State Champ Radio Concerts
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The lineup for the 2023 BeachLife Festival in Redondo Beach, CA dropped on Friday (Jan. 6) and it features headlining slots from The Black Keys, Gwen Stefani and The Black Crowes. The event that launched in 2019 will take place from May 5-7 on the city’s waterfront and feature sets from a wide variety of rock, pop, reggae, hip-hop and classic rock acts.
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Also slated to perform over the course of the three-day fest celebrating all things Southern California are: Pixies, Modest Mouse, Tegan & Sara, Kurt Vile and the Violators, LP, The Airborne Toxic Event, Travie McCoy (Gym Class Heroes) and Shaed on day one, Sublime with Rome (performing the group’s beloved 40 Oz. to Freedom album), Band of Horses, Iration, Dispatch, Sugar Ray and Aly & Aj on day two and John Fogerty (performing the music of Creedence Clearwater Revival), Caamp, The Head and the Heart, Noah Cyrus, Mavis Staples and Trampled by Turtles on the final day.
“It’s surreal to our family that BeachLife continues to grow in the music and surf community, and we are so excited to release this lineup — what we believe is a perfect curation to a weekend at the beach,” co-founder Allen Sanford said in a statement about the event that features four beachside performance stages and the Daou SideStage Experience, in which foodies can set onstage as they enjoy a four-course meal from celebrity chefs. “These artists, along with our beautiful Pacific Ocean as the backdrop, and the sand and salt in our face, will make for another unforgettable weekend at BeachLife. Throw your boardshorts or sundresses on and join us!”
One of the stages, the SpeakEasy, is curated by Pennywise singer Jim Lindberg and will feature intimate, stripped-down acoustic performances from a variety of acts. Other acts slated to perform include: The Beaches, Poncho Sanchez, BabyJake, XYZPDQ, Jonny Two Bags (Social Distortion), Zander Schloss (Circle Jerks), Tomorrows Bad Seeds, Tropidelic, Eli Smart, Rainbow Girls, Special C, The Wailers, Lindberg, Donavon Frankenreiter, Winnetka Bowling League and many more.
Three-day and single day GA, GA-plus, VIP and Captain/Admiral tickets are on sale now here.
Entering London’s evocative Electric Ballroom last night (Jan. 5), we surpassed a queue snaking down two blocks of Camden High Street. The space, which opened in 1978 and typically hosts live acts, suited the surprise event surprisingly well. Perched on the balcony above, we had a clear view to overlook the interaction between the three rather unexpected friends on the bill: Skrillex, Four Tet and Fred again…
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We arrived at 9 p.m. and the crowd was already oozing peak-time enthusiasm. The excitement was obvious, and rightly so — the show had sold out within 10 minutes of being announced via the artists’ Instagram stories hours before the show. (Rather adorably, Fred also posted a story of himself slipping into Skrillex’s hotel yesterday and waking up the sleeping producer, who’d just arrived from L.A., so he could get up and post the event to his own IG.)
There was no support act last night, just a four hour back-to-back between the three artists. Together, the trio have a web of collaborations between them — with U.K. master Four Tet working on Fred again..’s June 2022 track “Jungle” and the 2021 Skrillex and Starrah collab “Butterflies,” and the dance scene’s premier ascendent star Fred collaborating with Skrillex on “Rumble,” released the day before the show (Jan. 5) as the Skrillex hype machine fires to life ahead of his forthcoming album.
Last night, the collision of the three artists’ styles was apparent from the jump; throughout the night you could confidently guess who was behind the selection of each track.
The hosts regularly interacted with the eager, Thursday night crowd, checking in by throwing a singular cordless mic between each other. At one point, Fred jumped on to the mic to ask, “Do you all have enough room to dance?” His rhetorical question was answered by squeals and screams — not dissimilar to hysterical fans at a boy band concert. The sea of people rippled as one, as people stayed put on the dancefloor for the entire set.
At around 9.30pm, a vocal from Disney’s Frozen‘s famous “Let It Go” was laid over the familiar growls and thrums of Skrillex’s signature sound. This was a foreshadowing of the rest of the evening; after all, this clash of styles was bound to present the dancers with some curveballs — we came knowing to expect the unexpected. With the crowd putty in their hands from early on, the three DJs made the most of their playful selections.
Skrillex, a.k.a. Sonny Moore, was bounding around the stage during the performance, hyping up the crowd from the table that also hosted the decks. Below him, Fred and Four Tet (Kieran Hebden) slinked between each other, achieving almost seamless transition between their staple sounds.
The crowd fizzed when any Fred again.. tune was about to be brought in. It perfectly demonstrated his fans’ loyal and impressive knowledge of his back catalogue; tracks such as “Hannah (the sun)” and “Strong” were warmly received. Phone screens peaked up through the sea of heads, as everyone wanted to capture their favorite Fred track.
Four Tet’s recognizable, ethereal vocals blended with grinding bass excited the older, headsier side of the crowd — as the Skrillex sound brought the millennials in the audience right back to our teenage years. This was certainly a whirlpool of old and new, a melting pot of sounds and cultures, a combination of flamboyant American excitement and quiet British confidence. Skrillex even informed the crowd that he had put some money behind the bar, making it very apparent they were hosting what felt like a huge house party.
Bringing us back to the present day, PinkPantheress’ TikTok hit “Just for Me” caused a wave of joy, teased ahead of the release of Skrillex’s own collaboration with the U.K. star and Trippie Redd, “Way Back,” which landed last night as the show was happening. Although many may recognize Skrillex as an artist who was an early influence for many current dance fans, this new release further demonstrates his ability to evolve successfully and authentically, collaborating with fresh and exciting talent here across the pond.
Whether this unlikely trio continue their seemingly unstoppable ascent, or if yesterday’s event was just one of those crazy nights of legend, the collective fanbase of these three huge acts is indisputable. In an age where artists can interact with their fans more closely than ever before, there was a knowing intimacy between the audience and the three conductors that felt like a new wave of dance music fandom.
Tracks featured:
Fred again…, “Hannah (the Sun)“Eskuche, “Passion” (Extended Mix)Hamdi , “Never Let You Go Edit” (Original by Sammy Virji)Romy & Fred again.., “Strong“KH, “Looking at Your Pager”Hackney Parrot, “Tessela” (Remix)PinkPantheress, “Just for Me“Skrillex, “Cinema“Adam F, “Circles” (Pola & Bryson Bootleg)Fred again.., Four Tet & Skrillex, “Baby Again..“Fred again.., “Jungle” Skrillex, Fred again.. & Flowdan, “Rumble”
Billy Joel‘s last concert of the year has been canceled, the Piano Man told fans on Sunday (Dec. 18). Joel revealed that he is sick and has been advised to rest his voice.
“I’m disappointed to share that I’m under doctor’s orders for vocal rest due to a viral infection so unfortunately, I must postpone my Monday, December 19th concert at Madison Square Garden to June,” Joel wrote on Twitter and Instagram.
“I’m so sorry to let you know so close to show day, but I was hoping to be closer to a full recovery by now,” he added. “Sadly, that hasn’t happened. I look forward to seeing you in the New Year.”
An additional update from a spokesperson for Joel that was posted on his official website confirms that Monday night’s concert is currently rescheduled for June 2, 2023: “All tickets purchased for the December 19, 2022 concert will be honored on Friday, June 2, 2023 and will not need to be exchanged. Please note, the June 2nd performance is subject to change if it conflicts with a playoff game. For more information, please visit www.msg.com. Joel’s Madison Square Garden franchise run will resume as scheduled on January 13, 2023.”
See Joel’s upcoming list of tour dates here, and his announcement below.
Billie Eilish was joined by some special guests at her concert Friday night (Dec. 16) at the Kia Forum: Childish Gambino and Khalid.
The show — Eilish’s last scheduled for 2022, before the Happier Than Ever world tour picks up again in March 2023 — was her third of a trio of hometown dates at the Los Angeles venue. Being just two days before her Dec. 18 birthday, Donald Glover (aka Childish Gambino) took a moment to wish her a happy birthday with the crowd.
He also performed his Grammy-winning song “Redbone” from his 2016 album Awaken, My Love!
Khalid took the stage with Eilish elsewhere during the concert, for both his 2018 “Lovely” collaboration with Eilish and his own 2016 single “Location.”
The night prior, Eilish’s concert at the Kia Forum had featured a special duet of the 1998 Foo Fighters hit “My Hero” with Dave Grohl, in tribute to the late Taylor Hawkins, as well as an appearance from Phoebe Bridgers for a duet of her 2017 breakthrough song “Motion Sickness.”
Watch fan-filmed concert clips of Childish Gambino and Khalid’s Friday night performances at Eilish’s show below.
Goose, Tedeschi Trucks Band, My Morning Jacket and Ween are set to headline The Peach Music Festival 2023, the four-day live music and camping experience coming to Montage Mountain in Scranton, Pennsylvania June 29-July 2, 2023.
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Live Nation and the Allman Brothers Band, whose music inspired the festival, announced the lineup Friday (Dec. 16). The headliners will be joined by Joe Russo’s Almost Dead, Les Claypool’s Flying Frog Brigade, Mike Gordon, Lettuce, Twiddle and Ripe.
Now in its 11th year, The Peach Music Festival will also feature Allman Brothers founding member Jaimoe performing as Jaimoe and Friends, along with duo Brother and Sister. Also making a special appearance is Trouble No More — featuring Brandon “Taz” Niederaurer (guitar, vocals), Daniel Donato (guitar, vocals), Dylan Niederaurer (bass guitar), Jack Ryan (drums), Lamar Williams Jr. (vocals), Nikki Glaspie (drums), Peter Levin (keys) and Roosevelt Collier (pedal steel guitar) — performing the iconic Allman Brothers Band album Brothers & Sisters.
Four-day tickets, VIP packages, travel packages, camping, glamping tent and RV passes are on sale now at ThePeachMusicFestival.com, where the full lineup is available.
In addition to four days of live music with over 50 artists, The Peach Music Festival features food and craft vendors on the grounds along with access to the scenic Montage Mountain Ski Resort’s large water park and an interactive VIP area with live sets, podcasts, portable bars, food trucks and more.
The Peach Music Festival began in 2012 as the first-ever Allman Brothers Band-inspired festival in the Northeast.
Kehlani is speaking out after being sexually assaulted at one of her recent concerts.
The star, who just wrapped up the European stretch of their Blue Water Road Trip tour, took to their Instagram Stories on Monday night (Dec. 12) to share frustration over the situation. “I’ve made video after video after video and deleted it because I don’t want any video of me as angry, triggered, crying upset as I am anywhere,” she wrote in a since-deleted statement.
She continued, “I don’t care how sexual you deem my music, my performances, my fun with my friends dancing at clubs, or ME… That does not give any of you the right to cross a boundary like sticking your hands up my skirt & pulling my underwear to TOUCH MY GENITALS as I am being escorted through a crowd after performing. This s— made me sick to my stomach. As a victim of sexual assault, I am endlessly triggered and mindblown.”
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Kehlani has been a longtime supporter of sexual assault victims as a victim herself, and has repeatedly stood up against sexual abuse and assault. “We are women, we are life, we are the life source,” they told Billboard in 2017 amid the #MeToo movement. “That can be scary for people and it can result in terrible things, but don’t forget you who came from and what you are. Don’t forget your power, don’t let any trauma take away your power. That’s easier said than done, but you got this.”
If you or someone you know is struggling as a result of sexual assault, please reach out to RAINN’s 24/7 National Sexual Assault Hotline here for confidential support and resources.
Not even a power outage caused by a generator fire or an impending rainstorm could slow down Kx5 from taking over the Los Angeles Memorial Coliseum on Saturday.
Kx5 – a collaboration between Kaskade and Deadmau5 — did their second stadium show of the year in Los Angeles, following Kaskade’s inaugural public concert in July 2021 at the new SoFi Stadium, when Kaskade invited the Mau5 to open the show and the Kx5 project was first teased.
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The Coliseum concert, which Kx5 representatives say drew 46,220 fans, marks the biggest ticketed global dance event of 2022 for a headline artist, according to Billboard Boxscore.
The scheduled two-hour show was marred by a power outage to the stage around the midpoint that forced a nearly half-hour delay. When the duo retook the stage, Deadmau5 told the crowd that “a generator caught fire” and the duo poked fun at the power company. “A little fire is not going to stop a good time,” Deadmau5 said. “I’m actually kind of surprised how quickly we got that back up, considering.”
(Deadmau5 later posted an all-black screen on his Instagram, quipping that “here’s some footage of the stage production when the generator caught fire,” drawing a “hahahahahahahaha” from Kaskade.)
A spokesperson for Deadmau5 and Kx5 tells Billboard that the main generator powering the stage production “caught fire due to overheating, and due to safety reasons they had to wait until flames were put out before the backup generators kicked in.” (The spokesperson adds that the Coliseum allowed the duo to play past their curfew to complete the show.)
The temporary loss of power only impacted the stage production and had no effect on the rest of the venue, Kevin Daly, the Coliseum’s assistant general manager, tells Billboard.
The stadium show capped a year in which Kx5 released several singles together, including “Escape,” “Alive” and “Take Me High.” They plan to release an album together in 2023, a spokesperson confirms to Billboard.
Joel Zimmerman, the Toronto-based producer known as Deadmau5, and Ryan Raddon, the Chicago-born and LA-based Kaskade, have a long history of producing together, dating back to the 2008 dance hit “I Remember” and 2014’s “Move for Me,” songs that helped define the EDM explosion in the U.S. They also performed as Kx5 at this year’s Electric Daisy Carnival in Las Vegas.
Saturday’s event featured a mix of Kaskade and Deadmau5 hits, including “Ghosts ‘n’ Stuff” and “The Veldt,” and their Kx5 collaborations. It ended with an encore of “Escape,” the Kx5 track that topped the Billboard Dance/Mix Show Airplay chart in April. British singer Hayla emerged onstage in a glittering silver dress to sing along as fireworks burst from the top of the stage for nearly a full minute. A steady drizzle finally kicked in just as fans were exiting the venue.
Aside from their new musical productions, the duo’s onstage performance on Saturday showcased high-level production, including frequent fireworks and other pyrotechnics and several aerial drone-writing moments, including one depicting the entrance to the Coliseum and another of the outline of the state of California.
The production also leaned into elements of Deadmau5’s previous live appearances featuring the Cube v3 – which he designed and helped write code for — that have earned the Canadian DJ-producer a reputation as a live-event technical innovator. For the Kx5 show the duo took the stage atop separate cubes that moved side-to-side on tracks, spun 360 degrees and could elevate about 10 feet in the air. The cubes occasionally joined up together where the DJs could interact with each other and appear on camera together for the audience.
Saturday’s show also marked the first time that Kaskade had performed in the Coliseum since 2010, when he headlined the last Electric Daisy Carnival to be held in Los Angeles. The two-day festival was scarred by the death of 15-year-old Sasha Rodriguez, who died of a suspected drug overdose after attending the event, leading Insomniac to move EDC to Las Vegas in 2011, after 13 years at the LA Coliseum.
“What was that, a gap of 12 years?” Deadmau5 asked Kaskade in Saturday’s waning minutes. “Holy shit.”
Clay Aiken and Ruben Studdard are taking their friendship — which began on American Idol season two — on the road. On Monday (Dec. 12), the duo announced that they will be teaming up in 2023 for a joint tour — Twenty The Tour — across the United States and Canada.
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“@clayaiken & I are hitting the road this Spring, twenty years after our debuts on American Idol. Join us for the first leg of Twenty | The Tour,” Studdard shared on Instagram, along with the official tour poster and dates for the first leg of the trek.
Twenty The tour will make stops in New York, Philadelphia, Chicago, Atlanta and more, beginning on April 12 in Troy, N.Y., and concluding on May 16 in Wausau, Wis. Tickets for the tour are available for purchase through the tour’s official website, rubenandclay.com.
The pair chatted about their joint tour in a Monday appearance on The View after a jubilant performance of Donny Hathaway’s “This Christmas.”
“We were here five years ago to announce our Broadway Christmas special, which was exciting for us. We’re getting old, Ruben, we are about to celebrate our 20th anniversary from the year we were on Idol, and so Ruben and I are are hitting the road together with a 20th anniversary tour all across the country through the year,” Aiken told The View‘s hosts. “We’re starting out this spring and we’re going to be celebrating the last 20 years since we did Idol and the music we’ve gotten to make and the friendships we made along the way.”
During the pair’s appearance on The View, they also revealed that they will be returning to American Idol in the upcoming season for the finale, as the finale date will coincide with their season two finale episode’s.
The second season of American Idol aired from January to May of 2003. Studdard faced off against Aiken in the finals, and ultimately won. Following the show, the pair remained close, which Aiken discussed in a Dec. 3 Instagram post.
“We don’t get to choose our family. Most family is predetermined by blood; some are predestined by God to come into our lives. I’ve got one brother who was born into my family and one brother who the good Lord introduced me to in 2003,” he wrote.
The “Invisible” singer continued, “A lot gets written and said about ‘how sweet it is’ that Rᴜʙᴇɴ and I have ‘kept in touch’ over the years. If you have the blessing of knowing Ruben Studdard, you understand: There aren’t many humans more selfless or gracious or loyal than he. America fell in love with him because his performances made them feel happy and welcomed; that’s who he is in real life too.”
See the full list of dates and Studdard’s announcement via Instagram below. Check out Aiken and Studdard’s appearance on The View in the video above.
Patti LaBelle was abruptly rushed off stage just a couple of songs into her Christmas concert in Milwaukee after a bomb threat forced authorities to evacuate the theater.
The Milwaukee Journal Sentinel reports that video from the Riverside Theater on Saturday night (Dec. 10) shows what appears to be two security officers interrupting the 78-year-old LaBelle as she chats with an audience member. They rush her off stage. Shortly after, someone announced that the nearly full 2,500-seat theater had to be evacuated because of a bomb threat.
Catherine Brunson, who documented the evacuation on Facebook Live, told the newspaper that the evacuation happened two songs into LaBelle’s concert around 9:24 p.m.
“We came out and police had the block taped off. … A whole lot of people were pretty upset. … It’s scary,” Brunson said.
Scott Pierce, who also attended the concert, said everyone exited the theater calmly, but it’s “just sad that someone does this.”
Milwaukee Police Capt. Warren Allen Jr. said in a statement early Sunday that K9 units searched the theater and no explosive devices were discovered, so there was no threat to the public.
As of Sunday morning, LaBelle hadn’t issued a statement about the evacuation on social media. The operator of the Riverside Theater, Pabst Theater Group, said it would work with LaBelle to reschedule the show in the future.
TORONTO — At her first live concert since the pandemic, the Queen of Christmas herself, Mariah Carey, brought out her princess, Monroe, to duet with her at Toronto’s Scotiabank Arena on Friday night on the 19th-century carol “Away in a Manger,” and the 11-year-old is cut from the same tulle cloth as her mom. In other words, she can sing.
Both mom and daughter, resplendent in sparkly white dresses and tiaras, sat for the song on a set that included Christmas trees, presents and toy soldiers.
“This is my baby girl, here,” Carey said in her introduction. “Eleven years ago, I got the greatest gift. You know what, I don’t have birthdays, but the birthing day was the greatest gift ever, when I had my twins Roc and Roe [Moroccan and Monroe], and once again I’d like to introduce you to my daughter, Monroe.
“This is our first duet,” Carey told the sold-out crowd, before asking her daughter if her dress is OK. “Alright, this is a beautiful, beautiful hymn called ‘Away in a Manger.’ We’ve been working on this one for a minute,” she says, gently patting her daughter’s back.
Carey started the song with some notes showing off her inimitable upper range before Monroe — not looking the least bit nervous — started with the lyric, smoothly and indeed beautifully, to roars of approval from the impressed audience of 13,000. “My daughter, Miss Monroe,” she said proudly at the end of the 90-second song.
The family-friendly Merry Christmas to All! Concert was Mimi’s first of four, two in Toronto and two in New York City at Madison Square Garden, Dec. 13 and 16. On Saturday (Dec. 10), her stage has been dismantled for the night’s Maple Leafs vs. Flames game and will go back up again for Sunday night.
Carey kept referring to the show as a dress rehearsal and trial run, but with her killer band and dancers, and festive stage design, there were no lumps of coal in this hour and 45-minute set.
She was also funny, endearing, self-deprecating, gracious and warm, discussing the hardships of the lockdown, soaking in the audience, telling a fan she would keep the handmade pillow embroidered with her likeness, praising her band, and playing up her vanity by blotting her face with tissues and bringing her makeup artists out on the stage to do touch-ups.
The setlist was mostly comprised of Christmas songs, including the highly anticipated finale of her perennial Billboard Hot 100 chart-topper “All I Want for Christmas Is You,” for which she received a diamond-certification plaque onstage.
And for those unable to catch any of the four shows, Carey’s two-hour concert special Mariah Carey: Merry Christmas to All! airs Dec. 20 on CBS and Paramount+.
Watch a fan-shot video of the moment below:
