Concerts
Page: 46
When it comes to the marriage of football and music, all eyes are generally focused on the Super Bowl, but in recent years, Thanksgiving has become a spectacular ratings feast of its own for the NFL as it combines two of America’s favorite pastimes.
Last year, the three football games played on Thanksgiving drew a total audience of 138 million viewers (defined by Nielsen as the number of people who watched for at least 1 minute of the games). That’s not only a record high for the holiday games, but it makes the NFL’s three halftime shows the most watched music events on television other than the Super Bowl, easily surpassing all major awards shows.
This year could topple that record, as Dolly Parton performs the halftime show at the Dallas Cowboys vs. Washington Commanders game, Jack Harlow at the Detroit Lions vs. Green Bay Packers game and Steve Aoki at the Seattle Seahawks vs. the San Francisco 49ers game.
The Lions have hosted a Thanksgiving Day game every year since 1934, and the Cowboys since 1966. In 2006, the NFL added a third Thanksgiving game in prime time, with the match-up changing annually.
Like the Super Bowl, conversations about potential Thanksgiving halftime entertainment begins months in advance, often as early as the spring. “All three teams came to me at the outset to discuss options,” says Seth Dudowsky, the NFL’s head of music. “We collectively brainstorm, and I provide feedback on artist opportunities based on conversations across the industry throughout the offseason. From there, we align on best options and move forward with an offer coming from the team.”
Though the league’s 32 teams have their own dedicated staffs to lead their franchise’s entertainment efforts, Dudowsky’s role is to “be a bridge to the artist and larger music community, while helping teams strategize on artist selection, production execution, media planning, music clearances, and ultimately help the teams and artists tap into the vast NFL ecosystem.”
For this year’s Thanksgiving halftime shows, Dudowsky helped facilitated the introductions between the artists’ teams and Detroit’s senior vp of marketing and brand Emily Griffin and Seattle’s manager of game entertainment and special events Daniel Hardina to help them secure Harlow and Aoki. The Cowboys’ executive vp/chief brand officer Charlotte Jones and vp of brand and marketing Meredith Counce met with Parton’s team when the superstar was in Frisco, Texas, in May to host the Academy of Country Awards after ACM executive director Damon Whiteside made the introductions.
Similarly to the Super Bowl, which will feature Usher at next year’s Feb. 11 game, the goal is to book acts with a broad audience. “We’re looking to feature artists who can appeal to all ages, are culturally relevant, are great performers and ultimately can help us create amazing memories for the fans in attendance and at home,” Dudowksy says. “For us, that isn’t confined to one genre or any specific metric.”
Like the Super Bowl, the acts play for free — though as viewership has risen, the slots have become more competitive. “Certainly as the platform and the game ratings continues to grow, the music community has taken note,” Dudowsky says. “In a media landscape where cutting through the noise is the hardest thing to do, these games provide an unprecedented platform for artist exposure.”
Past halftime performers at Thanksgiving games have included Jonas Brothers, Luke Combs, Pitbull, Destiny’s Child, Big Sean, Bebe Rexha, Mariah Carey and Enrique Iglesias.
Landing a superstar like Parton “only further cements the NFL Thanksgiving halftime shows as a platform worthy of the biggest superstars in music,” Dudowsky says.
Each artist performs for roughly six minutes. Fox will air Harlow’s halftime show in full, as will CBS with Parton. NBC will show clips of Aoki’s DJ set interspersed with other footage. The NFL owns the performances and will post Parton’s and Harlow’s sets on their socials following the games.
Parton’s manager, Danny Nozell, says her appearance will feature the biggest production the Cowboys have ever done for a halftime show. Because the time constraints are so precise — Nozell says Parton will perform for exactly six minutes and 15 seconds — they designed a stage on wheels in Nashville for her to practice. “Dolly rehearsed [the halftime show] for a full week here because I didn’t want her going into Dallas and having her going on to the stage for the first time.” Plus, since going over cuts into advertising time, Nozell says, “Dolly is all over me to make sure that she is on that stage and off that stage so we don’t cause anybody heartache and then we are not losing anyone money.”
For Aoki, it was an immediate yes after the DJ’s agent at WME approached him with the offer. “We see sports events are a great unifier,” says his manager Matt Colon. “Performing at a top tier event like F1 last weekend, where Steve performed for the opening, or the NFL game this Thursday allows Steve to not only to play to a larger in person audience but also to a huge swath of demographics that wouldn’t otherwise be exposed to his music or come to his show, and then amplified to a broadcast audience often in the millions or more.”
Aoki’s performance will incorporate an LED light show with fans handed light-up wristbands upon entry, according to a Seahawks press release.
Additionally, the artists are taking advantage of the games for some additional promotion. Harlow has posted fun TikToks, including one with the Lions’ social media manager, as well as appeared on Monday Night Football on Oct. 30 to announce his Thanksgiving appearance, both of which have also helped boost awareness around his new single “Lovin’ on Me.”
Parton, who released Rockstar on Nov. 17, is selling a 2-CD Dallas Cowboys limited edition of the album on her website for $24.95. The exclusive, according to the website, can only be sold at the game and online to certain areas of Texas and across Oklahoma, per NFL rules. A Dolly/Dallas Cowboys T-shirt is available via the Cowboys’ website.
Appearing in the Thanksgiving halftime is a “steppingstone” to potentially playing the Super Bowl, Nozell says. “It’s moving in that direction,” he says. “Dolly and I have talked about it several different times and we thought, ‘Let’s do this first because it really is the second largest viewership to the Super Bowl.’”
Grammy best new artist nominee The War and Treaty will perform the national anthem at the Detroit game; Dallas will feature trumpeter Freddie Jones, who has played the anthem before every Dallas home game since 2013; and Tinashe will handle the honors in Seattle.
For the first time, the NFL will air a game on Black Friday via its deal with Amazon, which began streaming Thursday Night Football games this season. Coordinated through Amazon Music Live, Black Friday’s game between the Miami Dolphins and the New York Jets will feature a halftime interview with Garth Brooks promoting his concert from his Nashville bar, Friends in Low Places, that will stream on Amazon Prime and Twitch later that night.
As for Dudowsky, he’ll be watching the Thanksgiving games from his couch, although likely not in a post-turkey, tryptophan-induced coma like millions of Americans. He’ll have his phone and laptop at hand, “ready to react to any last minute (or in-show) issues and how we’re posting afterwards,” he says. “We have incredible production teams at all three games handling the performances on the ground, so if everything goes according to plan, it’s a great day of football, food and music I get to enjoy from home.”
In light of Cassie’s recent lawsuit against Diddy, Kesha is reassessing the lyrics of her breakout hit single “TiK ToK.” The 36-year-old musician, who is currently on her Only Love Tour, hit Los Angeles’ Hollywood Palladium on Saturday night and performed “TiK ToK” as the second song in her set. In the 2009 song’s opening […]
“I hate to stop the show like this again,” Monaleo quipped in frustrated jest. “But I’m bout to go slap the s–t out the sound guy!” During the sold-out New York stop on her Monaleo Like Monalisa Tour, the 22-year-old Houston rapper conquered severe technical difficulties — she was forced to stop her show and […]
BLACKPINK is up for the 2023 Billboard Music Awards‘ newly established top K-pop touring artist honor thanks to the success of its Born Pink World Tour. Whether or not the quartet takes home the trophy Sunday (Nov. 19), the group will still give fans a reason to celebrate with a gift just after the Christmas holiday.
Billboard can share the exclusive first look and details for BLACKPINK: A VR Encore coming to fans this holiday season. For BLACKPINK’s first concert in virtual reality, viewers can return to the Born Pink World Tour’s special finale show held in Seoul’s massive Gocheok Sky Dome that featured their Billboard Hot 100 hits such as “Pink Venom,” “Kill This Love” and “How You Like That” live, but also solo performances from Jisoo, Jennie, Rosé and Lisa.
Emmy Award-winning production company The Diamond Bros. is producing and directing the 70-minute concert custom-made for VR in partnership with Meta. Exclusively available in VR inside the Meta Horizon Worlds’ Music Valley, Meta Quest VR headset owners in select regions get a front-row ticket to the social experience.
“We’re thrilled to embrace the dynamic world of VR because it allows us to reach an even wider global audience and share our music in an entirely new, immersive way,” BLACKPINK said in a statement. “This VR concert is not just a show; it’s an extension of the tour we poured our hearts into. We can’t wait for you to see the magic we’ve created with The Diamond Bros and Meta, and thank you to our incredible BLINKs for your endless support.”
Josh Diamond, director and executive producer at The Diamond Bros, echoes the excitement for the major collaboration. “BLACKPINK is an iconic, groundbreaking group, and being able to capture them in VR in Seoul, South Korea, for the final performance of their Encore tour was incredible,” he says. “We couldn’t be more excited to have partnered with Meta on this amazing opportunity. We can’t wait for everyone to experience it!”
Meanwhile, Vishal Shah, VP of Metaverse at Meta, points out how A VR Encore changes a typical concert viewing.
“Artists like BLACKPINK are transforming how music fans experience performances and connect with their favorite artists,” Shah adds. “We’re excited to feature this creative, social VR experience from The Diamond Bros in Horizon Worlds and can’t wait for Meta Quest owners to take a front-row seat for this amazing show.”
BLACKPINK: A VR Encore premieres in VR on Tuesday, Dec. 26, at 5 p.m. PT in Meta Horizon Worlds. Attendees can RSVP for the event now, with replays available for a month in Meta Horizon Worlds after the concert.
Get your first look at the teaser and concert poster art below, and tune into the Billboard Music Awards Sunday, Nov. 19, at 8 p.m. ET via BBMAs.watch or Billboard and the BBMAs social channels.
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The tiaras were overflowing at the Wiltern Theatre in Los Angeles on Tuesday night (Nov. 14). An ecstatic, sold-out crowd came together to witness the latest stop of Chappell Roan‘s U.S. tour, where the rising pop star performed the entirety of her Dan Nigro-produced debut album, The Rise and Fall of a Midwest Princess. Decked […]
Calling all Barbz! Rolling Loud dropped the lineup for the festival’s forthcoming sixth visit to California on Tuesday (Nov. 14). Led by superstars Nicki Minaj, Lil Uzi Vert and Post Malone, the sprawling list of performers features more than 90 of the biggest and buzziest names across rap, R&B, pop and Latin music. Rolling Loud California 2024 will take over Hollywood Park Grounds in Inglewood, Calif., from March 15 to 17, 2024.
Minaj — a 2023 Billboard Music Awards finalist for top rap female artist — headlines a packed opening day for the festival. On Friday, March 15, Hollywood Park Grounds will be treated to performances from YG & Tyga, PARTYNEXTDOOR, Rae Sremmurd, Sexyy Red, Lil Tecca, Luh Tyler, Lay Bankz, Lil Gnar and JELEEL!
The Friday night performance is one of the first Minaj has confirmed for 2024. The two-time 2024 Grammy nominee is currently gearing up for the release of Pink Friday 2 — the sequel to her 2010 Billboard 200-topping debut studio album — and she’s teased an accompanying tour multiple times. Pink Friday 2 is set to arrive on Minaj’s birthday, Dec. 8.
On Saturday, March 16, “Circles” hitmaker Post Malone will lead an eye-popping lineup that includes appearances from Summer Walker, Big Sean, $uicideboy$, Larry June, Flo Milli, Pi’erre Bourne, Veeze, BigXthaPlug, Kaliii, Rob49, DC the Don, KenTheMan, 2Rare, Jordan Ward, Maiya the Don and Danny Towers. A mystery guest is listed in the second row of Saturday’s lineup between Big Sean and Larry June. Rolling Loud has yet to hint or reveal who the surprise act might be.
Finally, “Just Wanna Rock” rapper Lil Uzi Vert — who scored yet another Billboard Hot 100 hit with Minaj this year with their “Endless Fashion” (No. 20) duet — is set to close out the festival on Sunday, March 17, alongside a lineup that includes Bryson Tiller, Don Toliver, Ski Mask the Slump God, Chief Keef, NLE Choppa, That Mexican OT, 310babii, Chase Shakur, Sukihana, Ryan Trey, Cash Cobain, Wolfacejoeyy and Rich Amiri.
Billboard chart-topping regional Mexiacan singer-songwriter Junior H will serve as Friday’s special guest, with regional Mexican band Fuerza Regida acting as Saturday’s, and award-winning corridos tumbados trailblazer Natanael Cano as Sunday’s. DJ Scheme, DJ Five Venoms and DJ Stevie J will be tasked with keeping the vibes going and providing a soundtrack for three-day bonanza.
Earlier this year during Mar. 3-5, 2023, the most recent Rolling Loud California lineup — headed by Playboi Carti, Travis Scott and Future — electrified SoFi Stadium in Inglewood, CA.
Presale for Rolling Loud California 2024 begins Thursday, Nov. 16, at 10 a.m. PT, and general onsale begins the following day on Friday, Nov. 17, at 10 a.m. PT. Fans can click here to RSVP for first access to tickets — and a chance to win free tickets before they go on sale — right now.
Check out the full Rolling Loud California 2024 lineup below:
“They look so good together!” That was just one of the many enthusiastic fan pronouncements overheard during the Los Angeles stop for one of the year’s most anticipated reunion tours: Raphael Saadiq Revisits Tony! Toni! Toné!: Just Me and You Tour 2023.
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The Oakland, California-bred R&B trio — brothers Raphael Saadiq and D’Wayne Wiggins, plus cousin Timothy Christian Riley — also sounded just as damn good as they did in their ‘90s heyday. From the time the group jumpstarted Saturday night’s (Nov. 11) proceedings with “House Party (I Don’t Know What You Come to Do)” from 1991’s House Party 2 soundtrack until exiting arm-in-arm after rocking Inglewood (L.A.), California’s YouTube Theater with the fitting finale “Feels Good,” Tony! Toni! Toné! kept the audience on its feet for nearly two hours. Also getting their groove on during the sold-out, no-phones show: actor/comedian Eddie Murphy, Common and Jennifer Hudson, producer No I.D., NBA legend John Salley and actor Anthony Anderson.
“Where are my Day Ones at … Are you all ready to go on this journey?” queried Saadiq during the first half of the show, which included such hits as “If I Had No Loot,” “Let’s Get Down” and “Whatever You Want,” plus fan faves like “Til Last Summer.” Throughout the evening, the individual talents of each of the titular TTT members was spotlighted.
Wiggins was vocal lead on “Whatever You Want” and “Til Last Summer,” which were sing-along crowd-pleasers, as was his dexterous guitar playing. Riley’s commanding presence on keyboards also drew raves — at one point while playing, he went down on his knees, which prompted Saadiq to note, “That’s new!” Bassist Saadiq’s own tenor-to-falsetto vocals rounded out the trio’s still sublime harmonies as on the classic “(Lay Your Head on My) Pillow.” Also getting their chance to shine were members of TTT’s skilled band and estimable background singers.
From there, after a 10-minute intermission, the Tonys pulled out all the stops. Among the highlights: Saadiq revisiting his work as a solo artist (“Be Here”), as a member of Lucy Pearl (“Dance Tonight”) and as a songwriter/producer behind hits for other artists. That oh-wow trip down memory lane included D’Angelo’s “Lady” and “Untitled (How Does It Feel),” Erykah Badu/Common’s “Love of My Life (An Ode to Hip-Hop)” and Solange’s “Cranes in the Sky.” After that, a massive singalong ensued as the group shifted into fourth gear with “It Never Rains (In Southern California),” “Anniversary” and the aforementioned “Feels Good.”
Declared Wiggins of the evening, “It’s been 25 years since we’ve been onstage together. We are family forever!”
Kicking off Sept. 21 in Birmingham, the 25-date Raphael Saadiq Revisits Tony! Toni! Toné!: Just Me and You Tour 2023 itinerary included stops in New York, Chicago, Atlanta, Houston and Las Vegas. The trek will wrap later this week when the group returns to its Bay Area stomping grounds: Oakland (Nov. 14-15) and San Francisco (Nov. 17).
It was Travis Kelce‘s turn to show up at a stadium for Taylor Swift on Saturday night (Nov. 11) in Buenos Aires, Argentina.
Swift cheered Kelce on from several stadium suites at Kansas City Chiefs games over the past several weeks, and tonight the football star was spotted in the VIP tent at Estadio River Plate — with Swift’s dad, Scott, by his side.
The tight end for the Chiefs — who first saw Swift’s Eras Tour at Kansas City’s Arrowhead Stadium in July, marking the first public linking between the two — had to miss Swift’s first tour date in Buenos Aires on Thursday; he was attending teammate Patrick Mahomes’ fourth annual 15 and Mahomies Foundation Gala in Kansas City.
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Swift’s next concert in Buenos Aires, originally scheduled for Friday night, was postponed due to “truly chaotic” weather. “I love a rain show but I’m never going to endanger my fans or my fellow performers and crew,” Swift said in a message in an Instagram Stories post.
She addressed the cancelation on stage, as well as the six Grammy nominations she just received, Saturday night during a speech before Evermore‘s “Champagne Problems.”
“I started off my morning by getting the extraordinary news,” Swift said, in reaction to her nods for the 2023 Grammy Awards, which were announced Friday.
“You’re the best,” she told the Buenos Aires crowd, who soon started a chant of “Olé, Olé, Olé” for Taylor. “You continue to be the best.”
But Friday wasn’t perfect. Swift explained, “I get a call from my management, and they had to explain to me that it [the weather] … It’s way worse than we thought. The weather is out of control. It’s absolutely unsafe.”
Due to the weather conditions, Swift will make up Friday’s concert on Sunday night.
See a fan-filmed clip of a Travis Kelce sighting in the VIP tent at Swift’s Saturday night show below.
When Taylor Swift announced in June that she would be performing in Argentina for the first time ever as part of her Eras Tour, tickets to her three shows sold out within hours. Excitement has only grown since then, and finally, on Thursday, Nov. 9, the wait came to an end as 70,000 sang along during her first show, where she performed nearly 45 songs spanning her entire career.
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The show, the first of three at Buenos Aires’ Estadio Monumental (also known as Estadio River) and produced by DF Entertainment (the company owned by promoter Diego Finkelstein), featured Argentine artist Louta and Sabrina Carpenter as opening acts. It began precisely at 8:42 p.m., when Swift appeared on an elevated stage singing “Cruel Summer,” after “Miss Americana” played during the intro. Following the opening performance, she shouted, “Buenos Aires, bienvenidos a The Eras Tour!”
Here are some highlights of the night.
Six Months Camping
Thousands of fans waited impatiently for 3 p.m., the exact time when security was scheduled to open the gates to allow access to the field, the closest location to the main stage. Some Swifties camped outside the stadium for six months to be close to the front of the field, and the minute the gates opened, they sprinted the 100 meters to get the best standing room in the house.
Taylor Gets on Stage
Finally. Swift sets foot on the stage of Estadio Monumental singing “Cruel Summer.” The audience screams, and Taylor speaks to her happiness at being in Argentina for the first time. “Buenos Aires, bienvenidos to The Eras tour!” she shouted. “I am so very lucky because they very first time I decided to visit Argentina, you decided to sell out three shows […] They way you are dancing, the way you are singing, this is on another level.”
The Nerves of the Moment
Swift kicked off the fourth block of the show with “Champagne Problems,” a track she’s performed hundreds of times before. However, when time came to play it at the Monumental, the superstar lost her place at the piano. Far from making it a negative, she found humor in the situation. “This is what Argentines do,” she quipped.
Two-Minute Ovation
Weeks before, Swift’s fandom, via social media, had agreed to do different actions during her show, including lifting posters in certain songs, or reflecting the Argentine flag with their cellphones. Another planned moment was a two-minute ovation to thank Swift for performing in their country. At that point, Swift took out her in-ears and said, “I can’t believe it.”
Emotion Til the Very End
The show is a roller coaster of emotions. For example, Swift gave her hat to a little girl during “22,” and at one point, she stopped the show completely to listen to the crowd roar. But the end of the show will be memorable to all Argentine Swifties. Screams, applause, wristbands high and our country’s message to Taylor: “Argentina loves you. Come back soon.”
The inaugural Honeyland Festival produced by Live Nation Urban and Endeavor-owned IMG, opens this weekend at Crown Festival Park in Sugar Land, Texas, just outside Houston.
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Headlined by Mary J. Blige, Miguel and Summer Walker (who was announced as a replacement for Jazmine Sullivan last month) the festival combines high-end eats, wine and beer for a two-day experience dedicated to celebrating and elevating Black culture.
“Black customers are underserved in the festival space and want an experience where they can enjoy food and wine and music,” says Kevin Shivers, agent and partner at Endeavor-owned WME who pitched the idea for Honeyland to WME President Mark Shapiro as a “Black Bottlerock,” inspired by Live Nation and Latitude 38’s famous food and wine-centric festival that happens every year in Napa, California.
Shivers, who has booked his artist clients at hundreds of festivals globally, says the idea for Honeyland is to create a similar experience highlighting Black-owned food and wine businesses.
“At many festivals, no matter who is organizing it, white or Black, food is an afterthought, the signage looks bad and guests are drinking out of a plastic cup,” Shivers said. “That’s not a great experience.”
Houston was chosen because of the lack of major festivals in the Texas city, despite being internationally known as the original home of artists including Beyonce, Travis Scott, Megan Thee Stallion.
“You look at Atlanta or D.C. or any of these other markets and there’s a lot of stuff going on. And we thought Houston was pretty open and we found a great site where attendees can come in and make their way around the festival and enjoy music or drinks on their schedule,” Shivers said.
Additional musical performances listed in the star-studded lineup includes Houston rappers Coco Jones, Paul Wall, Slim Thug, Scarface, and Tobe Nwigwe, who will serve as the festival’s “Houston Ambassador.”
Honeyland is being led by Staci Hallmon, IMG’s senior vp, who has previous leadership experience at Walmart, Coca Cola, Disney, Verizon and BET Networks, as well as Essence Magazine where she served as the architect of ESSENCE Festival.
Houston was ranked as the country’s No. 5 culinary destination in the country this year according to Travel + Leisure. Honeyland will highlight Black mixologists, blenders, wine experts and distillers. Single-day general admission ($95), GA+ ($140), and VIP passes ($295) are still available.
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