Country

Jimmie Allen’s Estranged Wife Alexis Gale Reveals Sex of Baby No. 3 

Alexis Gale is celebrating Mother’s Day, despite the allegations made against her estranged husband, Jimmie Allen.

Gale took to her Instagram Stories on Sunday (May 14) to share an ultrasound photo of the former couple’s upcoming third child, revealing the sex of the baby with the caption, “My baby boy [heart emoji].” See her post before it disappears here. Gale and Allen are also parents to two daughters: three-year-old Naomi and one-year-old Zara.

Last month, the former couple revealed that they are expecting their third baby together, but also that they are parting ways. “After much thought and reflection in recent months, Lex & I have made the decision to separate,” the country star wrote, with Gale posting a similar statement to her page. “Our number one priority is and always will be ensuring that our children are healthy, happy and loved, and we remain committed to co-parenting with love and respect for one another. In light of our growing family, we respectfully request privacy during this time.”

Shortly after, a woman on his management team filed a civil lawsuit in Tennessee federal court, in which the anonymous “Jane Doe” accused Allen of sexual assault. The accuser claimed that Allen “manipulated and used his power” over her job as a day-to-day manager in order to “sexually harass and abuse her” over a period of 18 months from 2020 to 2022.

“Plaintiff expressed in words and actions that Jimmie Allen’s conduct was unwelcome, including pushing him away, sitting where he could not reach her, telling him she was uncomfortable and no, and crying uncontrollably,” the woman’s lawyers wrote in the complaint. “However, Allen made clear that plaintiff’s job was dependent on her staying silent about his conduct.”

In a statement to Billboard, Allen admitted to a sexual relationship with his accuser but denied all allegations of assault. “It is deeply troubling and hurtful that someone I counted as one of my closest friends, colleagues and confidants would make allegations that have no truth to them whatsoever,” he said. “I acknowledge that we had a sexual relationship — one that lasted for nearly two years. During that time she never once accused me of any wrongdoing, and she spoke of our relationship and friendship as being something she wanted to continue indefinitely.”

Allen has since been suspended by his label BBR Music Group, management company The Familie and booking agency UTA following the allegations.

Jimmie Allen Accused of Abuse: A Timeline of the Fallout

A civil lawsuit filed in Tennessee federal court — first reported by Variety and independently obtained by Billboard — on May 11, 2023, accused Jimmie Allen of sexual assault. A Jane Doe, who was a day-to-day manager at Allen’s former management company Wide Open Music, alleged that the country singer had “harassed” and “sexually abused her” over 18 months from 2020 to 2022, and that she was fired after she complained.

“Plaintiff expressed in words and actions that Jimmie Allen’s conduct was unwelcome, including pushing him away, sitting where he could not reach her, telling him she was uncomfortable and no, and crying uncontrollably,” her attorneys stated in the complaint. “However, Allen made clear that plaintiff’s job was dependent on her staying silent about his conduct.”

Allen responded to the allegations in a statement shared with Billboard, admitting to a sexual relationship with his accuser, but denied all allegations of wrongdoing. “I’ve worked incredibly hard to build my career, and I intend to mount a vigorous defense to her claims and take all other legal action necessary to protect my reputation,” he said.

The complaint also names management firm Wide Open Music and founder Ash Bowers as defendants, claiming they did not do enough to protect their employee from Allen’s alleged abusive behavior. The lawsuit alleges that after she revealed she had been “raped and sexually abused” by Allen, Wide Open Music and Bowers fired her in retaliation.

In his own statement sent to Billboard, Bowers strongly denied Jane Doe’s assertion that her position was terminated in retaliation. He said that Wide Open Music learned of Allen’s abuse on Oct. 4, 2022, and “immediately ended our professional relationship” at that point, and that “any assertion she ever raised the existence of a sexual or physical relationship” with the country singer before then “is patently and objectively false.”

Since the allegations against Allen surfaced in the lawsuit, he has been suspended by his label, dropped from a performance slot at CMA Fest and more. See the timeline of the fallout since the lawsuit was filed against him.

Morgan Wallen’s ‘Last Night’ Is No. 1 on Billboard Hot 100, Toosii’s ‘Favorite Song’ Hits Top 10

Morgan Wallen’s “Last Night” claims a sixth week at No. 1 on the Billboard Hot 100 songs chart.

SZA’s “Kill Bill” holds at No. 2 on the Hot 100, three weeks after it became her first No. 1, and ties for the longest command – 20 weeks – in the history of the Hot R&B/Hip-Hop Songs chart.

Plus, Toosii’s “Favorite Song” jumps from No. 11 to No. 8 on the Hot 100, becoming his first top 10 on the chart.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated May 20, 2023) will update on Billboard.com tomorrow (May 16). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 60.2 million radio airplay audience impressions (up 8%) and 34.3 million streams (up 6%) and sold 9,000 downloads (down 2%) in the May 5-11 tracking week, according to Luminate.

The song, which first led the Hot 100 in March, becoming his initial leader on the list, rebounds from No. 2 for an eighth week at No. 1 on the Streaming Songs chart; holds at No. 2 on Digital Song Sales, following a week on top; and keeps at its No. 5 best on Radio Songs.

A week after becoming the first song ever to top the Hot 100 and the Country Airplay chart simultaneously, “Last Night” adds a second week atop the latter list. It also pushes 13-12 on Pop Airplay, 15-14 on Adult Pop Airplay and 22-19 on Adult Contemporary.

“Last Night” concurrently leads the Hot Country Songs chart, which uses the same methodology as the Hot 100, for a 14th week.

As previously reported, parent album One Thing at a Time tops the Billboard 200 for a 10th week. As Wallen’s last LP, Dangerous: The Double Album, also reigned for 10 frames, he becomes the first male soloist ever with back-to-back 10-week No. 1s, dating to the chart’s 1956 launch.

SZA’s “Kill Bill” keeps at No. 2 on the Hot 100, three weeks after it became her first No. 1. It rules the multi-metric Hot R&B/Hip-Hop Songs and Hot R&B Songs charts for a 20th and 21st week, respectively.

On Hot R&B/Hip-Hop Songs, “Kill Bill” makes history, as it ties Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus, for the longest No. 1 run since the chart became an all-encompassing genre survey in 1958.

Most Weeks at No. 1 on Hot R&B/Hip-Hop Songs:

  • 20, “Kill Bill,” SZA, 2022-23
  • 20, “Old Town Road,” Lil Nas X feat. Billy Ray Cyrus, 2019
  • 18, “Industry Baby,” Lil Nas X & Jack Harlow, 2021-22
  • 18, “One Dance,” Drake feat. WizKid & Kyla, 2016
  • 16, “Blurred Lines,” Robin Thicke feat. T.I. + Pharrell, 2013
  • 15, “Be Without You,” Mary J. Blige, 2006

Miley Cyrus’ “Flowers” repeats at No. 3 on the Hot 100, after eight weeks at No. 1 beginning upon its debut in January. It posts a 13th week atop Radio Songs (91.5 million in audience, up 1%).

“Flowers” ties for the 10th-longest reign since Radio Songs began in December 1990. (It also matches Mariah Carey and Boyz II Men’s “One Sweet Day” for the second-longest domination for a Columbia Records single, after only Adele’s “Easy On Me.”)

Most Weeks at No. 1 on Radio Songs:

  • 26, “Blinding Lights,” The Weeknd, 2020
  • 18, “Iris,” Goo Goo Dolls, 1998
  • 16, “Girls Like You,” Maroon 5 feat. Cardi B, 2018
  • 16, “We Belong Together,” Mariah Carey, 2005
  • 16, “Don’t Speak,” No Doubt, 1996-97
  • 15, “Easy On Me,” Adele, 2021-22
  • 14, “High Hopes,” Panic! At the Disco, 2018-19
  • 14, “No One,” Alicia Keys, 2007-08
  • 14, “Because You Loved Me,” Celine Dion, 1996
  • 13, “Flowers,” Miley Cyrus, 2023
  • 13, “No Scrubs,” TLC, 1999
  • 13, “I Love You Always Forever,” Donna Lewis, 1996
  • 13, “One Sweet Day,” Mariah Carey & Boyz II Men, 1995-96
  • 13, “The Sign,” Ace of Base, 1994
  • 13, “End of the Road,” Boyz II Men, 1992

Eslabon Armado and Peso Pluma’s “Ella Baila Sola” repeats at its No. 4 high on the Hot 100, the best rank ever for a regional Mexican song in the chart’s history. The collaboration notches a sixth week at No. 1 on the multimetric Hot Latin Songs chart.

Rema and Selena Gomez’s “Calm Down” rounds out the Hot 100’s top five, holding at its No. 5 best. It tops the Billboard U.S. Afrobeats Songs chart for a 37th week, extending the longest rule since the ranking began just over a year ago (in partnership with music festival and global brand Afro Nation).

Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” is steady at No. 6 on the Hot 100, after hitting No. 3, and Grupo Frontera and Bad Bunny’s “Un x100to” is stationary at No. 7, after reaching No. 5.

“Favorite Song” surges from No. 11 to No. 8 on the Hot 100, where it becomes the first top 10 for Toosii, born Nau’Jour Grainger in Syracuse, N.Y., where he was raised before relocating to Raleigh, N.C., and pursuing a music career. The melodic rap song ascends with 28.5 million in airplay audience (up 11%), 20.7 million streams (up 6%) and 3,000 sold (down 2%). Aiding its counts, a remix featuring Khalid arrived May 5 (the first day of the tracking week). The single also tops the multimetric Hot Rap Songs chart for a second week.

TikTok has been key to the track’s profile, thanks to both its original and sped-up versions. Between the two, the song has soundtracked over 1 million clips on the platform. (Activity on TikTok does not directly contribute to Billboard’s charts.)

Top 10 ‘song’s: “Favorite Song” is the whopping 43rd Hot 100 top 10 with the word “song” in its title. The list began with The Chipmunks’ “The Chipmunk Song” with David Seville (No. 1 for four weeks in 1958-59), and was most recently bolstered by … a fellow Yuletide standard, Nat King Cole’s “The Christmas Song (Merry Christmas to You),” which reached the region for the first time over the latest holiday season (No. 9). Just before that, Post Malone’s “I Like You (A Happier Song)” featuring Doja Cat, hit No. 3 last October.

The Weeknd and Ariana Grande’s “Die for You” dips 8-9 on the Hot 100, following a week at No. 1 in March.

Capping the Hot 100’s top 10, Taylor Swift’s “Anti-Hero” keeps at No. 10. The song became her sole longest-leading No. 1, for eight weeks in November-January. It adds a 27th week in the top 10, likewise extending her longest stay in the tier.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated May 20), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (May 16).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Reba McEntire Joining Upcoming Season 24 of ‘The Voice’

NBC announced the cast for the upcoming fall season of The Voice on Monday morning (May 15), revealing that former judge John Legend will be back in the mix in addition to returning castmate Gwen Stefani.

The two will be joined by Niall Horan in his second season, with one-time Voice hold-out country icon Reba McEntire filling the final slot for season 24. The quartet will take over for the current season’s team leaders, which include Chance the Rapper and the lone original remaining seat-filler, Blake Shelton, who is hanging it up after 12 years during season 23’s two-night finale on May 22-23.

Earlier this year, McEntire was asked if she thought she’d make a good replacement for Shelton, revealing that she was almost one of the OG Voice judges. She told ET that she was originally offered a role on the show before it debuted in 2011 before producers pivoted to Shelton.

“I got [a look at] the Holland version of The Voice. They sent it to me and I said, ‘I can’t see me doing that,’” she said in Feb. of her feelings after seeing the original version of the show that has spawned a global franchise. “Because, you know, I’m a gypsy at heart,” said McEntire, 68 of her desire not to be tied down to one project for so long at the time.

McEntire did not end up completely abandoning the show, though, serving as a mentor to Team Blake in 2011 and then returning again in 2015. Stefani is also no stranger, serving as a coach during six different seasons (7, 9, 17, 19 and 22), while Legend was a coach during seasons 16-22.

Check out NBC’s announcement below.

5 Must-Hear New Country Songs: Lainey Wilson, Jelly Roll, Lori McKenna & Hillary Lindsey

This week’s column features a plethora of collaborations. Superb songwriters Lori McKenna and Hillary Lindsey team up to plumb the emotional depths of a relationship, while Jelly Roll and Lainey Wilson’s power ballad details a relationship on its ragged edge. Top-shelf singer-songwriter Rebecca Lynn Howard, newcomer Zach Top and Texas artist Jason Eady also offer new music.

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See latest videos, charts and news

See latest videos, charts and news

Jelly Roll and Lainey Wilson, “Save Me”

Labelmates Wilson and Jelly Roll (born Jason DeFord) debuted their collaboration on last week’s Academy of Country Music Awards. This smoldering power ballad (written by DeFord and David Ray Stevens) melds and highlights country music’s breadth of current-day influences, from Jelly Roll’s gritty, rock-infused style, to Wilson’s twangy, R&B-flavored country. Lyrically, the song’s subject is mired in self-recrimination and despair, pleading with a lover to leave in order to find their own freedom, engendering a sense of angst and selflessness.

Lori McKenna and Hillary Lindsey, “Killing Me”

McKenna and Lindsey have long penned sterling hits with layered nuances, including Little Big Town’s “Girl Crush.” Their latest previews McKenna’s upcoming Dave Cobb-produced album 1988, out July 21 via CN Records/Thirty Tigers. “Would it kill you to be happy?” they ask, paring for this jangly, folk-rock track, excavating the emotional weariness wrought by carrying the weight of constant attempts to ensure a lover’s emotional equilibrium.

Rebecca Lynn Howard, “I Am My Mother”

Known for her 2002 top 20 Billboard Country Airplay hit “Forgive,” Howard possesses one of country music’s most powerful voices. Here, she pays tribute to the integral, enduring influence of the mother-daughter relationship on this sweet piano and strings-inflected ballad. Howard wrote this tender ballad with Jamie Floyd, Rachel Thibodeau and Carolyn Dawn Johnson. The song’s ability to convey teenage rebellion and a sense of empathy and understanding that comes with time and experience makes this Mother’s Day release a song that will touch hearts long after the holiday.

Zach Top, “The Kinda Woman I Like”

Top recently made his Grand Ole Opry debut and has been on tour with Dwight Yoakam. Both milestones are signifiers of the newcomer’s musical ambitions to carry the torch of beloved ’90s country music legends. His latest, the flirtatious barn-burner “The Kinda Woman I Like,” features Top’s twangy vocals, conveying the influence of artists such as Tracy Lawrence and the fiddle-soaked melodies and rhythms of Alan Jackson. Top joins a growing movement of artists inspired more by throwback country sounds than rock and pop ambitions.

Jason Eady, “Way Down in Mississippi”

Texas-by-way-of-Mississippi artist Eady retraces his musical journey and his deep Southern roots on this bluesy, gospel-infused track. Sparse rhythms, tinkling piano, energetic handclaps and soulful backing vocals that would feel right at home in a fervent church service bolster lyrics that namecheck bluegrassers Bill Monroe and Ralph Stanley. This singular melding of musical synergies, layered with Eady’s husky voice, makes his latest musical iteration feel timeless. “Way Down in Mississippi” is from his upcoming Aug. 11 release, Mississippi, produced by Band of Heathens’ Gordy Quist.

‘American Idol’ Season 21 Finale to Feature Keith Urban, Jelly Roll, Pitbull, Kylie Minogue & More

After Sunday night’s (May 14) semi-final that cut the roster of American Idol hopefuls to just three — Colin Stough, Megan Danielle and Iam Tongi — season 21 of the series is gearing up for a major finale. Next Sunday’s (May 21) three-hour finale will air live coast-to-coast on ABC beginning at 8 p.m. ET and feature the return of former panelist Keith Urban, who will be back on Idol to mentor the top three (and perform), as well as performances from judges Katy Perry, Lionel Richie and Luke Bryan.

In addition to this year’s top 12 returning to the stage one last time, producers announced the typical cornucopia of guest performers on tap for the finale, including season two winner/runner-up Ruben Studdard and Clay Aiken, as well as Ellie Goulding, Jelly Roll, Pitbull, TLC, James Blunt, Jazmine Sullivan, REO Speedwagon’s Kevin Cronin, Kylie Minogue, Lainey Wilson and Lauren Daigle.

Sunday’s “Disney Night” presented the end of the dream for eliminated contestants We Ani and Zachariah Smith on a night when Hawaiian high-schooler and season-long top contender Tongi did it again with a flawless performance of “Lava” from the Pixar short, as well as a touching run through Cat Stevens/Yusuf Islam’s “Father and Son.”

Danielle also impressed with her take on the Maleficent: Mistress of Evil track “You Can’t Stop the Girl” and “Carried Me With You” from Onward, while country singer Stough rocked “Real Gone” from Cars and “Nobody Knows” from Pete’s Dragon. Sara Bareilles also dropped by to sing “When You Wish Upon a Star” with the top five and The Little Mermaid star Halle Bailey performed the movie’s “Part of Your World.”

Jason Isbell Surprised by Janelle Monáe’s ‘Lipstick Lover’ Video Backlash

Jason Isbell jumped on social media Friday afternoon (May 12) to defend Janelle Monáe and the buzzy music video for her new single “Lipstick Lover.”

“Wait there are people who DON’T like Janelle’s video?” the country singer tweeted. “Seriously I don’t know wtf you people want if it isn’t that.”

In a follow-up tweet, he doubled down, writing, “There are some things we all just agree [are] awesome so we can go about our business. Like gold, diamonds, Outkast, this video.”

While some trolls bemoaned the sensual nature of Monáe’s visual — on which she lustily intones, “I like lipstick on my neck/ Leave a sticky-icky in a place I won’t forget/ I like lipstick on my neck/ Baby I’m obsessed, get me undressed” — plenty of fans sided with Isbell in the video’s comments on YouTube. For example, one wrote, “This felt very for the female gaze, and I absolutely loved it! Everything about it feels like summer’s coming!” while another praised, “I love how she highlights natural beauty!! All shapes, colors, and sizes!”

“Lipstick Lover” is the latest highlight from the queer R&B star’s forthcoming album The Age of Pleasure, which is set to drop June 9 via Bad Boy and Atlantic Records and will also contain the summery, Seun Kuti and Egypt 80-assisted lead single “Float.”

Meanwhile, Isbell recently shared his HBO documentary Running With Our Eyes Closed with fans and used his platform to both speak out against Tennessee’s anti-LGBTQ+ laws and support commonsense gun safety legislation.

Read Isbell’s glowing opinion of Monáe’s “Lipstick Lover” video below.

Forever ‘Young’: Kimberly Perry’s Solo Debut Hits Country Airplay Chart

Kimberly Perry’s first single as a solo artist, “If I Die Young Pt. 2,” bounds onto Billboard’s Country Airplay chart, dated May 20, at No. 31.

The song, on RECORDS/Columbia/RECORDS Nashville, drew 4 million in audience from May 5, its release day, through May 11, according to Luminate. While it did not receive a standard premiere from any of the large radio chains, RECORDS Nashville executive vice president of promotion and commercial strategy Josh Easler notes that select focus stations played the single multiple times its first day.

“Pt. 2” is the sequel to “If I Die Young,” The Band Perry’s first of four Country Airplay No. 1s, which led for a week in 2010. The original also crossed over, spending three weeks at No. 1 on the Adult Contemporary chart.

The trio consisted of Perry siblings Kimberly, Neil and Reid. In March, the act announced its separation, with the members set to concentrate on individual projects.

“Pt. 2” is the first single from Perry’s five-song EP BLOOM, due June 9. She co-penned it – updating the original’s lyrics with the benefit of more than a decade’s hindsight – with Nicolle Galyon and Jimmy Robbins. Perry also co-wrote the other four tracks on BLOOM. She recently signed with RECORDS Nashville.

“The moment I heard ‘If I Die Young Pt. 2,’ I knew we wanted to be part of Kimberly’s solo project,” Easler tells Billboard. “She’s a true artist, a phenomenal songwriter, and her voice has been missing from country music. It’s been amazing to see the excitement from our partners at radio, DSPs and others. This is just the beginning.”

‘Last’ Still First

Meanwhile, Morgan Wallen’s “Last Night” tops Country Airplay for a second week, up 13% to 33.4 million in audience. The song is the fifth of his nine No. 1s to reign for multiple weeks.

As previously reported, the track became the first to top Country Airplay and the multi-metric all-genre Billboard Hot 100 simultaneously.

2023 ACM Awards: The Best Photos From the Show

The 58th annual Academy of Country Music Awards hit the Ford Center at the Star in Frisco, Texas on Thursday (May 11).

It was good night for “wait in the truck” collaborators HARDY and Lainey Wilson, who each won four awards at the 2023 ACMs, including album of the year for Wilson thanks to her LP Bell Bottom Country. After those two, Cole Swindell nabbed three awards and Ashley Gorley netted two.

Co-host Dolly Parton delivered a memorable show-wrapping performance of “World on Fire,” the lead single from her first rock album, appropriately titled Rockstar. The star-studded album follows Dolly’s induction into the Rock and Roll Hall of Fame in 2022.

Jelly Roll and Lainey Wilson delivered a memorable duet together on “Save Me,” followed by a solo Wilson on “Grease.” Jelly Roll and ACM co-host Garth Brooks are both part of Billboard’s inaugural Billboard Country Live event on June 6-7. Jelly Roll will perform at Marathon Music Works in Nashville on June 6, while Brooks will sit down for an intimate Q&A at the same venue on June 7.

You can read about other can’t-miss moments from the 2023 ACM Awards here and check out Billboard’s backstage interviews with the winners here. And to learn more about the snubs and surprises at this year’s show, head here.

The ACM Awards are produced by Dick Clark Productions. DCP is owned by Penske Media Eldridge, a Penske Media Corporation (PMC) subsidiary and joint venture between PMC and Eldridge. PMC is the parent company of Billboard.

Jimmie Allen Suspended by Management & Agency After Sexual Assault Allegations

Jimmie Allen‘s management company The Familie and booking agency UTA both announced they were suspending their work with the country singer-songwriter on Friday (May 12), following a new lawsuit alleging him of rape, sexual assault and battery.

“Given the nature of the allegations in the lawsuit filed on Thursday, The Familie has decided to suspend management activities with Jimmie Allen effective immediately,” a spokesperson for the management firm told Billboard in a statement. The Familie began working with Allen in 2022, after he parted ways with his former management company, Wide Open Music.

“We have suspended our representation of Jimmie Allen due to the recent allegations against him, which we take seriously,” said a UTA spokesperson in a separate statement.

In a civil lawsuit filed Thursday in Tennessee federal court, an anonymous “Jane Doe” accuser says that Allen “manipulated and used his power” over her job as a day-to-day manager in order to “sexually harass and abuse her” over a period of 18 months from 2020 to 2022.

“Plaintiff expressed in words and actions that Jimmie Allen’s conduct was unwelcome, including pushing him away, sitting where he could not reach her, telling him she was uncomfortable and no, and crying uncontrollably,” the woman’s attorneys wrote in the complaint. “However, Allen made clear that plaintiff’s job was dependent on her staying silent about his conduct.”

Allen denied the allegations in a statement to Billboard, saying, “It is deeply troubling and hurtful that someone I counted as one of my closest friends, colleagues and confidants would make allegations that have no truth to them whatsoever. I acknowledge that we had a sexual relationship — one that lasted for nearly two years. During that time she never once accused me of any wrongdoing, and she spoke of our relationship and friendship as being something she wanted to continue indefinitely.”

The artist continued to say he intends to “mount a vigorous defense to her claims and take all other legal action necessary to protect my reputation.”

Since the report came to light, Allen has also been suspended by his record label, BBR Music Group, which includes halting of promotion for his latest radio single, “Be Alright,” which fell 57-60 on Billboard’s Country Airplay chart dated May 20. He has also been pulled from the performer lineup at CMA Fest, which is slated from June 8-11 in downtown Nashville.

The suit follows previous news that Allen and his wife Alexis Gale announced their separation on April 21; at that time, they also shared that Gale is pregnant with their third child.

Assistance on this story provided by Melinda Newman.

Stories about sexual assault allegations can be traumatizing for survivors of sexual assault. If you or anyone you know needs support, you can reach out to the Rape, Abuse & Incest National Network (RAINN). The organization provides free, confidential support to sexual assault victims. Call RAINN’s National Sexual Assault Hotline (800.656.HOPE) or visit the anti-sexual violence organization’s website for more information. (edited)