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The newest Carly Pearce music — “My Place,” a track released April 5 to tease a forthcoming album — is an unsettling experience.
The melody is slow and languid, filled with lengthy notes that highlight her smoky vocal tone. But the defining instrument is a relentless resonator guitar. Ilya Toshinskiy plays a dark parade of 16th notes, a foreboding part that casts a gloomy melancholy over the whole proceeding. It appropriately backs a post-breakup piece in which a woman sifts through the emotional clouds that still linger and pricks at the difficult sense of incompletion that dogs her as she obsesses, momentarily anyway, about an ex.
“It’s hard to pick favorites on records,” Pearce says, “but I do think that this is my favorite.”
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That evaluation is easy to understand. The song is personal, its sound is unique, and its story has plenty of depth while still drawing from familiar country precedents. It does what the most successful commercial country songs do, ferreting out its own space in the genre while sounding like it fits instantly within a segment of the existing format.
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“In country music,” co-writer Jordan Reynolds says (“Speechless,” “10,000 Hours”), “you can use a similar feeling and a similar device over and over again, because it’s just true.”
Reynolds hosted the writing session for “My Place” at his place, a studio in East Nashville, on Feb. 21, 2023. Pearce was scheduled to play the Grand Ole Opry that night, and the appointment started late, putting a certain amount of pressure on the writing trio, which included Concord Music Publishing signee Lauren Hungate. Fortunately, Hungate was ready for any worst-case scenario.
“I’m like a song doomsday prepper — I prep sometimes a month before the session,” she says. “I had prepped a bunch of ideas for her and sent them to my publisher, and my publisher picked ‘My Place.’ She was like, ‘I think this is your best one for it.’ And so that was the one I led with when I went in there. But I was so nervous that I had, like, five other ideas just in case.”
Hungate’s “My Place” idea emanated from her husband, who she characterizes as “super-super country.” She recalls a conversation when he took issue with something — “You know, baby, that ain’t your place” — and she thought “It ain’t my place” had song potential if it used a bit of wordplay.
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Pearce, meanwhile, arrived at the appointment having recently dreamed that she had split with the man she was dating. As they talked about the breakup in the dream, Hungate presented her “My Place” idea, which included the hook and half the lyric for the first verse. Reynolds began playing a haunting passage, and Pearce came up with a syncopated verse melody.
Lyrically, that stanza walked a line between Rhett Akins’ “That Ain’t My Truck” and Toby Keith’s “Who’s That Man,” noting a series of items on the outside of her ex’s house with a “that ain’t my…” lead-in, while recognizing that someone else has taken her place. The melody took a turn at the chorus with the phrases landing more on the beat.
“It ain’t my place/ To question if there’s someone filling my space,” it went, with that second line leading the listener to think of the social media site Myspace, which is an “ex” in its own way. “Trust me,” Pearce says, “we were like, ‘Well, we just got to say it. We got to do it.’ ”
In verse two, the singer’s drive-by goes inside — first imagining a few items inside the house, then projecting into her ex’s mind.
“You’re questioning, you’re battling these insecurities of all the ‘what ifs’ and the realization that this person has moved on,” Pearce says. “Does he ever think of you? And what does she look like? And what do they talk about? It’s just kind of that laundry list of all these really vulnerable insecurities that go along with somebody moving on.”
After the second chorus, they slipped in a bridge, pondering whether the new woman is enough to erase the singer entirely from the guy’s memory. “I think we wanted one more angle to twist it [and] dig the knife in just a little bit deeper,” Hungate says. “That’s another question that you don’t get to answer, just another painful thing.”
It speaks to the deepest pain of rejection. Making a difference is one of the strongest motivations most people experience. To disappear from his mind is to make zero impact. “You don’t want to be forgotten,” Pearce says. “You do want to matter.”
Reynolds built a significant part of the demo before the two women left, and he came up with 16th notes on a resonator guitar as a means of creating some movement in the song. But the effect also created a contrast with the legato melody. “You’re still thinking about the voice, but it keeps the verse really interesting,” Reynolds says. “There’s space in it, but it’s like there’s two voices kind of talking to each other.”
When Pearce met with co-producers Shane McAnally (Old Dominion, Kacey Musgraves) and Josh Osborne (Midland) for preproduction, she insisted on framing the final recording around the arrangement that Reynolds had developed.
“It reminded me of Lee Ann Womack-y type of stuff, and I was like, ‘Nobody ruin this, because this is such an interesting time signature and interesting thing that we’ve got going on,’ ” Pearce remembers. “I didn’t want it to get too big. I wanted it to live in the world that it lives in.”
Dobro player Josh Matheny and fiddler Jenee Fleenor shaded the track primarily with long notes, many suspended at the end of phrases without resolution. Other instruments pop out with a note here or there, lending more color to the sound without creating further weight. Osborne provided harmony during overdubs, enhancing the bite and lonesomeness in the lyrics.
“He covered such a special part,” Pearce says. “It felt almost like what Don Henley did for Trisha Yearwood on ‘Walkaway Joe.’ It’s not overcomplicated.”
Pearce’s collaboration with Chris Stapleton, “We Don’t Fight Anymore,” remains the radio-focused single and is ranked at No. 17 on the Country Airplay chart. But “My place” provides an extra hint at the quality of her next Big Machine album, hummingbird, due June 14. And after seeing the reaction from the handful of times she has played it live, “My Place” is considered a potential future single as well.
“I think it has that kind of universal appeal — we’ve all been there,” Pearce says of “My Place.” “As a songwriter, there’s nothing I could possibly hope for more than to give people a song and watch them react so positively. This is such a special song, and I am just so excited to have it out and see where it goes.”
Maren Morris visited The Late Show on Tuesday night (April 9) to promote her new children’s book and sit on the couch to chat with host Stephen Colbert for the first time after several earlier performances on the show. But the “Circles Around This Town” singer ended up singing anyway after she told Colbert about one of the weirdest gigs she had as a child star.
Considering the 34-year-old has been performing since she was 10, Morris said she has definitely had a “few weirdo ones,” including a number of chili cook-off shows and a weekly Saturday gig during high school singing the National Anthem at amateur wrestling bouts for $100 a shot. “That takes about 90 seconds, so the rest of the night my friends in high school would watch and cheer on these wrestlers,” she said.
“I had the most fun and it was a fun way to make money and be patriotic,” she added. After Morris explained that she did the Anthem a cappella, Colbert asked if they could perform an impromptu duet on the notoriously hard-to-sing “Star-Spangled Banner” sometime. Morris agreed to the request, even as Colbert admitted he only knows the bassline of the song, but cannot sing the melody.
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“I think you and I could rock it,” he assured her. Morris was up to the challenge, offering Colbert the sage advice that you need to “start low” or else your voice will run out of road by the sky-high ending. Morris then began singing, with Colbert adding the low notes as they sang directly to each other, with the host leaning into the rumbly bass part as the singer’s voice jumped up during the “rockets’ red glare” portion and Colbert holding a killer from-the-bottom note that made her crack up.
With some gentle acoustic guitar accompaniment from the house band, the pair made it to the end impressively as Morris asked in wonder, “Where did that come from?” Colbert loved it so much he proposed that they do it again at an amateur wrestling match some day, suggesting they could split the $100 fee.
South Carolina-bred Colbert also couldn’t resist talking Southern cuisine with Texas-born Morris, asking the singer if she misses the tastes and smells of home after living in Nashville for 11 years. “That’s South, but they have not figured out Tex-Mex food,” Morris lamented about her adopted home town, saying Music City has great food and culture, but not a hint of her favorite Lone Star flavors.
Morris joked that opening a Tex-Mex joint in Nashville could be next move, though her dream has always been to have her own bar in town called “My Church,” which would, of course, be housed in an old church. The singer also stuck around to promote her new children’s book, Addie Ant Goes on an Adventure, which she co-wrote wit her best friend, Karina Argow.
Watch Morris on The Late Show below.
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Morgan Wallen‘s ex-fiancée KT Smith is speaking out following reports that the country superstar launched a chair off of a Nashville bar after finding out that she married Luke Scornavacco just days after getting engaged. Explore Explore See latest videos, charts and news See latest videos, charts and news “Although it may seem like it […]
When the Academy of Country Music Awards nominations were revealed on Tuesday morning (April 9), “Tennessee Orange” hitmaker Megan Moroney scored six nominations, including new female artist of the year and female artist of the year, making her the leading female artist nominee heading into the awards show on May 16 (she ties with Morgan Wallen for six nominations, while only Luke Combs has more nominations this year, with eight).
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“I was still in bed, because I just got back from the CMT Music Awards, so I started seeing my phone blowing up with the news,” she tells Billboard of learning of her ACM Awards nominations. “It’s crazy to me that I’m nominated for new female artist and female artist at the same time — I didn’t even know you could do that, so I think that was the most surprising.”
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Meanwhile, she also earns nominations in the visual media of the year and music event of the year categories, for “Can’t Break Up Now,” which she collaborated on with country group Old Dominion. That’s in addition to her nominations as both writer and artist for her college football-framed, star-crossed romance single “Tennessee Orange” in the song of the year category. She wrote “Tennessee Orange” with Ben Williams, David Fanning and Paul Jenkins.
“I’m also really proud of the song of the year, because I care so much about my songwriting and my songwriter friends,” Moroney says. “I think it’s all just insane. It is a dream to be nominated and to be the top female nominated this year, I’m just like, ‘What the heck?’”
These six nominations are a testament to the rocket ride the Georgia-born singer-songwriter has been on since she began releasing songs such as “Hair Salon” and “Wonder.” But it was “Tennessee Orange” that went viral in 2022 and Moroney was quickly signed to Sony Music Nashville/Columbia Records. Currently, Moroney has two songs in the top 25 on the Billboard Country Airplay chart: “Can’t Break Up Now” and her own “I’m Not Pretty.” Her headlining Lucky 2.0 tour launches next month, while this spring and summer will also find Moroney playing stadiums, in support of Kenny Chesney’s Sun Down 2024 Tour, as well as a performance at massive country music festival Stagecoach. In September, Moroney will make the trek overseas for a 15-show headlining Georgia Girl tour in the U.K. and Europe.
All of it serves as evidence of the success of an artist who has managed to blend eye-catching, Southern-soaked glamour with live shows that have an intimate, confessional feel, and songs that poetically expose a spectrum of deep-seated emotions and musings.
Moroney says she’s grateful for the ACM Awards nominations, knowing that they are voted on by her industry peers. “I feel very embraced by the country music community, and that is the cherry on top,” she says. “My fans have been so supportive and showed up for me. So that the industry would recognize what we’re building together, it means a lot to me. And it’s reassuring to know that the songs that I’m writing and all the work that my team and I are putting in every day is paying off.”
The upcoming Academy of Country Music Awards will air on May 16 via Prime Video, streaming live across more than 240 countries and territories from the Ford Center at The Star in Frisco, Texas. Moroney hasn’t yet given too much thought just yet to how she will celebrate if she takes home some one or more ACM Awards trophies, saying, “I’m just taking it all in today. But I think I would definitely celebrate with some tequila or something. My songwriter friends are going to be there and just getting to hang out with everyone that I don’t always get to see when I’m on the road is just such a treat.”
Building on the momentum of her 2023 debut studio album Lucky, Moroney recently began letting fans in on new music, including “No Caller ID” and “28th of June,” seeding an impending new album release.
“The album is 98%, maybe 99% done. I’m just kind of tweaking the mixes and stuff,” she tells Billboard. “There are no drastic changes in sound, but I do think the happy songs are happier and the sad songs are sadder. I think it’s a great look into the last year of my life and my songwriting.”
Though she says there are no straightforward collaborations on the album, she does hint, “I do have someone pretty cool singing some background vocals on one of the songs.”
Though her career is still on the ascent, Moroney has some big, sparkling dreams for expanding her empire: “I hope I’ll have a bar on Broadway, and I would love my own boot line, since I’m obsessed with boots, as everyone knows. That is definitely on my radar. I’m still in a building period right now with my career, but it’s something I think about and something we’re trying to plan for.”
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Eric Church‘s Nashville bar has officially responded to Morgan Wallen‘s arrest at the venue. The Chief’s official Instagram account shared a photo on Tuesday (April 9) of a new sign outside the establishment that reads: “Our pigs fly, our chairs don’t.” See the post here. The slogan is seemingly in reference to the chart-topping country singer getting […]
Jelly Roll had a big night on the CMT Awards stage on Sunday (April 7), but behind the scenes, Bunnie XO — who is the country star’s wife — got her moment as well. Backstage at the show – where the “Son of a Sinner” singer scored three major wins – the model brushed shoulders with actor-singer Billy Bob Thornton, leaving her totally in awe.
In a clip Bunnie posted to TikTok one day after the ceremony, the camera follows her as she walks up to the actor and gives him a big hug. “Hi, I’m Jelly’s wife,” she introduces herself, to which Thornton says, “I know. How are you, honey?”
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“Aw, it’s so nice to meet you,” the Goliath star adds.
“I almost fainted meeting Billy Bob Thornton because he knew who I was,” Bunnie wrote of the encounter, noting in her caption, “Ok this made me starstruck.”
That night, Jelly Roll took home video of the year, male video of the year and CMT performance of the year, all for his song “Need a Favor” — after which he closed out the show with a performance of “Halfway to Hell.” Later, Bunnie celebrated her husband’s achievements with an emotional post on Instagram, calling him “the maestro of misfits.”
“You are not an overnight success story, this has been 20 years in the making,” she added at the time. “Papabear your voice is an instrument of healing & the world is your choir. I LOVE YOU IN THIS LIFETIME & EVERY OTHER ONE IM LUCKY TO BE BY YOUR SIDE IN.”
As the Dumb Blonde Podcast host revealed in a TikTok a couple days before the CMTs, it’s a miracle she and Jelly even made it to the show at all. After their plane took flight en route to Austin, Texas, it suddenly turned around and made an emergency landing due to a malfunction, according to Bunnie.
“CMT i swear we’re coming 😭,” she captioned the clip.
Watch Bunnie XO meet Billy Bob Thornton below.
While Beyoncé makes history on Billboard’s latest charts with her new album, Cowboy Carter, many of the set’s featured guests score their first Billboard Hot 100 appearances.
Tanner Adell, Brittney Spencer, Tiera Kennedy, Reyna Roberts, Shaboozey, Linda Martell, Willie Jones and Beyoncé’s daughter Rumi Carter all earn their first entries on the chart dated April 13 thanks to their credited billings on the album.
Adell, Spencer, Kennedy and Roberts all debut via their team-up on Beyoncé’s cover of The Beatles’ “Blackbiird.” The song debuts at No. 27 with 14 million U.S. official streams and 7,000 downloads sold in its first week, according to Luminate. It also opens at No. 6 on Hot Country Songs.
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The update is also just the second, and top-charting, version of the song to hit the Hot 100, after the Glee cast’s version spent a week at No. 37 in 2011. (The Beatles’ original, from 1968, was never released as a single and therefore wasn’t eligible to chart at the time.)
Not only does “Blackbiird” earn the four up-and-coming singer-songwriters their first Hot 100 visits, but it’s also their first overall appearances on Billboard’s charts.
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Adell, from Manhattan Beach, Calif., and Star Valley, Wyo., released her debut LP Buckle Bunny in July 2023 via Columbia Records. The set’s standout track “Love You a Little Bit” has garnered 27.2 million on-demand official U.S. streams to date. In an interview with Billboard at the CMT Music Awards (April 8), Adell said of singing alongside Beyoncé, “It’s been a grind and just to have someone of that caliber reach down and lift [me] up, it’s really, really special and I’m just very honored.”
Spencer, from Baltimore, released her debut album, My Stupid Life, in January via Elektra Records. She initially broke through with her EPs Compassion in 2020 and If I Ever Get There: A Day at Blackbird Studio in 2022.
Kennedy, an Alabama native, has released more than a dozen songs on streaming services since 2020, including the five-track Tiera in 2021 on Big Machine Label Group. The set includes a collaboration with three-time Hot 100-charting artist Breland.
Roberts hails from Alabama and California, and released her debut studio project, Bad Girl Bible, Vol. 1, in 2023 on ReynaRed Records/EMPIRE. She has been releasing songs since 2019.
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Shaboozey lands his first two Hot 100 entries: “Spaghettii” with Beyoncé and Martell, and “Sweet * Honey * Buckiin’” with Beyoncé. The tracks debut at Nos. 31 and 61, respectively. Shaboozey has been releasing hip-hop-inspired country/Americana-focused songs for a decade and has dropped two full-lengths in that span: Lady Wrangler in 2018 and Cowboys Live Forever, Outlaws Never Die in 2022. In 2019, he scored a placement on the Spider-Man: Into the Spider-Verse soundtrack with “Start a Riot” with Duckwrth.
While Martell is a first-timer on the Hot 100, she’s one of the most commercially successful Black female country stars in history. The country pioneer, 82, became the first Black woman to perform at the Grand Ole Opry in 1970, and charted three singles on Billboard’s Hot Country Songs chart in 1969-70: “Color Him Father” (No. 22 peak), her cover of Duane Dee’s “Before the Next Teardrop Falls” (No. 33) and “Bad Case of the Blues” (No. 58).
When “Color Him Father” peaked at No. 22, it marked the highest charting song by a Black woman in the chart’s history at the time. She has released one full-length project: Color Me Country, which peaked at No. 40 on the Top Country Albums chart in 1970. In a review of the set, Billboard praised, “She has a terrific style and a true feeling for a country lyric.”
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Willie Jones, from Shreveport, La., debuts for the first time with his Beyoncé team-up “Just For Fun.” He has released two studio albums: Right Now in 2021 and Something to Dance To in June 2023, the latter on Sony Music. He also competed on The X Factor in 2012 and appeared on the Netflix reality show Chasing Cameron in 2016.
Beyoncé’s daughter Rumi Carter also debuts on the Hot 100 for the first time thanks to “Protector” with Beyoncé. At six years old, she passes her older sister, Blue Ivy Carter, to become the youngest charting female artist in Hot 100 history.
As previously reported, Cowboy Carter debuts at No. 1 on the Billboard 200, Top Country Albums and Americana/Folk Albums charts with 407,000 equivalent album units earned in the United States March 29-April 4 – the biggest one-week total of 2024. She becomes the first Black woman ever to lead Top Country Albums in the chart’s 60-year archives.
Beyoncé has a massive week on Billboard’s charts, thanks to her latest LP, Cowboy Carter. Along with charting 23 songs from the album on the Billboard Hot 100 (dated April 13), she ups her career total from 85 entries to 106. As such, she becomes the 17th artist, and only the third woman, to have logged 100 or more titles since the chart began in 1958.
Cowboy Carter debuts at No. 1 on the Billboard 200 (and the Top Country Albums and Americana/Folk Albums charts) with 407,000 equivalent album units earned in the United States in the March 29-April 4 tracking week, according to Luminate – the biggest one-week total of 2024. She also becomes the first Black woman to lead Top Country Albums.
Here’s a look at all 23 of Beyoncé’s entries on the latest Hot 100, all of which are debuts except where noted. (The 27-track Cowboy Carter also includes four mostly spoken-word interludes.)
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No. 2, “Texas Hold ‘Em” (up from No. 11; peaked at No. 1 for two weeks)No. 6, “II Most Wanted,” with Miley CyrusNo. 7, “Jolene”No. 16, “Levii’s Jeans,” with Post MaloneNo. 26, “Bodyguard”No. 27, “Blackbiird,” with Tanner Adell, Brittney Spencer, Tiera Kennedy & Reyna RobertsNo. 30, “Ameriican Requiem”No. 31, “Spaghettii,” with Linda Martell & ShaboozeyNo. 37, “Daughter”No. 38, “16 Carriages” (re-entry; returns to its peak)No. 39, “Ya Ya”No. 42, “Protector,” with Rumi CarterNo. 44, “Tyrant,” with Dolly PartonNo. 51, “Riiverdance”No. 52, “Alliigator Tears”No. 54, “My Rose”No. 59, “Just for Fun,” with Willie JonesNo. 60, “II Hands II Heaven”No. 61, “Sweet * Honey * Buckiin’ ” with ShaboozeyNo. 63, “Flamenco”No. 65, “Desert Eagle”No. 70, “Oh Louisiana”No. 87, “Amen”
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Beyoncé’s 106 career Hot 100 hits are the 13th-most overall and the third-most among women, after only Taylor Swift (232) and Nicki Minaj (148). (She charted 14 additional hits as a member of Destiny’s Child in 1997-2005, and five as half of The Carters in 2018.)
Here’s a look at all 17 artists in the 100 Hot 100 Hits club:
329, Drake232, Taylor Swift207, Glee Cast186, Lil Wayne185, Future157, Kanye West148, Nicki Minaj138, Lil Baby117, Chris Brown115, Travis Scott109, Elvis Presley (whose career start predated the Hot 100’s inception)108, Lil Uzi Vert106, Beyoncé105, Justin Bieber105, Jay-Z104, YoungBoy Never Broke Again103, 21 Savage
Notably, Beyoncé (106) surpasses the total Hot 100 hits of her husband, Jay-Z (105). They have harmoniously charted three songs together, led by her first entry, “‘03 Bonnie & Clyde” (billed as by Jay-Z featuring Beyoncé Knowles), which hit No. 4 in December 2002.
Of Beyoncé’s 106 career Hot 100 hits, 61 have reached the top 40; 24 have hit the top 10; and nine have gone to No. 1.
Thanks to their guest appearances on Cowboy Carter, eight artists earn their first Hot 100 entries: Tanner Adell, Willie Jones, Tiera Kennedy, Linda Martell, Reyna Roberts, Shaboozey, Brittney Spencer and Beyoncé’s daughter Rumi Carter. At six years old, Rumi is now the youngest-charting female artist in Hot 100 history. She breaks the record previously held by her sister, Blue Ivy Carter, who was seven when she debuted as featured on Beyoncé, SAINt JHN and Wizkid’s No. 76-peaking “Brown Skin Girl” in 2019.
At this point in his career, Keith Urban is a singing competition pro. He was a vocal coach on three seasons of the Australian edition of The Voice, and spent four seasons as a judge on American Idol.
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That’s why he was the perfect selection for a mega mentor on season 25 of NBC’s The Voice, helping the contestants prepare for the Knockout Rounds starting on April 8. “It’s such a family vibe on The Voice,” the “Blue Ain’t Your Color” singer tells Billboard, noting that he loved working with coaches Chance the Rapper and John Legend, as well as his fellow country stars Reba McEntire and Dan + Shay.
As a veteran of the singing competition space, he knows that mentorship is personal, opting against “blanket advice” for the contestants. “You have to meet each artist where they’re at. What’s consistent is knowing what advice to take or to discard,” he explains. “I’m sure the coaches would agree that nobody has all the answers. Particularly, if you’re doing something unique, chances are that nobody understands yet. A lot of artists get a lot of ‘You have to change this and change that.’ Sometimes, you don’t have to change anything at all. You have to keep working and make a better version of what already is.”
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Navigating advice from all directions is a “challenge” Urban himself experienced throughout his career, adding that it’s important to be selective with your inner circle. “You can be really stubborn and immovable on certain things but that’s going to keep you stuck. Then, other times, you’d hear someone’s advice and think maybe that’s what you should do and you do it and then you find yourself to be lost and that the advice didn’t work for you,” he says. “For me, the most important thing was having people around me that I trust. Honestly, even family and friends will often have a little bias — positive or negative. You can have some friends that are super jealous or they might have a bias and they’ll give you advice that’s actually not very good. Having people around me that I really, really trust their opinions helped the most in my career.”
As for McEntire and Dan + Shay’s country takeover on The Voice, Urban isn’t surprised. “It’s reflective of the growing popularity of country music as a genre, not just nationally but all around the world,” he says proudly. “It’s extraordinary watching it take off like it’s doing.”
While he’s helping aspiring artists at the beginning of their careers, the four-time Grammy winner is continuing his own illustrious career, as he’s slated to soon release a new album, which will include the songs “Straight Line” and “Messed Up As Me.”
“It’s always fun for me,” he says when asked how he stays passionate about making music after all these years. “I know it sounds crazy, but I get more excited now to write a song than I ever did. Even making the current record was a crazy mix of fear, excitement, discovery, curiosity, passion — just everything. I went through everything with this record, because I’ve never made this record. I’ve never seen this day. We’ve had plenty of fun but we’ve never had this one. And that’s just how I live my life. Every single day is a brand new blank canvas.”
He also stressed the importance of staying in touch with how he felt when he was first beginning his journey in music. “A quick example is when I went into the record company to play my new album the other day for about 50 people,” he recalls. “I wanted to print out the lyrics to every song and while it was a lot of work, I didn’t want to have somebody do it and I wanted to do it myself. So, I stapled all the lyrics together and put together this massive presentation. It felt like putting up my own posters at the beginning of my career. If you lose that feeling, you do start to become jaded and you get bored and your passion just disappears. For me, my passion stays so long as I keep doing the things I did at the beginning and it keeps it exciting.”
Catch Urban during The Voice Knockouts, which begin on Monday (April 8) at 8 p.m. ET on NBC, before it streams the following day on Peacock.
Kelsea Ballerini took the stage at the 2024 CMT Music Awards on Sunday night (April 7) to perform her throwback hit, “Love Me Like You Mean It,” but not everyone was a fan of her bold fashion choice. Explore Explore See latest videos, charts and news See latest videos, charts and news The 30-year-old country […]