (2021’s Beyond These Walls), “Tar Snakes” (2020’s Rollin’ On) and “Soft Spot” (his 2018 self-titled debut project), But it infuses each with the high-velocity craftsmanship of Daniel and his band, and the easygoing improvisation that comes from an artist who has truly learned to listen to his audience each night and give each something special.
Brittany Moore, “Some Mamas”
Indie artist Moore traverses the spectrum of emotions felt by expecting mothers, from joy and surprise to fear. In this song written by Moore with SaraJane McDonald and Stefanie Joyce, Moore pointedly maintains that regardless of circumstances, women “oughta have a say so, because some mamas want to be mamas and some mamas don’t.” The understated acoustics lend heft to Moore’s steely-yet-velvety vocal.
Elvie Shane, “Forgotten Man”
In 2021, Shane’s debut single — the sentimental viral hit “My Boy” — became his first Billboard Country Airplay chart-topper, leading to the release of his debut album, Backslider. Now, he returns with “Forgotten Man,” an ode to blue-collar workers that exposes the heart-aching realities of the working class (calloused hands, failed retirement plans, and the struggle to afford a home as developers race to build condos and apartments). Materially, “Forgotten Man” has more in common with songs such as Hank Williams Jr.’s “A Country Boy Can Survive” than the plethora of poppy, nostalgic anthems out right now, while Shane’s backwoods growl and heartland rock sound sells it hard.
Casi Joy, “Partners in Time”
This hooky love song plays with classic pairings like Bonnie and Clyde (though Joy sings pointedly, “Let’s lock this down without the crime”), as well as country music power couples past and present, like Johnny Cash and June Carter, and Tim McGraw and Faith Hill. This shimmering pop-country confection plays up the subtle shades of blues in Joy’s voice, as well as her flutter-soft falsetto, as she chronicles a couple’s lives — from a nervous first kiss to a love still going strong after a decade. This former Voice contestant just offered up her debut album, Miles and Maybes, which was released March 31 in partnership with ONErpm.
Taylor Edwards, “Don’t”
This Arkansas native first caught the attention of music companies including EMPIRE and Dreamcatcher Management with her viral hit “Call Your Sister.” This time around, she pairs a slickly packaged track with sharply detailed lyrics that call out a spineless sometimes-lover.
“If you don’t wanna stay, just go,” she deadpans, but spells out the consequences: “You don’t get the right to know if I made it home, if I’m there alone.” Edwards manages to sound both buoyant and defiant, while the song itself is rooted in pop sensibility.
The 2023 CMT Music Awards took over the Moody Center in Austin, Texas, where everyone from Kelsea Ballerini and Shania Twain to Blake Shelton, Carrie Underwood and more took the stage.
Ballerini’s performance of “If You Go Down (I’m Goin’ Down Too)” was a joyful romp filled with confetti and rainbows and backed by RuPaul’s Drag Race stars Manila Luzon, Jan, Olivia Lux and Kennedy Davenport, while the queen of country brought her new single “Giddy Up!” to life before being presented the Equal Play award by Megan Thee Stallion.
Shelton mashed up history by playing a medley of his 2001 debut track “Austin” and his latest single “No Body” before the American Idol season four champion powered through “Hate My Heart,” the second single off her ninth studio album Denim & Diamonds.
Meanwhile, the awards show also included multiple tributes over the course of the evening, including Gary Clark Jr. honoring Stevie Ray Vaughan with “The House Is Rockin’” and a star-studded tribute to Lynyrd Skynyrd featuring Wynonna Judd, LeAnn Rimes, Chuck Leavell, ZZ Top’s Billy Gibbons, Slash and more.
Elsewhere, rising star Jelly Roll brought the Moody Center to church with “Need a Favor,” complete with a robed choir of gospel singers, and Kane Brown put his love on display with wife Katelyn Brown with their romantic duet of “Thank God.” Gwen Stefani made her CMT Music Awards debut with an assist from Carly Pearce for No Doubt’s smash hit “Just a Girl” off 1995’s Tragic Kingdom.
Watch all the performances from the 2023 CMT Music Awards and vote for your favorite below. (Note: Shania Twain’s performance of “Giddy Up!” isn’t available on YouTube as of press time.)
The 2023 CMT Music Awards went on the road this year, airing for the first time from Austin, Texas on Sunday night (April 2). It was an excuse to bring some Lone Star State flavor to the fast-paced show, which featured more than 20 performances from such country luminaries as Blake Shelton, Keith Urban, Carrie Underwood, Lainey Wilson and Darius Rucker, and celebrated the top videos of the past year.
The show, which aired live on CBS for the second year in a row after the ACM Awards decamped to Amazon’s Prime Video, opened cold with co-host Kelsea Ballerini addressing the mass shooting at Nashville’s Covenant School last week that left six dead and Music City reeling. The somber moment included Ballerini recalling her own experience in 2008 watching a classmate die from a shooting when she was in high school and calling for “real action.” That then gave way to celebration, as she and Kane Brown, co-hosting for the third time, proved again to be an amiable, nimble pairing.
Shania Twain, introduced by Megan Thee Stallion, accepted the CMT Equal Play award, calling for the country industry to “do our part to close the gap and provide an equal workspace for all talent. Let’s ensure that all our fellow artists get equal play, regardless of gender, age or race.” And the show tried to do just that, relying heavily on girl power throughout the evening. (Jelly Roll was still the night’s biggest winner, taking home all three awards for which he was nominated.)
The evening’s performances heavily relied on collaborations featuring country artists and rock acts performing the latter’s 90s hits. It was a gambit that worked, in large part because many of the rock fans of the ’90s are now country listeners.
Below are the top performances of the night.
Wynonna and Ashley McBryde Show They Know What Love Is
Image Credit: Kempin/GI
The Judds‘ last performance before Naomi Judd’s death last year was at the 2022 CMT Awards, when they sang their anthem, “Love Can Build a Bridge” — so it was only fitting that Wynonna return this year to showcase a song from her upcoming CMT special, which recreates the Judds’ 1991 initial final show in 1991. Joined by Ashley McBryde for an elegiac, slowed down version of Foreigner’s classic “I Want to Know What Love Is,” Judd took the audience to church, turning the song into her own personal testimony. When she declared, “Mama, you need to be here tonight,” she invoked goosebumps.
Kelsea Ballerini’s Performance Is a Real Drag
Image Credit: Jason Kempin/GI
If such things were handed out, Kelsea Ballerini’s performance of current single, “If You Go Down (I’m Goin’ Down Too)” easily won the award for best set of the night. Looking like something straight out of Barbie’s backyard and building on the retro pastel theme of the video, it featured Ballerini dressed like a ‘60s housewife, complete with teased hair and a bright green duster (under which she had on a floral romper), surrounded by equally festively dressed drag queens — including Manila Luzon, Kennedy Davenport, Jan Sport and Olivia Lux. Leave it to Ballerini, one of the few country artists not afraid to speak out on issues, to address the Tennessee anti-drag bill in a fun, but very obvious, way.
Jelly Roll Takes Us to Church
Image Credit: Christopher Polk for Variety
Just like Wynonna, rapper-turned-country artist Jelly Roll took the CMT Awards to church with his rising and rousing single, “Need a Favor.” The thumping track, featuring Jelly Roll accompanied by a gospel choir, includes the poignant line, “I only pray when I ain’t got a prayer,” which Jelly Roll delivered like a man seeking salvation. The crowd couldn’t get enough — and it felt like a new superstar was crowned, as Jelly Roll was the evening’s big winner, taking home three awards.
All-Star Tribute to Lynyrd Skynyrd Turns Austin into Alabama
Image Credit: Jason Kempin/GI
Though it helps, you don’t have to be southern to love Lynyrd Skynyrd — as the show’s closing performance proved, with both Bad Company’s Paul Rodgers and Guns N’ Roses’ Slash paying tribute to the band following March’s death of the last original member, Gary Rossington. Joined by ZZ Top’s Billy Gibbons, Gov’t Mule’s Warren Haynes, the Rolling Stones’ Chuck Leavell, Cody Johnson and the world’s finest backing vocalists, LeAnn Rimes and Wynonna Judd, the ensemble started slowly with Rodgers delivered a soulful “Simple Man,” before several members took over lead vocals for the southern rock anthem, “Sweet Home Alabama.” Johnson seemed right at home onstage with the legends, banging his head and playing air guitar during Gibbons’ and Slash’s smoking solos.
Darius Rucker and The Black Crowes Talk to Angels
Image Credit: Christopher Polk for Variety
If the Black Crowes were just starting now, their bluesy, swampy sound would probably make them a country act. The Crowes joined Darius Rucker for a down-and-dirty version of their 1990 hit, “She Talks to Angels,” with Chris Robinson and Rucker both in fine vocal form. Rucker is one of the top vocalists of any genre, and to hear him and Robinson trade off lines on the song about drug addiction (with the Rolling Stones’ Chuck Leavell on keys) was potent and powerful. The two acts also performed the song for a forthcoming edition of CMT Crossroads.
Alanis Morissette With Lainey Wilson, Ingrid Andress, Madeline Edwards & Morgan Wade
Image Credit: Christopher Polk for Variety
The evening was high on multi-generational and cross-genre girl power, as Carly Pearce joined Gwen Stefani for a spunky performance of the No Doubt’s 1995 classic, “Just a Girl,” and then country upstarts Ingrid Andress, Madeline Edwards, Morgan Wade and Lainey Wilson kicked off Alanis Morissette’s vitriolic “You Oughta Know,” also from 1995, before being joined by Morissette herself. Nearly 30 years later, neither the song nor Morissette has lost any of its primal urgency. The new rendition received a resounding standing ovation. Ashley McBryde spoke for all of us when she jumped out of her seat, raised her arm, flashed the rock horns and shouted, “Yes!”
Gary Clark Jr. Pays Tribute to a Texas Hero
Image Credit: Christopher Polk for Variety
Falling under the “When in Rome…” maxim, the CMT Awards leaned into the location of Austin and wisely decided to pay homage to one of Texas’ finest, the late Stevie Ray Vaughan, by having Austin native and fellow gunslinger Gary Clark Jr. pay tribute. In one of the most exhilarating performances of the night, Clark and his band played a blazing medley of SRV & Double Trouble’s “The House is Rockin’”/”Travis County Courthouse,” so fiery that it threatened to burn down the Moody Center.
Carrie Underwood Rocks the House
Image Credit: Catherine Powell/GI for CMT
In a show when the collaborations, most of them of non-country songs, dominated and outpaced the appearances by today’s current country hitmakers, Carrie Underwood served to show them she is still boss with a rollicking performance of “Hate My Heart.” Dressed in a black leather jacket and shorts with hearts emblazoned on them, the country Queen of Hearts took the audience outside the Austin Capitol to a fever pitch with her incomparable vocals and moves copped from her beloved buddy Axl Rose from Guns N’ Roses.
