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It’s officially time to saddle up! A little more than a month after making a grand pivot into country music with the release of “Texas Hold ‘Em” and “16 Carriages,” Beyoncé has finally unveiled the official album cover for her forthcoming LP, Cowboy Carter.
A clear continuation of the Renaissance aesthetic, the album cover for Cowboy Carter finds Queen Bey striking a regal pose while perched atop a striking white horse. She dons red, white and blue chaps, a simple white cowboy hat and flowing platinum blonde locks as she raises the American flag. Like the Renaissance album artwork, the background is completely black — save for the slightly illuminated dirt road at the bottom of the frame.
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Queen Bey shared the Cowboy Carter album cover on her official Instagram page on Tuesday (March 19). In her lengthy caption, she detailed the inspiration behind her new record, which has been in the making for “five years.” Cowboy Carter is the official follow-up to 2022’s Billboard 200-topping Renaissance — a sprawling dance record that won four Grammys, housed a pair of Billboard Hot 100 top 10 hits in “Break My Soul” (No. 1) and “Cuff It” (No. 6) and spawned a record-breaking world tour and accompanying box office-topping documentary concert film.
“This album has been over five years in the making. It was born out of an experience that I had years ago where I did not feel welcomed…and it was very clear that I wasn’t,” she wrote, possibly alluding to her experience performing the country-indebted “Daddy Lessons” at the 2016 CMA Awards alongside The Chicks. “But, because of that experience, I did a deeper dive into the history of Country music and studied our rich musical archive. It feels good to see how music can unite so many people around the world, while also amplifying the voices of some of the people who have dedicated so much of their lives educating on our musical history.”
At the top of 2024, Beyoncé unleashed a pair of country singles during the Super Bowl. Alongside “16 Carriages,” a gorgeous Americana-nodding ballad, Queen Bey dropped “Texas Hold ‘Em,” an irresistible country-pop tune that made her both the first Black woman to top Hot Country Songs and the first Black woman to top the Hot 100 with a country song. Despite the commercial success of “Texas,” Beyoncé did face some criticism from players in the genre — one country radio station even initially refused to play, but even they couldn’t resist “Texas.”
“The criticisms I faced when I first entered this genre forced me to propel past the limitations that were put on me,” she continued. “[Act II] is a result of challenging myself, and taking my time to bend and blend genres together to create this body of work. I have a few surprises on the album, and have collaborated with some brilliant artists who I deeply respect. I hope that you can hear my heart and soul, and all the love and passion that I poured into every detail and every sound.”
In her message, Beyoncé both stressed that Cowboy Carter is “a continuation of Renaissance” and acknowledged the Billboard chart history she made with “Texas Hold ‘Em.” “I feel honored to be the first Black woman with the number one single on the Hot Country Songs chart,” she gushed. “That would not have happened without the outpouring of support from each and every one of you. My hope is that years from now, the mention of an artist’s race, as it relates to releasing genres of music, will be irrelevant.”
While Queen Bey has kept the Cowboy Carter visuals under lock and key — just as she did with Renaissance — the album cover reveal is one step in that direction. In fact, Beyoncé’s post coincides with the 10-day countdown until the release of Cowboy Carter — which is currently slated to drop on March 29.
“This ain’t a Country album. This is a ‘Beyoncé’ album,” she declared at the end of her message. “This is act ii COWBOY CARTER, and I am proud to share it with y’all!”
Check out Beyoncé’s Cowboy Carter album artwork below.
On Monday (March 18), three members of the country music community were announced as the next inductees into the Country Music Hall of Fame, making up its Class of 2024.
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The late Toby Keith was named as the modern era artist category inductee. John Anderson will be inducted in the veterans era artist category, and guitarist James Burton will be inducted in the recording and/or touring musician category. They join 152 others who are members of the Country Music Hall of Fame and will be formally inducted into the Country Music Hall of Fame during the annual medallion ceremony, set for this October. The CMA created the Country Music Hall of Fame in 1961 to recognize artists and industry professionals with country music’s highest honor.
“Each of these inductees have made an indelible impact on country music,” Country Music Association CEO Sarah Trahern told the audience that gathered at the Country Music Hall of Fame and Museum’s rotunda that morning.
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Louisiana native and guitarist Burton, who in the 1950s developed the “chicken pickin’” style of guitar playing, was announced as an inductee by hall members Brooks & Dunn. Fellow Louisiana native Brooks called Burton “a hometown hero.”
“I’m honored. It’s just amazing. Actually, I’m really surprised. I want to thank all of you guys for your love and support. It’s truly an honor,” Burton told the crowd.
Burton began playing guitar at 13 years old, inspired by a white 1953 Telecaster electric guitar and the work of his musical heroes including Chet Atkins and Les Paul. Burton developed a hybrid picking style that used a flat pick between his thumb and index finger, as well as a fingerpick on his middle finger. He would mimic the slide of a pedal steel, but also blend in staccato notes — the style became known as chicken pickin’. Burton quickly became the youngest staff musician on the country music show Louisiana Hayride. A few years later, Dale Hawkins set lyrics to guitar instrumental Burton had written, resulting in the Billboard top 30 hit “Susie-Q” in 1957. Burton soon joined Ricky Nelson’s backing band and went on to play on records by Buck Owens, Merle Haggard, Waylon Jennings, Glen Campbell, the Everly Brothers, the Monkees and more. His work is heard on soundtracks for movies including Rio Bravo and Viva Las Vegas. When Elvis Presley debuted at Las Vegas’ International Hotel in 1969, Presley called Burton and asked him to put a band together; the result was Burton becoming band leader and lead guitarist for Presley’s “Takin’ Care of Business” band. Burton played with Presley for the remainder of Presley’s life. He played on Gram Parson’s GB and Grievous Angels albums and was in the first version of Emmylou Harris’s Hot Band. After Presley’s death in 1977, Burton played in John Denver’s band for two decades. Burton was inducted into the Rock and Roll Hall of Fame in 2001 and the Musicians Hall of Fame in 2007. Burton was so associated with the Fender Telecaster that when Fender launched its first “signature” Telecaster in 1990, it bore Burton’s name.
Last month, on Feb. 6, it was announced that Keith had died after a battle with stomach cancer. On Monday morning, CMA CEO Sarah Trahern told the audience gathered in the Hall of Fame’s rotunda that she learned that Keith would become one of the newest inductees just a few hours after Keith’s passing.
Trahern noted that while election rules do not allow someone to be elected into the Country Music Hall of Fame in the year in which they pass away, that doesn’t apply, as Keith was elected prior to his passing.
“Nominations were made in the fall of 2023 with the first ballot sent to voters before the holidays, with the final ballot closing on Friday, Feb. 2,” Trahern said. “Our professional services partners at Deloitte released the results to us just a few days later. This year, we anticipated receiving the names of our final inductees on Tuesday, Feb. 6. As we know now, we woke up that morning to the heartbreaking news that our friend Toby Keith had lost his long battle with stomach cancer. What’s bittersweet is that just a few hours later, our team received word from Deloitte that he’d been elected in the modern-era category. Truly one of the greatest honors of my job is getting to inform these inductees that they are the newest members of the hallowed class. My heart sank that Tuesday afternoon, knowing that we had missed the chance to inform Toby while he was still with us, but I have no doubt that he is smiling down on us, knowing that he will always be ‘as good as he once was.’”
Oklahoma native Keith began playing guitar on an instrument his grandmother bought him. He later began touring regionally with his band Easy Money. Keith admired artists such as Merle Haggard and Bob Seger, who also wrote their own songs. When Keith made his way to Nashville, he had a cassette tape of some of what he considered his best songs. One label head noted the songs weren’t good enough, so Keith returned to Oklahoma. However, Harold Shedd (Mercury Records Nashville head at the time) heard about Keith’s music and traveled to Oklahoma City to meet him. The songs on that cassette included three of the songs that would become Keith’s first four singles, including “Should’ve Been a Cowboy,” “Wish I Didn’t Know Now” and “He Ain’t Worth Missing.” The fourth song was “Does that Blue Moon Ever Shine on You,’ which became a No. 1 hit from Keith’s 1996 album Blue Moon. “Should’ve Been a Cowboy” was an immediate hit for Keith. During his career, Keith earned 20 Billboard Country Airplay hits, and was a writer or co-writer on many of those. Keith’s label at the time, Mercury, shuffled him from imprint to imprint including Polydor, A&M and back to Mercury. When Mercury turned down his fifth album, Keith asked the label to release him from his contract. Keith paid Mercury for the album, then took it to DreamWorks Nashville, which was being run by his producer James Stroud. The album’s first single, “How Do You Like Me Now?!”, spent five weeks at No. 1 on the Country Airplay chart. His five DreamWorks albums all went multi-Platinum, with 2002’s Unleashed and 2003’s Shock’n Y’all reaching 5x Platinum. His songs including “You Shouldn’t Kiss Me Like This,” “I Love This Bar,” and “American Soldier” spent multiple weeks atop the Country Airplay chart, while “As Good As I Once Was” and a duet with Willie Nelson called “Beer for My Horses” each spent six weeks at No. 1.
Keith wrote “Courtesy of the Red, White and Blue (The Angry American)” in the wake of the Sept. 11, 2001 attacks, and following his father’s passing in March of that same year. The song became a lightning rod of controversy. Always an ardent supporter of the U.S. military, Keith performed on 11 U.S.O. tours, playing more than 200 shows for members of the U.S. Armed Forces. He also earned the hit “American Soldier,” which details the daily sacrifices and struggles of those in the U.S. armed forces. In 2005, Keith launched his own label, Show Dog Records, releasing songs including “Get Drunk and Be Somebody,” “American Ride,” “Red Solo Cup,” “Hope on the Rocks,” “Made In America,” “God Love Her” and “Don’t Let the Old Man In,” which he wrote after being inspired by Clint Eastwood, who later featured it in his 2018 film The Mule. Keith was inducted into the Oklahoma Hall of Fame in 2007, the all-genre Songwriters Hall of Fame in 2015 and the Nashville Songwriters Hall of Fame in 2021. Keith was honored with the National Medal of the Arts in 2020 and the BMI Icon Award in 2022.
Florida native Anderson was named to the veterans era artist category.
“This is probably the greatest honor I could ever receive, standing on this stage today…still trying to get a grasp on the reality of this happening to me. I’m so very proud and so honored,” Anderson told the crowd in accepting the honor, thanking fans and people at the CMA and Hall of Fame. “Many, many people to thank along the way. This is an institution that preserves greatness and I know it is, because I have many dear friends who are in the Hall of Fame…. The fact that I get a chance to be amongst this kind of greatness, words can’t really explain for me how important it is. Music has been what keeps me driven since I was just a child and I have so much to be thankful for.”
Anderson released several singles in the 1970s, including 1979’s “Your Lying Blue Eyes” and “She Just Started Liking Cheatin’ Songs” before issuing his debut album in 1980. Anderson’s penchant for shuffles, waltzes and ballads brought him his first top 5 Hot Country Songs hit with a cover of Billy Joe Shaver’s “I’m Just An Old Chunk of Coal (But I’m Gonna Be a Diamond Someday).” In September 1982, the title track for his album Wild and Blue was on point to become his first Hot Country Songs No. 1 (staying there for two weeks), when radio stations began also playing another song from the album. Three weeks after “Wild and Blue” hit No. 1, Anderson’s “Swingin’” hit the Hot Country Songs chart and 10 weeks later, became Anderson’s second No. 1 hit. “Swingin’” was honored as the single of the year at the 1983 CMA Awards, the same evening that Anderson took home the horizon award win. Between 1981 and 1983, Anderson earned six top 10 Hot Country Songs hits and three No. 1s on that chart. His singles began peaking lower on the chart in subsequent years, until his career came roaring back in the 1990s with songs including the Hot Country Songs No. 1 hits “Straight Tequila Night” and “Money in the Bank,” as well as the top 5 Hot Country Songs hit “I Wish I Could Have Been There.” Another of those ’90s hits, the No. 2 Hot Country Songs hit “Seminole Wind,” had an environmentally conscious bent. While Anderson wasn’t a writer on the song, he recognized its potential. “Seminole Wind” sold three million copies, becoming a career-defining song for Anderson. In addition to Anderson’s two 1980s CMA Awards, he participated in the 1994 album of the year win for Common Thread: The Songs of the Eagles, on which he covered “Heartache Tonight.” That same year, the Academy of Country Music honored him with its career achievement award.
This week, Kacey Musgraves offers up a superb, folky ballad from her album Deeper Well, while ERNEST teams with the ubiquitous Jelly Roll for a new track, and Cyndi Thomson returns with “The Georgia in Me.” See all these and more Billboard picks for the week’s best new country below.
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Kacey Musgraves, “The Architect”
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A sublime track from her new album Deeper Well, “The Architect” marks one of the project’s high-water marks. Softly hypnotic and well-written, this song questions whether life’s zeniths, nadirs and turns along the way are orchestrated or happen randomly. “I don’t understand, are there blueprints or plans?Can I speak to the architect?” she sings. Written by Musgraves with longtime collaborators Shane McAnally and Josh Osborne, this deeply-felt track marks another musical triumph.
ERNEST feat. Jelly Roll, “I Went to College/ I Went to Jail”
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Country music has a storied tradition of artists nodding to their own less-than-shining moments that become central parts of their legend and legacies, from Haggard’s “Mama Tried” to George Jones’ “No Show Jones.” ERNEST and Jelly Roll are both Nashville natives and on this collaboration, they detail their unconventional journeys to stardom, from ERNEST dropping out after a year of college and Jelly Roll’s evolution from jail cell to CMA Award-winning artist. Along the way, they both paid their music industry dues, too.
“Who came out on top/ Hell, it’s hard to tell,” they sing triumphantly, bolstered by a flourishing of steel guitars, fiddle and piano. Jelly even shouts out the location of the criminal justice center that is central to so much of his story. ERNEST wrote the song with Chandler Paul Walters, Luke Bryan and Rivers Rutherford., and “I Went to College/ I Went to Jail” will be found onERNEST’s upcoming April 12 album Nashville, Tennessee.
Cyndi Thomson, “The Georgia in Me”
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In the two decades after releasing her debut album My World, earning the Country Airplay-topping hit with “What I Really Meant to Say” and then opting to leave her role as a recording artist behind, this Georgia native has released music sporadically. Her soft-edged, dusky vocal drawl is still as potent as a Southern magnolia, and front and center on her first new music since 2016, with this song she wrote with Paul Sikes (“Wildflowers and Wild Horses,” “Make Me Want To”). She reminisces about teenage summers spent on red dirt roads, filled with fun-loving Saturday nights and glory-giving Sunday mornings, with the song also nodding to another Georgia-born country singer, Trisha Yearwood. This sweet-yet-sutry sounding track is a solid addition to Thomson’s too-brief musical canon.
Matt Koziol, “I Was”
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The age-weathered rasp in Koziol’s voice lends a veritable air to this blues-country track, as he reminisces about his former days of flying too fast down an unhealthy road and all the times he was “at the top of the prayer list” and the “reason for the last call.” The understated piano and percussion lend an oak-wood warmth to Koziol’s crackling fire of a voice. This track, which Koziol wrote with Kenton Bryant, is from Koziol’s upcoming April 5 album Last of the Old Dogs, which follows his 2022 project Wildhorse and 2023’s deluxe version Wildhorse (Barrel Aged).
Ben Rector and Hailey Whitters, “Color Up My World”
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This quirky, feel-good love song manages to nod to Pat Green, Bob Ross and turquoise nudie suits in the span of just over two minutes. On this banjo-flecked track, Rector’s vocal balances both quick-wit and charisma, while Whitters’ smooth twang is the sweetener.
Madison Hughes, “Hate that You Love Me”
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The Voice alum Hughes broke through last year with the country tune “I Need a Drink.” Her latest dips further into the blues realm than straight-forward country, and becomes a towering testament to both Hughes’ adroit guitar skills and the purring vocal. Her voice is world-weary, her guitar tones threaded with angst, as she offers up a relatable tale of falling headlong for a charismatic heart-breaker. The immensely talented Hughes is on a star-making trajectory.
Riley Green, “Way Out Here”
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Before Keith Urban offered a nod to three “Johns” in “John Cougar, John Deere and John 3:16,” singer-songwriter Josh Thompson paid homage to his own trio of icons named John — Johnny Cash, John Wayne and John Deere — in his top 20 Hot Country Songs hit from 2010. Now, Riley Green offers up his own rendering of Thompson’s hit. “We don’t take a dime if we ain’t earned it/ When it comes to weight, brother we pull our own,” Riley sings. His take is more subdued, with slightly moodier production, on this 15-year-old song about defending rural living, but he delivers this track with plenty of heart.
Reba McEntire is reminding fans that just because they read something on the internet doesn’t mean it’s true. In particular, the country icon and The Voice coach hit back over the weekend at what she said was fake news about her reportedly dissing Taylor Swift after allegedly being miffed at the singer’s behavior at February’s […]
Kacey Musgraves has released a digital version of Deeper Well with an exclusive bonus track, “Ruthless.”
Musgraves shared the news about “Ruthless” on Sunday (March 17), pointing fans to her official webstore to purchase a digital download of her new album that includes the extra song. This 15-track version of Deeper Well, which has an alternate album cover, is priced at $6.
“When I love I love f—ing hard. BONUS TRACK ADDED TO THE RECORD,” she announced on Instagram, where she posted an image of handwritten lyrics.
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“I don’t believe in violence but you know I won’t be silent/ I’m a lover, not a fighter/ But if anyone tried to hurt you, I would be ruthless for you/ Do something crazy — you know I would, baby/ I swear I’ve got your heart and if it came down to it/ I would be ruthless,” the lyric preview shows.
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Deeper Well, recorded at New York City’s historic Electric Lady Studios and featuring singles “Deeper Well” and “Too Good to Be True,” was released on March 15 through Interscope/MCA Nashville.
“It was truly an amazing experience,” Musgraves recalled of recording at Electric Lady Studios in a segment for Sunday TODAY With Willie Geist.
“Every studio has its own energy, but this one has such a storied past. This building — and it literally being Jimi Hendrix’s apartment — right here, that’s some seriously good mojo. I just know so many amazing creatives are drawn to creating here, and there’s a reason,” she said.
Deeper Well is the singer-songwriter’s follow-up to Star-Crossed, which debuted at No. 3 on the Billboard 200 albums chart in 2021.
Billboard ranked the 14 tracks from the standard version of Deeper Well.
“Ruthless” is available with Musgraves’ digital version of Deeper Well here.
Zach Bryan performed his unreleased song “Sandpaper” during his concert in New Jersey on Friday (March 15).
Toward the end of his 27-song set at Newark’s Prudential Center, the country star treated fans to the live debut of the new song, which he teased earlier in the year on social media.
In January, Bryan teased 45 seconds of the then-unfinished “Sandpaper” on acoustic guitar. During his Quittin’ Time Tour stop on Friday, the 27-year-old singer-songwriter unveiled the full four minutes of the song, which features synths, extra guitars and background vocals.
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“You’re like sandpaper,” Bryan sings on the track, which is believed to be about his girlfriend, Brianna LaPaglia, according to Rolling Stone. “Baby you’re trying to smooth me out.”
The artist’s NJ concert also featured a performance of “I Remember Everything,” his Grammy-winning song with Kacey Musgraves. The track debuted at No. 1 on the Billboard Hot 100 dated Sept. 9, 2023, earning both Musgraves and Bryan their first Hot 100 chart-topper. It also debuted atop the Hot Country Songs chart, where it ruled for 20 weeks (through February 2024).
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Bryan’s Quittin’ Time Tour launched with three shows at Chicago’s United Center (March 5-7), before trekking across the country with stops in New York, Pennsylvania, Alabama, Missouri, Tennessee and more. Among the openers on the tour are Jason Isbell and the 400 Unit, The War and Treaty, Sierra Ferrell and Sheryl Crow.
Bryan was named Billboard’s Top New Artist of 2023, landing No. 1s on both the all-genre Billboard 200 albums chart and Hot 100 songs survey. Bryan, who charts on both the rock and country charts, is the first country act to be the year’s Top New Artist since Billboard began compiling the Top New Artists category, combining performance on the Billboard 200 and Hot 100, in 1977.
Watch Bryan perform “Sandpaper” in New Jersey in a fan-captured video clip here.
Kacey Musgraves has returned with her new album Deeper Well, but according to her, she almost didn’t live to see the day. While shooting the music video for the project’s title track in Iceland, the country star said she almost took a windblown tumble off an extremely tall, steep precipice. “We picked literally the worst […]
Thomas Rhett’s “Mamaw’s House,” featuring Morgan Wallen, crowns Billboard’s Country Airplay chart (dated March 23). It increased by 13% to 29.4 million audience impressions March 8-14, according to Luminate.
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The song marks Rhett’s milestone 20th Country Airplay No. 1 and Wallen’s 11th.
“For me, each No. 1 is incredibly special, but to have 20 on the Billboard chart is really mind-blowing,” Rhett says. “It means that fans are connecting with the music we make, and that is a feeling that never goes old. It means the world to me.”
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“House” is on the digital version of Rhett’s 20 Number Ones, which arrived on Top Country Albums at its No. 7 high in October 2023, becoming his seventh top 10. Rhett, who is currently working on a new LP, and Wallen co-wrote the song with Matt Dragstrem and Chase McGill.
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Jumping 5-1 on Country Airplay, “House” makes the biggest leap to the summit since Rhett’s last leader, “Angels Don’t Always Have Wings,” flew 6-1 in September 2023. He first reigned with “It Goes Like This” in October 2013.
Rhett ties Brooks & Dunn, Toby Keith and Brad Paisley for the ninth-most Country Airplay leaders, dating to the chart’s 1990 launch. Kenny Chesney leads with 32 No. 1s.
Wallen last topped Country Airplay with “Thinkin’ Bout Me,” which started a five-week command in October 2023. Meanwhile, his “Man Made a Bar” featuring Eric Church pushes 7-6 (23.7 million, up 11%).
‘Outskirts’ Moves In
Sam Hunt posts his 12th Country Airplay top 10 as “Outskirts” hops 14-10 (18.8 million, up 22%). The song, which he co-wrote, is his first to reach the region since his Ingrid Andress team-up “Wishful Drinking” hit No. 4 in November 2022.
All charts dated March 23 will update Tuesday, March 19, on Billboard.com.
Is there anything better than the union of two American icons? During his Luck Reunion concert on Thursday (March 14), Willie Nelson performed “Rainbow Connection” with none other than Kermit the Frog. With Kermit on banjo and Nelson on guitar, the pair delivered a tender, heartwarming cover of the classic song. The iconic Muppet has […]
Kacey Musgraves‘ fifth studio album, Deeper Well, has arrived.
The singer-songwriter first teased the news of the album in early February, with a series of photos and a social media post which read, “I’m saying goodbye to the people that I feel are real good at wasting my time…No regrets, baby, I just think that maybe you go your way and I’ll go mine.” Those words, of course, are lyrics to Deeper Well‘s title track; Musgraves co-wrote the song with longtime collaborators Daniel Tashian and Ian Fitchuk. Musgraves followed by releasing another song from the album, “Too Good to Be True.”
Musgraves told Zane Lowe on Apple Music 1 about the new album, saying, “I’ve found more of a connection to my softer side, my roots, like some of the Americana, the folk, the country…really the warmth of that. I felt drawn to that. I felt like I was in a softer place myself after [Musgraves’ 2021 album] star-crossed and going through a divorce and doing a lot of therapy and honestly falling in love again and opening myself back up to the human experience. These songs just kind of started coming out.”
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On her new project, Musgraves drew inspiration from the energy and artistic legacy of New York City’s Greenwich Village. She also recorded the album at the iconic Electric Lady studios.
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“Sometimes you reach a crossroads. Winds change direction,” Musgraves previously said in a statement. “What you once felt drawn to doesn’t hold the same allure, you get blown off course but eventually find your footing and forage for new inspiration, new insight and deeper love somewhere else.”
The 14-track album was announced after Musgraves picked up her seventh Grammy honor, for best country duo/group performance for her Zach Bryan collaboration “I Remember Everything.” That Grammy victory made Musgraves the first artist to win in all four country field categories, having previously won best country solo performance in 2019 (“Space Cowboy”), as well as best country album and best country song in both 2014 (Same Trailer, Different Park and “Merry Go ‘Round”) and 2019 (Golden Hour and “Space Cowboy”).
“I Remember Everything” became Musgraves’ first Hot 100 chart-topper, and spent 20 weeks at No. 1 on the Hot Country Songs chart; she has also earned four top 10 albums on the Billboard 200 to date, among them star-crossed and Golden Hour.
Stream Deeper Well below: