Concerts
Page: 22
On Nov. 11, the Bob Woodruff Foundation and The New York Comedy Festival held its 18th annual Stand Up For Heroes (SUFH) benefit at Lincoln Center’s David Geffen Hall in Manhattan, and, as usual, some of music’s and comedy’s biggest stars — Bruce Springsteen, Norah Jones, Questlove, Jerry Seinfeld, Jon Stewart, Jim Gaffigan and Mark Normand — helped raise more than $29 million for military veterans and their families.
Explore
See latest videos, charts and news
See latest videos, charts and news
That figure includes the staggering $25 million donation the Craigslist founder Craig Newmark’s philanthropic organization donated to the Woodruff Foundation, where he is on the board of directors.
Trending on Billboard
The benefit — which took place on Veterans Day for the first time in its history — kicked off with Questlove DJ’ng for the receptive crowd. Here are some of the highlights of the show. (Some jokes are paraphrased for simplicity’s sake; others are not verbatim because recording was not permitted.)
1. Bruce Springsteen
Last things first. The Boss, who has long supported veterans and has performed at 17 of the 18 SUFH benefits, closed the show with an electrifying acoustic performance of four songs: “The Power of Prayer,” from his 2020 Letter to You album, “Land of Hope and Dreams,” “Dancing in the Dark,” and “Long Walk Home,” which he introduced as “a small prayer for our country.” Given the benefit’s comedic theme, Springsteen always brings jokes with his guitar — some ribald, some corny — and he told them between songs.
His first involved a husband learning that his wife is pregnant. Taking the doctor aside, he says his spouse couldn’t be pregnant because he is religious about practicing safe sex and always wears a condom. “Let me tell you a story,” the doctor says. To paraphrase Springsteen, A hunter goes out to bag a lion but brings his umbrella instead of his rifle. When he encounters the big cat, he raises his umbrella, yells “bang!” and the lion falls dead. “Doc, that’s impossible. Some other guy must have shot him.” Rimshot, please! Another: “Bakery burns down,” Springsteen said. “Business is toast.” The crowd didn’t judge Springsteen on his comedy and gave him a standing ovation. As they left the theater, some could be heard using words like, “exhilarating” and “powerful” to describe his performance.
2. Norah Jones
Jones performed early in the show and proved to be the quiet storm of the evening. She left the talking to others, choosing instead to speak through the soulful set she played on a Steinway grand piano that was wheeled onstage. Her first three songs, “Don’t Know Why,” the hit single from her 2002 debut Billboard 200 chart-topping album; “Little Broken Hearts,” the title track of her 2012 release; and “Come Away With Me,” also from her first album, could have been interpreted as subtle commentary on the results of the presidential election. “Don’t Know Why” contains the verse: When I saw the break of day, I wished that I could fly away. Instead of kneeling in the sand, catching tear-drops in my hand.” “Little Broken Hearts,” includes the lyrics, “Only the fallen need to rise. What if lightning strikes them twice? Will they give up on their lives. And finally divide?” And though “Come Away With Me,” is largely a love song, it does contain the line, “Come away where they can’t tempt us with their lies.”
The last song of Jones set was a tribute to the patriotism of the vets gathered at the benefit — “American Anthem,” from the soundtrack of Ken Burns’ World War II documentary, The War. “Let me know in my heart, when my days are through,” Jones sang. “America, America, I gave my best to you.”
Norah Jones performs during the 18th Annual Stand Up For Heroes Benefit Presented By Bob Woodruff Foundation And New York Comedy Festival at David Geffen Hall on Nov. 11, 2024 in New York City.
Valerie Terranova/Getty Images for Bob Woodruff Foundation
3. Jon Stewart
Stewart’s support of military veterans goes much deeper than the laughs he reliably provokes at Stand Up for Heroes, where he has appeared 15 times, and the applause and cheering he received while he was onstage reflected that. “Thank you for the Pact Act!” Iraq war veteran Amanda Hooper shouted from the audience during Stewart’s set, a nod to the 20 years The Daily Show anchor spent fighting for the 2022 passage of the law that provides assistance to veterans who were exposed to harmful chemicals such as Agent Orange during the Vietnam War and toxins from burn pits that were used to destroy military waste in Iraq and Afghanistan.
The chemicals can cause myriad illnesses, including cancer and respiratory diseases, and prior to the passing of the Pact Act, The Department of Veteran Affairs denied about 75% of veterans’ burn pit claims. Now a senior outreach coordinator at MACV, an organization dedicated to ending veteran homelessness, Hooper told Billboard that she is finally able to receive care for a severe respiratory illness she contracted because of burn pits in Iraq.
As anyone who watches The Daily Show knows, Stewart’s activism has not dulled his comic chops. He told the crowd that after the election, someone asked him if he was “worried about anti-Semitism.” His reply: “I think anti-Semitism will be just fine,” which led him to tell the story of posting a remembrance of his beloved three-legged pitbull, who had died, on social media. While most of the replies offered condolences and tributes to their own late pets, one response stood out: “Why did you change your name, Jew?”
Addressing his age, Stewart, who is 61, told the crowd, “The other day, I needed my reading glasses to jerk off,” and after the guttural laughing died down, he added: “I hear the rumble of recognition.” His final bit was an extended story about his son, Nate, a sophomore in college. Stewart recalled leaving his sleeping son at home to visit a nearby VFW post, where he met an impressive veteran who had enlisted at the age of 18 and deployed three times to Afghanistan. When Stewart returned home, continued, he received a text from his son, who was still in his bedroom. The message: “I’m up. Make me a bagel.”
4. Mark Normand
Normand was the rookie comedian of the night. It was his first time at the benefit, but he clearly wasn’t worried about whether he’d be invited back — which was a very good thing for unrepentant comedy fans in the audience. He opened his set by riffing on the election, and a few gasps peppered the laughter when he imagined Robert F. Kennedy saying to Donald Trump, “Now that you’ve been shot, you feel like family.” Normand also said he’d like to have sex with a non-binary person because it could be interpreted as a threesome. If someone asked, “Did you have sex with her?”, he could reply, “No. Them.”
And when all four comedians took to the stage to eat up a few minutes before Springsteen’s set, Stewart gestured to Normand, who at 41 was the youngest of the group, “We’re a boy band, and we finally found a young singer.” “I used to do Diddy parties,” Normand replied. “It’s good to be here. I escaped.”
Jerry Seinfeld, Jon Stewart, Jim Gaffigan and Mark Normand attend the 18th Annual Stand Up For Heroes Benefit Presented By Bob Woodruff Foundation And New York Comedy Festival at David Geffen Hall on November 11, 2024 in New York City.
Slaven Vlasic/Getty Images for Bob Woodruff Foundation
5. Jim Gaffigan and Jerry Seinfeld
Although they performed separately, both Gaffigan and Seinfeld are Jedi masters of observational comedy, and they had the crowd roaring. Gaffigan began his set with a bit on “running late” and traveling. When he sees someone running for their gate at an airport, he said, “I think to myself, I hope they don’t make it.” Otherwise, he added, “How are they going to learn?” He also noted that he takes a lot of connecting flights, which often involve sitting in an airport “for two hours and counting all the losers with neck pillows.”
Gaffigan then told a story about hustling along a New York City street — because he was late — and seeing a crowd of people with their cell phones raised. When he asked one of the amateur photographers what she was shooting, she replied, “The sunset!” Gaffigan said the response left him wanting to “kill” that person knowing “that that photo would be used to bore someone.” “I gotta be honest,” he said. “I want to kill a lot of people.”
Seinfeld also took on the subject of cell phones. When some in the front row broke out their handhelds to snap pictures of him, he encouraged them to proceed because “I choose to enjoy your dumbness.” He added that he also doesn’t give a “rat’s ass” about the photos on other people’s phones. “We need to stick to looking at our own phones, heads down,” he said, and, possibly referring to the election, “ride this disaster of the moment into the ground where it belongs.”
Moving to AI and its potential out-think humans, he said, “We were smart enough to create it; dumb enough to need it; and stupid enough to not know if we did the right thing.” One of the biggest laughs he got came from the simplest punchline: “Why was Frankenstein wearing a sport jacket?”
6. The Heroes
It was impossible to not be moved by the group of veterans who took the stage and, one by one, described the challenges they faced after returning from their deployment in Iraq and Afghanistan, and how they benefited from the programs funded by the Bob Woodruff Foundation. Among those who spoke was Jerrod Reynolds, who became homeless and a drug addict. He explained that the MACV organization found him housing, which led him to conquer his substance abuse. He has since joined VMAC, where he works with Amanda Hooper.
The last to speak was Frank Williamson, the medic who saved Woodruff’s life when he was seriously injured by an improvised explosive device in 2006 while covering the Iraq war for ABC News. Williamson explained that treating hundreds of soldiers life-threatening injuries left him rudderless and despondent when he returned home. He also turned to drugs and was rehabilitated by one of the foundation funded programs. When Williamson finished, Woodruff emerged from the wings, and the two men embraced, brothers in arms.
11/11/2024
The K-pop group proves why they’ve graduated to stadiums on the RIGHT HERE U.S. tour.
11/11/2024
Following claims of retirement from Australian breaker Rachael Gunn, or “b-girl Raygun,” the viral Olympic hopeful has made a surprise appearance onstage with fellow Aussie Tones And I at the latter’s Melbourne performance on Saturday (Nov. 9).
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Performing at Rod Laver Arena, the penultimate song of Tones And I’s headline set was “Dance With Me”, the fourth single from her 2024 album, Beautifully Ordinary.
While the album charted atop the ARIA chart in Australia, Tones And I has not had a charting hit in the US apart from her breakthrough single “Dance Monkey”, which peaked at No. 4 on the Hot 100 i 2019.
Trending on Billboard
Hyping up the crowd, Tones And I urged the audience to “please give it up for an Australian icon, the most iconic break dancer there is, Raygun!”
The controversial Olympian took to the stage to share her breaking skills throughout the performance, with memories of her viral appearance at the Paris Olympics flooding back for all in attendance.
Taking to social media following Raygun’s appearance, Tones And I shared a video of the encounter and expressed her gratitude for the breaker, referring to her as the “most beautiful kindest full of life human I have met”
“It was an honour to celebrate you last night,” she added. “Thank you for sharing the stage with me and bringing smiles to so many faces. You always have a friend in me.”
Raygun, a 37-year-old university lecturer from Sydney, shot to fame in August when failed to score any points at the Paris Olympics in routines that included a “kangaroo” dance. The following month, the World DanceSport Federation issued a statement to “provide clarity” on why Raygun had managed to top the sport’s latest world rankings.
Their explanation revealed that the methodology for the rankings were based on each athlete’s top four performances within the past 12 months — but excludes Olympic events including the Paris Games and Olympic qualifier series events in Shanghai and Budapest.
Earlier this month, the breaker made headlines once again when reports emerged that she had announced her retirement from the sport.
She later went on the record to clarify that she would no longer be competing, though not retiring from breaking entirely.
Shaboozey and Lindsey Sterling will join Lainey Wilson in providing halftime entertainment for the trio of National Football League games that take over television on Thanksgiving. Explore See latest videos, charts and news See latest videos, charts and news Wilson had been previously announced as the entertainment for the Dallas Cowboys’ annual Thanksgiving Day game, […]
Coldplay’s Chris Martin gave Melbourne fans a shock during the band’s final night at Marvel Stadium when he took an unexpected tumble through a trap door on stage on Sunday, Nov. 3.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
In videos shared to social media, Martin can be seen walking backward while reading fan signs, before accidentally stepping into an open section of the stage, vanishing from sight in a split second.
The nearly 60,000-strong crowd gasped collectively as Martin momentarily disappeared. However, he quickly reappeared from beneath the stage, reassuring fans with a smile and saying, “That’s not planned.”
Trending on Billboard
Coincidentally, Martin isn’t the only artist who has recently fallen through a trap door onstage in Melbourne.
On Oct. 18, Olivia Rodrigo also fell through a trap door while performing at Melbourne’s Rod Laver Arena during her “GUTS” tour. Rodrigo, unfazed, joked with the audience upon resurfacing, quipping, “Oh my God, that was fun! I’m okay! Wow. Sometimes, there’s just a hole in the stage. That’s alright! Alright, where was I?”
Rodrigo later admitted on The Tonight Show that she was “shaken up and the incident “was really scary”.
Meanwhile, Marvel Stadium saw another milestone with Coldplay’s four-show run, which drew an unprecedented 227,000 fans throughout their Melbourne dates. The attendance broke the long-standing record set by AC/DC’s Black Ice tour, which brought in 181,495 fans across three shows in 2010.
“Coldplay have officially broken our all-time largest attendance record for a band at Marvel Stadium, with 227k people attending across the four Music of The Spheres World Tour shows held at the Stadium,” the venue wrote on Instagram today (Nov. 4).
According to the venue’s history, the current record for the highest-attended concert belongs to fellow English musician Adele, whose performance on March 19, 2017, was attended by a total of 77,327. Just shy of one year later, Ed Sheeran broke the record for the largest attendance for a concert series by a single artist, bringing in a total audience of 257,751 across four shows in March 2018.
Coldplay’s Australian tour has been met with major fanfare, partly due to the band’s first performances in the country since 2016. This tour supports both Music of the Spheres and the recently released Moon Music, which debuted at No. 1 on the Billboard 200.
The band’s Australian tour continues with upcoming shows at Sydney’s Accor Stadium, as they support their tenth studio album, Moon Music, and their chart-topping Music of the Spheres.
When Taylor Swift first announced The Eras Tour on Nov. 1, 2022, she might not have guessed that, exactly two years later, she would still be on the career-spanning trek. Also, with just 27 dates announced on that first day, it might surprise her to learn that when the tour wraps in December, she’ll be […]
Steve Earle’s son, John Henry, was diagnosed with autism when he was 19 months old, while the singer/songwriter was on tour in Australia. He received a phone call with the news from his then-wife, country singer-songwriter Allison Moorer.
Explore
See latest videos, charts and news
See latest videos, charts and news
“That was the beginning of me trying to figure out what John Henry needed,” says Earle, “and I got lucky.”
John Henry, now 14, is enrolled in the Keswell School in New York City. The year-round school nurtures and educates students with autism ages 3 to 22, with a teacher-to-student ratio of 1:1 for “pretty intense” therapy, says Earle. John Henry is non-verbal, with a diagnosis of a sensory processing disorder.
For the past decade, Earle has used his acclaimed artistry and career-long friendships to raise funds to help the school with an annual must-see performance.
Trending on Billboard
On Monday (Nov. 4), at Town Hall in New York, the 10th annual John Henry’s Friends Benefit will feature Earle with Jackson Browne, along with singer-songwriter Margaret Glaspy and the husband-and wife duo of Larry Campbell and Teresa Williams.
The show is a rare opportunity to see Browne in a small venue. “Jackson and I have been showing up for each other’s causes for a long time,” says Earle. Glaspy is a New York-based singer/songwriter whose latest album Echo the Diamond was released last year. Earle has been friends for decades with Williams and Campbell, the latter the Grammy-winning producer/singer/guitarist known for his tours with Bob Dylan and as the musical director of Midnight Rambles with the late Levon Helm of The Band.
Presented by Earle and City Winery, the benefit will feature a guitar pull format, “all four artists on stage at the same time, just kind of swapping songs and telling stories,” he says. “It’s a unique experience for the audience.” Earle will draw from his repertoire of classics like “Guitar Town” and “Copperhead Road,” which he recently re-recorded live for his new solo acoustic concert album Alone Again (Live).
The community spirit of the benefit show reflects what Earle has learned about parenting an autistic child, beginning immediately after that very first phone call, he recounted recently.
In Australia, in early 2012, he was playing festivals with Crosby, Stills and Nash. “I’d never really met Stephen [Stills] before that week,” says Earle. But he knew Stills and his wife Kristen have a now-grown autistic son, Henry. (Henry Stills was featured in the 2007 HBO documentary Autism: The Musical, for which his mother was an executive producer.) “I just made a beeline for Stephen and he put me on the phone with Kristen,” recalls Earle.
Connection with others facing the challenge of autism is crucial, he says. Earle, who has overcome addiction to heroin and cocaine, recalls: “There was a guy in my twelve-step group that had a kid, who was a young teenager by that time, who had autism, and [that father] was the one that showed me the ropes in New York City.”
(Although Earle recovered from his addiction, his first-born son Justin Townes Earle, 38, died in August 2020 of an accidental overdose. “I’ve had two of the worst bits of news a parent can receive,” says Earle. “One is your child has autism and the other, my son [was found] deceased on the floor of his apartment.” Earle subsequently released J.T., an album of his son’s songs on Jan. 4, 2021, which would have been Justin’s 39th birthday.)
“Everything that can happen has happened to me,” says Earle, who nevertheless responded to John Henry’s diagnosis with his instincts as an activist. “I have skin in this game,” he says. “I have something I could offer that might be able to raise some funds.”
Earle has become an advocate for those with autism, dismissing misinformation and offering guidance where he can. “It is an epidemic and, yeah, we don’t know what causes it,” he says. “Whatever else you think about vaccinations, it doesn’t cause autism.”
Earle notes that federal disability laws state that “if your public school system can’t provide what your child needs — and that’s any special needs child — then the school system has to fund that education” in a private school setting. “But you have to lawyer up,” says Earle. “You have to litigate to get those funds, even though there’s a federal law, because it’s an unfunded law. There’s a lot of those on our books.”
Earle also sought legal advice to set up what’s known as a special needs trust to provide for John Henry’s future. “It’s something you definitely need to do,” says Earle, while acknowledging that John Henry also will benefit from a strong extended family. The singer’s son, Ian, will care for John Henry when his parents are gone.
“That was decided early on,” says Earle. “I didn’t force that on him or anything. And I think my grandkids will step into the breach,” he adds. “They’ve just been raised that way. We’re that kind of family.”
Federal government support for autism crosses party lines. A renewal of the Autism CARES Act, which will provide $2 billion over the next five years for autism research and healthcare training benefiting individuals with autism, passed both the House and the Senate in September. And yet, “the truth is, any kind of services provided by the government are in danger in an election like this,” says Earle.
Perhaps surprisingly, this self-described “hard-core lefty” does not criticize those who have previously supported Donald Trump. “There’s some people whose lives just didn’t get any better in the administration before and they voted for something different. That’s heartbreaking, but it is the way that it is.”
But on this Election Day, he says, “we have a candidate on one side that really isn’t concerned about anything but lowering his taxes and [the taxes for] people like him and keeping himself out of jail.” On Monday, Earle will be focused on helping the school that has done so much for his son.
“John Henry’s improved a lot,” says Earle. “He’s still non-verbal. He navigates an iPad fairly well.” He also enjoys a wide range of music, Early explains, helping his father develop an appreciation for classical compositions and opera.
“He understands way more than we ever know,” says Earle. But he also will not respond, due to his autism — or perhaps due to him simply being a teenager.
“I’m his father, and there are other times when he understands exactly what I’m saying, and he ignores me,” Earle says with affection. “So that’s not autism. That’s just like any other 14-year-old.”
As North Carolina natives Luke Combs and Eric Church organized the Concert for Carolina benefit held Oct. 26 in Charlotte, the only question anyone asked was “How can I help?”
Explore
See latest videos, charts and news
See latest videos, charts and news
“All egos went out the door,” said Chris Kappy, Combs’ manager. “It was just everybody working together, AEG and Live Nation, all the managers, all the teams. It never got territorial.
The six-hour concert, which also featured James Taylor, Keith Urban, Sheryl Crow, Billy Strings, Scotty McCreery, Avett Bros., Chase Rice, Parmalee and Wesko, has raised $24.5 million (and counting) for western North Carolina victims of Hurricane Helene.
Trending on Billboard
While many benefits take several weeks, if not months, to plan, Concert for Carolina was held less than a month after the worst natural disaster to ever hit North Carolina ravished mountain towns, including Asheville and Boone, and left close to 100 people dead.
North Carolina Governor Roy Cooper said at an Oct. 26 press conference that more than 100,000 people in the state had damage to their homes and thousands of businesses had been affected. The estimated financial damages of the storm to North Carolina are $53 billion.
The day after Hurricane Helene hit on Sept. 27, Combs called Church about organizing a benefit and they immediately started calling their artist friends. “I remember sitting at home in Nashville and wanting to figure out how I can be of service, how I can help the place that raised me,” said Combs. “There was no question that this was going to happen come hell or high water.”
David Bergman
The next step was for Kappy to call David and Nicole Tepper, who own the Carolina Panthers, FC Charlotte and Bank of America stadium, where the NFL and soccer teams play in Charlotte, to see if they could use the stadium. “The yes was so fast,” Kappy said. “David and Nicole said, ‘We’ve got the stadium. We’ve got everything covered.’ David and Nicole would have moved heaven and earth to make it happen for us.”
The Teppers were already looped into hurricane relief via their work with the American Red Cross and had started giving what has now become close to $6 million toward relief efforts for both Hurricane Helene and Hurricane Milton, which hit Florida just days after Helene passed through. “When [Kappy] called us, it was like, ‘Okay, what do we have to do to do it and it’s three weeks,’” David Tepper told Billboard. “It’s hard from [Combs’ and Church’s] end to get the artists, but on this end, we had to make sure we didn’t get scheduled with [a soccer playoff game.]” Luckily, the Panthers were playing away from home and FC Charlotte could also play away from home. Also fortuitously, Morgan Wallen played two shows at the stadium the weekend before the Concert for Carolina and production could just keep the field covering down.
Ultimately, with Tepper’s encouragement, the stadium’s concession, merchandise and parking vendors all donated their proceeds as well. All the other participating companies, including those providing sound, stage, lighting and video, also donated their resources. Ticketmaster also donated its services and put plans in place to keep tickets out of the secondary market. The show sold out quickly, setting a new venue record of more than 82,000 attendees. Veeps donated all proceeds from a $24.95 streaming option. The acts all paid their own expenses and were not paid to play.
While Combs’ and Church’s teams dealt with the show aspects, Tepper was dealing with logistics. “There’s contracts, there’s the police, there’s who’s holding the money and where’s the money going and making sure it’s flowing the right way,” he said. “Usually there are long negotiations, but everybody was trying to make sure everything was done right. It was a lot of people putting everything aside just to get this done.” Tepper had some experience, having helped organize New York’s 12-12-12 benefit in 2012 following Hurricane Sandy, which hit the east coast in late October 2012.
Even rivals AEG and Live Nation joined together to co-promote the show. “We really looked at it and said, ‘We just need the smartest minds in the room’ and this was an opportunity for everybody,” Kappy said. “You can show everybody that you can put down your swords and you can all put your arms around each other and lift each other up to lift everybody else up.”
The goodwill was infectious. “Everybody wanted to be part of something special and saw what we were doing. They said, ‘We want to be part of that,’” Kappy said. Kappy and Church’s manager, John Peets, worked in “lockstep,” on the benefit, staying in constant communication. “It’s been awesome to go back and forth with him on this and for him to be like, ‘Whatever Kappy says,’ and for me to be like ‘Whatever John says.’ Same with our two agents at WME and our production managers working hand in hand.”
“Everybody in the city, at the stadium, on the artist side…quite frankly, all their better angels were working together to put this together in three weeks,” Tepper said.
All proceeds from the benefit show, auction and livestream are going to organizations selected by Combs and Church, including Samaritan’s Purse, Manna Food Bank, Second Harvest Food Bank of Northwest NC, Eblen Charities and the organizations supported by Church’s foundation, Chief Cares. At the show, Church also stated his intention to build more than 100 houses for those who lost their homes in the hurricane.
The focus now shifts to how to keep awareness on the area and the ongoing need as the recovery will take years. “The biggest thing for Luke and I is we continue to shine a light on this,” Church said. “This concert’s a great way to do it, but these people are going to need help long after tonight and long after next month and long after six months. So, it’s about, how can we continue to put this up front to make people be aware of what happened there, and we help the people.”
Even before Charli XCX dominated the summer with her acclaimed album brat, there was internal chatter about a joint arena tour with her and Troye Sivan. “I was pretty unsure how it would work, honestly,” recalls creative director Imogene Strauss, citing how unusual it is for two artists to alternate within the set list. “I was like, ‘This is going to be a challenge’ — and I think everyone felt that way.”
Ultimately, fusing two separate tours — Charli had debuted her solo brat shows during album release week at Primavera Sound in June while Sivan had embarked on his own European/U.K. headlining tour in support of his third album, Something To Give Each Other, in May — for a fall co-headlining run proved easier than expected. The Sweat tour kicked off Sept. 14 in Detroit and quickly became one of music’s hottest tickets, with sold-out dates at Madison Square Garden and Kia Forum with surprise guests including Lorde and Kesha, respectively. The trek concluded in Seattle on Oct. 23.
“It’s been an interesting morphing, shifting thing because of the scale, but also because of the collaboration element of it,” says Strauss, who has worked with Charli since 2019. Along with Jonny Kingsbury of Cour Design, the pair leaned heavily on lighting as a unifying element for the tour. “That ultimately became the thing that could tie the two shows together,” she says. Adds Kingsbury: “Traditionally with a pop artist, you would use bright key light and lots of downstage wash, but instead we light her very strobe-y, almost as if you were watching someone walk through a club in a movie throughout the entire show.”
Trending on Billboard
Another early decision the creative team made was to enlist a Steadicam operator from the music video world and to hire a focus puller, which Strauss says is “expensive and specific, but I think it’s added this cinematic level that has been so positive.” (Plus, as Kingsbury says, the concept paired well with the brat aesthetic, “with [Charli] pushing the camera man aside, spitting on the catwalk and licking it up. All of that feels very brat.”)
Fittingly, Strauss’ favorite part of Sweat showcases that creative synergy: Midway through the show, as Sivan is wrapping up “Stud” on the main stage and Charli is gearing up for “365” from the scaffolding, the screens are turned off and Charli’s iconic “bumpin’ that” line blares from the speakers. “Musically, the worlds are so well tied together, and being able to express that visually… it’s just so cool to see the worlds collide in a way that really works,” she says. Both she and Kingsbury credit music director Mitch Schneider for “expertly” putting Charli and Sivan’s music together, ultimately laying the foundation for the entire show.
“I think most people were expecting this tour to be like, Troye plays a set and then Charli plays a set,” says Strauss. “But Troye and Charli and all of us involved were like, ‘If we’re gonna do this, it’s gonna be intertwined musically, visually, everything.”
As a result, Kingsbury says a lot of the feedback he’s been hearing about the tour was how polished the show was. Both he and Strauss say many arena tours today rely on “gags” or “interstitial content” to help with costume or staging transitions, whereas Sweat was “very dialed in,” says Kingsbury. “Everyone is always trying to go bigger and more ridiculous — we went the opposite direction.”
“[This tour] doesn’t take itself too seriously — people dance like crazy,” adds Strauss. “Turning an arena into a club was the No. 1 challenge, and when the arena was literally shaking, I was like, ‘OK, success.’”
A version of this story appears in the Oct. 26, 2024, issue of Billboard.
State Champ Radio
