Country
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Less than 12 months ago, Hudson Westbrook was attending school and making a living breaking cattle in his native Texas, with plans to join his family working in the oil and gas industry. Instead, he’s released a self-titled debut EP, has a slate of hit streaming songs to his credit — including “5 to 9” and “House Again” — and has swiftly added his name to a growing crop of new artists forging their music on traditional country sounds and timeless songwriting.
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“It’s been crazy,” Westbrook tells Billboard of his whirlwind year. “It’s gone way better than I expected, and I’d be happy if we had even half of the success we’ve had so far.”
Growing up in Stephenville, Westbrook’s life revolved around sports and farm life. He was part of a state championship-winning high school football team. He also worked with cattle and was involved with Future Farmers of America, serving as a chapter president for 75 schools.
He began playing guitar in 2020 and wrote his first song after enrolling at Texas Tech last year. In April Westbrook released his breakthrough song “Take It Slow,” which has earned over 10 million Spotify streams. Soon after he released his first video, Hudson says various music executives began reaching out, so he sought advice from a fellow Texan and musician, Grant Gilbert, who pointed him toward the Warner Music Nashville-distributed River House Artists.
“He was like, ‘These are the best people I can guide you towards,’ and then I talked to a booking agent and they said the same thing — ‘I trust them. I’ve seen it firsthand.’” Westbrook says.
Now with River House, and managed by River House’s director of creative/A&R Zebb Luster, Westbrook has followed with a steady slate of resonant songs over the past several months, including “Dopamine,” the romantic “5 to 9” (11.5 million Spotify streams since its August release) and the sobering “House Again” (over 14 million Spotify streams since its October release). In the process, he’s seen his Spotify followers swell to more than 2.6 million monthly listeners.
“When I started writing, I really was pushing myself to get outside of my comfort zone and find who I am as an artist,” Westbrook says. “When we released ‘5 to 9,’ I was like, ‘This is real; I think this can work.’ I feel like that’s a major reason why this is working right now, is because I’m writing about stuff that I’m experiencing firsthand.”
Westbrook’s “House Again” reached No. 14 on Billboard‘s Hot Country Songs chart. In November came his seven-song, self-titled project, which reached No. 46 on Top Country Albums, while Westbrook rose to No. 25 on Emerging Artists. According to Luminate, Westbrook’s catalog has earned 79.6 million official on-demand U.S. streams.
Those streams have translated to burgeoning concert audiences, and Westbrook says he’s doing his best to connect with as many of his fans as possible.
“We did a free show at Billy Bob’s in Fort Worth and a thousand people showed up,” he recalls. “The merch line was four hours long, and I sat there and signed all those. Then, we went to open for Midland [in September] and the merch line was still going by the middle of their set.”
Westbrook seems poised to continue his ascendant trajectory in 2025. January will see the launch of his own headlining tour, while he will also play several country festivals in the summer. He also has his sights set on releasing a full album.
Westbrook, Billboard’s Country Rookie of the Month for December, opened up about his career journey, songwriting, and his favorite music.
What is the story behind “House Again”?
We came up with the hook and I was like, “What if this was about my parents’ divorce?” and we wrote about just little things that I experienced as a child, watching as my parents got divorced. I used to live in the country with tons of land around our house, then I had to move to a golf course [community] with like point zero of an acre around it. It was a big change. I feel like it was expressing my frustration as a kid, watching that happen and not being able to control any of it or figure out why it’s not working.
You worked with several top songwriters on your EP, including Marv Green. What was it like writing songs for this project?
It was great. I was very nervous. You’re a new artist, your whole life just changed. These people have been doing this for years and have written number ones and you’re like, “Screw me. I’m going into this room and anything I say is going to sound dumb.” I feel like the day we wrote “House Again” was the first day that really opened up, like “This was my idea. This was my experience.” I realized I have to make sure I speak up about my experiences, and that I’m writing about something that I experienced because I relate to that best and I can write towards that best.
Who would you like to write or record with?
I think Randy Montana is my dream [co-writer], and Dean Dillon. I love all the older dudes that have created country into what it is today. And then I think for collabs, Megan Moroney would be really cool, and Parker McCollum or Ella Langley.
What is a song you wish you had written?
“Like a Cowboy” by Parker McCollum, written by Chris Stapleton and Al Anderson.
What is your desert island album?
Benson Boone’s Fireworks & Rollerblades.
What is your take on the current state of country music?
I think everything new is going to go back to old. I think people are leaning toward sounds like Merle Haggard and Tracy Lawrence. I think we’re seeing that firsthand with Zach Top. People are leaning towards those older sounds.
What television show are you watching right now?
I started watching Landman on Paramount Plus. It’s a movie about what I would be doing if I wasn’t doing music. I watch it and I’m like, “Dude, there’s still something there.” I still would love to do that one day. I’ve never watched Yellowstone, but Landman right now is my stuff.
What is a holiday memory that stands out to you?
I think a Christmas memory that stood out to me is [from] three Christmases ago, when my grandpa was about to pass away. He sat all of us down and told us that he was going to pass away, but he prayed and said that everything was going to be okay. He was like, “Don’t worry about me. Y’all keep doing Christmas at my house. Y’all are always welcome to do Christmas here.” It was really sad, but it was really cool to watch him be like, ‘Y’all are still welcome here.”
What does being from Texas mean to you?
I’m always going to stay loyal to Texas. I live in Lubbock. If you live in Nashville — and not hating on anyone that lives [in Nashville] — but it can become a very cycle-based lifestyle. Write at 10, write at 2, play shows on the weekend — I love music, but I find beauty in separating yourself from what you love, so that you love it more once you do it again.
Little Big Town and the Grand Ole Opry are ushering in the holidays this year, pairing Christmas music with one of Nashville’s most iconic stages in the upcoming television special Little Big Town’s Christmas at the Opry.
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Set to air Dec. 16 on NBC beginning at 8 p.m. ET/PT (and streaming on Peacock the following day), the special will be hosted by three-time Grammy winners Little Big Town (who will also lend their sterling harmonies to several songs).
They will also welcome several of their fellow friends and artists, including Dan + Shay, Kelsea Ballerini, Sheryl Crow, Kirk Franklin, Josh Groban, Kate Hudson and Orville Peck to perform a mix of Christmas classics and original holiday music. The mix of solo performances, duets and other collaborations were all filmed in front of an audience at Nashville’s Grand Ole Opry House.
In an early-look clip previewing the special, Little BIg Town’s Jimi Westbook says, “There’s no better place to celebrate the holiday and season that we love so much, than to be here at the Opry with friends and family.”
The clip also spotlights Ballerini performing a rendition of “White Christmas,” Dan+Shay performing “Holiday Party” from their 2024 album It’s Officially Christmas: The Double Album, and Little Big Town teaming with Groban for a harmony-filled collaboration.
“We are simply beside ourselves to announce that we will host our own NBC Holiday Special at the prestigious Grand Ole Opry House,” Opry members Little Big Town previously said in a statement. “This is an incredible honor for us, and we are beyond thrilled to share this special evening with viewers and fans across the country.”
In October, the six-time CMA vocal group of the year winners released their first Christmas project, The Christmas Record, which includes their renditions of songs including Merle Haggard’s “If We Make It Through December” and Amy Grant’s “Tennessee Christmas.”
The NBC special is executive produced by Jesse Ignjatovic, Evan Prager and Barb Bialkowski for Den of Thieves. Jason Owen and Ashley Edens also executive produce.
See the First Look at NBC’s Little Big Town’s Christmas at the Opry below:
12/13/2024
From Linkin Park 2.0’s BBMA debut to Teddy Swims, Jelly Roll, Coldplay, Fuerzo Regida and Stray Kids, we’ve got all of Thursday night’s (Dec. 12) sets here for you.
12/13/2024
George Birge notches his first leader on Billboard’s Country Airplay chart as “Cowboy Songs” moseys two spots to No. 1 on the Dec. 21-dated survey. The song increased by 14% to 28.9 million audience impressions Dec. 6-12, according to Luminate.
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“Cowboy Songs” is from Birge’s same-named album, released in April. He co-authored the single with Lalo Guzman, Matt McGinn and Michael Tyler. Guzman and McGinn produced the track about a love interest who “only dances to cowboy songs.” (“That steel guitar’ll steal her heart,” Birge sings.)
“Having the No. 1 song on the Billboard Country Airplay chart is an absolute dream come true,” Birge says. “It’s wild to think that the song I wrote about chasing my wife across dusty dive bars in Austin, Texas, is now sitting at the top. I couldn’t think of a better way to end the year.”
Birge’s first Country Airplay leader follows his rookie entry, “Mind on You,” which hit No. 2 in January.
Before launching his solo career, and signing to Records Nashville in 2021, Birge was half of duo Waterloo Revival with Cody Cooper. (The pair made two appearances on the lower reaches of Country Airplay in 2015.)
At Home in the Top 10
Dan + Shay earn their 12th Country Airplay top 10 as “Bigger Houses” rises 11-10 (17.3 million, up 2%).
The song, which the duo’s Dan Smyers co-wrote, is the title cut from the pair’s LP that entered at its No. 9 Top Country Albums high in September 2023, becoming the twosome’s fifth top 10.
The act — Smyers and Shay Mooney — logged its initial Country Airplay top 10, and first of eight No. 1s, with “Nothin’ Like You,” which dominated for one week in December 2015. The tandem most recently reigned with “Glad You Exist” for a week in August 2021.
The 2024 Billboard Music Awards presented by Marriott Bonvoy are in the books, with multiple artists taking home awards in between memorable performances from Stray Kids, Jelly Roll and more. Shaboozey was the first star to take the stage at the ceremony Thursday night (Dec. 13) — a fitting kickoff considering his single “A Bar […]
Nothing is bringing Jelly Roll down after winning his first-ever Billboard Music Award during Thursday night’s (Dec. 12) ceremony, and the star kept riding the high with a dynamic performance of “Liar.” “I see people crying and I see strangers wrapping their arms around them and spreading the love all throughout the building. I can […]
Morgan Wallen was a big winner at this year’s Billboard Music Awards, picking up four trophies, winning in the categories of Top Male Artist, Top Country Artist, Top Country Male Artist and Top Collaboration (for his Post Malone collaboration “I Had Some Help”). Wallen accepted the honors and thanked fans in his acceptance speech. Holding […]
“A Bar Song (Tipsy)” has taken Shaboozey across the globe, and after spending a record-tying 19 weeks atop the Billboard Hot 100, the Boozey train makes a stop at the 2024 Billboard Music Awards. Explore Explore See latest videos, charts and news See latest videos, charts and news From the W Hollywood hotel, the 29-year-old […]
Morgan Wallen pleaded guilty to two misdemeanor counts in a Nashville courtroom on Thursday (Dec. 12) following an April incident during which he threw a chair off the sixth-floor balcony of Eric Church’s bar, Chief’s, in April.
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He was sentenced to probation for two years and seven days in a DUI education center.
Wallen pleaded guilty to two misdemeanor counts of reckless endangerment, which had been pled down from the original charges, which were three Class E felonies for reckless endangerment with a deadly weapon (the chair) and one misdemeanor charge of disorderly conduct.
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Thursday’s appearance followed a hearing on Tuesday (Dec. 10), which Wallen did not attend, but where his attorney, Worrick Robinson asked to waive the country artist’s right to a preliminary hearing and a grand jury.
Wallen, wearing a gray blazer, black pants and black shirt, entered the courtroom Thursday with his attorney and security. It was the first time he has attended any of the hearings following the April incident. In the courtroom, Wallen and his attorney Worrick Robinson stood before Judge Cynthia Chappell, who reiterated the charges that Wallen was entering a guilty plea for. Wallen kept his comments to a minimum during the session, mostly answering the judge’s questions with a direct, soft-spoken “Yes, ma’am” or “No, ma’am.” Following the session, Wallen and his attorney exited the courtroom.
In a statement following the hearing, Robinson said, “Earlier today, Morgan Wallen appeared in Davidson County Circuit Court with Judge Cynthia Chappell presiding, where he entered a conditional plea pursuant to Tennessee’s Diversion Statute that does not result in a conviction. The plea agreement with the Office of the District Attorney requires Mr. Wallen to spend seven days at a DUI education center, be on probation for two years — one year for each of the misdemeanor charges for reckless endangerment— pay a $350 fine and court fees. Upon the successful completion of his probation, the charges will be eligible for dismissal and expungement … Mr. Wallen has cooperated fully with authorities throughout these last eight months, directly communicating and apologizing to all involved. Mr. Wallen remains committed to making a positive impact through his music and foundation.”
The court date comes three weeks after Wallen won entertainer of the year at the CMA Awards on Nov. 20.
In addition to hanging those stockings with care, Post Malone is going to have to make more room on his mantle for new hardware from the RIAA. The Recording Industry Association announced on Thursday (Dec. 12) that Malone’s star-packed debut country album, F-1 Trillion, has been certified Platinum (one million). Explore Explore See latest videos, […]