Concerts
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Hugh Jackman received an unexpected surprise from his friend and Deadpool & Wolverine co-star Ryan Reynolds during the opening night of his concert series at New York’s Radio City Music Hall.
On Friday (Jan. 24), the 56-year-old Australian actor launched his sold-out show, From New York, With Love, when Reynolds, 48, playfully interrupted from the audience, stepping up for an impromptu speech.
“I was told this was going to be a comedy version of Les Mis as a one-man show. We all said it was a terrible idea but he carried on. I see he’s duped me once again!” Reynolds joked.
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After a few more laughs, Reynolds turned sentimental and shared some heartfelt words about Jackman.
“This was the first major movie star I ever worked with, 16 or 17 years ago on X-Men Origins: Wolverine,” Reynolds recalled, according to People. “And I was young still. I was impressionable. I was expecting going to this movie set with this guy right here, and I didn’t know, I really didn’t know what was gonna happen. … But what I saw was just about the best thing anyone could possibly experience if you’re working your way up in the industry.”
Reynolds continued, “I saw a movie star, a capital M movie star… I saw this gentleman right here walk around that set, and just like here, he knew every single person’s name, even though he was making them up half the time. He showed a kind of courtesy and gentleness and curiosity, and he put value into every single crew member that we were working with.”
The Canadian actor, seated in the center orchestra next to Deadpool & Wolverine director Shawn Levy, went on to call Jackman “my gotcha for life.”
“I mean it,” Reynolds said. “And I know we were supposed to finish this bit where these two security gentlemen come and they try to take the mic for me — it’s like a struggle, and then they tase me and I go down, and then they hog-tie me and then they put me in the Radio City music garbage dump, and then they just light it on fire. But I wanted to actually just say, I love this man, I care about this man. He is, he is genuinely the best human being I know — and I have 4 children!”
Jackman responded, “I love you, Ryan Reynolds, I love you, man,” before teasing that Reynolds is actually his fifth best friend. He also jokingly added, “Thanks for coming. And thanks for asking for a free ticket, too.”
In October 2024, Jackman enlisted Reynolds for a humorous promo video to announce the Radio City concert series, which launched Friday with musical numbers from his 2017 film The Greatest Showman, as well as his most recent Broadway show, The Music Man. The concert, Jackman’s first concert in five years, also featured songs from Les Misérables and The Boy From Oz.
Originally slated for 12 performances, From New York, With Love was met with overwhelming demand for tickets and has since expanded to 24 shows, running over eight weekends through October.
Morgan Wallen is planning both new music and a new tour for 2025.
Right now, all he’s saying about the new album, his fourth, is the title, I’m The Problem. No word on the album release date, but the title track, written by Wallen, Ernest Keith Smith, Ryan Vojtesak, Grady Block and Jamie McLaughlin, will come out next Friday (Jan. 31).
That’s the same day that the general on-sale begins for tickets for the corresponding I’m the Problem tour (the artist pre-sale, which fans can sign up for starting Jan. 28, begins Jan. 30.)
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The 19-date North American stadium tour will begin June 20 at NRG Stadium in Houston, Texas, roughly a month after his new Sand in My Boots Festival in Gulf Shore, Alabama May 16-18.
The stadium tour will stop in 10 cities, playing two nights in each, except for Madison, Wisconsin, where, as of now, only one date is planned. Rotating direct support includes Brooks & Dunn, Miranda Lambert, Thomas Rhett and Koe Wetzel, with opening acts including Gavin Adcock, Corey Kent, Ella Langley and Anne Wilson. Wallen is booked by The Neal Agency.
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“We made so many lifelong memories on the One Night at A Time World Tour, and I cannot begin to express how grateful I am for my fans and the way they showed up each night,” reflects Wallen. “As I’ve been working on new music, it has inspired me to get back on the road and share these new songs with each of you on the I’m The Problem Tour. See y’all there.”
The 87-date One Night at A Time World Tour grossed more than $300 million, making it the top-grossing country tour even, according to Billboard Boxscore.
Additionally, Wallen’s Dangerous: The Double Album and One Thing At A Time, landed No. 1 and No. 6 on Billboard’s Top 200 Albums of the 21st Century, respectively.
A portion of every ticket sold for the benefits the Morgan Wallen Foundation, which supports programs for youth with a focus on sports and music I’m the Problem tour.
Morgan Wallen 2025 I’m The Problem Tour Dates:June 20 // NRG Stadium // Houston, TX w/ Corey Kent and Koe WetzelJune 21 // NRG Stadium // Houston, TX w/ Corey Kent and Koe WetzelJune 28 // Camp Randall Stadium // Madison, WI w/ Ella Langley and Miranda LambertJuly 11 // Hard Rock Stadium // Miami Gardens, FL w/ Gavin Adcock and Miranda LambertJuly 12 // Hard Rock Stadium // Miami Gardens, FL w/ Gavin Adcock and Brooks & DunnJuly 18 // State Farm Stadium // Glendale, AZ w/ Ella Langley and Miranda LambertJuly 19 // State Farm Stadium // Glendale, AZ w/ Ella Langley and Brooks & DunnJuly 25 // Lumen Field // Seattle, WA w/ Anne Wilson and Miranda LambertJuly 26 // Lumen Field // Seattle, WA w/ Anne Wilson and Brooks & DunnAug 1 // Levi’s Stadium // Santa Clara, CA w/ Anne Wilson and Miranda LambertAug 2 // Levi’s Stadium // Santa Clara, CA w/ Anne Wilson and Brooks & DunnAug 15 // Huntington Bank Field // Cleveland, OH w/ Ella Langley and Miranda LambertAug 16 // Huntington Bank Field // Cleveland, OH w/ Ella Langley and Thomas RhettAug 22 // Gillette Stadium // Foxborough, MA w/ Corey Kent and Miranda LambertAug 23 // Gillette Stadium // Foxborough, MA w/ Corey Kent and Miranda LambertSep 4 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Miranda LambertSep 5 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Brooks & DunnSep 12 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Miranda LambertSep 13 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Brooks & Dunn
JPEGMAFIA has been forced to end his recent Berlin show earlier than planned after an unexpected incident involving pepper spray in the audience. The New York-born rapper (whose real name is Barrington DeVaughn Hendricks) was performing at Huxley’s Neue Welt in Berlin on Monday (Jan. 20) when the incident took place. Per the Associated Press, […]
Splendour in the Grass, one of Australia’s most prominent music festivals, will not be going ahead in 2025.
The decision to not return following the unceremonious cancelation of its 2024 event was confirmed by promoters Live Nation in a statement given to Rolling Stone AU/NZ.
“The festivals team has our full support to bring Splendour in the Grass back when they feel it’s right,” the statement reads. “In the meantime, we’re working on exciting new projects to support artists and the industry, while meeting the demands of music fans and look forward to sharing more in the coming months.”
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On the Splendour social channels, a separate, more casual message was simultaneously conveyed to its followers, apologizing for their silence and explaining they had “finally” taken the opportunity to have a “holiday”.
“The rest of the festival team have still been busy cooking up some awesome new things for music lovers in Australia, but Splendour needs a little more time to recharge and we won’t be back this year,” the statement read. “Think of it as a breather so we can come back even bigger and better when the time is right. Lots of other huge events on the horizon so keep an ear to the ground in the coming months – we can’t wait to share what we’ve been working on!”
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Established in 2001 and held each year in Byron Bay, a picturesque beach town on the most easterly tip of Australia, Splendour is a destination event, the most popular mid-winter camping fest in the country. Names such as The Cure, Sonic Youth, Childish Gambino, Tame Impala, and Tyler, the Creator have all headlined the festival across its lifetime.
In 2024, the festival was canceled just weeks after it announced Kylie Minogue, Future, and Arcade Fire as headliners. “We know there were many fans excited for this year’s line-up and all the great artists planning to join us, but due to unexpected events we’ll be taking the year off,” a statement from organizers read at the time.
Three months later, the festival’s co-founder Jessica Ducrou, announced that she was exiting her role as co-CEO of Australia’s Secret Sounds Group, the producer of Splendour and a slew of live music brands.
Earlier in 2023, Secret Sounds’ other long-running festival, Falls Festival, announced it too would be taking some time off, though no updates have been provided since.
Sting is pulling out of his next few public engagements as he recovers from a temporary throat infection, the rock star announced Tuesday. In a post on his Instagram, the Police frontman’s team wrote that he would be canceling his scheduled appearance at the Jan. 23 Bass Magazine Awards, as well as his Jan. 24 […]
In the earlier days of his career, touring wasn’t necessarily Kygo‘s favorite thing to do.
“It was like every show was life or death,” says the Norwegian producer. “I was always very nervous. It was like, ‘This is the most important [thing ever], and if I mess up tonight, my career is over.’”
With this extreme self-imposed pressure, the artist “wasn’t really able to enjoy the shows that much. At one point I was like, ‘I’m probably never going to tour again,’ because it was just so exhausting.”
Flash forward to the present moment and Kygo — whose real name is Kyrre Gørvell-Dahll — has a fresh approach and attendant attitude, calling his current world tour “definitely my favorite that I’ve done so far.”
Starting last September, the 35-date tour has hit arenas and amphitheaters in North America, Europe and Central America, averaging slightly over 10,000 tickets and $838,000 in revenue per show, according to numbers reported to Billboard Boxscore. The run is continuing into 2025, with shows in Asia and Australia. Additionally, the producer plays this Thursday (Jan. 23) in Toronto and Saturday (Jan. 25) in Mexico City, where Kygo will play what he calls “the biggest show of the tour by far.” See exclusive behind the scenes footage of this tour below.
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Despite this success, Shear acknowledges that the run hasn’t made the same headlines as other recent marquee dance tours, such as Charli XCX and Troye Sivan’s 2024 Sweat Tour. “We’ve quietly been doing this unbelievable tour that’s sold over a half a million tickets,” he says. “There are a lot of tours out there. There’s a lot of stuff going on, and there’s a lot of new artists. But we’re going out there and doing the business. Kygo is just quietly winning in the dance music world.”
This current run is behind Kygo’s 2024 eponymous album, the artist’s fifth studio project that hit No. 97 on the Billboard 200 after its release last June. The tour is also his first in six years, since the run behind 2017’s Kids in Love. (Golden Hour and Thrill of the Chase came out in 2020 and 2022, respectively, although Kygo wasn’t able to tour behind them because of the pandemic.)
While the Kids in Love tour required 12 trucks to move it from city to city, this current tour requires 17 trucks and a crew of 58. When brainstorming the production, Kygo and Shear decided the music and visuals would lean into the fact that Kygo has been making music for a decade, with this kind of looking back approach inspired, Shear says, by Dead & Co.’s nostalgia-laced run at Sphere in Las Vegas last summer. As such, set lists featured visuals that nod to entirety of Kygo’s career thus far, while the setlist spans albums and hits. Vocalists including Justin Jesso, Zak Abel and Parson James are on the tour to sing their parts on “Firestone,” “Freedom” and “Stole the Show,” respectively.
“Kyrre told me that doing a tour was extremely important to him,” says Shear. “It’s not like every dance artist goes out there like a rock band or a pop star and does hard tickets in arenas or stadiums. “He was like, ‘The fact that I’m able to do it, I want to do whatever it takes to make this tour happen.’”
Kygo himself credits his ability to tour such big rooms — an option available to only a handful of dance acts including Illenium and Odesza — is a function of he and his team “not skipping any steps” while he was building his career. (Kygo is represented by Rob Markus at WME.) His earliest U.S. tour had him playing 200-700 capacity rooms, with each run getting progressively larger.
“We were living with my parents at the time, and Kyrre was staying in my brother’s room,” Shear says of these early days. “I went in my brother’s room, and was like, ‘Hey man, we found this guy who used to work with Disclosure and other big artists. He knows how to build live shows, and I think we should build one. We emptied the bank account making that show.”
This groundwork and investment has paid off, with Shear citing “the most tickets we’ve ever sold” on this current run. “I know so many people focusing on streams or on this or that, but the fans follow you as long as you do them right, take care of them and keep bringing an elevated show.”
Sometimes, this elevation requires some extra effort. The Hollywood Bowl in Los Angeles doesn’t have the space to erect a B stage where Kygo typically performs his encore. As such, the team improvised for the Oct. 17 show, setting up a riser in the middle of the amphitheater amid the seats. Getting there from the stage just meant, Kygo says, “that we just had to run a little bit.”
Kygo
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Outside the tour, Kygo and Shear’s multi-faceted Palm Tree Crew brand continues expanding. Its first brick and mortar space, the 115-room hotel and restaurant Palm Tree Club Miami, opened last December. Meanwhile, Palm Tree Festival has happened in Aspen, The Hamptons, Southern California and beyond over the last several years. Some of these festivals feature Kygo on the lineup, and some don’t.
“I was with him in Paris a few weeks ago when he was playing Accor Arena, one of the biggest shows on tour,” says Shear. “At the same time, we opened a restaurant and club in Miami the night before and we were also throwing a music festival in Australia with 30,000 people and The Chainsmokers, and Kyrre isn’t even at either of them. I think that’s a true testament to a great brand we’ve brought to the world, and one that just sort of feeds off his demeanor.”
This demeanor is one that’s also changed as Kygo has become more experienced, and over time more relaxed, about touring.
“There’s definitely been some f–k-ups on the on the road and some songs where I’m like, ‘Oh, that did not sound good at all,’” he says with a laugh. “But I think that’s just part of it being live. Knowing that, I’m more confident and better able to enjoy myself on stage and not always just nervous about everything that could go wrong.”
Benson Boone’s Australian tour reached a memorable peak on Jan. 20 when the 22-year-old pop sensation embraced one of the country’s most infamous traditions: the shoey.
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During his sold-out performance at Sydney’s Hordern Pavilion, Boone paused the show to drink water out of a cowboy boot, sending the crowd into a frenzy. For the unfamiliar, the shoey—a ritual involving drinking from a shoe—has become a hallmark of Australian concerts.
While typically involving beer and a fan’s shoe, Boone opted for a sanitized twist, using bottled water and a clean cowboy boot. In widely shared TikTok footage, Boone was seen pouring bottled water into a cowboy boot, pausing to ask the owner, “How much water do I put in it? Do you want me to put water in your shoe?”
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With the crowd cheering him on, he quipped, “Okay—when in Australia,” before raising the boot to his lips. After downing the water, Boone returned the boot, adding, “Not bad, not bad. You have very good hygiene, miss, thank you.”
Boone’s shoey also places him among a growing list of international stars who have embraced the peculiar tradition. Harry Styles kicked off his 2023 Australian tour by sipping from a sneaker, calling it “one of the most disgusting traditions” he’d encountered. Post Malone and Stormzy have also participated, much to the delight of their fans, while Kylie Minogue famously performed a shoey out of a high heel at the Brit Awards.
The moment came as part of Boone’s Fireworks and Rollerblades World Tour, which includes performances in Melbourne, Brisbane, and Auckland throughout January. The tour comes amid a remarkable year for Boone, whose single “Beautiful Things” dominated Billboard’s charts in 2024, spending seven weeks at No. 1 on the Billboard Global 200 and eight weeks atop the Global Excl. U.S. chart.
The single earned Boone the Top Billboard Global 200 Song and Top Billboard Global Excl. U.S. Song accolades at the 2024 Billboard Music Awards.
“What’s up? Billboard, it’s Benson Boone. Thank you so much for this award. The most streamed song of 2024 is pretty ridiculous. This is the award right here. I cannot believe you guys,” Boone said in a virtual acceptance speech for his awards last month. “Thank you. Thank you. Thank you. I’m sorry I could not be there in person. You caught me right in the middle of tour, but I love you guys more than you know, and I hope that you love the music that continues to come this year. So thank you so much. Enjoy the rest of the show. Peace.”
Chart-topping Japanese pop group BE:FIRST is finally expanding onto the global stage with their first-ever world tour.
Following the boy band’s eight No. 1 hits on the Billboard Japan Hot 100 chart, Billboard can exclusively reveal that BE:FIRST is embarking on a world tour this year titled -Who Is BE:FIRST?-. Launching on April 22 in Los Angeles, the trek will span 15 cities across North America, Europe and Asia to mark a major move in the J-pop stars’ international ascent.
Managed by Tokyo-based agency BMSG, the septet consisting of Sota, Shunto, Manato, Ryuhei, Junon, Ryoki and Leo debuted in 2021 after winning fans through the reality singing competition The First. BE:FIRST’s first-ever single, “Gifted.,” topped the Billboard Japan Hot 100, leading the band to millions of views on YouTube, and collaborations with fellow chart-toppers like English DJ and producer Jonas Blue and two singles with K-pop boy band ATEEZ. Through their three years together, and with a mix of feel-good pop, intense EDM, futuristic hip-hop and classic R&B, the seven-member group has carved a multifaceted musical identity that’s garnered millions of social-media followers and fans — or BESTY, as their fans are affectionately known.
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“We are excited to announce that BE:FIRST will be embarking on a world tour,” the guys tell Billboard exclusively. “As BE:FIRST, we’ve had very few opportunities to perform outside Japan so we’ve been eagerly looking forward to holding our first-ever world tour! We’re truly excited to see how international BESTY will react to our music and performances. In addition to sharing our music, we’re especially looking forward to the stage talk during our shows — talking about the local culture, sharing memories in the cities we visit and creating unforgettable moments together!”
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“BE:FIRST was founded with the goal of delivering world-class dance and vocals — a vision they have pursued since their audition process,” says legendary rapper-producer SKY-HI, the CEO of BMSG who also acts as BE:FIRST’s main producer.
“With the support we’ve received through their activities in Japan and the success achieved so far, BE:FIRST is now ready to embark on their first-ever world tour. As the producer of BE:FIRST, I am confident that their music, performance quality, and attitude align with global entertainment standards, and I deeply appreciate the high praise they have received so far. At the same time, we remain aware that we are still a young and emerging presence in the industry. Having sparked a sensation in Japan in 2021 and 2022, BE:FIRST is determined to recreate that excitement on the global stage, embarking on this journey as fresh newcomers. We deeply appreciate your continued support. At BMSG, we proudly represent Tokyo, Japan, and we see this as an opportunity to make the world a more exciting place. By showcasing the power of creativity, we will continue to uphold our ‘creative first’ philosophy. We hope you look forward to what’s to come.”
In addition to live concerts in new countries and continents, BE:FIRST has also lined up representation outside of Japan with Steel Wool Entertainment, the management and media agency whose clients have included Anderson .Paak, Hayley Kiyoko, Amber Liu and more.
“I flew into Osaka to see BE:FIRST and was blown away by their stage presence and knew that we had to work with them,” says Steelwool CEO and founder Kevin Morrow. “I can’t wait for the world to see what I saw on their upcoming tour.”
In the meantime, the BE:FIRST members want their fans to stay healthy and send BESTY-approved recommendations for their cities.
“Please take care of your health, and let’s enjoy the show to the fullest!” BE:FIRST adds. “And if you have recommendations for delicious local food or great places to visit in your area, let us know — we’d love to explore during our stay! We’re all so thrilled to meet you soon!”
Fans can look forward to different VIP packages available for the tour, as well as BE:FIRST’s upcoming single “Spacecraft,” set for release in February. The track follows the group’s recent Top 5 Billboard Japan Hot 100 hit “Sailing,” a collaboration with the popular animated manga series One Piece.
Read on for the full tour dates and on-sale ticket information across regions, as well as more tour information on BE:FIRST’s official site here.
-Who is BE:FIRST?- 2025 World Tour dates:
4/22/25 – Los Angeles, CA, USA – The NOVO4/23/25 – San Francisco, CA, USA – The Regency Ballroom5/15/25 – Taipei – Zepp New Taipei5/24/25 – Bangkok – Samyan Mitrtown Hall6/1/25 – London, United Kingdom – O2 Forum Kentish Town6/3/25 – Paris, France – Bataclan Theatre6/4/25 – Amsterdam, Netherlands – Melkweg6/6/25 – Frankfurt, Germany – Batschkapp6/9/25 – New York, NY, USA – Webster Hall6/10/25 – Philadelphia, PA, USA – Keswick Theatre6/14/25 – Chicago, IL, USA – Copernicus Center6/17/25 – Honolulu, HI, USA – Hawaii Theatre6/28/25 – Hong Kong – TBD7/5/25 – Singapore – Capitol Theatre
Ticket On Sale Information:
North America:Artist Fan Club Presale: Tuesday, Jan. 21 at 1:00 a.m. PST – Thursday, Jan. 24 at 5 p.m. PSTGeneral Onsale: Friday, Jan. 24 at 10 AM local
Europe:Artist Fan Club Presale: Tuesday, Jan. 21 at 1 a.m. PST to Thursday, Jan. 24 at 5 p.m. PSTMastercard / LiveNation Presale: Wednesday, Jan. 22 at 10 a.m. local to Friday, Jan. 24 at10 a.m. localGeneral Onsale: Friday, Jan. 24th at 10 a.m. local
The Black Eyed Peas have canceled their upcoming Las Vegas residency scheduled for 2025. On Sunday (Jan. 19), the group announced via their Instagram Story that their planned shows at Planet Hollywood Resort & Casino’s PH Live would no longer take place due to “current circumstances.” “To our dearest Peabodies,” the Black Eyed Peas wrote. […]
The euphoric and loving screams of the crowd made Fito Páez blush. The Argentine rocker admitted that the clamor for his free Saturday night (Jan. 18) show in Mexico City’s Zócalo made him feel “modesty.” Visibly moved, he thanked the 80,000 people who attended the Plaza de la Constitución, according to figures from the city government, but also those who followed the concert on social media and public television.
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“How beautiful it is to be here!” said Páez, who appeared on the imposing stage dressed in a fluorescent yellow sweater and a red cape that matched the show’s lighting design. “Please save energy because you will need it,” the musician from Rosario added before starting his first concert of 2025 with his iconic song “El Amor Después del Amor.”
The concert at the country’s main public square settled a pending debt with his Mexican fans, after postponing a presentation originally scheduled for September due to a domestic accident that resulted in five fractured ribs and forced him to suspend a series of shows in Mexico and Colombia.
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It was also the prelude to three shows that the legendary icon of rock en Español will perform this week in Mexican territory, with two dates at the National Auditorium on Tuesday and Wednesday (Jan. 21-22), and one more at the Auditorio Telmex in Guadalajara on Jan. 26 — all part of his Páez 403 tour, which celebrates 40 years of his first album, Del 63, and the 30th anniversary of Circo Beat.
The concert of the 61-year-old rocker, with which the Government of Mexico City inaugurated its free musical shows of 2025 at the Zócalo, was even mentioned at the presidential conference of last Friday (Jan. 17). “Fito Páez is Fito Páez!” said Mexican president Claudia Sheinbaum in response to a reporter’s question about the singer-songwriter’s visit.
On the Plaza de la Constitución, or Zócalo, a huge Argentine flag was waved from the front rows, with many people of the South American country in attendance to see one of their most respected and beloved musicians, but also curious and old fans, and even new followers who met him through Netflix’s bio-series El Amor Después del Amor. “This is bursting, how beautiful!” Páez, who kept his dialogues short but seemed to enjoy the moment, told the audience.
Accompanied by a large band of musicians and his inseparable piano, he pleased the crowd with a repertoire of his most well-known songs, including “Yo Vengo a Ofrecer Mi Corazón,” “Cadáver Exquisito,” “Un Vestido y Un Amor,” “Tumbas de la Gloria” and “Naturaleza Sangre.” He also sang classics such as “Al Lado del Camino,” “Circo Beat,” “Brillante Sobre el Mic,” “Ciudad de Pobres Corazones,” “A Rodar Mi Vida” and “Dar es Dar,” which made the audience vibrate.
Previously, the Argentine group El Juguete Rabioso and the Mexican band Rey Pila served as opening bands.
“Ciao, my loves. What an unforgettable night! Health, money, and love for everyone. Thank you for this great honor, for having received us all the people of the city,” Páez said as a farewell. “Know that we appreciate this from the bottom of our hearts.”
With the energy of the audience still high, the rocker reciprocated the affection performing “Mariposa Technicolor” and “Dale Alegría,” which marked the end of his presentation.
Fito Páez’s show adds to the long list of concerts that national and international artists have offered at the capital’s Zócalo, including Paul McCartney, Roger Waters, Pixies, Caifanes, Rosalía, Interpol, Grupo Firme, Shakira, Juan Gabriel and Los Fabulosos Cadillacs, among many others.