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Jelly Roll really is on a roll. The powerful singer and colorful personality won a night-leading three awards at the 2024 CMT Music Awards for the second year in a row. The awards, hosted by Kelsea Ballerini, were presented at Moody Center in Austin, Texas, on Sunday (April 7) and broadcast on CBS.
Jelly Roll took video of the year, male video of the year and CMT performance of the year, all for “Need a Favor.” Last year, he won male video of the year, male breakthrough video of the year and CMT digital-first performance of the year, all for “Son of a Sinner.”
“Need a Favor” reached No. 13 on the Billboard Hot 100. This is the third year in a row that the music video of the year winner was a top 15 hit on Billboard’s flagship all-genre songs chart. Kane Brown and Katelyn Brown’s “Thank God,” last year’s winner, also reached No. 13. Jason Aldean and Carrie Underwood’s “If I Didn’t Love You,” the 2022 winner, reached No. 15.
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Jelly Roll is the first artist to win back-to-back awards for male video of the year since Blake Shelton won in 2013 and 2014 for “Sure Be Cool If You Did” and “Doin’ What She Likes,” respectively.
Jelly Roll’s award for CMT performance of the year was for his rendition of “Need a Favor” on last year’s CMT Music Awards. This year, he closed the show with a performance of “Halfway to Hell.”
Lainey Wilson won female video of the year for the second year in a row. She took the award for “Watermelon Moonshine,” having won last year for “Heart Like a Truck.” She’s the first woman to win in this key category two years running since Carrie Underwood won six years in a row from 2015-20. Wilson’s win here was hardly a surprise. She has amassed seven awards at the CMA Awards in the past two years.
In addition to her win, Wilson performed two songs on the show – her own “Country’s Cool Again” and a cover version of Toby Keith’s 1999 hit “How Do You Like Me Now?!” in a tribute to the late singer.
Dan + Shay won duo/group video of the year for “Save Me the Trouble.” The duo previously won duo video of the year three years running for “Tequila” (2018), “Speechless” (2019) and “I Should Probably Go to Bed” (2020). (The CMT Awards’ separate duo and group categories were combined in 2021. Now that they have three hours to fill, they should make them separate awards again, so they conform with the CMA Awards and the ACM Awards.)
“We Don’t Fight Anymore” by Carly Pearce featuring Chris Stapleton won collaborative video of the year. Both artists are past winners of the award for breakthrough video of the year. Pearce won in 2018 for “Every Little Thing”; Stapleton in 2016 for “Fire Away.”
Ashley Cooke and Warren Zeiders won the awards for breakthrough female and male video of the year, respectively. Many past winners in the CMT new artist category have gone on to very substantial careers, including Dierks Bentley, Carrie Underwood, Taylor Swift, Zac Brown Band, Luke Bryan, Florida Georgia Line, Sam Hunt and Ashley McBryde, in addition to the previously-mentioned Stapleton, Pearce and Jelly Roll.
Trisha Yearwood received the June Carter Cash Humanitarian Award. “June Carter Cash was a force, and she was also married to a force – and I know a little bit about that,” she said in accepting the award. She added the she and her husband, Garth Brooks, try to live by the saying “Those to whom much is given, much is expected.” Yearwood also performed the tender ballad “Put It in a Song.”
Host Ballerini was nominated for three awards – video of the year, female video of the year and CMT performance of the year – but didn’t win. But she scored with a performance of “Love Me Like You Mean It.”
When Toby Keith died of cancer on Feb. 5 at the age of 62, the country world mourned the loss of one of its biggest stars. Notching 20 No. 1 songs on the Billboard Hot Country Songs chart and the Country Airplay chart, Keith was an uncompromising, often controversial figure who followed his own arrow and remained a consistent presence in the genre for three decades.
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So when the 2024 CMT Music Awards took over the Moody Center in Austin, Texas, on Sunday (April 7), it went without saying that the planned tribute to Keith would be one of the evening’s highlights.
Led by Keith’s longtime friends Brooks & Dunn and Sammy Hagar as well as Lainey Wilson, whom Keith mentored, the tribute was supported by Keith’s longtime backing band.
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Baseball legend Roger Clemens introduced the performance, calling Keith “a true friend and patriot.” Clemens noted that in recent years, as Keith was “battling that damn C-word,” the singer “kept his sense of humor and his wit.”
Brooks & Dunn opened the tribute, delivering a rousing rendition of Keith’s breakthrough 1993 single, “Should’ve Been a Cowboy,” as everyone in the crowd (especially Jelly Roll) sang along.
Then, Hagar turned up the adrenaline for a raucous take on Keith’s 2003 hit “I Love This Bar,” a song that ties into the franchise restaurant the country singer inspired, Toby Keith’s I Love This Bar & Grill, which opened in 2005. Introducing the song, the Van Halen legend noted that while it’s hard to get kicked out of your own bar, it’s a feat both of them managed over the years.
After an introduction from Lukas Nelson and Riley Green, Wilson closed it out with “How Do You Like Me Now?!”, the title track to Keith’s 1999 album. The Grammy winner put her whole heart into a joyful, bittersweet performance as Keith’s widow, Tricia Lucas, and children (Shelley Covel Rowland, Krystal Keith and Stelen Keith Covel) watched.
After the performance, a tearful Clemens took the stage and led the entire audience in a Red Solo Cup cheers to the legend: “Whisky for my men and beer for my horses!” he shouted, raising his cup up to the heavens.
A comment Morgan Wallen made about Taylor Swift elicited boos from the crowd at a recent stop of his One Night at a Time Tour in Indianapolis. The country star, playing back-to-back nights on April 4-5 at the Indiana city’s Lucas Oil Stadium, made a comment on stage that his show had set a record […]
The 2024 CMT Music Awards brought together the best and brightest of country music on Sunday night (April 7) to the Moody Center in Austin, Texas, to celebrate the top country videos of the year. Leading the performances on Sunday’s show was an all-star tribute to late country legend Toby Keith, which included Brooks & Dunn, […]
While Jason Aldean’s performance at the 2024 CMT Music Awards was fairly straightforward for the country hitmaker, his appearance on the network’s signature awards show had some people raising their eyebrows. Singing “Let Your Boys Be Country,” a twangy rocker from his 2023 album Highway Desperado and top 20 hit on Billboard‘s Country Airplay chart, […]
The biggest names in country music headed to the Moody Center in Austin, Texas, on Sunday (April 7) for the 2024 CMT Music Awards hosted by Kelsea Ballerini. The 2024 CMT Music Awards red carpet boasted appearances from Ballerini, Trisha Yearwood, Jelly Roll, Brandi Cyrus, rapper GloRilla, Little Big Town, Keith Urban, Cody Johnson and […]
The 2024 CMT Music Awards are here!
Going into Sunday night’s (April 7) show, Jelly Roll, Lainey Wilson, Cody Johnson, Kelsea Ballerini and Megan Moroney all lead the nominations with three apiece. Ballerini returns as host this year for the show, which is airing live from Moody Center in Austin, Texas, on CBS and streaming live and on-demand via Paramount+.
You can follow along with all the night’s biggest winners as Billboard brings you coverage from the red carpet, the show and beyond. Find the 2024 CMT Music Awards winners below:
Video of the year Best video of the year; awarded to the artist (male, female, group/duo or collaboration). Final voting will be determined via social media and announced as the final category during the live show.
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Cody Johnson – “The Painter”
Jelly Roll – “Need A Favor”
Kelsea Ballerini – “If You Go Down (I’m Goin’ Down Too)”
Female video of the year Best video by a female artist; awarded to the artist.
Ashley McBryde – “Light On In The Kitchen”
Gabby Barrett – “Glory Days”
Kacey Musgraves – “Deeper Well”
Kelsea Ballerini – “Penthouse”
Lainey Wilson – “Watermelon Moonshine”
Megan Moroney – “I’m Not Pretty”
Reba McEntire – “Seven Minutes In Heaven”
Male video of the year Best video by a male artist; awarded to the artist.
Bailey Zimmerman – “Religiously”
Cody Johnson – “The Painter”
HARDY – “Truck Bed”
Jelly Roll – “Need A Favor”
Jordan Davis – “Next Thing You Know”
Luke Combs – “Fast Car (Official Live Video)”
Morgan Wallen – “Last Night (One Record At A Time Sessions)”
Duo/group video of the year
Best video by a duo or group; awarded to the artists.
Brothers Osborne – “Nobody’s Nobody”
Dan + Shay – “Save Me The Trouble”
Old Dominion – “Memory Lane”
Parmalee – “Girl In Mine”
The War And Treaty – “Have You A Heart”
Tigirlily Gold – “Shoot Tequila”
Collaborative video of the year Best video from a collaboration; awarded to the artists.
Carly Pearce feat. Chris Stapleton – “We Don’t Fight Anymore”
Ella Langley feat. Koe Wetzel – “That’s Why We Fight”
Jon Pardi, Luke Bryan – “Cowboys And Plowboys”
Justin Moore & Priscilla Block – “You, Me And Whiskey”
Lukas Nelson + Promise of The Real feat. Lainey Wilson – “More Than Friends”
Mickey Guyton feat. Kane Brown – “Nothing Compares To You”
Old Dominion & Megan Moroney – “Can’t Break Up Now”
Breakthrough female video of the year, presented by Walt Disney WorldBest video from a female artist’s major breakthrough album; awarded to the artist.
Anne Wilson – “Rain In The Rearview”
Ashley Cooke – “your place”
Brittney Spencer – “Bigger Than The Song”
Tigirlily Gold – “Shoot Tequila”
Breakthrough male video of the year, presented by Walt Disney WorldBest video from a male artist’s major breakthrough album; awarded to the artist.
Chayce Beckham – “23”
Tyler Childers – “In Your Love”
Warren Zeiders – “Pretty Little Poison”
Zach Bryan – “Oklahoma Smokeshow”
CMT performance of the yearMusical performance on a television show, series or variety special on CMT; awarded to the artist (individual, group or duo).
Amber Riley – “R.E.S.P.E.C.T.” (from CMT Smashing Glass)
Bret Michaels & Chris Janson – “Nothing But a Good Time” (from CMT Crossroads)
Carrie Underwood – “Hate My Heart” (from 2023 CMT Music Awards)
Cody Johnson – “Human” (from 2023 CMT Music Awards)
Dierks Bentley – “Drunk On A Plane” (from CMT Storytellers)
Dustin Lynch feat. MacKenzie Porter – “Thinking ‘Bout You” (from CMT Campfire Sessions)
Hozier & Maren Morris – “Take Me To Church” (from CMT Crossroads)
Jelly Roll – “Need a Favor” (from 2023 CMT Music Awards)
Kelsea Ballerini – “If You Go Down (I’m Goin’ Down Too)” (from 2023 CMT Music Awards)
The War And Treaty – “On My Own” (from CMT Smashing Glass)
CMT digital-first performance of the year
Musical performance from a production, series or livestream created for CMT digital / social channels; awarded to the artist (individual, group or duo).
Chase Rice – “Goodnight Nancy” (from CMT Studio Sessions)
Dylan Scott – “Don’t Close Your Eyes (Keith Whitley Cover)” (from CMT Digital Campfire Sessions)
Megan Moroney – “I’m Not Pretty” (from CMT Digital Campfire Sessions)
Nate Smith – “Whiskey On You” (from CMT Studio Sessions)
Stephen Wilson Jr. – “Year to Be Young 1994” (from CMT Studio Sessions)
Scotty McCreery – “It Matters To Her” (from CMT Stages)
The Castellows – “I Know It Will Never End” (from CMT Studio Sessions)
Beyoncé’s Cowboy Carter gallops in at No. 1 on the Billboard 200 albums chart (dated April 13), debuting with 407,000 equivalent album units earned in the U.S. in the week ending April 4, according to Luminate. It’s the superstar’s eighth No. 1 on the all-genre Billboard 200.
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With 407,000 units earned, Cowboy Carter claims the biggest week of 2024 and the largest since Taylor Swift’s 1989 (Taylor’s Version) bowed with 1.653 million units on the Nov. 11, 2023-dated list. Cowboy Carter’s launch is also Beyoncé’s biggest week, by units, since her Lemonade album debuted at No. 1 with 653,000 units (mostly from traditional album sales) on the May 14, 2016, chart. The new effort also lands Beyoncé her biggest streaming week ever.
Cowboy Carter also launches at No. 1 on Billboard’s Top Country Albums, Americana/Folk Albums and Top Album Sales charts. She’s the first Black woman ever to have led the Top Country Albums list, dating to its January 1964 inception. Cowboy Carter also claims the biggest week for a country album, by units earned, since last July, when Taylor Swift’s Speak Now (Taylor’s Version), opened at No. 1 on the July 22, 2023 chart with 716,000 units.
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Cowboy Carter was introduced by the singles “Texas Hold ‘Em” and “16 Carriages,” which were released during the Super Bowl festivities on Feb. 11. The tracks debuted and have peaked (through the charts dated April 6) at Nos. 1 and 9, respectively, on Billboard’s Hot Country Songs chart, marking Beyoncé’s first entries on the tally. They have also reached Nos. 1, for two weeks, and 38 on the all-genre Billboard Hot 100 songs chart.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 13, 2024-dated chart will be posted in full on Billboard‘s website on April 9. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of Cowboy Carter’s first-week unit sum of 407,000, SEA units comprise 232,000 (equaling 300.41 million on-demand official streams of the set’s songs), traditional album sales comprise 168,000 and TEA units comprise 7,000. With 300.41 million on-demand official streams, Cowboy Carter earns Beyoncé her biggest streaming week ever and the fourth-largest for a country album.
Cowboy Carter marks Beyoncé’s eighth No. 1 on the Billboard 200 albums chart. She previously led the list with Renaissance (in 2022), Lemonade (2016), her self-titled album (2013), 4 (2011), I Am… Sasha Fierce (2008), B’Day (2006) and Dangerously In Love (2003). Beyoncé breaks out of a tie with Janet Jackson for the fourth-most No. 1s among women. Swift has the most, with 13, followed by Barbra Streisand (11), Madonna (nine), Beyoncé (eight) and Jackson (seven).
Cowboy Carter’s sales were supported by the album’s availability across a number of configurations, released on March 29. It was issued as standard 19-track edition on vinyl (across four variants, each pressed on different color vinyl [black, red, white and blue] with alternate back cover artwork), a CD with an additional song (“Flamenco”) and a digital download and streaming edition (both in clean and explicit versions, with three bonus songs “Flamenco,” “Spaghetti” and “Ya Ya,” plus two interludes). The CD edition was issued in four variants (each with different back cover art). Two of the variants were sold as stand-alone items, while two of the CDs were only available inside two deluxe boxed sets (each with a different branded T-shirt contained inside a branded box). All physical configurations of the album were sold exclusively through Beyoncé’s official webstore, while the digital download and streaming editions were widely available.
The vinyl edition of Cowboy Carter sold 62,000 copies (across its four variants combined), marking Beyoncé’s biggest week on vinyl and the largest week for any vinyl album in 2024.
Cowboy Carter boasts an eclectic lineup of billed guest artists, including Tanner Adell, Beyoncé’s daughter Rumi Carter, Miley Cyrus, Willie Jones, Tiera Kennedy, Linda Martell, Willie Nelson, Dolly Parton, Post Malone, Reyna Roberts, Shaboozey, and Brittney Spencer. Among the many additional players on the album: 070 Shake, Jon Batiste, Ryan Beatty, Gary Clark Jr., The-Dream, Rhiannon Giddens, Paul McCartney, Pharrell, Robert Randolph, Nile Rodgers, Raphael Saadiq, Sara Watkins and Stevie Wonder.
Future and Metro Boomin’s We Don’t Trust You falls to No. 2 on the latest Billboard 200 after debuting atop the list a week ago. The set earned 131,000 equivalent album units in its second week (down 48%). Morgan Wallen’s former leader One Thing at a Time rises 4-3 with 69,000 (up 2%) and Ariana Grande’s chart-topping Eternal Sunshine dips 3-4 with 58,000 (down 19%).
J-Hope’s Hope On the Street, Vol. 1 debuts at No. 5 with 50,000 equivalent album units earned. It’s J-Hope’s second top 10-charting effort, and highest-charting set, following Jack In the Box, which peaked at No. 6 on the Sept. 2, 2023-dated list. Of Hope On the Street’s 50,000 units earned, album sales comprise 44,000, SEA units comprise 4,000 (equaling 5.7 million on-demand official streams of the set’s songs) and TEA units comprise 2,000. The album’s sales were supported by eight collectible CD editions (including exclusive variants for Target, Walmart and the Weverse store), all containing branded paper merchandise.
Olivia Rodrigo’s former No. 1 Guts falls 2-6 on the new Billboard 200, with 49,000 equivalent album units earned (down 32%), Noah Kahan’s Stick Season descends 5-7 with 44,000 units (down 2%) and Taylor Swift’s chart-topping Lover falls 7-8 with 40,000 units (down 1%). Rounding out the top 10 are two former leaders: SZA’s SOS (6-9 with 39,000; down 3%) and Zach Bryan’s self-titled album (8-10 with nearly 39,000; down 1%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Parker McCollum notches his third leader on Billboard’s Country Airplay chart as “Burn It Down” rages 6-1 in its 44th week on the survey (dated April 13). The song advanced by 17% to 27.5 million audience impressions March 29-April 4, according to Luminate.
McCollum co-authored “Burn It Down” with Hillary Lindsey, Lori McKenna and Liz Rose, and Jon Randall produced it.
The song is the sophomore single from McCollum’s LP, Never Enough, which arrived at its No. 12 best on Top Country Albums last May. Lead single “Handle on You” hit No. 2 on Country Airplay the same month, awarding the Conroe, Texas, native his third of four straight career-opening top 10s. His first entry, “Pretty Heart,” led for a week in December 2020, followed by “To Be Loved by You,” which reigned for a week in March 2022.
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Currently on tour, McCollum makes his next stop in Edinburg, Texas, on April 5 with special guests Corey Kent and Catie Offerman.
Meanwhile, McCollum’s 6-1 vault marks the second such surge in a row on Country Airplay. On the April 6 chart, Chayce Beckham’s solely self-written “23” made the same move, becoming the 2021 American Idol champ’s first leader.
Since the chart began in January 1990, the biggest jump to the summit belongs to Ricky Van Shelton’s “Keep It Between the Lines,” which blasted 9-1 on the Oct. 12, 1991, survey.
Beyoncé & ‘Jolene’
Beyoncé debuts her second Country Airplay entry, as her reworking of Dolly Parton’s “Jolene” begins at No. 56 (982,000 in audience). It’s the second song from her new album, Cowboy Carter, released March 29, to make the list — lead single “Texas Hold ‘Em” ranks at No. 37 (3.2 million, down 6%) in its eighth week, after reaching No. 33.
Jelly Roll and Bunnie XO aren’t having the smoothest trip to Austin, Texas, ahead of this year’s Country Music Television Awards. In a TikTok posted Thursday (April 4) by the Dumb Blonde Podcast host — who wed the “Son of a Sinner” singer in 2016 — the couple and their posse experienced a major setback […]